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Video Analysis - Driver vs Iron

6h 37m
Lessons 66 lessons
Core Course

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Learn the few keys to identify which key move is hurting your irons or your driver

Driver - 

  • flat spot
  • early face
  • good sequence

Iron

  • Low point line
  • Path neutral-ish
  • No scoop
Video Transcript
WEBVTT

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In this analysis video, we're going to look at the difference between the iron

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and the

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driver swing.

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And while there are lots of little subtle differences, we're going to focus on

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the two

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primary differences, which is going to be the difference in their axis tilt and

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the

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difference in what I call the chop versus the lift movement of the arms.

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From the face on view, the easiest way for us to look at axis tilt is if we

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were to take

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a golfer to just about impact and then draw a vertical line up from the golf

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ball, and

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then another one down from their shirt buttons.

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Now because of the color of Adam's shirt on the left, we're going to use the

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edge of

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his hat instead.

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So if we were to draw a vertical line down from his shirt buttons or the edge

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of his

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hat, with the driver, you will see that the head is going to be or the shirt

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buttons is

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going to be a significant amount behind the bottom of the swing or behind the

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golf ball.

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With the iron, you're going to see that the shirt buttons will typically be

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around on

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top of the golf ball.

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But the biggest thing is you will see that they are further forward with the

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iron than

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they would be with the driver, primarily with the upper body.

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The lower body has shifted just about the same amount, regardless of whether

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they're

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hitting an iron or a driver.

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Now one of the other pieces to this axis tilt puzzle is with the driver, you

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will see that

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they will initiate transition with their upper body shifting just slightly

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forward.

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And then once they get to about delivery position and they start going into the

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release, you'll

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actually see the head and the upper body back up.

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I'll go through that a couple times and we're going to look at a variety of

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different

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Tory and amateur golfer so that you can see this pattern.

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But you will see basically as they start this release, that upper body is going

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to drift

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backwards.

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The difference that you'll see with the iron is as they start into their down

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swing, the

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upper body is going to drift forwards.

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And then instead of backing up significantly, it's more or less going to

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stabilize.

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What I see on 3D is that with an ideal iron swing, the upper body from the top

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of the

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swing is going to move a few inches forward and then move just slightly

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backward from

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there so that when you are making contact with your iron, your upper body is

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actually

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about two inches closer to the target than it was at the top of the swing.

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With the driver or the ideal driver swing, you'll see a slight shift forward of

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about

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an inch and a half.

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And then you will see a slight shift away to the point when they are making

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contact with

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their driver, their upper body is actually, on average, a little bit behind

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where it was

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at the top of the swing.

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This helps create that axis tilt, which helps support the angle of attack and

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the loft characteristics

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that we are trying to create for the driver swing.

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Now let's talk about the difference between the arm movements in the chop

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versus the lift

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pattern for the driver versus the iron.

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So here we have Adam again, and we are going to take him down to roughly

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delivery position,

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which will be somewhere about like so.

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If I bring him down with the iron to somewhere about like so, you'll see a

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similar looking

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pattern with the shaft somewhere around that right forearm in both cases.

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Now even though their bodies look like they are in identical positions, we know

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from looking

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at the face on view that on the iron swing, Adam is actually a little bit more

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on top of

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the ball where in the driver swing, Adam is actually starting to work back

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towards us.

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Here's where that's going to show up in what the arms do.

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So as he goes through his release with the driver, you will tend to see the

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arms working

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a little bit more up to the point where when he gets to shaft parallel in the

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ground or

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the follow through position, if you had a line straight out in front of his

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shirt buttons,

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the driver swing will be out up into the right, where if you had him swinging

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his ideal iron,

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the arms would continue down and as a result when they get to that waist height

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position,

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they're actually going to disappear because they will be more or less in front

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of his

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shirt buttons.

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This is one of the critical pieces to the difference between the ideal iron and

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the ideal

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driver swing and one that many tour pros seamlessly integrate.

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Now let's take a look at another golfer, this is Jason Day.

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So on the left we have his driver and we can see that from the top of swing,

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that upper

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body is going to have a slight shift forward followed by a shift backward

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during the release

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and you'll see that when he makes contact with the golf ball, his shirt buttons

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are a

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good four or five, six inches behind the golf ball.

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Here on the right, we can see with the iron, he's going to have a slight shift

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forward

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with his upper body and then less dramatic shift backwards or what I call more

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of a stabilizing

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action.

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When he makes contact with the golf ball, his camera angle may not be perfect

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but you

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can clearly see that his upper body is further forward compared to where it was

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with his

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driver.

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Now let's take a look at the chopped first lift from the down the line view.

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So over on the left, we'll see as the club comes down, we're going to get them

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both to

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delivery positions.

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So now if we come down with the iron, we will see, he may be hitting a cut shot

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, it's hard

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to tell but you can see there's definitely a little bit of a difference in his

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shaft

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plane here at the delivery position.

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But as we come down, we will see, we know that his upper body is moving

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backward at this

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point and it's behind the golf ball and so what you will see is the arms reach

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more up

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and out and you will see when he gets to the follow through position that if

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you had a

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line even with his body or if we were looking to the shirt buttons, the club

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would be off

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to the right of that line or to the right of his body and his shirt buttons.

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If you were to look at him over here on the left with the iron, you'll see that

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as he

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comes through, the club when it gets to that waist height position has

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disappeared because

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it has been working more down, low and left or what I consider more of a chop

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movement

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because the height compared to his belt buckle would be lower and the path

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would be more

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left as if I were executing a chop.

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Here the handle is quite high compared to his belt and further out to the right

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as if

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he is conducting a lift.

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Now let's take a look at another example, here we have Jason Duffner.

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So from the top of the swing, we are going to see the upper body drift slightly

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forward

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and then start working back away during the release and you'll see that when he

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makes

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contact with the golf ball, his upper body or the edge of his shirt buttons

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kind of right

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around here is going to be again six inches or so, a significant amount behind

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the golf

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ball, with the iron you'll see his upper body working forward and then more or

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less stabilizing

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or in his case working more up, but it doesn't have quite the amount of moving

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backward as

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he has in the driver.

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And now let's look at his chop versus lift pattern from the down the line.

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So on the left we have the driver.

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Let's get him into delivery position where we'll see that club shafts roughly

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in line

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with the forearm, here on the iron we can get to a somewhat similar looking

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position.

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Now if we continue moving the driver down through impact, you will see the club

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exit

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a little bit more up and you can still see the handle when the club is parallel

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to the

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ground.

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Over here on the right where he's making contact with the iron, you will see

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that you

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are just starting to lose the handle.

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So again, here's where his shirt buttons are, here's where his shirt buttons

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would be.

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You can see that the hands are further left with the iron, but not quite as

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significantly

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as with some other players, but there is clearly a difference in the handle

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height if you were

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looking compared to the belt line and the location of the club.

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So his is not quite as exaggerated as some other players and we can get into

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that in

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his personal evaluation, but in general he is going with more of a lift pattern

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on the

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left and more of a chow pattern on the right.

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Now before we go over any more pros, let's take a break and look at a few am

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ateurs.

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So here we have one of my students who has more of a driver based swing.

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And what you'll see is that with the driver, you're going to see the club work

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excessively

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up and out to the right.

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So that if you had that line in front of a shirt buttons, we can clearly see

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the handle

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off to the right.

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Now with the iron, he executes more or less the same pattern so that when he

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comes through,

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that club is still up into the right.

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He's using the lift pattern and as a result, he tends to struggle a little bit

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with consistent

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contact with his irons and battling hooks with the driver.

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If we look at this driver based pattern from the face on view, what we will see

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is that

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when he starts his downswing, he's going to have the slight shift forward and

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then a very

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pronounced shift backward.

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Now if you remember the tour pros, the adjustment that they made with the

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driver was it was going

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to come a little bit more, or the upper body was going to drift a little bit

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more on top

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of the golf ball.

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Here what you'll see is a very similar pattern to his driver where his upper

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body shifts back

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more behind it or away from where it was similarly to what he's doing with the

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driver.

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So even though he is further behind where the golf ball was with the driver

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than with

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the iron, he is executing a version of the driver pattern with his iron, which

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is part

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of the reason why he has a little bit of struggle.

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Now we will look at a few amateurs executing more of the iron pattern.

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So here we have a higher handicap and what you'll see is with the driver, you

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're going

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to see the same overall pattern that we see with his iron.

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So we'll get him more or less down to delivery position, you'll see a similar

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looking club

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path.

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Now as we take the driver to contact and then to the follow through position,

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you will see

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that when he gets to that follow through position, the handle of the club and

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the club head

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are clearly in front of his chest.

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We do this with the iron, we would expect to see it more to the left, but what

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we're

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actually seeing is it's about the same.

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So he's executing the same pattern with his iron that he's demonstrating with

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his driver

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and it's more of an iron base.

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Now from the face on view, we're going to see the iron base pattern of the

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upper body

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drive forward and then more or less stabilize.

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So when he's making contact, if we were to draw a line down from his shirt

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buttons or

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sternum, we can see it's just slightly behind the golf ball.

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Now with the iron, we'll see that similar pattern of upper body driving forward

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and

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then stabilize to where his upper body is more or less the exact same place

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compared

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to where it is with the driver.

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So while Tour Pros seem to make these adjustments, whether it's conscious or

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unconscious, they're

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able to make these changes of how they're swinging the club with an iron and

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how they're

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swinging the club with the driver that produces the successful strike with each

256
00:12:04.580 --> 00:12:05.400
club.

257
00:12:05.400 --> 00:12:09.200
And now let's take a look at another iron base swing, but this time with a low

258
00:12:09.200 --> 00:12:09.800
handicap

259
00:12:09.800 --> 00:12:11.400
golfer.

260
00:12:11.400 --> 00:12:16.370
So we'll take him up to the top of the swing and draw a line vertically up from

261
00:12:16.370 --> 00:12:17.000
the back

262
00:12:17.000 --> 00:12:18.760
of the golf ball just as a reference.

263
00:12:18.760 --> 00:12:23.040
So we're going to go up to the top of the swing, draw a line vertically.

264
00:12:23.040 --> 00:12:26.280
Now you'll see from here, we can't really tell if this is going to be an iron

265
00:12:26.280 --> 00:12:26.560
or a

266
00:12:26.560 --> 00:12:30.890
driver base swing because in the driver, he's definitely further behind the

267
00:12:30.890 --> 00:12:31.720
golf ball.

268
00:12:31.720 --> 00:12:35.940
What we'll see is if we establish that line from where the upper body is at the

269
00:12:35.940 --> 00:12:36.440
top of

270
00:12:36.440 --> 00:12:40.760
the swing, you'll see during transition a prominent shift on top of the golf

271
00:12:40.760 --> 00:12:41.320
ball and

272
00:12:41.320 --> 00:12:45.600
never really moving backward but just stabilizing.

273
00:12:45.600 --> 00:12:51.170
Now when he makes contact, he is slightly behind the golf ball, but you can see

274
00:12:51.170 --> 00:12:51.600
that

275
00:12:51.600 --> 00:12:55.960
it's more of an iron base pattern with the upper body kind of lunging forward.

276
00:12:55.960 --> 00:13:00.750
Now on the iron, you'll see a smaller version of that shift and then the same

277
00:13:00.750 --> 00:13:01.840
stabilization

278
00:13:01.840 --> 00:13:02.840
pattern.

279
00:13:02.840 --> 00:13:08.460
Now this is, he did not actually break the shaft, it's an effect of what's

280
00:13:08.460 --> 00:13:09.520
called a rolling

281
00:13:09.520 --> 00:13:13.180
shutter but what's happening with his body and his arms is something that you

282
00:13:13.180 --> 00:13:13.840
can clearly

283
00:13:13.840 --> 00:13:16.480
pay attention to.

284
00:13:16.480 --> 00:13:20.760
And it's what he's doing with his arms and his club that have caused him to

285
00:13:20.760 --> 00:13:21.920
have consistency

286
00:13:21.920 --> 00:13:28.360
issues and trouble mostly with the driver because he's a very good iron player.

287
00:13:28.360 --> 00:13:33.840
Lastly, now that we've taken a look at what's different between the two swings,

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00:13:33.840 --> 00:13:34.000
let's take

289
00:13:34.000 --> 00:13:39.520
a look at what's similar or consistent between your iron and your driver swing.

290
00:13:39.520 --> 00:13:43.260
The two main things that we're going to look at here are sequencing and the

291
00:13:43.260 --> 00:13:43.960
release.

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00:13:43.960 --> 00:13:47.680
So here we have Jason Day and to look at sequencing, it's easiest to do from

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00:13:47.680 --> 00:13:48.500
the down the line

294
00:13:48.500 --> 00:13:51.860
view and we're going to look for checkpoints as far as when movements are

295
00:13:51.860 --> 00:13:52.680
occurring from

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00:13:52.680 --> 00:13:54.360
different parts of the body.

297
00:13:54.360 --> 00:13:58.740
So during transition, you will see that a lot of the focus is on a subtle

298
00:13:58.740 --> 00:13:59.520
movement of

299
00:13:59.520 --> 00:14:03.630
the wrist but the majority of the movement is going to come from the lower body

300
00:14:03.630 --> 00:14:03.880
.

301
00:14:03.880 --> 00:14:10.070
You'll see during transition, whether it's with the iron or the driver, the

302
00:14:10.070 --> 00:14:10.580
transition

303
00:14:10.580 --> 00:14:13.920
movement is going to be driven by the lower body.

304
00:14:13.920 --> 00:14:18.630
One way that you can clearly see this is his legs or his thighs will reach

305
00:14:18.630 --> 00:14:19.640
parallel to

306
00:14:19.640 --> 00:14:25.270
the target line, kind of like so, roughly when the left arm is or the left

307
00:14:25.270 --> 00:14:26.120
upper arm

308
00:14:26.120 --> 00:14:30.360
is parallel to the ground, which it is in both of these swings.

309
00:14:30.360 --> 00:14:34.080
It's going to be consistent during all of your stock full swings.

310
00:14:34.080 --> 00:14:38.710
The next checkpoint we're going to look at is delivery position or when he's

311
00:14:38.710 --> 00:14:39.280
come to

312
00:14:39.280 --> 00:14:44.200
about shaft parallel to the ground in the downswing.

313
00:14:44.200 --> 00:14:48.750
What we will see at this position is the arms are going to be more or less

314
00:14:48.750 --> 00:14:49.920
still in the

315
00:14:49.920 --> 00:14:54.900
orientation they were at the top of the swing and his chest is going to be

316
00:14:54.900 --> 00:14:55.920
facing a golf

317
00:14:55.920 --> 00:14:59.800
ball or pointed out in the general direction of the golf ball.

318
00:14:59.800 --> 00:15:03.910
And finally what you'll see is during the release from this down the line view,

319
00:15:03.910 --> 00:15:04.360
you'll

320
00:15:04.360 --> 00:15:10.610
see that the arms are going to basically take the club the last part of the

321
00:15:10.610 --> 00:15:11.920
downswing.

322
00:15:11.920 --> 00:15:16.260
You will see with the iron because it's more of, because the upper body is a

323
00:15:16.260 --> 00:15:16.880
little bit

324
00:15:16.880 --> 00:15:22.290
more or less tilted behind it, the right arm will be a little bit straighter

325
00:15:22.290 --> 00:15:23.080
than it is

326
00:15:23.080 --> 00:15:28.800
with the driver, but the overall release pattern is going to be the same.

327
00:15:28.800 --> 00:15:32.820
Now for the general release stuff, I'm usually referencing 3D, but we'll do

328
00:15:32.820 --> 00:15:33.560
what we can and

329
00:15:33.560 --> 00:15:36.040
look at a few things with the video.

330
00:15:36.040 --> 00:15:40.000
So one of the things that's really easy to look at if you have a good frame

331
00:15:40.000 --> 00:15:40.640
rate and

332
00:15:40.640 --> 00:15:45.080
a good high speed video is the angle of the wrist roughly as they're making

333
00:15:45.080 --> 00:15:45.800
contact with

334
00:15:45.800 --> 00:15:47.640
the golf ball.

335
00:15:47.640 --> 00:15:52.310
Now it's going to be a little bit harder to draw the one here on the right

336
00:15:52.310 --> 00:15:53.160
because of

337
00:15:53.160 --> 00:15:56.700
the fact that he's wearing all black, but if I were to draw a line basically

338
00:15:56.700 --> 00:15:57.160
down his

339
00:15:57.160 --> 00:16:01.180
forearm and then down the grip, you can see the number right here, which is

340
00:16:01.180 --> 00:16:02.320
about an 85

341
00:16:02.320 --> 00:16:04.120
degree angle between these two.

342
00:16:04.120 --> 00:16:12.180
If you were to draw for the driver, you're going to see about 82.

343
00:16:12.180 --> 00:16:17.720
Eerily, even though his upper body is well behind the golf ball, his wrists are

344
00:16:17.720 --> 00:16:18.240
in the

345
00:16:18.240 --> 00:16:24.460
same orientation compared to his body, more or less, or compared to the golf

346
00:16:24.460 --> 00:16:25.240
ball.

347
00:16:25.240 --> 00:16:30.080
Even though he's got a lot less shaft lean with the driver than he does with an

348
00:16:30.080 --> 00:16:30.560
iron,

349
00:16:30.560 --> 00:16:39.520
the reason for that is because of the amount of side tilt.

350
00:16:39.520 --> 00:16:44.230
Being slightly more with the driver than it would be with the iron, giving the

351
00:16:44.230 --> 00:16:44.880
illusion

352
00:16:44.880 --> 00:16:49.030
or appearance of less shaft lean compared to his body, his hands are more or

353
00:16:49.030 --> 00:16:49.720
less doing

354
00:16:49.720 --> 00:16:53.920
the same thing, which is what you're working on in your stock full swing.

355
00:16:53.920 --> 00:16:58.480
Now we'll look at a few more golfers putting all of this together.

356
00:16:58.480 --> 00:17:03.000
We have Justin Rose, and I'll draw some of our different reference lines.

357
00:17:03.000 --> 00:17:09.790
From the top of the swing, I'm going to draw one line up from the back of the

358
00:17:09.790 --> 00:17:10.720
golf ball,

359
00:17:10.720 --> 00:17:12.720
just like so.

360
00:17:12.720 --> 00:17:17.510
During transition, you'll see the slight shift forward followed by the shift

361
00:17:17.510 --> 00:17:18.440
backward during

362
00:17:18.440 --> 00:17:19.440
the release.

363
00:17:19.440 --> 00:17:21.520
You can see by his head.

364
00:17:21.520 --> 00:17:25.060
This is a three wood, it's not a driver, so he's going to be a little bit more

365
00:17:25.060 --> 00:17:25.480
on top

366
00:17:25.480 --> 00:17:29.840
of it than he would be if you were truly striking up.

367
00:17:29.840 --> 00:17:35.420
If we take it to the frame just before impact, we can get an idea of where his

368
00:17:35.420 --> 00:17:36.360
wrist is.

369
00:17:36.360 --> 00:17:39.480
So we'll say that's roughly around 70.

370
00:17:39.480 --> 00:17:44.140
Now with the iron, you'll see a little bit more of the shift forward followed

371
00:17:44.140 --> 00:17:44.720
by a little

372
00:17:44.720 --> 00:17:49.940
bit more of the stabilization, not quite as much a shift back, and it's going

373
00:17:49.940 --> 00:17:50.680
to be a little

374
00:17:50.680 --> 00:17:57.240
bit trickier to get the grip, but we'll give it our best.

375
00:17:57.240 --> 00:18:04.030
So I think that's the grip kind of somewhere right about there, so 70, 77,

376
00:18:04.030 --> 00:18:04.880
those look pretty

377
00:18:04.880 --> 00:18:06.760
close to me.

378
00:18:06.760 --> 00:18:10.200
Again, just looking at some of the similarities as well as some of the

379
00:18:10.200 --> 00:18:11.320
differences between

380
00:18:11.320 --> 00:18:14.520
the driver and the iron swing.

381
00:18:14.520 --> 00:18:18.440
Now for fun, let's look at a few of the less traditional swings.

382
00:18:18.440 --> 00:18:22.930
So here we have Lee Westwood, and he's not hitting a driver, so it's going to

383
00:18:22.930 --> 00:18:23.540
be a little

384
00:18:23.540 --> 00:18:25.360
less in the spectrum.

385
00:18:25.360 --> 00:18:29.980
But as he goes through, you'll see even with his tendency to bend his arm, when

386
00:18:29.980 --> 00:18:30.560
the club

387
00:18:30.560 --> 00:18:34.850
is roughly parallel, you can see, you can still see the club head over here,

388
00:18:34.850 --> 00:18:35.400
the grip

389
00:18:35.400 --> 00:18:38.740
is going to be more or less there, it's slightly to the right, at least when we

390
00:18:38.740 --> 00:18:39.440
compare that

391
00:18:39.440 --> 00:18:44.180
to the short iron that he's hitting over here on the left, or sorry, on the

392
00:18:44.180 --> 00:18:44.880
right.

393
00:18:44.880 --> 00:18:50.550
So as he comes down, you'll clearly see the handle working a little bit more

394
00:18:50.550 --> 00:18:51.400
left, and

395
00:18:51.400 --> 00:18:55.740
when he gets to that follow-through position, the club is more or less bisect

396
00:18:55.740 --> 00:18:56.520
ing his body

397
00:18:56.520 --> 00:19:00.760
or straight out in front.

398
00:19:00.760 --> 00:19:08.010
And here we have Zach Johnson, I'm going to save the camera on the left isn't

399
00:19:08.010 --> 00:19:09.040
very good,

400
00:19:09.040 --> 00:19:16.200
but we can see the slight shift forward, followed by the stabilization.

401
00:19:16.200 --> 00:19:20.040
On the right, you can see from the top of the swing, slight shift forward,

402
00:19:20.040 --> 00:19:20.760
followed by

403
00:19:20.760 --> 00:19:23.520
a much more prominent shift back.

404
00:19:23.520 --> 00:19:28.100
Now whether or not that change is conscious is totally debatable, but it's

405
00:19:28.100 --> 00:19:28.920
important to

406
00:19:28.920 --> 00:19:33.720
understand that that change is happening.

407
00:19:33.720 --> 00:19:39.340
Now one last little point, or one last way to look at this, is we can highlight

408
00:19:39.340 --> 00:19:39.680
it by

409
00:19:39.680 --> 00:19:42.560
using Roy Macquarie as an example.

410
00:19:42.560 --> 00:19:46.530
In order to create this axis tilt, in order to have the upper body going

411
00:19:46.530 --> 00:19:47.520
backward, you're

412
00:19:47.520 --> 00:19:51.160
going to be using your legs to push against the ground.

413
00:19:51.160 --> 00:19:55.440
You'll see that as he pushes his left leg, that's what causes his upper body to

414
00:19:55.440 --> 00:19:56.320
go backward.

415
00:19:56.320 --> 00:20:00.120
That also helps trigger the arms working up.

416
00:20:00.120 --> 00:20:04.140
So more or less, a good driver of the golf ball is going to use the lower body

417
00:20:04.140 --> 00:20:04.680
as their

418
00:20:04.680 --> 00:20:07.970
main power source, where a good iron player is typically going to use the

419
00:20:07.970 --> 00:20:08.640
shoulder and

420
00:20:08.640 --> 00:20:11.080
lat as their main power source.

421
00:20:11.080 --> 00:20:16.400
What we'll see with the examples is as Roy goes through, you'll see his left

422
00:20:16.400 --> 00:20:17.240
foot is going

423
00:20:17.240 --> 00:20:22.200
to actually spin and be a little bit elevated.

424
00:20:22.200 --> 00:20:25.970
So it's slightly off the ground allowing it to spin because he's pushing so

425
00:20:25.970 --> 00:20:26.720
hard against

426
00:20:26.720 --> 00:20:28.080
the ground.

427
00:20:28.080 --> 00:20:33.220
With the iron, there's going to be a less dramatic push from the lower body and

428
00:20:33.220 --> 00:20:34.080
a little bit

429
00:20:34.080 --> 00:20:40.870
more of an upper body dominant movement, so you won't see the same amount of

430
00:20:40.870 --> 00:20:41.880
gap between

431
00:20:41.880 --> 00:20:45.920
or movement of his foot as he goes into this release.

432
00:20:45.920 --> 00:20:49.560
So I hope that helps clear up what we're trying to do with your stock full

433
00:20:49.560 --> 00:20:50.160
swing.

434
00:20:50.160 --> 00:20:53.700
The stock full swing is going to help you build a swing from the ground up of

435
00:20:53.700 --> 00:20:54.160
moving

436
00:20:54.160 --> 00:20:58.250
your lower body, positioning your hands for the proper release, and then

437
00:20:58.250 --> 00:20:59.000
helping you

438
00:20:59.000 --> 00:21:02.990
figure out how to transfer all that energy into the golf club during the

439
00:21:02.990 --> 00:21:03.760
release.

440
00:21:03.760 --> 00:21:08.180
The things that are going to adjust are going to be the direction of where you

441
00:21:08.180 --> 00:21:09.040
're applying

442
00:21:09.040 --> 00:21:10.360
that force.

443
00:21:10.360 --> 00:21:13.600
With the driver, you want to be more of a sweeping motion.

444
00:21:13.600 --> 00:21:16.890
With an iron, you're going to be hitting the ball before the ground or a little

445
00:21:16.890 --> 00:21:17.280
bit more

446
00:21:17.280 --> 00:21:19.780
of a chopping or downward motion.

447
00:21:19.780 --> 00:21:24.860
If you can figure out how to build one or two thoughts to make that simple

448
00:21:24.860 --> 00:21:25.940
transition from

449
00:21:25.940 --> 00:21:31.710
driver to iron, it will help you immensely be a consistent not only just driver

450
00:21:31.710 --> 00:21:32.340
or iron

451
00:21:32.340 --> 00:21:34.020
player but a consistent golfer.

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