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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Improve Your Iron Play by Understanding Hideki Matsuyama's Release
After this video, you'll be able to:
- Identify the importance of a stable sternum for better contact.
- Understand how your arm movement influences your swing path.
- Recognize the differences between Matsuyama's release and common amateur faults.
In this analysis, we break down Hideki Matsuyama's swing to uncover key techniques that make his iron shots exceptional. Learn how to apply these insights to enhance your own approach shots.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:04.750
In this analysis video, we're going to take a look at the swing of Hideki Mats
2
00:00:04.750 --> 00:00:05.500
uyama.
3
00:00:05.500 --> 00:00:10.520
Now, Hideki is consistently a top ball striker, and like many who can really go
4
00:00:10.520 --> 00:00:13.300
low, he shines with the iron shots.
5
00:00:13.300 --> 00:00:17.000
Specifically between 125 and 200 yards.
6
00:00:17.000 --> 00:00:21.300
In this video, we're going to discuss two of his keys on how he's able to hit
7
00:00:21.300 --> 00:00:24.000
such exceptional approach shots.
8
00:00:24.000 --> 00:00:30.000
Hideki is consistently in the top 10 in strokes gained approach to green.
9
00:00:30.000 --> 00:00:35.000
His proximity to the hole is great. He's a really solid iron player.
10
00:00:35.000 --> 00:00:39.000
He's a good driver of the golf ball, but he's an exceptional iron player.
11
00:00:39.000 --> 00:00:42.020
He can struggle at times with the putting, but when he gets that rolling, he
12
00:00:42.020 --> 00:00:43.000
can go really low.
13
00:00:43.000 --> 00:00:48.420
Now, what's nice for this analysis video is we're going to take a look at what
14
00:00:48.420 --> 00:00:50.000
he does during the release.
15
00:00:50.000 --> 00:00:54.520
Because right now, some of the hot concepts are to teach a lot of arm shall
16
00:00:54.520 --> 00:00:58.000
owing and early flexing of the lead wrist.
17
00:00:58.000 --> 00:01:01.000
And we'll see that Hideki doesn't really do either of those.
18
00:01:01.000 --> 00:01:09.000
You can see that early in his transition, he gets the shaft in a more vertical
19
00:01:09.000 --> 00:01:11.000
or steep position compared to his upper body,
20
00:01:11.000 --> 00:01:14.000
and he doesn't really flex that lead wrist.
21
00:01:14.000 --> 00:01:19.660
So how is it that he's able to do these things that typical amateurs struggle
22
00:01:19.660 --> 00:01:20.000
with,
23
00:01:20.000 --> 00:01:26.260
yet he is able to consistently be a great iron player, or just a great ball
24
00:01:26.260 --> 00:01:27.000
striker?
25
00:01:27.000 --> 00:01:32.000
Well, there's two keys that he's able to demonstrate in his swing.
26
00:01:32.000 --> 00:01:36.600
One, dealing with his arms and the way he releases the club, and two, dealing
27
00:01:36.600 --> 00:01:38.000
with his upper body
28
00:01:38.000 --> 00:01:41.000
and how stable he's able to keep his sternum.
29
00:01:41.000 --> 00:01:44.000
Now, your arms actually connect to the sternum.
30
00:01:44.000 --> 00:01:51.070
So the sternum is the chest bone, is a great kind of reference for how your
31
00:01:51.070 --> 00:01:54.000
upper body is going to influence low point.
32
00:01:54.000 --> 00:02:01.500
So what many amateurs would do is from this a little bit steep position, like
33
00:02:01.500 --> 00:02:06.000
so, they would shallow out the swing path
34
00:02:06.000 --> 00:02:12.770
by having the sternum go backwards away from the golf ball and having the stern
35
00:02:12.770 --> 00:02:14.000
um go up
36
00:02:14.000 --> 00:02:17.000
and probably having the sternum go a little bit forward.
37
00:02:17.000 --> 00:02:24.570
Now, what we'll see is through the release, he does a great job of keeping the
38
00:02:24.570 --> 00:02:29.000
sternum about the same distance away from the golf ball.
39
00:02:29.000 --> 00:02:34.170
That helps him provide a really consistent reference point for his arm
40
00:02:34.170 --> 00:02:35.000
extension.
41
00:02:35.000 --> 00:02:39.220
From the down the line, you'll see that even though he does a tremendous job of
42
00:02:39.220 --> 00:02:40.000
pushing with the legs
43
00:02:40.000 --> 00:02:45.180
and using the legs vertically as well as rotationally, you'll see that he doesn
44
00:02:45.180 --> 00:02:51.000
't let that cause his upper body or his sternum to move off of the golf ball.
45
00:02:51.000 --> 00:02:55.750
So he stays a pretty consistent distance from his golf ball and then what he
46
00:02:55.750 --> 00:03:01.000
does with his arms allows him to make very solid repeatable turf contact.
47
00:03:01.000 --> 00:03:06.720
What he does differently with his arms, which is kind of that second key, is he
48
00:03:06.720 --> 00:03:12.000
really releases the whole arm and not just the hands.
49
00:03:12.000 --> 00:03:18.940
What many people do from that steep position is they would release the club
50
00:03:18.940 --> 00:03:24.500
outside in and they would rehinge their wrist and bend those arms to help
51
00:03:24.500 --> 00:03:25.000
square the face.
52
00:03:25.000 --> 00:03:32.470
Hideki rotates the club, he just does it later than what most Torpros do
53
00:03:32.470 --> 00:03:34.000
currently.
54
00:03:34.000 --> 00:03:41.760
So he's able to rotate the club through this zone here, which allows him to get
55
00:03:41.760 --> 00:03:45.000
some shaft lean but still have the club face pointing at the target.
56
00:03:45.000 --> 00:03:49.670
If you struggle with getting shaft lean, then know that in order to have any
57
00:03:49.670 --> 00:03:54.000
amount of shaft lean and have the club pointing at the target, you're going to
58
00:03:54.000 --> 00:03:56.000
have to have some face rotation.
59
00:03:56.000 --> 00:04:02.840
Now on the way through, what he does in order to produce more of a wide
60
00:04:02.840 --> 00:04:09.530
consistent bottom to his swing is he straightens his arms and he extends or he
61
00:04:09.530 --> 00:04:11.000
only deviates.
62
00:04:11.000 --> 00:04:18.000
He unhinges his wrist, which helps keep the club wider longer.
63
00:04:18.000 --> 00:04:21.650
It helps keep the club moving on a more shallow path for a longer period of
64
00:04:21.650 --> 00:04:22.000
time.
65
00:04:22.000 --> 00:04:26.500
And he does it so long and so late that you'll see that by the hands are almost
66
00:04:26.500 --> 00:04:30.000
belly button height, the club is still below them.
67
00:04:30.000 --> 00:04:35.720
He's one of the best at this, along with a Jordan Spieth, and it's no
68
00:04:35.720 --> 00:04:40.000
coincidence that the two of them are some of the top iron players in the game.
69
00:04:40.000 --> 00:04:45.050
What many amateurs do is they would not really fully release their arms and
70
00:04:45.050 --> 00:04:50.630
shoulders, but instead flip the trail wrist and extend the lead wrist and have
71
00:04:50.630 --> 00:04:53.000
the club head pass very quickly.
72
00:04:53.000 --> 00:04:57.790
So they would have the club working its way towards that position compared to
73
00:04:57.790 --> 00:05:03.220
the hand height, where Hideki keeps with the unhinging, keeps his hands above
74
00:05:03.220 --> 00:05:07.000
the club head for a long period of time into the follow through.
75
00:05:07.000 --> 00:05:12.630
That helps him obtain this really classic looking what I call follow through
76
00:05:12.630 --> 00:05:15.000
position, where the arms are fully extended.
77
00:05:15.000 --> 00:05:19.600
The club is pointed just slightly right of his target line or pretty close to
78
00:05:19.600 --> 00:05:23.000
it, and the club is slightly below the hands.
79
00:05:23.000 --> 00:05:29.000
His sternum has maintained about the same distance it was from the golf ball,
80
00:05:29.000 --> 00:05:35.000
from where it was at impact through to the end of that follow through position.
81
00:05:35.000 --> 00:05:39.030
So you got your two keys for iron play, but I want to leave you with a tempo
82
00:05:39.030 --> 00:05:41.000
thought to work with as well.
83
00:05:41.000 --> 00:05:46.220
One of the things that Hideki demonstrates that I've seen in my experience is
84
00:05:46.220 --> 00:05:52.610
that golfers who have more of a vertical or steep arm movement tend to do
85
00:05:52.610 --> 00:05:55.000
better with a quieter upper body.
86
00:05:55.000 --> 00:06:00.040
So you'll see that Hideki has his famous kind of paws at the top where he
87
00:06:00.040 --> 00:06:06.270
collects himself, and what gives him the look of more of that slow tempo during
88
00:06:06.270 --> 00:06:11.000
transition is the fact that his upper body doesn't spin out very much.
89
00:06:11.000 --> 00:06:15.300
If you're going to have more vertical arm movement, then keeping your chest
90
00:06:15.300 --> 00:06:19.620
closed or keeping your upper body quiet tends to really help balance that out
91
00:06:19.620 --> 00:06:21.000
and coordinate it.
92
00:06:21.000 --> 00:06:27.240
So you'll see even though he goes pretty hard with his lower body, his upper
93
00:06:27.240 --> 00:06:31.000
body is not one of his major power sources.
94
00:06:31.000 --> 00:06:36.460
That combination of going harder with his lower body, harder with his arms, but
95
00:06:36.460 --> 00:06:41.150
being quiet with his upper body, not spinning out, not creating a lot of
96
00:06:41.150 --> 00:06:45.390
aggression from his upper body, helps him control his path, his low point, and
97
00:06:45.390 --> 00:06:50.000
his face to be one of the more consistent iron players.
98
00:06:50.000 --> 00:06:54.070
So if you want to learn more about how your swing works, head over to GolfSmart
99
00:06:54.070 --> 00:06:58.430
Academy.com, sign up for a free membership, and you can check out videos related
100
00:06:58.430 --> 00:07:04.000
to transition, the release, or general concepts like slicing and hooking.
101
00:07:04.000 --> 00:07:08.190
If you're not quite ready to sign up for a free membership, then please like or
102
00:07:08.190 --> 00:07:10.000
subscribe to our video here.
103
00:07:10.000 --> 00:07:14.060
That way you'll be the first to know about it when we come up with new content
104
00:07:14.060 --> 00:07:16.000
and release it here on YouTube.
1
00:00:00.000 --> 00:00:04.750
In this analysis video, we're going to take a look at the swing of Hideki Mats
2
00:00:04.750 --> 00:00:05.500
uyama.
3
00:00:05.500 --> 00:00:10.520
Now, Hideki is consistently a top ball striker, and like many who can really go
4
00:00:10.520 --> 00:00:13.300
low, he shines with the iron shots.
5
00:00:13.300 --> 00:00:17.000
Specifically between 125 and 200 yards.
6
00:00:17.000 --> 00:00:21.300
In this video, we're going to discuss two of his keys on how he's able to hit
7
00:00:21.300 --> 00:00:24.000
such exceptional approach shots.
8
00:00:24.000 --> 00:00:30.000
Hideki is consistently in the top 10 in strokes gained approach to green.
9
00:00:30.000 --> 00:00:35.000
His proximity to the hole is great. He's a really solid iron player.
10
00:00:35.000 --> 00:00:39.000
He's a good driver of the golf ball, but he's an exceptional iron player.
11
00:00:39.000 --> 00:00:42.020
He can struggle at times with the putting, but when he gets that rolling, he
12
00:00:42.020 --> 00:00:43.000
can go really low.
13
00:00:43.000 --> 00:00:48.420
Now, what's nice for this analysis video is we're going to take a look at what
14
00:00:48.420 --> 00:00:50.000
he does during the release.
15
00:00:50.000 --> 00:00:54.520
Because right now, some of the hot concepts are to teach a lot of arm shall
16
00:00:54.520 --> 00:00:58.000
owing and early flexing of the lead wrist.
17
00:00:58.000 --> 00:01:01.000
And we'll see that Hideki doesn't really do either of those.
18
00:01:01.000 --> 00:01:09.000
You can see that early in his transition, he gets the shaft in a more vertical
19
00:01:09.000 --> 00:01:11.000
or steep position compared to his upper body,
20
00:01:11.000 --> 00:01:14.000
and he doesn't really flex that lead wrist.
21
00:01:14.000 --> 00:01:19.660
So how is it that he's able to do these things that typical amateurs struggle
22
00:01:19.660 --> 00:01:20.000
with,
23
00:01:20.000 --> 00:01:26.260
yet he is able to consistently be a great iron player, or just a great ball
24
00:01:26.260 --> 00:01:27.000
striker?
25
00:01:27.000 --> 00:01:32.000
Well, there's two keys that he's able to demonstrate in his swing.
26
00:01:32.000 --> 00:01:36.600
One, dealing with his arms and the way he releases the club, and two, dealing
27
00:01:36.600 --> 00:01:38.000
with his upper body
28
00:01:38.000 --> 00:01:41.000
and how stable he's able to keep his sternum.
29
00:01:41.000 --> 00:01:44.000
Now, your arms actually connect to the sternum.
30
00:01:44.000 --> 00:01:51.070
So the sternum is the chest bone, is a great kind of reference for how your
31
00:01:51.070 --> 00:01:54.000
upper body is going to influence low point.
32
00:01:54.000 --> 00:02:01.500
So what many amateurs would do is from this a little bit steep position, like
33
00:02:01.500 --> 00:02:06.000
so, they would shallow out the swing path
34
00:02:06.000 --> 00:02:12.770
by having the sternum go backwards away from the golf ball and having the stern
35
00:02:12.770 --> 00:02:14.000
um go up
36
00:02:14.000 --> 00:02:17.000
and probably having the sternum go a little bit forward.
37
00:02:17.000 --> 00:02:24.570
Now, what we'll see is through the release, he does a great job of keeping the
38
00:02:24.570 --> 00:02:29.000
sternum about the same distance away from the golf ball.
39
00:02:29.000 --> 00:02:34.170
That helps him provide a really consistent reference point for his arm
40
00:02:34.170 --> 00:02:35.000
extension.
41
00:02:35.000 --> 00:02:39.220
From the down the line, you'll see that even though he does a tremendous job of
42
00:02:39.220 --> 00:02:40.000
pushing with the legs
43
00:02:40.000 --> 00:02:45.180
and using the legs vertically as well as rotationally, you'll see that he doesn
44
00:02:45.180 --> 00:02:51.000
't let that cause his upper body or his sternum to move off of the golf ball.
45
00:02:51.000 --> 00:02:55.750
So he stays a pretty consistent distance from his golf ball and then what he
46
00:02:55.750 --> 00:03:01.000
does with his arms allows him to make very solid repeatable turf contact.
47
00:03:01.000 --> 00:03:06.720
What he does differently with his arms, which is kind of that second key, is he
48
00:03:06.720 --> 00:03:12.000
really releases the whole arm and not just the hands.
49
00:03:12.000 --> 00:03:18.940
What many people do from that steep position is they would release the club
50
00:03:18.940 --> 00:03:24.500
outside in and they would rehinge their wrist and bend those arms to help
51
00:03:24.500 --> 00:03:25.000
square the face.
52
00:03:25.000 --> 00:03:32.470
Hideki rotates the club, he just does it later than what most Torpros do
53
00:03:32.470 --> 00:03:34.000
currently.
54
00:03:34.000 --> 00:03:41.760
So he's able to rotate the club through this zone here, which allows him to get
55
00:03:41.760 --> 00:03:45.000
some shaft lean but still have the club face pointing at the target.
56
00:03:45.000 --> 00:03:49.670
If you struggle with getting shaft lean, then know that in order to have any
57
00:03:49.670 --> 00:03:54.000
amount of shaft lean and have the club pointing at the target, you're going to
58
00:03:54.000 --> 00:03:56.000
have to have some face rotation.
59
00:03:56.000 --> 00:04:02.840
Now on the way through, what he does in order to produce more of a wide
60
00:04:02.840 --> 00:04:09.530
consistent bottom to his swing is he straightens his arms and he extends or he
61
00:04:09.530 --> 00:04:11.000
only deviates.
62
00:04:11.000 --> 00:04:18.000
He unhinges his wrist, which helps keep the club wider longer.
63
00:04:18.000 --> 00:04:21.650
It helps keep the club moving on a more shallow path for a longer period of
64
00:04:21.650 --> 00:04:22.000
time.
65
00:04:22.000 --> 00:04:26.500
And he does it so long and so late that you'll see that by the hands are almost
66
00:04:26.500 --> 00:04:30.000
belly button height, the club is still below them.
67
00:04:30.000 --> 00:04:35.720
He's one of the best at this, along with a Jordan Spieth, and it's no
68
00:04:35.720 --> 00:04:40.000
coincidence that the two of them are some of the top iron players in the game.
69
00:04:40.000 --> 00:04:45.050
What many amateurs do is they would not really fully release their arms and
70
00:04:45.050 --> 00:04:50.630
shoulders, but instead flip the trail wrist and extend the lead wrist and have
71
00:04:50.630 --> 00:04:53.000
the club head pass very quickly.
72
00:04:53.000 --> 00:04:57.790
So they would have the club working its way towards that position compared to
73
00:04:57.790 --> 00:05:03.220
the hand height, where Hideki keeps with the unhinging, keeps his hands above
74
00:05:03.220 --> 00:05:07.000
the club head for a long period of time into the follow through.
75
00:05:07.000 --> 00:05:12.630
That helps him obtain this really classic looking what I call follow through
76
00:05:12.630 --> 00:05:15.000
position, where the arms are fully extended.
77
00:05:15.000 --> 00:05:19.600
The club is pointed just slightly right of his target line or pretty close to
78
00:05:19.600 --> 00:05:23.000
it, and the club is slightly below the hands.
79
00:05:23.000 --> 00:05:29.000
His sternum has maintained about the same distance it was from the golf ball,
80
00:05:29.000 --> 00:05:35.000
from where it was at impact through to the end of that follow through position.
81
00:05:35.000 --> 00:05:39.030
So you got your two keys for iron play, but I want to leave you with a tempo
82
00:05:39.030 --> 00:05:41.000
thought to work with as well.
83
00:05:41.000 --> 00:05:46.220
One of the things that Hideki demonstrates that I've seen in my experience is
84
00:05:46.220 --> 00:05:52.610
that golfers who have more of a vertical or steep arm movement tend to do
85
00:05:52.610 --> 00:05:55.000
better with a quieter upper body.
86
00:05:55.000 --> 00:06:00.040
So you'll see that Hideki has his famous kind of paws at the top where he
87
00:06:00.040 --> 00:06:06.270
collects himself, and what gives him the look of more of that slow tempo during
88
00:06:06.270 --> 00:06:11.000
transition is the fact that his upper body doesn't spin out very much.
89
00:06:11.000 --> 00:06:15.300
If you're going to have more vertical arm movement, then keeping your chest
90
00:06:15.300 --> 00:06:19.620
closed or keeping your upper body quiet tends to really help balance that out
91
00:06:19.620 --> 00:06:21.000
and coordinate it.
92
00:06:21.000 --> 00:06:27.240
So you'll see even though he goes pretty hard with his lower body, his upper
93
00:06:27.240 --> 00:06:31.000
body is not one of his major power sources.
94
00:06:31.000 --> 00:06:36.460
That combination of going harder with his lower body, harder with his arms, but
95
00:06:36.460 --> 00:06:41.150
being quiet with his upper body, not spinning out, not creating a lot of
96
00:06:41.150 --> 00:06:45.390
aggression from his upper body, helps him control his path, his low point, and
97
00:06:45.390 --> 00:06:50.000
his face to be one of the more consistent iron players.
98
00:06:50.000 --> 00:06:54.070
So if you want to learn more about how your swing works, head over to GolfSmart
99
00:06:54.070 --> 00:06:58.430
Academy.com, sign up for a free membership, and you can check out videos related
100
00:06:58.430 --> 00:07:04.000
to transition, the release, or general concepts like slicing and hooking.
101
00:07:04.000 --> 00:07:08.190
If you're not quite ready to sign up for a free membership, then please like or
102
00:07:08.190 --> 00:07:10.000
subscribe to our video here.
103
00:07:10.000 --> 00:07:14.060
That way you'll be the first to know about it when we come up with new content
104
00:07:14.060 --> 00:07:16.000
and release it here on YouTube.
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Improve Your Iron Play by Understanding Hideki Matsuyama's Release
After this video, you'll be able to:
- Identify the importance of a stable sternum for better contact.
- Understand how your arm movement influences your swing path.
- Recognize the differences between Matsuyama's release and common amateur faults.
In this analysis, we break down Hideki Matsuyama's swing to uncover key techniques that make his iron shots exceptional. Learn how to apply these insights to enhance your own approach shots.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:04.750
In this analysis video, we're going to take a look at the swing of Hideki Mats
2
00:00:04.750 --> 00:00:05.500
uyama.
3
00:00:05.500 --> 00:00:10.520
Now, Hideki is consistently a top ball striker, and like many who can really go
4
00:00:10.520 --> 00:00:13.300
low, he shines with the iron shots.
5
00:00:13.300 --> 00:00:17.000
Specifically between 125 and 200 yards.
6
00:00:17.000 --> 00:00:21.300
In this video, we're going to discuss two of his keys on how he's able to hit
7
00:00:21.300 --> 00:00:24.000
such exceptional approach shots.
8
00:00:24.000 --> 00:00:30.000
Hideki is consistently in the top 10 in strokes gained approach to green.
9
00:00:30.000 --> 00:00:35.000
His proximity to the hole is great. He's a really solid iron player.
10
00:00:35.000 --> 00:00:39.000
He's a good driver of the golf ball, but he's an exceptional iron player.
11
00:00:39.000 --> 00:00:42.020
He can struggle at times with the putting, but when he gets that rolling, he
12
00:00:42.020 --> 00:00:43.000
can go really low.
13
00:00:43.000 --> 00:00:48.420
Now, what's nice for this analysis video is we're going to take a look at what
14
00:00:48.420 --> 00:00:50.000
he does during the release.
15
00:00:50.000 --> 00:00:54.520
Because right now, some of the hot concepts are to teach a lot of arm shall
16
00:00:54.520 --> 00:00:58.000
owing and early flexing of the lead wrist.
17
00:00:58.000 --> 00:01:01.000
And we'll see that Hideki doesn't really do either of those.
18
00:01:01.000 --> 00:01:09.000
You can see that early in his transition, he gets the shaft in a more vertical
19
00:01:09.000 --> 00:01:11.000
or steep position compared to his upper body,
20
00:01:11.000 --> 00:01:14.000
and he doesn't really flex that lead wrist.
21
00:01:14.000 --> 00:01:19.660
So how is it that he's able to do these things that typical amateurs struggle
22
00:01:19.660 --> 00:01:20.000
with,
23
00:01:20.000 --> 00:01:26.260
yet he is able to consistently be a great iron player, or just a great ball
24
00:01:26.260 --> 00:01:27.000
striker?
25
00:01:27.000 --> 00:01:32.000
Well, there's two keys that he's able to demonstrate in his swing.
26
00:01:32.000 --> 00:01:36.600
One, dealing with his arms and the way he releases the club, and two, dealing
27
00:01:36.600 --> 00:01:38.000
with his upper body
28
00:01:38.000 --> 00:01:41.000
and how stable he's able to keep his sternum.
29
00:01:41.000 --> 00:01:44.000
Now, your arms actually connect to the sternum.
30
00:01:44.000 --> 00:01:51.070
So the sternum is the chest bone, is a great kind of reference for how your
31
00:01:51.070 --> 00:01:54.000
upper body is going to influence low point.
32
00:01:54.000 --> 00:02:01.500
So what many amateurs would do is from this a little bit steep position, like
33
00:02:01.500 --> 00:02:06.000
so, they would shallow out the swing path
34
00:02:06.000 --> 00:02:12.770
by having the sternum go backwards away from the golf ball and having the stern
35
00:02:12.770 --> 00:02:14.000
um go up
36
00:02:14.000 --> 00:02:17.000
and probably having the sternum go a little bit forward.
37
00:02:17.000 --> 00:02:24.570
Now, what we'll see is through the release, he does a great job of keeping the
38
00:02:24.570 --> 00:02:29.000
sternum about the same distance away from the golf ball.
39
00:02:29.000 --> 00:02:34.170
That helps him provide a really consistent reference point for his arm
40
00:02:34.170 --> 00:02:35.000
extension.
41
00:02:35.000 --> 00:02:39.220
From the down the line, you'll see that even though he does a tremendous job of
42
00:02:39.220 --> 00:02:40.000
pushing with the legs
43
00:02:40.000 --> 00:02:45.180
and using the legs vertically as well as rotationally, you'll see that he doesn
44
00:02:45.180 --> 00:02:51.000
't let that cause his upper body or his sternum to move off of the golf ball.
45
00:02:51.000 --> 00:02:55.750
So he stays a pretty consistent distance from his golf ball and then what he
46
00:02:55.750 --> 00:03:01.000
does with his arms allows him to make very solid repeatable turf contact.
47
00:03:01.000 --> 00:03:06.720
What he does differently with his arms, which is kind of that second key, is he
48
00:03:06.720 --> 00:03:12.000
really releases the whole arm and not just the hands.
49
00:03:12.000 --> 00:03:18.940
What many people do from that steep position is they would release the club
50
00:03:18.940 --> 00:03:24.500
outside in and they would rehinge their wrist and bend those arms to help
51
00:03:24.500 --> 00:03:25.000
square the face.
52
00:03:25.000 --> 00:03:32.470
Hideki rotates the club, he just does it later than what most Torpros do
53
00:03:32.470 --> 00:03:34.000
currently.
54
00:03:34.000 --> 00:03:41.760
So he's able to rotate the club through this zone here, which allows him to get
55
00:03:41.760 --> 00:03:45.000
some shaft lean but still have the club face pointing at the target.
56
00:03:45.000 --> 00:03:49.670
If you struggle with getting shaft lean, then know that in order to have any
57
00:03:49.670 --> 00:03:54.000
amount of shaft lean and have the club pointing at the target, you're going to
58
00:03:54.000 --> 00:03:56.000
have to have some face rotation.
59
00:03:56.000 --> 00:04:02.840
Now on the way through, what he does in order to produce more of a wide
60
00:04:02.840 --> 00:04:09.530
consistent bottom to his swing is he straightens his arms and he extends or he
61
00:04:09.530 --> 00:04:11.000
only deviates.
62
00:04:11.000 --> 00:04:18.000
He unhinges his wrist, which helps keep the club wider longer.
63
00:04:18.000 --> 00:04:21.650
It helps keep the club moving on a more shallow path for a longer period of
64
00:04:21.650 --> 00:04:22.000
time.
65
00:04:22.000 --> 00:04:26.500
And he does it so long and so late that you'll see that by the hands are almost
66
00:04:26.500 --> 00:04:30.000
belly button height, the club is still below them.
67
00:04:30.000 --> 00:04:35.720
He's one of the best at this, along with a Jordan Spieth, and it's no
68
00:04:35.720 --> 00:04:40.000
coincidence that the two of them are some of the top iron players in the game.
69
00:04:40.000 --> 00:04:45.050
What many amateurs do is they would not really fully release their arms and
70
00:04:45.050 --> 00:04:50.630
shoulders, but instead flip the trail wrist and extend the lead wrist and have
71
00:04:50.630 --> 00:04:53.000
the club head pass very quickly.
72
00:04:53.000 --> 00:04:57.790
So they would have the club working its way towards that position compared to
73
00:04:57.790 --> 00:05:03.220
the hand height, where Hideki keeps with the unhinging, keeps his hands above
74
00:05:03.220 --> 00:05:07.000
the club head for a long period of time into the follow through.
75
00:05:07.000 --> 00:05:12.630
That helps him obtain this really classic looking what I call follow through
76
00:05:12.630 --> 00:05:15.000
position, where the arms are fully extended.
77
00:05:15.000 --> 00:05:19.600
The club is pointed just slightly right of his target line or pretty close to
78
00:05:19.600 --> 00:05:23.000
it, and the club is slightly below the hands.
79
00:05:23.000 --> 00:05:29.000
His sternum has maintained about the same distance it was from the golf ball,
80
00:05:29.000 --> 00:05:35.000
from where it was at impact through to the end of that follow through position.
81
00:05:35.000 --> 00:05:39.030
So you got your two keys for iron play, but I want to leave you with a tempo
82
00:05:39.030 --> 00:05:41.000
thought to work with as well.
83
00:05:41.000 --> 00:05:46.220
One of the things that Hideki demonstrates that I've seen in my experience is
84
00:05:46.220 --> 00:05:52.610
that golfers who have more of a vertical or steep arm movement tend to do
85
00:05:52.610 --> 00:05:55.000
better with a quieter upper body.
86
00:05:55.000 --> 00:06:00.040
So you'll see that Hideki has his famous kind of paws at the top where he
87
00:06:00.040 --> 00:06:06.270
collects himself, and what gives him the look of more of that slow tempo during
88
00:06:06.270 --> 00:06:11.000
transition is the fact that his upper body doesn't spin out very much.
89
00:06:11.000 --> 00:06:15.300
If you're going to have more vertical arm movement, then keeping your chest
90
00:06:15.300 --> 00:06:19.620
closed or keeping your upper body quiet tends to really help balance that out
91
00:06:19.620 --> 00:06:21.000
and coordinate it.
92
00:06:21.000 --> 00:06:27.240
So you'll see even though he goes pretty hard with his lower body, his upper
93
00:06:27.240 --> 00:06:31.000
body is not one of his major power sources.
94
00:06:31.000 --> 00:06:36.460
That combination of going harder with his lower body, harder with his arms, but
95
00:06:36.460 --> 00:06:41.150
being quiet with his upper body, not spinning out, not creating a lot of
96
00:06:41.150 --> 00:06:45.390
aggression from his upper body, helps him control his path, his low point, and
97
00:06:45.390 --> 00:06:50.000
his face to be one of the more consistent iron players.
98
00:06:50.000 --> 00:06:54.070
So if you want to learn more about how your swing works, head over to GolfSmart
99
00:06:54.070 --> 00:06:58.430
Academy.com, sign up for a free membership, and you can check out videos related
100
00:06:58.430 --> 00:07:04.000
to transition, the release, or general concepts like slicing and hooking.
101
00:07:04.000 --> 00:07:08.190
If you're not quite ready to sign up for a free membership, then please like or
102
00:07:08.190 --> 00:07:10.000
subscribe to our video here.
103
00:07:10.000 --> 00:07:14.060
That way you'll be the first to know about it when we come up with new content
104
00:07:14.060 --> 00:07:16.000
and release it here on YouTube.
1
00:00:00.000 --> 00:00:04.750
In this analysis video, we're going to take a look at the swing of Hideki Mats
2
00:00:04.750 --> 00:00:05.500
uyama.
3
00:00:05.500 --> 00:00:10.520
Now, Hideki is consistently a top ball striker, and like many who can really go
4
00:00:10.520 --> 00:00:13.300
low, he shines with the iron shots.
5
00:00:13.300 --> 00:00:17.000
Specifically between 125 and 200 yards.
6
00:00:17.000 --> 00:00:21.300
In this video, we're going to discuss two of his keys on how he's able to hit
7
00:00:21.300 --> 00:00:24.000
such exceptional approach shots.
8
00:00:24.000 --> 00:00:30.000
Hideki is consistently in the top 10 in strokes gained approach to green.
9
00:00:30.000 --> 00:00:35.000
His proximity to the hole is great. He's a really solid iron player.
10
00:00:35.000 --> 00:00:39.000
He's a good driver of the golf ball, but he's an exceptional iron player.
11
00:00:39.000 --> 00:00:42.020
He can struggle at times with the putting, but when he gets that rolling, he
12
00:00:42.020 --> 00:00:43.000
can go really low.
13
00:00:43.000 --> 00:00:48.420
Now, what's nice for this analysis video is we're going to take a look at what
14
00:00:48.420 --> 00:00:50.000
he does during the release.
15
00:00:50.000 --> 00:00:54.520
Because right now, some of the hot concepts are to teach a lot of arm shall
16
00:00:54.520 --> 00:00:58.000
owing and early flexing of the lead wrist.
17
00:00:58.000 --> 00:01:01.000
And we'll see that Hideki doesn't really do either of those.
18
00:01:01.000 --> 00:01:09.000
You can see that early in his transition, he gets the shaft in a more vertical
19
00:01:09.000 --> 00:01:11.000
or steep position compared to his upper body,
20
00:01:11.000 --> 00:01:14.000
and he doesn't really flex that lead wrist.
21
00:01:14.000 --> 00:01:19.660
So how is it that he's able to do these things that typical amateurs struggle
22
00:01:19.660 --> 00:01:20.000
with,
23
00:01:20.000 --> 00:01:26.260
yet he is able to consistently be a great iron player, or just a great ball
24
00:01:26.260 --> 00:01:27.000
striker?
25
00:01:27.000 --> 00:01:32.000
Well, there's two keys that he's able to demonstrate in his swing.
26
00:01:32.000 --> 00:01:36.600
One, dealing with his arms and the way he releases the club, and two, dealing
27
00:01:36.600 --> 00:01:38.000
with his upper body
28
00:01:38.000 --> 00:01:41.000
and how stable he's able to keep his sternum.
29
00:01:41.000 --> 00:01:44.000
Now, your arms actually connect to the sternum.
30
00:01:44.000 --> 00:01:51.070
So the sternum is the chest bone, is a great kind of reference for how your
31
00:01:51.070 --> 00:01:54.000
upper body is going to influence low point.
32
00:01:54.000 --> 00:02:01.500
So what many amateurs would do is from this a little bit steep position, like
33
00:02:01.500 --> 00:02:06.000
so, they would shallow out the swing path
34
00:02:06.000 --> 00:02:12.770
by having the sternum go backwards away from the golf ball and having the stern
35
00:02:12.770 --> 00:02:14.000
um go up
36
00:02:14.000 --> 00:02:17.000
and probably having the sternum go a little bit forward.
37
00:02:17.000 --> 00:02:24.570
Now, what we'll see is through the release, he does a great job of keeping the
38
00:02:24.570 --> 00:02:29.000
sternum about the same distance away from the golf ball.
39
00:02:29.000 --> 00:02:34.170
That helps him provide a really consistent reference point for his arm
40
00:02:34.170 --> 00:02:35.000
extension.
41
00:02:35.000 --> 00:02:39.220
From the down the line, you'll see that even though he does a tremendous job of
42
00:02:39.220 --> 00:02:40.000
pushing with the legs
43
00:02:40.000 --> 00:02:45.180
and using the legs vertically as well as rotationally, you'll see that he doesn
44
00:02:45.180 --> 00:02:51.000
't let that cause his upper body or his sternum to move off of the golf ball.
45
00:02:51.000 --> 00:02:55.750
So he stays a pretty consistent distance from his golf ball and then what he
46
00:02:55.750 --> 00:03:01.000
does with his arms allows him to make very solid repeatable turf contact.
47
00:03:01.000 --> 00:03:06.720
What he does differently with his arms, which is kind of that second key, is he
48
00:03:06.720 --> 00:03:12.000
really releases the whole arm and not just the hands.
49
00:03:12.000 --> 00:03:18.940
What many people do from that steep position is they would release the club
50
00:03:18.940 --> 00:03:24.500
outside in and they would rehinge their wrist and bend those arms to help
51
00:03:24.500 --> 00:03:25.000
square the face.
52
00:03:25.000 --> 00:03:32.470
Hideki rotates the club, he just does it later than what most Torpros do
53
00:03:32.470 --> 00:03:34.000
currently.
54
00:03:34.000 --> 00:03:41.760
So he's able to rotate the club through this zone here, which allows him to get
55
00:03:41.760 --> 00:03:45.000
some shaft lean but still have the club face pointing at the target.
56
00:03:45.000 --> 00:03:49.670
If you struggle with getting shaft lean, then know that in order to have any
57
00:03:49.670 --> 00:03:54.000
amount of shaft lean and have the club pointing at the target, you're going to
58
00:03:54.000 --> 00:03:56.000
have to have some face rotation.
59
00:03:56.000 --> 00:04:02.840
Now on the way through, what he does in order to produce more of a wide
60
00:04:02.840 --> 00:04:09.530
consistent bottom to his swing is he straightens his arms and he extends or he
61
00:04:09.530 --> 00:04:11.000
only deviates.
62
00:04:11.000 --> 00:04:18.000
He unhinges his wrist, which helps keep the club wider longer.
63
00:04:18.000 --> 00:04:21.650
It helps keep the club moving on a more shallow path for a longer period of
64
00:04:21.650 --> 00:04:22.000
time.
65
00:04:22.000 --> 00:04:26.500
And he does it so long and so late that you'll see that by the hands are almost
66
00:04:26.500 --> 00:04:30.000
belly button height, the club is still below them.
67
00:04:30.000 --> 00:04:35.720
He's one of the best at this, along with a Jordan Spieth, and it's no
68
00:04:35.720 --> 00:04:40.000
coincidence that the two of them are some of the top iron players in the game.
69
00:04:40.000 --> 00:04:45.050
What many amateurs do is they would not really fully release their arms and
70
00:04:45.050 --> 00:04:50.630
shoulders, but instead flip the trail wrist and extend the lead wrist and have
71
00:04:50.630 --> 00:04:53.000
the club head pass very quickly.
72
00:04:53.000 --> 00:04:57.790
So they would have the club working its way towards that position compared to
73
00:04:57.790 --> 00:05:03.220
the hand height, where Hideki keeps with the unhinging, keeps his hands above
74
00:05:03.220 --> 00:05:07.000
the club head for a long period of time into the follow through.
75
00:05:07.000 --> 00:05:12.630
That helps him obtain this really classic looking what I call follow through
76
00:05:12.630 --> 00:05:15.000
position, where the arms are fully extended.
77
00:05:15.000 --> 00:05:19.600
The club is pointed just slightly right of his target line or pretty close to
78
00:05:19.600 --> 00:05:23.000
it, and the club is slightly below the hands.
79
00:05:23.000 --> 00:05:29.000
His sternum has maintained about the same distance it was from the golf ball,
80
00:05:29.000 --> 00:05:35.000
from where it was at impact through to the end of that follow through position.
81
00:05:35.000 --> 00:05:39.030
So you got your two keys for iron play, but I want to leave you with a tempo
82
00:05:39.030 --> 00:05:41.000
thought to work with as well.
83
00:05:41.000 --> 00:05:46.220
One of the things that Hideki demonstrates that I've seen in my experience is
84
00:05:46.220 --> 00:05:52.610
that golfers who have more of a vertical or steep arm movement tend to do
85
00:05:52.610 --> 00:05:55.000
better with a quieter upper body.
86
00:05:55.000 --> 00:06:00.040
So you'll see that Hideki has his famous kind of paws at the top where he
87
00:06:00.040 --> 00:06:06.270
collects himself, and what gives him the look of more of that slow tempo during
88
00:06:06.270 --> 00:06:11.000
transition is the fact that his upper body doesn't spin out very much.
89
00:06:11.000 --> 00:06:15.300
If you're going to have more vertical arm movement, then keeping your chest
90
00:06:15.300 --> 00:06:19.620
closed or keeping your upper body quiet tends to really help balance that out
91
00:06:19.620 --> 00:06:21.000
and coordinate it.
92
00:06:21.000 --> 00:06:27.240
So you'll see even though he goes pretty hard with his lower body, his upper
93
00:06:27.240 --> 00:06:31.000
body is not one of his major power sources.
94
00:06:31.000 --> 00:06:36.460
That combination of going harder with his lower body, harder with his arms, but
95
00:06:36.460 --> 00:06:41.150
being quiet with his upper body, not spinning out, not creating a lot of
96
00:06:41.150 --> 00:06:45.390
aggression from his upper body, helps him control his path, his low point, and
97
00:06:45.390 --> 00:06:50.000
his face to be one of the more consistent iron players.
98
00:06:50.000 --> 00:06:54.070
So if you want to learn more about how your swing works, head over to GolfSmart
99
00:06:54.070 --> 00:06:58.430
Academy.com, sign up for a free membership, and you can check out videos related
100
00:06:58.430 --> 00:07:04.000
to transition, the release, or general concepts like slicing and hooking.
101
00:07:04.000 --> 00:07:08.190
If you're not quite ready to sign up for a free membership, then please like or
102
00:07:08.190 --> 00:07:10.000
subscribe to our video here.
103
00:07:10.000 --> 00:07:14.060
That way you'll be the first to know about it when we come up with new content
104
00:07:14.060 --> 00:07:16.000
and release it here on YouTube.
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