Stock Putting Course Introduction

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Hey golfers, welcome to the Galsmart Academy putting program.

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This is going to be the classroom setting here where we're going to go through

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the PowerPoint

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of kind of what we're going to discover in each one of these lessons and each

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one of

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these drills.

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So in this first video, we're going to cover the kind of big picture of the

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putting stroke,

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the objectives of putting as well as how to benchmark where we are in terms of

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performance.

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So the first thing to understand is that when it comes to breaking down putting

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, it's largely

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accepted that there are three main skills.

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Now we could potentially break down start line into the ability to aim as well

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as the ability

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to roll a ball end over end, but basically we need to be able to aim our golf

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ball, hit

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that golf ball on a start line so that it rolls end over end, add a speed that

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we want.

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And in order for that to then intersect with the hole, we had to aim it

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correctly, which

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means we had to read the green or to determine how the ball was going to break.

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So every single putt is going to have this system in place of can I start the

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ball online,

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I control the speed, and then I read it correctly.

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That's kind of the checks and balances so you can figure out what you need to

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work on

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with your putting game.

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And each of the lessons will focus on one of these core skills or troubles

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hooting them.

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So the first goal is to be able to roll a ball end over end, then we will

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factor in

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the speed of the putt to helping us determine the break.

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So we have to be able to determine how hard we're going to hit it in order to

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be able

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to predict where we need to aim.

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Potentially this is a putt where we have three different lines, one going in at

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a faster

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speed, one kind of going in at a normal speed and one going in at a slower

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speed.

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So everyone always asks, where should I aim?

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Well, where you aim is determined by how fast the ball is going to be rolling

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or what

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speed you intend.

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Regardless, I need to be able to start it on that line.

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I need to be able to control my start line within about a half a degree of my

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intended

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target in order to hit some of our putting benchmark numbers.

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So our rough putting benchmark numbers are basically making almost every putt

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inside

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three feet or three feet in end.

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So 96%.

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These are the kind of tour averages, and we have the make percentage as well as

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the three

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putt percentage.

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As a couple of benchmarks for total number of putts or putting per hole to get

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down to

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pro level, we're looking at about 29 putts, scratches somewhere around 31, 30,

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31.

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To shoot 80 is about 34, to shoot 90 is about 36 and then to shoot 100 is about

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38.

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So you can keep track of your total number of putts to see where you fit

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compared to

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your handicap and goal levels.

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But then you can also break it down into shorter putts, kind of medium putts

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and longer putts.

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When it comes to making short putts, the most important skills are start line

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and reading

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the green.

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When it comes to the longer putts, which is our main goal is to kind of get the

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ball close,

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the start line isn't quite as critical, but the ability to control speed and

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read the

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green are the two main issues there.

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And then kind of in the middle zone is where all three of those skills kind of

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overlap.

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So as a rough goal, again, 96% of three footers basically make every tap in or

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every putt

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three feet and in.

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Once we get to about, it goes down by about 10% until we get around eight feet,

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which

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is for tour pros about the 50 50 mark.

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So basically, I usually say, I round up a little bit and I'll tell my students

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inside

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of 10 between 10 feet and three feet.

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Our goal is to be around 50% and then our goal is to make somewhere in the 20

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to 25%

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range of your 10 to 20 footers and then the goal is to minimize three putts

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from inside

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of 30 feet.

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Ideally, we want to minimize three putts altogether and be able to two putt

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everything, but the

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tour average, the break even is about 33 feet, which is where they average the

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same number

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of makes as three putts.

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So next question would be, well, how are we going to build a stroke that helps

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control

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speed as well as start line and then will factor green reading in as kind of a

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separate skill?

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I think it can be really helpful to, at least when you're evaluating your

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putting stroke,

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to look at how the pretty much every putting robot that was ever designed, how

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they function.

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Pretty much every putting robot has a system of holding the putter in some type

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of vice

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so that there's very little twisting that helps control the start line.

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And then there will be some type of suspension point where basically the putter

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is going

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to be anchored in place, the grip's not moving and then it's going to swing

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back and forth

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around a suspension point.

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Somewhat like a pendulum, even though we know it doesn't perform exactly like a

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pendulum,

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it's a pretty good model.

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Every one of these robots has that same system in place.

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That's one of the ways that we can control start line and we can use it to our

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advantage

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to help control speed.

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So we'll dig into kind of the more detailed components of your putting stroke

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as we look

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at start line and as we look at speed control.

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But here in the general overview, we're just looking at this overall shape.

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So there's the overall shape of the stroke from a face on camera, we've got

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kind of a

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suspension point and the putter is going to swing back and swing through

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roughly along

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that suspension point.

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When I'm talking to juniors, I will usually use the image of a slice of pizza.

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So I've got my big cardboard cut out here and I will get set up so that it's

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basically

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pointing somewhere around my spine.

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So pointing kind of about here and then I'll show our goal is to use our

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shoulders and

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our big muscles to help make the putter kind of travel while pointing still at

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the spine.

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I believe Stan Utley told me that when he had his analysis analyzed by Ping

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that his putting

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stroke was pointing somewhere around just in front of his spine around T11 or

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something

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like that.

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So somewhere kind of back if you take your belly button and the bottom of your

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rib cage

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somewhere about in the middle or the bottom of your sternum I should say.

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Now what I tend to find is most bad putters have a couple common issues either

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from the

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face on view and we'll get into more of these details but from the face on view

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they will

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tend to not necessarily follow the shape of the pizza but travel more linearly

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like this

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or they'll have some combination of kind of hinging and floating kind of like

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that or

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instead of having this slice of pizza angled at the target they will rotate and

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have the

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piece of pizza kind of changing like this as the face is rotating and that just

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creates

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too much chaos and a little bit too much timing.

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So our goal is to build this kind of pendulum type model where we're using

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mostly the large

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muscles to control the putting stroke.

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Keep in mind that the putter is on a slight angle because of the rules of golf

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the putter

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shaft can't be a hundred or ninety degrees it can't be completely vertical so

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because

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we're standing to one side this slice of pizza is going to be slightly angled.

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Now that angle is responsible for creating the arc of the putting stroke as

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well as the

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face rotation.

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You don't have to deliberately create any of the arc or face rotation with

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independent

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arm movements.

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So if we're looking at just the big picture of our stroke on video there's

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three different

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views that I like to use when looking at putting.

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So face on would be looking at yourself like the caddy view just like this.

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From there we can get a rough idea as far as looking at the suspension point.

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If we are to draw a line and extend it up the putter shaft at different points

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in the

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stroke you'll see that it converges somewhere or in some area we want that to

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be just slightly

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in front of the golf ball.

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We can look at matching the length of stroke or length of backswing to follow

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through that

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can be helpful for determining how fast you're accelerating which will have a

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big impact on

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your speed control and that's where the acceleration rate comes into play.

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Oftentimes the big over accelerators will happen from either applying too much

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force

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from the arms or applying too much force from the hips.

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If you do this mostly with the big muscles of the shoulders and the ribs then

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you'll tend

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to have a fairly smooth acceleration rate.

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From this face on view you can also look at arm consistency that includes the

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wrist and

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the shoulders.

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When you're looking at the wrist you can look at the space between the grip and

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the putter.

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So if you're using a lot of wrist movement you will tend to see those angles

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change.

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If you're using more shoulder movement then that will stay relatively the same.

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From the arm perspective I don't like to see a lot of straightening or rotating

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that has

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a double impact as far as changing the acceleration as well as when your arms

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move they tend to

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twist the putter face which messes up our alignment, our ability to start the

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ball online.

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And we can also look at set up in ball position making sure that the ball is

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not too far forward,

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too far backward.

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From the face on view we're mostly looking at things that will relate to how

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well we're

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going to get the ball to roll.

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I love to look at the overhead both with my own stroke and my students, usually

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I will

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put an alignment stick down and basically hold my phone as close as I can to

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parallel

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to that or with a tripod.

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You can angle it a little bit so that the putter or the camera is pointing

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straight down.

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This is a great view when it's overhead like this.

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This is a great view to see independent face rotation versus the natural face

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rotation that

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happens just with an arcing cutting stroke.

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And this is also a great view for looking at the overall path of the putter.

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Now the path of the putter doesn't have a huge impact on start line by itself

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like if

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you break down the geometry and the components, the start line is almost

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exclusively controlled

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by where the putter face is pointing at impact.

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But if the putter path is too far off of baseline then it can be hard to

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coordinate the face

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to that.

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So it's kind of indirectly related if not directly related.

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And then the down the line allows us to look at the posture, alignment of the

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shoulders,

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forearms, elbows, ribcage, hips, knees, all the same stuff we look at with the

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full swing.

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You can look at eye alignment to the ball.

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You don't have to have your eyes directly over the ball but if they get too far

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, if they

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get outside the ball that can cause some alignment problems for most of my

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students.

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So eye alignment as well as distance from the golf ball, whether you're getting

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too close

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or too far away.

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We can look at the arm bend angle and how well the putter is in line with the

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shaft.

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Or sorry, the shaft of the putter is in line with the forearms.

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The only challenge is if they're too different, if it's like if I have a big

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angle there,

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then as I move, I will have more of a tendency to have a lot of face rotation

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where when

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the putter is more in line, it's kind of locked some of the rotational

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components of

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my wrist in place.

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So the alignment there.

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And then looking at the stroke, this is also a good view for looking at face

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rotation and

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torso turn versus tilt.

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So this is a great view for looking at the pizza to see if I am getting the put

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ter to

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move in a straight line.

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And I don't mean the putter head, but I mean the entire shaft or the entire put

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ter.

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So if I have my pizza slice looking like this, I want to make sure that the put

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ter shaft is

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moving roughly in a straight line.

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So one issue that can creep up with things like the putting arc and training

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tools like

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that is you can start creating more of this independent or artificial arching

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motion where

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the arc of the putter is simply going to happen because the putter is moving in

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a straight

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line around a suspension point.

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And so as it comes up, the putter tends to arc in and the face tends to have a

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little

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bit of rotation compared to the target again, but trying to get the putter

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shaft to move

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in a relatively straight line.

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This is a good view for looking at it.

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And this is a good view for looking at if the shoulders are working more

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turning level

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or if they're tilting more down at the golf ball.

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So this will help us when we get into analyzing our putting straps.

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Okay, so keep in mind three big goals.

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We're trying to roll the ball end over end and start it on a line.

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That line is going to be dependent on the speed that we choose.

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Once we've chosen the speed, we can read the green and determine the amount of

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break.

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The overall shape of the swing is going to be that of similar to a pendulum or

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taking

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up the space of similar to a slice of pizza where the putter is traveling along

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the crust.

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In the next class, we're going to tackle more of the details related to the

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first big skill

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with putting, which is rolling the ball end over end and controlling your start

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line.