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Check your impact line
6h 37m
66 lessons
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Your impact line is an easy way to diagnose the cause of your poor contact
Improving low point should be one of the first to-dos for golfers struggling with their ball-striking. Thankfully, a simple pool-noodle or alignment stick is all that is needed to create the right training environment for this process. When setup correctly, players should be able to identify (2) major swing faults that often lead to poor contact and errant shots.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:02.580
(upbeat music)
2
00:00:02.580 --> 00:00:07.520
The struggle is training your local life.
3
00:00:07.520 --> 00:00:09.360
So, I've got a pool noodle here
4
00:00:09.360 --> 00:00:11.680
to help you build a little bit of spatial awareness
5
00:00:11.680 --> 00:00:14.160
of where you are down at impact.
6
00:00:14.160 --> 00:00:16.200
A lot of golfers struggle with their pivot
7
00:00:16.200 --> 00:00:17.760
or their handle location,
8
00:00:17.760 --> 00:00:20.880
and just having a wall would be ideal,
9
00:00:20.880 --> 00:00:23.840
but in this case, a pool noodle can help your brain
10
00:00:23.840 --> 00:00:26.280
figure out where you wanna get to in space.
11
00:00:26.280 --> 00:00:30.080
With an iron, just past impact,
12
00:00:30.080 --> 00:00:33.880
we talk about that low point being at about the left foot.
13
00:00:33.880 --> 00:00:37.880
Well, one good reference or good checkpoint
14
00:00:37.880 --> 00:00:39.360
is basically at that point,
15
00:00:39.360 --> 00:00:42.600
having the club, the hand, the shoulder,
16
00:00:42.600 --> 00:00:45.040
and the hip kind of all in line.
17
00:00:45.040 --> 00:00:48.600
The two most common problems would be either
18
00:00:48.600 --> 00:00:52.080
the upper body is back and I've slid a little bit,
19
00:00:52.080 --> 00:00:55.140
which could cause the hands to flip a little bit
20
00:00:55.140 --> 00:00:57.300
and cause me to hit that in thin shots.
21
00:00:57.300 --> 00:01:01.320
Or the lower body stays back
22
00:01:01.320 --> 00:01:03.840
and the upper body gets kind of forward,
23
00:01:03.840 --> 00:01:05.960
and then again, the handle is back.
24
00:01:05.960 --> 00:01:09.440
But I can use this as a common or as a checkpoint
25
00:01:09.440 --> 00:01:11.280
to help with my spatial awareness.
26
00:01:11.280 --> 00:01:14.560
If I can go, I'll start first with the merry-go-round version.
27
00:01:14.560 --> 00:01:17.220
So basically, I'll just look at my pivot,
28
00:01:17.220 --> 00:01:19.820
and can I get to a position where my shoulder,
29
00:01:19.820 --> 00:01:21.760
hip, and foot are in line?
30
00:01:21.760 --> 00:01:24.140
That would be great for getting low point in front
31
00:01:24.140 --> 00:01:25.220
with an iron.
32
00:01:25.220 --> 00:01:26.720
If I wanted to then adapt this
33
00:01:26.720 --> 00:01:28.480
and train it more with a driver,
34
00:01:28.480 --> 00:01:31.440
I would make sure that I've got about a fist width
35
00:01:31.440 --> 00:01:35.320
between my shoulder and the wall,
36
00:01:35.320 --> 00:01:38.040
even though my lower body is up against the wall.
37
00:01:38.040 --> 00:01:40.840
So iron, I'm gonna be more on top of it.
38
00:01:40.840 --> 00:01:42.360
Driver, I'm gonna be more behind it.
39
00:01:42.360 --> 00:01:44.240
Lower body is in the same position,
40
00:01:44.240 --> 00:01:47.200
but the upper body difference creates that axis tilt
41
00:01:47.200 --> 00:01:49.840
that adjusts our angle of attack.
42
00:01:49.840 --> 00:01:54.780
So the hands are basically going to be in line with it,
43
00:01:54.780 --> 00:01:58.900
whether I'm with an iron or with a driver.
44
00:01:58.900 --> 00:02:02.900
So this can help, again, heighten that spatial awareness.
45
00:02:02.900 --> 00:02:04.600
So now I've got this here,
46
00:02:04.600 --> 00:02:08.300
and I'm going to set it up so that it's behind me,
47
00:02:08.300 --> 00:02:11.180
but kind of in line with the outer edge of my foot.
48
00:02:11.180 --> 00:02:14.380
So now, if I get into a good impact position,
49
00:02:14.380 --> 00:02:17.980
this will feel like my body is turned facing the target,
50
00:02:17.980 --> 00:02:20.380
and it's pretty much flush up against this wall
51
00:02:20.380 --> 00:02:22.900
when I get into my finished position.
52
00:02:22.900 --> 00:02:26.180
This will help me if I'm kind of staying back like this,
53
00:02:26.180 --> 00:02:30.060
or if I'm sliding too much and breaking through the wall.
54
00:02:30.060 --> 00:02:31.020
In the finished position,
55
00:02:31.020 --> 00:02:34.140
I don't mind if your upper body is a little bit more away
56
00:02:34.140 --> 00:02:35.460
because of the bracing pattern,
57
00:02:35.460 --> 00:02:37.660
but when I get to impact,
58
00:02:37.660 --> 00:02:40.900
I wanna make sure that I'm pretty close to that position,
59
00:02:40.900 --> 00:02:43.220
especially if I struggle with fat thin contact.
60
00:02:43.220 --> 00:02:45.100
So like most of the things I do,
61
00:02:45.100 --> 00:02:50.100
I would start with getting into a little bit of a nine to three,
62
00:02:50.100 --> 00:02:53.900
and then I would progress to 10 to two's
63
00:02:53.900 --> 00:02:55.860
and up to full swings.
64
00:02:55.860 --> 00:02:57.620
Now, you wanna be careful.
65
00:02:57.620 --> 00:02:59.980
If I go too far back here,
66
00:02:59.980 --> 00:03:02.140
this is actually gonna get in the way of my hand.
67
00:03:02.140 --> 00:03:05.220
So I want it to be set up so that it's more of kind of
68
00:03:05.220 --> 00:03:08.480
a visual that I can check at the end.
69
00:03:08.480 --> 00:03:13.540
So it was just a touch behind,
70
00:03:13.540 --> 00:03:17.060
it might have been just a little hair shallow on that one,
71
00:03:17.060 --> 00:03:22.100
but this allows me to kind of dial in that low point position.
72
00:03:22.100 --> 00:03:24.700
So if you struggle with your upper body too far forward,
73
00:03:24.700 --> 00:03:27.540
your hips too back, your hands too far back,
74
00:03:27.540 --> 00:03:31.460
you can use a wall or some type of vertical reference
75
00:03:31.460 --> 00:03:34.180
to help you retrain that impact position.
76
00:03:34.180 --> 00:03:36.760
(upbeat music)
77
00:03:43.540 --> 00:03:45.120
(upbeat music)
1
00:00:00.000 --> 00:00:02.580
(upbeat music)
2
00:00:02.580 --> 00:00:07.520
The struggle is training your local life.
3
00:00:07.520 --> 00:00:09.360
So, I've got a pool noodle here
4
00:00:09.360 --> 00:00:11.680
to help you build a little bit of spatial awareness
5
00:00:11.680 --> 00:00:14.160
of where you are down at impact.
6
00:00:14.160 --> 00:00:16.200
A lot of golfers struggle with their pivot
7
00:00:16.200 --> 00:00:17.760
or their handle location,
8
00:00:17.760 --> 00:00:20.880
and just having a wall would be ideal,
9
00:00:20.880 --> 00:00:23.840
but in this case, a pool noodle can help your brain
10
00:00:23.840 --> 00:00:26.280
figure out where you wanna get to in space.
11
00:00:26.280 --> 00:00:30.080
With an iron, just past impact,
12
00:00:30.080 --> 00:00:33.880
we talk about that low point being at about the left foot.
13
00:00:33.880 --> 00:00:37.880
Well, one good reference or good checkpoint
14
00:00:37.880 --> 00:00:39.360
is basically at that point,
15
00:00:39.360 --> 00:00:42.600
having the club, the hand, the shoulder,
16
00:00:42.600 --> 00:00:45.040
and the hip kind of all in line.
17
00:00:45.040 --> 00:00:48.600
The two most common problems would be either
18
00:00:48.600 --> 00:00:52.080
the upper body is back and I've slid a little bit,
19
00:00:52.080 --> 00:00:55.140
which could cause the hands to flip a little bit
20
00:00:55.140 --> 00:00:57.300
and cause me to hit that in thin shots.
21
00:00:57.300 --> 00:01:01.320
Or the lower body stays back
22
00:01:01.320 --> 00:01:03.840
and the upper body gets kind of forward,
23
00:01:03.840 --> 00:01:05.960
and then again, the handle is back.
24
00:01:05.960 --> 00:01:09.440
But I can use this as a common or as a checkpoint
25
00:01:09.440 --> 00:01:11.280
to help with my spatial awareness.
26
00:01:11.280 --> 00:01:14.560
If I can go, I'll start first with the merry-go-round version.
27
00:01:14.560 --> 00:01:17.220
So basically, I'll just look at my pivot,
28
00:01:17.220 --> 00:01:19.820
and can I get to a position where my shoulder,
29
00:01:19.820 --> 00:01:21.760
hip, and foot are in line?
30
00:01:21.760 --> 00:01:24.140
That would be great for getting low point in front
31
00:01:24.140 --> 00:01:25.220
with an iron.
32
00:01:25.220 --> 00:01:26.720
If I wanted to then adapt this
33
00:01:26.720 --> 00:01:28.480
and train it more with a driver,
34
00:01:28.480 --> 00:01:31.440
I would make sure that I've got about a fist width
35
00:01:31.440 --> 00:01:35.320
between my shoulder and the wall,
36
00:01:35.320 --> 00:01:38.040
even though my lower body is up against the wall.
37
00:01:38.040 --> 00:01:40.840
So iron, I'm gonna be more on top of it.
38
00:01:40.840 --> 00:01:42.360
Driver, I'm gonna be more behind it.
39
00:01:42.360 --> 00:01:44.240
Lower body is in the same position,
40
00:01:44.240 --> 00:01:47.200
but the upper body difference creates that axis tilt
41
00:01:47.200 --> 00:01:49.840
that adjusts our angle of attack.
42
00:01:49.840 --> 00:01:54.780
So the hands are basically going to be in line with it,
43
00:01:54.780 --> 00:01:58.900
whether I'm with an iron or with a driver.
44
00:01:58.900 --> 00:02:02.900
So this can help, again, heighten that spatial awareness.
45
00:02:02.900 --> 00:02:04.600
So now I've got this here,
46
00:02:04.600 --> 00:02:08.300
and I'm going to set it up so that it's behind me,
47
00:02:08.300 --> 00:02:11.180
but kind of in line with the outer edge of my foot.
48
00:02:11.180 --> 00:02:14.380
So now, if I get into a good impact position,
49
00:02:14.380 --> 00:02:17.980
this will feel like my body is turned facing the target,
50
00:02:17.980 --> 00:02:20.380
and it's pretty much flush up against this wall
51
00:02:20.380 --> 00:02:22.900
when I get into my finished position.
52
00:02:22.900 --> 00:02:26.180
This will help me if I'm kind of staying back like this,
53
00:02:26.180 --> 00:02:30.060
or if I'm sliding too much and breaking through the wall.
54
00:02:30.060 --> 00:02:31.020
In the finished position,
55
00:02:31.020 --> 00:02:34.140
I don't mind if your upper body is a little bit more away
56
00:02:34.140 --> 00:02:35.460
because of the bracing pattern,
57
00:02:35.460 --> 00:02:37.660
but when I get to impact,
58
00:02:37.660 --> 00:02:40.900
I wanna make sure that I'm pretty close to that position,
59
00:02:40.900 --> 00:02:43.220
especially if I struggle with fat thin contact.
60
00:02:43.220 --> 00:02:45.100
So like most of the things I do,
61
00:02:45.100 --> 00:02:50.100
I would start with getting into a little bit of a nine to three,
62
00:02:50.100 --> 00:02:53.900
and then I would progress to 10 to two's
63
00:02:53.900 --> 00:02:55.860
and up to full swings.
64
00:02:55.860 --> 00:02:57.620
Now, you wanna be careful.
65
00:02:57.620 --> 00:02:59.980
If I go too far back here,
66
00:02:59.980 --> 00:03:02.140
this is actually gonna get in the way of my hand.
67
00:03:02.140 --> 00:03:05.220
So I want it to be set up so that it's more of kind of
68
00:03:05.220 --> 00:03:08.480
a visual that I can check at the end.
69
00:03:08.480 --> 00:03:13.540
So it was just a touch behind,
70
00:03:13.540 --> 00:03:17.060
it might have been just a little hair shallow on that one,
71
00:03:17.060 --> 00:03:22.100
but this allows me to kind of dial in that low point position.
72
00:03:22.100 --> 00:03:24.700
So if you struggle with your upper body too far forward,
73
00:03:24.700 --> 00:03:27.540
your hips too back, your hands too far back,
74
00:03:27.540 --> 00:03:31.460
you can use a wall or some type of vertical reference
75
00:03:31.460 --> 00:03:34.180
to help you retrain that impact position.
76
00:03:34.180 --> 00:03:36.760
(upbeat music)
77
00:03:43.540 --> 00:03:45.120
(upbeat music)
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Delivery Path Drills06:12
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9 Shot Drill07:20