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Focus Strategies
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Discover effective focus strategies for golfers, including mental clarity, sensory awareness, and a streamlined pre-shot routine.
In this video, I discussed focus strategies for golfers, emphasizing the importance of quieting the mind and maintaining a consistent thought process throughout the entire swing. To enhance focus, consider aspects like your eyes, breath, and shifting from verbal cues to sensory sensations. Establish a clear and complete pre-shot routine to reduce the need for revisiting decisions, promoting a more focused and consistent golf game.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:09.440
All right, golfers, in this video, let's discuss focus strategies.
2
00:00:09.440 --> 00:00:14.760
So by focus strategies, I use the term of kind of quieting the mind.
3
00:00:14.760 --> 00:00:20.820
But what I'm really talking about is kind of creating a consistent thought
4
00:00:20.820 --> 00:00:21.920
process during
5
00:00:21.920 --> 00:00:23.720
the entire stroke.
6
00:00:23.720 --> 00:00:26.960
So let's look at what the opposite of a quiet mind would be.
7
00:00:26.960 --> 00:00:31.260
In my opinion, the opposite of quiet mind would be, you're standing over the
8
00:00:31.260 --> 00:00:31.520
ball and
9
00:00:31.520 --> 00:00:33.600
you're thinking about 10 different things.
10
00:00:33.600 --> 00:00:34.600
Is my grip right?
11
00:00:34.600 --> 00:00:35.600
Is my setup right?
12
00:00:35.600 --> 00:00:36.600
Is my alignment right?
13
00:00:36.600 --> 00:00:38.120
How hard should I hit this?
14
00:00:38.120 --> 00:00:41.540
Like, that should have all been done or taken care of during the planning stage
15
00:00:41.540 --> 00:00:41.760
.
16
00:00:41.760 --> 00:00:43.560
Or potentially, all that's fine.
17
00:00:43.560 --> 00:00:44.880
But then you start taking it back.
18
00:00:44.880 --> 00:00:46.640
You're thinking about the takeaway.
19
00:00:46.640 --> 00:00:50.390
And then now you start thinking about the trees or the target or something else
20
00:00:50.390 --> 00:00:50.800
other
21
00:00:50.800 --> 00:00:54.080
than what you had planned to think about.
22
00:00:54.080 --> 00:00:59.310
So basically, an unfocused mind would be jumping from focus to focus or
23
00:00:59.310 --> 00:01:01.160
different, maybe outcome,
24
00:01:01.160 --> 00:01:04.590
maybe visual, maybe feel like it's jumping all over the place where I would
25
00:01:04.590 --> 00:01:05.120
consider
26
00:01:05.120 --> 00:01:10.850
a quiet mind being able to maintain one focus from the start until you reach
27
00:01:10.850 --> 00:01:12.160
your finish.
28
00:01:12.160 --> 00:01:16.570
It can be a story, as I like to say, like you could have a different thought
29
00:01:16.570 --> 00:01:18.080
for the backswing,
30
00:01:18.080 --> 00:01:23.240
the transition and the finish, or the backswing, the release and the finish.
31
00:01:23.240 --> 00:01:28.040
But it's a cohesive story that you're focused on the entire time.
32
00:01:28.040 --> 00:01:33.270
So there's a couple different areas we can use to try to quiet the mind or
33
00:01:33.270 --> 00:01:34.080
enhance your
34
00:01:34.080 --> 00:01:35.080
focus.
35
00:01:35.080 --> 00:01:37.000
We can look at the eyes.
36
00:01:37.000 --> 00:01:41.260
So eyes darting all over the place tend to create a little bit more chaos or
37
00:01:41.260 --> 00:01:42.520
disturbance.
38
00:01:42.520 --> 00:01:47.750
So there's some research especially in putting about keeping a wide gaze and
39
00:01:47.750 --> 00:01:48.200
keeping kind
40
00:01:48.200 --> 00:01:50.760
of a quiet, quiet eye.
41
00:01:50.760 --> 00:01:55.180
So essentially, if I look here at the camera with a quiet gaze, I can see the
42
00:01:55.180 --> 00:01:55.720
bags on the
43
00:01:55.720 --> 00:01:59.570
back of the room, I can see the golf ball on the floor, like I can see all this
44
00:01:59.570 --> 00:02:00.000
stuff
45
00:02:00.000 --> 00:02:06.610
versus if I was trying to intently read the words on the camera, that would be
46
00:02:06.610 --> 00:02:07.440
a little
47
00:02:07.440 --> 00:02:12.670
bit too much detail-oriented, that would be like trying to read versus just
48
00:02:12.670 --> 00:02:13.360
trying to
49
00:02:13.360 --> 00:02:20.230
take this broad field or this broad look or the quiet eyes that we're trying to
50
00:02:20.230 --> 00:02:21.320
create.
51
00:02:21.320 --> 00:02:25.400
From the breath, I find that two things can happen.
52
00:02:25.400 --> 00:02:29.400
Either one golfers hold their breath and then release it at some point either
53
00:02:29.400 --> 00:02:30.320
usually right
54
00:02:30.320 --> 00:02:33.360
around impact or early in the downswing.
55
00:02:33.360 --> 00:02:38.960
So it's kind of a, and you can tell that there's a little bit too much kind of
56
00:02:38.960 --> 00:02:39.720
tension
57
00:02:39.720 --> 00:02:41.640
in that breath during the backswing.
58
00:02:41.640 --> 00:02:50.960
So either a steady exhale during the entire can maintain a little bit more.
59
00:02:50.960 --> 00:02:55.680
Just focusing on the breath can be one consistent feel or consistent quiet
60
00:02:55.680 --> 00:02:56.920
focus that you can
61
00:02:56.920 --> 00:02:59.600
use during the whole swing.
62
00:02:59.600 --> 00:03:04.040
But at the very least, I would try to maintain either quick changes, like quick
63
00:03:04.040 --> 00:03:04.760
inhales,
64
00:03:04.760 --> 00:03:05.760
quick exhales.
65
00:03:05.760 --> 00:03:09.200
Potentially, if you're doing long drive, then maybe a quick exhale during the
66
00:03:09.200 --> 00:03:09.760
downswing
67
00:03:09.760 --> 00:03:14.450
in the worst thing, but for overall consistency, I like steady breath and only
68
00:03:14.450 --> 00:03:15.560
rapid changes.
69
00:03:15.560 --> 00:03:21.320
Okay, as far as the mind goes, I use the phrase sensations versus words.
70
00:03:21.320 --> 00:03:27.320
So there's a big difference between reciting, I want to have the club laid off
71
00:03:27.320 --> 00:03:28.080
in the top
72
00:03:28.080 --> 00:03:31.720
versus there's a feeling of the club laid off at the top, where there's a
73
00:03:31.720 --> 00:03:32.360
feeling of
74
00:03:32.360 --> 00:03:37.220
the rhythm being a little slower in order to not get across the line, or there
75
00:03:37.220 --> 00:03:38.280
's a picture
76
00:03:38.280 --> 00:03:40.320
of where I want the club to point.
77
00:03:40.320 --> 00:03:45.140
Those are more sensory versus the checklist or the verbal cues of where do I
78
00:03:45.140 --> 00:03:45.800
want the
79
00:03:45.800 --> 00:03:47.200
club at the top.
80
00:03:47.200 --> 00:03:51.230
And that could be any part, it could be visualizing the shot, it could be your
81
00:03:51.230 --> 00:03:52.160
takeaway, it could
82
00:03:52.160 --> 00:03:56.130
be your finish position, all those could be sensations, or they could be words,
83
00:03:56.130 --> 00:03:56.560
our goal
84
00:03:56.560 --> 00:03:58.960
is to get them into the sensation.
85
00:03:58.960 --> 00:04:02.730
Now one of the places where people tend to have a lot of tension, and that
86
00:04:02.730 --> 00:04:03.480
tension can
87
00:04:03.480 --> 00:04:08.920
pull your focus would be the jaw, the shoulders, the core, the legs, so we have
88
00:04:08.920 --> 00:04:09.400
other kind
89
00:04:09.400 --> 00:04:13.310
of relaxation techniques to try to help you to understand how you can become a
90
00:04:13.310 --> 00:04:13.760
little
91
00:04:13.760 --> 00:04:19.970
bit more aware there, but sometimes just doing a little body scan, so getting
92
00:04:19.970 --> 00:04:21.200
set up and
93
00:04:21.200 --> 00:04:28.740
then feeling my jaw relaxed, or my shoulders loose, or not stiff, not locked,
94
00:04:28.740 --> 00:04:29.720
is my back
95
00:04:29.720 --> 00:04:37.470
and core moving a little bit, are my feet stable, but not too tight, like not
96
00:04:37.470 --> 00:04:38.680
having a sense
97
00:04:38.680 --> 00:04:43.640
like they need to explode, but they feel very grounded and ready to move.
98
00:04:43.640 --> 00:04:47.730
There's some vague words, but there's some of the terms that I think resonate
99
00:04:47.730 --> 00:04:48.360
with people
100
00:04:48.360 --> 00:04:52.080
when they're in a good ready state, and that ready state is typically having a
101
00:04:52.080 --> 00:04:52.880
single focus
102
00:04:52.880 --> 00:04:55.920
and having that kind of quiet mind.
103
00:04:55.920 --> 00:05:00.540
So if you're struggling with your mind jumping all over the place, I at least
104
00:05:00.540 --> 00:05:01.840
like the hierarchy
105
00:05:01.840 --> 00:05:06.120
of kind of look at your eyes, your breath, your mind, and your body as areas
106
00:05:06.120 --> 00:05:06.680
that you
107
00:05:06.680 --> 00:05:10.800
could improve your focus to improve your overall consistency.
108
00:05:10.800 --> 00:05:18.210
Now from a process standpoint, I use clarity and completeness, and what we can
109
00:05:18.210 --> 00:05:18.960
look at
110
00:05:18.960 --> 00:05:24.280
is we talked about in the planning the shot and the pre-shot, that we don't
111
00:05:24.280 --> 00:05:25.440
want to go
112
00:05:25.440 --> 00:05:26.440
backwards.
113
00:05:26.440 --> 00:05:30.720
Basically, I want to have a pre-shot routine that I can trust, and I want the
114
00:05:30.720 --> 00:05:31.400
voice, if
115
00:05:31.400 --> 00:05:36.200
I am hearing myself tell myself what to do, I want it to be a directive voice,
116
00:05:36.200 --> 00:05:36.720
not kind
117
00:05:36.720 --> 00:05:42.100
of a wishy, washy voice, so it would be kind of like, okay, I go through my due
118
00:05:42.100 --> 00:05:43.040
process,
119
00:05:43.040 --> 00:05:44.240
figure out what club I want to hit.
120
00:05:44.240 --> 00:05:48.480
I'm going to hit an eight iron, I'm going to hit a draw, I'm walking up for the
121
00:05:48.480 --> 00:05:48.880
ball,
122
00:05:48.880 --> 00:05:54.040
I'm going to focus on my takeaway and my balance in the finish, or I'm going to
123
00:05:54.040 --> 00:05:56.520
focus on a
124
00:05:56.520 --> 00:06:02.990
feeling of the club being in the slot, I'm going to focus on a stable lower
125
00:06:02.990 --> 00:06:03.840
body.
126
00:06:03.840 --> 00:06:07.440
Whatever that feel is, it's a directive voice of this is what I'm going to do,
127
00:06:07.440 --> 00:06:08.040
and you're
128
00:06:08.040 --> 00:06:10.320
not allowed to go back.
129
00:06:10.320 --> 00:06:14.820
One of the things that I can't stress enough is many golfers get bad shots when
130
00:06:14.820 --> 00:06:15.360
they go
131
00:06:15.360 --> 00:06:17.000
back in the process.
132
00:06:17.000 --> 00:06:20.090
They're getting over the ball and they're not sure if they aimed correctly, so
133
00:06:20.090 --> 00:06:20.440
now they
134
00:06:20.440 --> 00:06:23.040
have to revisit in their mind going backward a step.
135
00:06:23.040 --> 00:06:28.470
That's going to cause some extra stress and disrupt the fluidness of their
136
00:06:28.470 --> 00:06:29.320
swing.
137
00:06:29.320 --> 00:06:32.630
You want to make sure you did the process, you pick the club, you pick the
138
00:06:32.630 --> 00:06:33.320
alignment,
139
00:06:33.320 --> 00:06:36.880
you pick the swing thought, you get up to the ball, and then you go.
140
00:06:36.880 --> 00:06:40.850
Having a clarity and a completeness of that is one of the ways to maintain your
141
00:06:40.850 --> 00:06:41.440
focus.
142
00:06:41.440 --> 00:06:44.230
If you're doing that and you're still having issues, then that's when I would
143
00:06:44.230 --> 00:06:44.760
focus more
144
00:06:44.760 --> 00:06:48.210
on the sensation stuff that we talked about there at the beginning of the video
145
00:06:48.210 --> 00:06:48.440
.
146
00:06:48.440 --> 00:06:54.470
Hopefully this helps you create a little more consistency and calmness over the
147
00:06:54.470 --> 00:06:55.160
wall.
1
00:00:00.000 --> 00:00:09.440
All right, golfers, in this video, let's discuss focus strategies.
2
00:00:09.440 --> 00:00:14.760
So by focus strategies, I use the term of kind of quieting the mind.
3
00:00:14.760 --> 00:00:20.820
But what I'm really talking about is kind of creating a consistent thought
4
00:00:20.820 --> 00:00:21.920
process during
5
00:00:21.920 --> 00:00:23.720
the entire stroke.
6
00:00:23.720 --> 00:00:26.960
So let's look at what the opposite of a quiet mind would be.
7
00:00:26.960 --> 00:00:31.260
In my opinion, the opposite of quiet mind would be, you're standing over the
8
00:00:31.260 --> 00:00:31.520
ball and
9
00:00:31.520 --> 00:00:33.600
you're thinking about 10 different things.
10
00:00:33.600 --> 00:00:34.600
Is my grip right?
11
00:00:34.600 --> 00:00:35.600
Is my setup right?
12
00:00:35.600 --> 00:00:36.600
Is my alignment right?
13
00:00:36.600 --> 00:00:38.120
How hard should I hit this?
14
00:00:38.120 --> 00:00:41.540
Like, that should have all been done or taken care of during the planning stage
15
00:00:41.540 --> 00:00:41.760
.
16
00:00:41.760 --> 00:00:43.560
Or potentially, all that's fine.
17
00:00:43.560 --> 00:00:44.880
But then you start taking it back.
18
00:00:44.880 --> 00:00:46.640
You're thinking about the takeaway.
19
00:00:46.640 --> 00:00:50.390
And then now you start thinking about the trees or the target or something else
20
00:00:50.390 --> 00:00:50.800
other
21
00:00:50.800 --> 00:00:54.080
than what you had planned to think about.
22
00:00:54.080 --> 00:00:59.310
So basically, an unfocused mind would be jumping from focus to focus or
23
00:00:59.310 --> 00:01:01.160
different, maybe outcome,
24
00:01:01.160 --> 00:01:04.590
maybe visual, maybe feel like it's jumping all over the place where I would
25
00:01:04.590 --> 00:01:05.120
consider
26
00:01:05.120 --> 00:01:10.850
a quiet mind being able to maintain one focus from the start until you reach
27
00:01:10.850 --> 00:01:12.160
your finish.
28
00:01:12.160 --> 00:01:16.570
It can be a story, as I like to say, like you could have a different thought
29
00:01:16.570 --> 00:01:18.080
for the backswing,
30
00:01:18.080 --> 00:01:23.240
the transition and the finish, or the backswing, the release and the finish.
31
00:01:23.240 --> 00:01:28.040
But it's a cohesive story that you're focused on the entire time.
32
00:01:28.040 --> 00:01:33.270
So there's a couple different areas we can use to try to quiet the mind or
33
00:01:33.270 --> 00:01:34.080
enhance your
34
00:01:34.080 --> 00:01:35.080
focus.
35
00:01:35.080 --> 00:01:37.000
We can look at the eyes.
36
00:01:37.000 --> 00:01:41.260
So eyes darting all over the place tend to create a little bit more chaos or
37
00:01:41.260 --> 00:01:42.520
disturbance.
38
00:01:42.520 --> 00:01:47.750
So there's some research especially in putting about keeping a wide gaze and
39
00:01:47.750 --> 00:01:48.200
keeping kind
40
00:01:48.200 --> 00:01:50.760
of a quiet, quiet eye.
41
00:01:50.760 --> 00:01:55.180
So essentially, if I look here at the camera with a quiet gaze, I can see the
42
00:01:55.180 --> 00:01:55.720
bags on the
43
00:01:55.720 --> 00:01:59.570
back of the room, I can see the golf ball on the floor, like I can see all this
44
00:01:59.570 --> 00:02:00.000
stuff
45
00:02:00.000 --> 00:02:06.610
versus if I was trying to intently read the words on the camera, that would be
46
00:02:06.610 --> 00:02:07.440
a little
47
00:02:07.440 --> 00:02:12.670
bit too much detail-oriented, that would be like trying to read versus just
48
00:02:12.670 --> 00:02:13.360
trying to
49
00:02:13.360 --> 00:02:20.230
take this broad field or this broad look or the quiet eyes that we're trying to
50
00:02:20.230 --> 00:02:21.320
create.
51
00:02:21.320 --> 00:02:25.400
From the breath, I find that two things can happen.
52
00:02:25.400 --> 00:02:29.400
Either one golfers hold their breath and then release it at some point either
53
00:02:29.400 --> 00:02:30.320
usually right
54
00:02:30.320 --> 00:02:33.360
around impact or early in the downswing.
55
00:02:33.360 --> 00:02:38.960
So it's kind of a, and you can tell that there's a little bit too much kind of
56
00:02:38.960 --> 00:02:39.720
tension
57
00:02:39.720 --> 00:02:41.640
in that breath during the backswing.
58
00:02:41.640 --> 00:02:50.960
So either a steady exhale during the entire can maintain a little bit more.
59
00:02:50.960 --> 00:02:55.680
Just focusing on the breath can be one consistent feel or consistent quiet
60
00:02:55.680 --> 00:02:56.920
focus that you can
61
00:02:56.920 --> 00:02:59.600
use during the whole swing.
62
00:02:59.600 --> 00:03:04.040
But at the very least, I would try to maintain either quick changes, like quick
63
00:03:04.040 --> 00:03:04.760
inhales,
64
00:03:04.760 --> 00:03:05.760
quick exhales.
65
00:03:05.760 --> 00:03:09.200
Potentially, if you're doing long drive, then maybe a quick exhale during the
66
00:03:09.200 --> 00:03:09.760
downswing
67
00:03:09.760 --> 00:03:14.450
in the worst thing, but for overall consistency, I like steady breath and only
68
00:03:14.450 --> 00:03:15.560
rapid changes.
69
00:03:15.560 --> 00:03:21.320
Okay, as far as the mind goes, I use the phrase sensations versus words.
70
00:03:21.320 --> 00:03:27.320
So there's a big difference between reciting, I want to have the club laid off
71
00:03:27.320 --> 00:03:28.080
in the top
72
00:03:28.080 --> 00:03:31.720
versus there's a feeling of the club laid off at the top, where there's a
73
00:03:31.720 --> 00:03:32.360
feeling of
74
00:03:32.360 --> 00:03:37.220
the rhythm being a little slower in order to not get across the line, or there
75
00:03:37.220 --> 00:03:38.280
's a picture
76
00:03:38.280 --> 00:03:40.320
of where I want the club to point.
77
00:03:40.320 --> 00:03:45.140
Those are more sensory versus the checklist or the verbal cues of where do I
78
00:03:45.140 --> 00:03:45.800
want the
79
00:03:45.800 --> 00:03:47.200
club at the top.
80
00:03:47.200 --> 00:03:51.230
And that could be any part, it could be visualizing the shot, it could be your
81
00:03:51.230 --> 00:03:52.160
takeaway, it could
82
00:03:52.160 --> 00:03:56.130
be your finish position, all those could be sensations, or they could be words,
83
00:03:56.130 --> 00:03:56.560
our goal
84
00:03:56.560 --> 00:03:58.960
is to get them into the sensation.
85
00:03:58.960 --> 00:04:02.730
Now one of the places where people tend to have a lot of tension, and that
86
00:04:02.730 --> 00:04:03.480
tension can
87
00:04:03.480 --> 00:04:08.920
pull your focus would be the jaw, the shoulders, the core, the legs, so we have
88
00:04:08.920 --> 00:04:09.400
other kind
89
00:04:09.400 --> 00:04:13.310
of relaxation techniques to try to help you to understand how you can become a
90
00:04:13.310 --> 00:04:13.760
little
91
00:04:13.760 --> 00:04:19.970
bit more aware there, but sometimes just doing a little body scan, so getting
92
00:04:19.970 --> 00:04:21.200
set up and
93
00:04:21.200 --> 00:04:28.740
then feeling my jaw relaxed, or my shoulders loose, or not stiff, not locked,
94
00:04:28.740 --> 00:04:29.720
is my back
95
00:04:29.720 --> 00:04:37.470
and core moving a little bit, are my feet stable, but not too tight, like not
96
00:04:37.470 --> 00:04:38.680
having a sense
97
00:04:38.680 --> 00:04:43.640
like they need to explode, but they feel very grounded and ready to move.
98
00:04:43.640 --> 00:04:47.730
There's some vague words, but there's some of the terms that I think resonate
99
00:04:47.730 --> 00:04:48.360
with people
100
00:04:48.360 --> 00:04:52.080
when they're in a good ready state, and that ready state is typically having a
101
00:04:52.080 --> 00:04:52.880
single focus
102
00:04:52.880 --> 00:04:55.920
and having that kind of quiet mind.
103
00:04:55.920 --> 00:05:00.540
So if you're struggling with your mind jumping all over the place, I at least
104
00:05:00.540 --> 00:05:01.840
like the hierarchy
105
00:05:01.840 --> 00:05:06.120
of kind of look at your eyes, your breath, your mind, and your body as areas
106
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that you
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could improve your focus to improve your overall consistency.
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Now from a process standpoint, I use clarity and completeness, and what we can
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look at
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is we talked about in the planning the shot and the pre-shot, that we don't
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want to go
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backwards.
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Basically, I want to have a pre-shot routine that I can trust, and I want the
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voice, if
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I am hearing myself tell myself what to do, I want it to be a directive voice,
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not kind
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of a wishy, washy voice, so it would be kind of like, okay, I go through my due
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process,
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figure out what club I want to hit.
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I'm going to hit an eight iron, I'm going to hit a draw, I'm walking up for the
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ball,
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I'm going to focus on my takeaway and my balance in the finish, or I'm going to
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focus on a
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feeling of the club being in the slot, I'm going to focus on a stable lower
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body.
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Whatever that feel is, it's a directive voice of this is what I'm going to do,
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and you're
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not allowed to go back.
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One of the things that I can't stress enough is many golfers get bad shots when
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they go
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back in the process.
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They're getting over the ball and they're not sure if they aimed correctly, so
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now they
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have to revisit in their mind going backward a step.
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That's going to cause some extra stress and disrupt the fluidness of their
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swing.
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You want to make sure you did the process, you pick the club, you pick the
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alignment,
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you pick the swing thought, you get up to the ball, and then you go.
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Having a clarity and a completeness of that is one of the ways to maintain your
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focus.
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If you're doing that and you're still having issues, then that's when I would
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focus more
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on the sensation stuff that we talked about there at the beginning of the video
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.
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Hopefully this helps you create a little more consistency and calmness over the
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wall.
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