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Stork Turns for Finesse Wedge

3h 10m
Lessons 34 lessons
Core Course

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My take on the classic lead foot drill

The lead foot-only drill for wedges has been around for a long time. There's a reason this drill has stood to the test of time. Hitting shots on your lead foot prevents too much lower body slight as well as too much axis tilt. These can both be contact killers with your wedge game. The key I see to this drill is making sure that you still hit the shot with a body pivot. Too often I see golfers try the lead foot-only drill and end up trying to hit the shot with just their arms.

Video Transcript
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This drill is the finesse wedge stork turn.

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So the stork turn is any of the drills where we do single leg, especially on

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the lead leg.

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So for this one, we're going to work on our basic finesse shot and really

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focusing on

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the upper body pivot location compared to the lower body.

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A lot of golfers who struggle with their wedge play get too much tilt where the

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upper body

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gets tilted behind the lower body kind of more like this.

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That moves the low point backward, which requires some movement of the arms to

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move the low

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point forward, either pulling the arms in or kind of throwing them out or a

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little bit

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of a scoop.

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But that timing usually causes some consistency or some contact problems and it

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kind of limits

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the amount of spin you can create and some other shots.

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So for the finesse version of this, we're going to focus mostly on 9 to 3 and

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below.

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We're not going to do kind of bigger swings like we might do with the distance

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wedge.

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But what we're really going to focus on on this one is on the way through that

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the arms

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in the hands stay in front of the body.

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So there's basically no arm action.

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We're trying to hit this with our pivot more similar to kind of the classic

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chip shot rather

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than kind of using some wrist for some power like we might if we were trying to

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get a

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little bit more spin.

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So I'm going to set up here.

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As I make a backswing, I'm going to feel like I lean a little bit towards the

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target.

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And then as I go down, I'm going to feel like I rotate my upper body through.

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Now if I hit a good one, what I want to do is I want to sneak my back foot in

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place,

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my trail foot in place, and kind of feel where my body is in this finished

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position.

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A lot of golfers, if you're used to kind of hanging back, you're going to feel

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like your

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upper body is much more on top or almost in front of that lower body.

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So here we're going to do it one more time.

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We're just going to feel a nice connection and the upper body rotating through

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very little

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action from the arms.

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Those went about the same distance, kind of similar trajectory.

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If I bring this back, it feels very similar.

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I can use the club to kind of make sure and confirm that I'm stacked up.

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So one of the common issues I see when golfers are doing this is they'll start

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on the foot

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just like this, but then it becomes very much an arm swing.

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And the whole goal here is to learn how to blend the pivot and kind of work on

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the rhythm

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of the arms and the body working more together.

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So that's why I like to exaggerate the feeling of basically no arms and hitting

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this kind

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of more like a Steve Stricher style where I'm hitting this purely with the

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pivot because

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what you'll see is if you do start to add some risk, there I kind of fell back

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a little

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bit more, but I hit a pretty good shot.

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So I might give myself some positive reinforcement like hey, I did that right

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even though I was

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still training falling backward.

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So we're going to do more of the dead arm, dead risk Steve Stricher style just

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to kind

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of feel like we hit it with the pivot.

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That'll really help get this upper body staying on top of the lower body and

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work on the smoothness

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of the body rotation on the way through.

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Those are two of the key fundamentals for working on your finesse wedge game.

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So quick demonstration, we're going to have a little bit more tilt towards the

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target

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and then turn through is going to come out nice and low.

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If I feel like I'm doing this and I feel like it's too much of a cut, then I

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can feel like

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as I'm going through, there's a little bit more of the shoulder kind of going

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down.

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One of the keys to this is understanding the difference between axis tilt,

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which would

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be more like this, sorry, poor demonstration, axis tilt where my upper body is

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tilting behind

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versus side bend where I can do side bend and still have vertical centers or

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still have

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lined up centers.

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So if I'm getting a little bit too level with the shoulder plane, then even

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though I'm on

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the front foot, I can still feel a little bit of side bend and that'll help

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take out some

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of the cut span.

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So I highly recommend this for working on your basic chip shot and your overall

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comfort

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being more on top of the front foot that can help with contact as well as

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creating more

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spin if you're struggling with that shot.

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