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Video Analysis and Troubleshooting Overview
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An overview of how to analyze your own stroke to help influence contact, trajectory, and distance control
In this section, we breakdown the major movements that cause problems for the three big goals of your distance wedge swing
- Stacked Centers:
- Sways off the ball
- Tilts too level backswing or tilting backward during release (too much axis tilt)
- Slide hips too much toward the target in the downswing
- Constant Radius:
- Arm powered transition
- Too much arm shoulder blade reach during the release
- Distance Control
- Length of swing
- Sequencing
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:09.930
Welcome back golfers, here we go. We're going to talk about analyzing your
2
00:00:09.930 --> 00:00:10.620
distance web
3
00:00:10.620 --> 00:00:16.320
swing on video. So as always, we have two primary views. You have the face on
4
00:00:16.320 --> 00:00:16.760
view and
5
00:00:16.760 --> 00:00:21.010
the down the line view. So we'll have some examples in this section. But in
6
00:00:21.010 --> 00:00:21.840
general,
7
00:00:21.840 --> 00:00:26.980
from the face on view, we can look at the centerness of the pivot. So we can
8
00:00:26.980 --> 00:00:27.440
look for
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00:00:27.440 --> 00:00:33.070
whether you're getting sway off the ball or too much of a slide through the
10
00:00:33.070 --> 00:00:33.720
ball, lower
11
00:00:33.720 --> 00:00:39.720
body, creating too much axis tilt, et cetera. And we can look at the timing of
12
00:00:39.720 --> 00:00:40.160
when we're
13
00:00:40.160 --> 00:00:45.790
losing this stackness, whether it's the backswing, the transition or the
14
00:00:45.790 --> 00:00:47.320
release. Often times,
15
00:00:47.320 --> 00:00:52.960
if it's backswing, you want to check setup or the extension or the arms
16
00:00:52.960 --> 00:00:54.080
straightening.
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If you have a tendency to want to bend your arms, then you will tend to shift
18
00:00:57.820 --> 00:00:58.320
off the
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ball to balance that in transition. When we use the impact line for these wedge
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shots,
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you want to make sure that you basically get up against that impact line very
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quickly.
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So oftentimes, that'll be done more in the backswing and then it'll already be
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there
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in transition. And then during the release, you could see either in transition
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or during
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the release, you could see a little bit of going forward like this, or you
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could see
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too much moving, sorry, going backward or forward. You could see too much
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00:01:30.740 --> 00:01:31.600
lateral movement
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one way or the other, either in transition going backward or through the
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release going
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backward rather than blending that extension and turn, which will keep
34
00:01:42.620 --> 00:01:44.000
everything more
35
00:01:44.000 --> 00:01:49.360
lined up over that front foot. From the constant radius perspective, you want
36
00:01:49.360 --> 00:01:50.040
to look at the
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arms specifically, the right arm in the backswing, that will have more of a
38
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tendency to kind
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of pull behind or potentially from the down the line, we can look at if it's
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rotating
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too much and getting steep. But the tendency would be from the face on camera
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to see this
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arm kind of pull more behind, rather than up at the top being able to see that
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elbow.
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So that's a good indicator as far as what's going on with the shoulder and the
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arms.
47
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And then smooth force we can look at in transition, is there a big dominant arm
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pull, is there
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a big lower body slide or do we see kind of everything moving together in what
50
00:02:28.910 --> 00:02:29.600
looks
51
00:02:29.600 --> 00:02:36.220
like kind of almost a constant speed of movement of the body from the nine o'
52
00:02:36.220 --> 00:02:38.200
clock or kind
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of P5 position, all the way through into the finish. So I like to see it
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looking very
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synced up and relatively even length of backswing, meaning I don't want to see
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a backswing
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that's here and then a finish that's kind of a full wrap around that usually
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means I'm
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applying too much force. Potentially the short one is okay, especially if you
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're hitting
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into the wind. But the one I really don't like is when this gets in a good
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position and
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then the follow through is really long. That usually means you're hitting it
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with too
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much effort and you're hitting it with too much arms. From the down the line we
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00:03:16.960 --> 00:03:17.320
can always
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look at our swing plane. So whether it's getting inside or outside, those can
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relate
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to either the balance of the arm movements compared to the body pivot and how
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well the
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body pivot is pivoting on close to the swing plane rather than having big loss
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of postures
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or sways. We can also see the face rotation. So from the down the line we can
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see is the
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face kind of really spinning open or staying shut or if we have that arm
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rotation is it
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just having a nice gentle closing to it. We can also look at from the down the
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line the
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loss of posture. So that's usually an extra shallowing or it can be a power
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source for
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the chop pattern in the downswing. So if I get too up and then I'm coming down
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what
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will happen is it's too hard to then come out of it. So I want to be more
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pretty centered
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there and then feeling like potentially there's a little bit of extension here
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but not an
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early extension. I don't want to have like the pelvis moving into the golf ball
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creating
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a big loss of posture but the upper body moving back as it's going into a
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little bit
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of extension is fine. And then of course looking at where the finish position
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gets to so from
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the down the line is the finish kind of coasting into that position or is it
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really kind of
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violently coming through that has to do with the smooth force. So let's look
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through talk
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about the troubleshooting we can look through some of the more common issues
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that we're
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going to see on video. So as we're troubleshooting this is going to be a little
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bit of a repeat
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of those basically the when you're analyzing the swing you're looking for the
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good stuff
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or you're looking for where you're off. Typically from the face on view we're
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either going to
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be off in our centered pivot with the amount of sway slide or tilt we're going
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to be off
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with our constant radius with either the amount of arm bend shoulder connection
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or too much
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wrist flip especially the shoulder the shoulder connection could be either back
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swing or downswing
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the wrist flip is typically a release style movement the arm bend is typically
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more of
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a backswing thing as well. Smooth force we already talked about kind of looking
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in that finish
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position we've got some drills over on the right to help with tempo and kind of
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coasting
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into that position and then matching the length of backswing compared to the
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length of follow
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through. If backswing gets too short then it's probably more of an arm driven
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action
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if follow through gets too long then it's typically more of an arm driven
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action in this
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particular case. With the down the line we can look at swing plane face
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rotation loss
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of posture as well as the smooth force typically swing plane if you get too
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much inside then
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we can watch to see if that causes an over the top move or if that causes a big
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shallowing
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move. If you get too much over during the backswing or do you come back over or
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does
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that cause a big shallowing movement. Either way we want to reference the swing
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plane to
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the impact line to see how those are influencing each other. As with the face
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rotation good
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place to check is either halfway back top of the backswing halfway down or into
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the finish
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position. You don't want to see a lot of spinning club face that's kind of an
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over action
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or a dominant arm release pattern so you want to check the face rotation in the
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follow through
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in the finish. Then loss of posture on the way through there will be a little
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bit more
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of a rising up from the extension of the thoracic spine. You don't want to see
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a lot of rising
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up from changing your body tilt or changing your hip angle but more of the
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extension of
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the spine. Working through these you'll be able to uncover your big bucket of
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misses
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as they affect either your ability to make solid contact, your ability to
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control trajectory
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or your ability to control distance. This will be your piece of reference to go
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back to whenever
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you're having trouble with one of those skills. In the next section we'll talk
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about how to
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build a good distance wedge practice program.
1
00:00:00.000 --> 00:00:09.930
Welcome back golfers, here we go. We're going to talk about analyzing your
2
00:00:09.930 --> 00:00:10.620
distance web
3
00:00:10.620 --> 00:00:16.320
swing on video. So as always, we have two primary views. You have the face on
4
00:00:16.320 --> 00:00:16.760
view and
5
00:00:16.760 --> 00:00:21.010
the down the line view. So we'll have some examples in this section. But in
6
00:00:21.010 --> 00:00:21.840
general,
7
00:00:21.840 --> 00:00:26.980
from the face on view, we can look at the centerness of the pivot. So we can
8
00:00:26.980 --> 00:00:27.440
look for
9
00:00:27.440 --> 00:00:33.070
whether you're getting sway off the ball or too much of a slide through the
10
00:00:33.070 --> 00:00:33.720
ball, lower
11
00:00:33.720 --> 00:00:39.720
body, creating too much axis tilt, et cetera. And we can look at the timing of
12
00:00:39.720 --> 00:00:40.160
when we're
13
00:00:40.160 --> 00:00:45.790
losing this stackness, whether it's the backswing, the transition or the
14
00:00:45.790 --> 00:00:47.320
release. Often times,
15
00:00:47.320 --> 00:00:52.960
if it's backswing, you want to check setup or the extension or the arms
16
00:00:52.960 --> 00:00:54.080
straightening.
17
00:00:54.080 --> 00:00:57.820
If you have a tendency to want to bend your arms, then you will tend to shift
18
00:00:57.820 --> 00:00:58.320
off the
19
00:00:58.320 --> 00:01:04.680
ball to balance that in transition. When we use the impact line for these wedge
20
00:01:04.680 --> 00:01:05.040
shots,
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00:01:05.040 --> 00:01:09.740
you want to make sure that you basically get up against that impact line very
22
00:01:09.740 --> 00:01:10.520
quickly.
23
00:01:10.520 --> 00:01:14.190
So oftentimes, that'll be done more in the backswing and then it'll already be
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00:01:14.190 --> 00:01:14.560
there
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00:01:14.560 --> 00:01:20.910
in transition. And then during the release, you could see either in transition
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or during
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the release, you could see a little bit of going forward like this, or you
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could see
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too much moving, sorry, going backward or forward. You could see too much
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00:01:30.740 --> 00:01:31.600
lateral movement
31
00:01:31.600 --> 00:01:35.940
one way or the other, either in transition going backward or through the
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release going
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backward rather than blending that extension and turn, which will keep
34
00:01:42.620 --> 00:01:44.000
everything more
35
00:01:44.000 --> 00:01:49.360
lined up over that front foot. From the constant radius perspective, you want
36
00:01:49.360 --> 00:01:50.040
to look at the
37
00:01:50.040 --> 00:01:53.280
arms specifically, the right arm in the backswing, that will have more of a
38
00:01:53.280 --> 00:01:54.120
tendency to kind
39
00:01:54.120 --> 00:01:59.770
of pull behind or potentially from the down the line, we can look at if it's
40
00:01:59.770 --> 00:02:00.440
rotating
41
00:02:00.440 --> 00:02:05.000
too much and getting steep. But the tendency would be from the face on camera
42
00:02:05.000 --> 00:02:05.560
to see this
43
00:02:05.560 --> 00:02:10.700
arm kind of pull more behind, rather than up at the top being able to see that
44
00:02:10.700 --> 00:02:11.240
elbow.
45
00:02:11.240 --> 00:02:15.320
So that's a good indicator as far as what's going on with the shoulder and the
46
00:02:15.320 --> 00:02:15.880
arms.
47
00:02:15.880 --> 00:02:21.020
And then smooth force we can look at in transition, is there a big dominant arm
48
00:02:21.020 --> 00:02:21.800
pull, is there
49
00:02:21.800 --> 00:02:28.910
a big lower body slide or do we see kind of everything moving together in what
50
00:02:28.910 --> 00:02:29.600
looks
51
00:02:29.600 --> 00:02:36.220
like kind of almost a constant speed of movement of the body from the nine o'
52
00:02:36.220 --> 00:02:38.200
clock or kind
53
00:02:38.200 --> 00:02:44.430
of P5 position, all the way through into the finish. So I like to see it
54
00:02:44.430 --> 00:02:45.640
looking very
55
00:02:45.640 --> 00:02:52.040
synced up and relatively even length of backswing, meaning I don't want to see
56
00:02:52.040 --> 00:02:52.800
a backswing
57
00:02:52.800 --> 00:02:56.050
that's here and then a finish that's kind of a full wrap around that usually
58
00:02:56.050 --> 00:02:56.520
means I'm
59
00:02:56.520 --> 00:03:01.450
applying too much force. Potentially the short one is okay, especially if you
60
00:03:01.450 --> 00:03:01.760
're hitting
61
00:03:01.760 --> 00:03:07.770
into the wind. But the one I really don't like is when this gets in a good
62
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position and
63
00:03:08.880 --> 00:03:12.240
then the follow through is really long. That usually means you're hitting it
64
00:03:12.240 --> 00:03:12.680
with too
65
00:03:12.680 --> 00:03:16.960
much effort and you're hitting it with too much arms. From the down the line we
66
00:03:16.960 --> 00:03:17.320
can always
67
00:03:17.320 --> 00:03:24.080
look at our swing plane. So whether it's getting inside or outside, those can
68
00:03:24.080 --> 00:03:24.680
relate
69
00:03:24.680 --> 00:03:29.400
to either the balance of the arm movements compared to the body pivot and how
70
00:03:29.400 --> 00:03:30.040
well the
71
00:03:30.040 --> 00:03:36.280
body pivot is pivoting on close to the swing plane rather than having big loss
72
00:03:36.280 --> 00:03:37.400
of postures
73
00:03:37.400 --> 00:03:43.810
or sways. We can also see the face rotation. So from the down the line we can
74
00:03:43.810 --> 00:03:44.600
see is the
75
00:03:44.600 --> 00:03:50.240
face kind of really spinning open or staying shut or if we have that arm
76
00:03:50.240 --> 00:03:51.040
rotation is it
77
00:03:51.040 --> 00:03:57.640
just having a nice gentle closing to it. We can also look at from the down the
78
00:03:57.640 --> 00:03:58.040
line the
79
00:03:58.040 --> 00:04:04.390
loss of posture. So that's usually an extra shallowing or it can be a power
80
00:04:04.390 --> 00:04:05.320
source for
81
00:04:05.320 --> 00:04:11.130
the chop pattern in the downswing. So if I get too up and then I'm coming down
82
00:04:11.130 --> 00:04:11.560
what
83
00:04:11.560 --> 00:04:17.190
will happen is it's too hard to then come out of it. So I want to be more
84
00:04:17.190 --> 00:04:18.080
pretty centered
85
00:04:18.080 --> 00:04:22.780
there and then feeling like potentially there's a little bit of extension here
86
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but not an
87
00:04:23.640 --> 00:04:27.840
early extension. I don't want to have like the pelvis moving into the golf ball
88
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creating
89
00:04:28.440 --> 00:04:32.630
a big loss of posture but the upper body moving back as it's going into a
90
00:04:32.630 --> 00:04:33.360
little bit
91
00:04:33.360 --> 00:04:39.010
of extension is fine. And then of course looking at where the finish position
92
00:04:39.010 --> 00:04:40.080
gets to so from
93
00:04:40.080 --> 00:04:45.710
the down the line is the finish kind of coasting into that position or is it
94
00:04:45.710 --> 00:04:46.160
really kind of
95
00:04:46.160 --> 00:04:52.590
violently coming through that has to do with the smooth force. So let's look
96
00:04:52.590 --> 00:04:53.480
through talk
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about the troubleshooting we can look through some of the more common issues
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that we're
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going to see on video. So as we're troubleshooting this is going to be a little
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bit of a repeat
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of those basically the when you're analyzing the swing you're looking for the
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good stuff
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or you're looking for where you're off. Typically from the face on view we're
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either going to
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be off in our centered pivot with the amount of sway slide or tilt we're going
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to be off
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with our constant radius with either the amount of arm bend shoulder connection
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or too much
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wrist flip especially the shoulder the shoulder connection could be either back
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swing or downswing
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the wrist flip is typically a release style movement the arm bend is typically
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more of
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a backswing thing as well. Smooth force we already talked about kind of looking
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in that finish
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position we've got some drills over on the right to help with tempo and kind of
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coasting
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into that position and then matching the length of backswing compared to the
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length of follow
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through. If backswing gets too short then it's probably more of an arm driven
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action
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if follow through gets too long then it's typically more of an arm driven
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action in this
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particular case. With the down the line we can look at swing plane face
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rotation loss
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of posture as well as the smooth force typically swing plane if you get too
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much inside then
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we can watch to see if that causes an over the top move or if that causes a big
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shallowing
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move. If you get too much over during the backswing or do you come back over or
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does
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that cause a big shallowing movement. Either way we want to reference the swing
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plane to
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the impact line to see how those are influencing each other. As with the face
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rotation good
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place to check is either halfway back top of the backswing halfway down or into
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the finish
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position. You don't want to see a lot of spinning club face that's kind of an
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over action
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or a dominant arm release pattern so you want to check the face rotation in the
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follow through
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in the finish. Then loss of posture on the way through there will be a little
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bit more
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of a rising up from the extension of the thoracic spine. You don't want to see
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a lot of rising
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up from changing your body tilt or changing your hip angle but more of the
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extension of
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the spine. Working through these you'll be able to uncover your big bucket of
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misses
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as they affect either your ability to make solid contact, your ability to
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control trajectory
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or your ability to control distance. This will be your piece of reference to go
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back to whenever
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you're having trouble with one of those skills. In the next section we'll talk
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about how to
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build a good distance wedge practice program.
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-
Goal 1: Solid Contact Overview06:22
-
Distance Wedge Basics05:40
-
Stork Turn for Distance Wedges04:37
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Trail Elbow Wedge Swing04:10
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Cast Pivot for Distance Wedges06:08
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Stacked Backswing01:29
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Towel Drill for Distance Wedge04:21
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Motorcycle for Distance Wedge04:50
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Feet Together Distance Wedge03:28
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Bracing vs Coasting03:41
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Impact Line for Distance Wedge04:56
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Using your Obliques for Distance Wedges04:37
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Lead Arm Only Distance Wedge05:42
-
Video Analysis and Troubleshooting Overview07:52
-
Video Analysis - Stock Distance Wedge36:20
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Case Study - My Distance Wedge Stroke08:19
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Trail Side Pass03:34
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Contact Face Spray04:35
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Trail Hip High, Trail Shoulder Low05:21
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Distance Wedge Pump Drill03:29
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Bucket Drill05:05
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Distance Wedge Turtle Shell02:46
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Distance Wedge Wipe05:18