If you want more speed, one of the clearest places to look is the transition—that brief moment when the backswing changes direction into the downswing. Brooks Koepka is a great model because his power does not come from simply throwing his arms harder from the top. Instead, he creates a powerful chain reaction through the body, then lets the club respond. The pattern to notice is the “loaded” look he creates early in the downswing: his right arm works in front of him, the club stays organized, and the release happens later. For many amateurs, that sequence breaks down. The arms fire too early, the club gets steep, and speed is lost even when effort goes up.
What It Looks Like
Koepka’s transition has the kind of motion you usually see in elite ball-strikers and long hitters. There is a distinct sense that his body is leading while the arms and club are still gathering energy. Rather than immediately straightening the arms or throwing the clubhead, he creates a compact, powerful delivery position.
The “lag” look is really a sequencing look
Many golfers think lag comes from one isolated move—starting the lower body first, holding the wrist hinge, or pulling down with the arms. In reality, the look of lag is usually the result of good sequencing from the ground up. The feet, legs, hips, torso, shoulders, elbows, and wrists all respond in order.
In Koepka’s swing, that sequence creates a transition where:
- The lower body begins to organize the change of direction
- The torso keeps moving so the arms are being carried, not thrown
- The right arm works more in front of the ribcage very early
- The club remains shallow enough to approach the ball efficiently
- The release waits until the body has created a stable delivery position
The right elbow moves in front quickly
One of the most noticeable features in Koepka’s transition is the way the right elbow gets back in front of his body. This is a trait you also see in other long hitters. Instead of the trail arm staying pinned behind him, it works into a stronger delivery position early in the downswing.
At the same time, the left arm appears to drift slightly across the chest as the body turns. That is an important clue. It suggests there is not excessive tension in the arms. His torso is pulling the arms through, rather than the arms trying to dominate the downswing on their own.
He sets up transition from the top
Koepka makes this easier on himself because of what he does at the top of the backswing. He has a full shoulder turn, but his arms are also relatively high and organized. Most importantly, the right elbow stays more in front of his chest rather than flying too far behind him.
That matters because the downswing is full of compensations. If your right elbow gets too deep behind you in the backswing, you need a much bigger rerouting move to recover. Koepka does not need that much recovery. His trail arm is already in a usable position, so it can simply drop and move slightly in front as the body unwinds.
The release happens later, after the body braces
Another defining feature is when the club actually starts to release. Koepka does not straighten the arms aggressively from the top. Instead, the body keeps pulling, and the release shows up more after the lead leg begins to brace and straighten.
That lead-leg bracing is a key trigger. As the left side firms up, force transfers upward through the body and into the arms. Then the club can accelerate through the strike. This is very different from the amateur pattern of trying to create speed by immediately throwing the wrists and arms at the ball.
His fade pattern comes from the release, not just setup
Koepka is also a fade player, and that is worth noting because some of what you see through impact supports that shot shape. Even though his body has enough tilt to potentially produce a neutral or even upward strike with the driver, his actual delivery can still be more downward because of how he releases the club.
He tends to produce his leftward path and fade pattern with a release that has:
- Less full unhinging of the wrists
- More rotational “roll” through the forearms
- A slightly steeper delivery through impact
- A follow-through that may show more lead-arm bend
That does not mean every golfer should copy his release. But it does help explain why his transition and power source are worth studying, even if you do not want to match his exact ball flight pattern.
Why It Happens
When amateurs struggle with transition, the issue is rarely just one body part. Usually the club gets steep or the release starts early because the player is missing one of the ingredients that make Koepka’s motion work.
Too much trail-arm depth at the top
A common root cause is a trail elbow that works too far behind the body in the backswing. This “flying” or trapped right elbow position can still produce solid shots for some golfers, but it asks for much better timing. From there, you need a bigger transition move to get the elbow back in front.
Most amateurs do not enjoy that feeling, especially if they also swing aggressively from the top. The result is often predictable:
- The elbow stays behind too long
- The club steepens
- The shoulders spin open to make room
- Contact and path become inconsistent
Too much arm tension in transition
Another major problem is tension in the forearms and shoulders. If you tighten up and try to force the club into position, the club usually does the opposite of what you want. Instead of shallowing, it steepens. Instead of being carried by the body, the arms start taking over.
This is why many golfers who try to “get the right elbow in front” fail with the drill. They move the elbow, but they do it with stiff forearms and active hands. That usually creates a sharp, over-the-top delivery rather than a powerful one.
The release starts too early
The biggest speed leak is often an early arm-driven release. The player senses the need to hit hard, so the arms straighten and the wrists unhinge immediately from the top. That can feel powerful, but it actually robs you of the body-driven sequence that creates real speed.
When this happens:
- The clubhead reaches its speed too early
- The body stops contributing efficiently
- The strike becomes more ball-focused than target-focused
- The arms extend at the ball instead of out in front of it
Elite players tend to release the club more as a response to the body’s motion. Average golfers often release the club as a substitute for it.
Confusing lower-body action with good sequencing
Some golfers hear “start from the ground up” and immediately spin the hips or slide the pelvis. But good sequencing is not just moving the lower body first. It is the coordinated chain of motion that allows the body to pull the club into place.
You might push from the ground, feel more rotational, or feel more tilt through the torso. Different players describe it differently. What matters is the visible outcome: the body organizes first, the arms stay responsive, and the release waits for the right moment.
How to Check
You do not need a launch monitor or a tour-level camera setup to identify whether your transition matches this pattern. A face-on and down-the-line video with your phone is usually enough.
Check your trail elbow at the top
From a down-the-line view, pause the swing at the top and look at where your right elbow sits relative to your chest. Is it still somewhat in front of your shirt seam or ribcage, or has it disappeared behind you?
If the elbow is far behind your torso, you are likely creating extra work for yourself in transition.
Ask yourself:
- Does my trail elbow look connected and usable?
- Or does it look trapped behind my body?
- Would I need a big reroute just to get back to the ball?
Watch the first move down
Now move the video frame-by-frame just after the top. The key question is whether your right arm starts moving in front of you while the body is unwinding, or whether the club immediately kicks out and steepens.
A good transition usually shows:
- The trail elbow lowering and moving in front gradually
- The shaft staying organized rather than tipping outward
- The torso continuing to move so the arms are being transported
A poor transition often shows:
- The hands and club rushing first
- The shaft getting steeper early
- The shoulders spinning open to rescue the downswing
Look at when your arms straighten
From face-on, pay attention to when the arms begin to extend. If your arms are already straightening almost immediately from the top, you are probably releasing too early.
Compare that to a more efficient pattern, where:
- The lower body and torso begin organizing the downswing
- The lead side starts to brace
- The arms and club then release as a result of that bracing
If your release starts before your body has created support, speed and consistency usually suffer.
Check your extension direction
Another useful checkpoint is the direction your arms extend through impact. Strong players tend to extend the club out in front of the golf ball, not simply down at it. If your motion looks like a chop straight into the ball, that is often a sign of early release and a steep transition.
Be careful copying the fade release
If you study Koepka’s swing, make sure you separate the power-producing transition from the shot-shaping release. His release helps him hit a fade, and that may not fit your game. If you already struggle with steepness, slices, or a downward driver strike, copying his release pattern too literally could make those issues worse.
What to Work On
If you want to improve your transition for more power, focus less on “holding lag” and more on building the conditions that allow lag to appear naturally.
Improve the top-of-swing arm structure
Start by cleaning up the position at the top. Your goal is not to force a rigid look, but to make sure the trail elbow is not excessively behind you. A more functional top position reduces the amount of rerouting needed in transition.
Good priorities include:
- Making a full shoulder turn without over-running the arms
- Keeping the trail elbow in a more neutral, in-front position
- Avoiding a backswing that traps the arms behind the torso
Train the body to pull the arms
In transition, the feeling you want is that your core and lower body are transporting the arms. The arms are active, but they are not the first source of force. This often feels slower at first, especially if you are used to hitting hard from the top.
A useful intention is to let the right elbow move down and in front while keeping the forearms soft enough that the club can shallow rather than steepen.
Delay the hit
Most golfers trying to gain speed need to learn how to delay the urge to throw the club. That does not mean being passive. It means allowing the lead side to brace before the club fully releases.
Think of it this way:
- First, organize the body
- Then, let the lead leg firm up
- Finally, allow the energy to move into the arms and club
This is one of the biggest differences between looking powerful and actually being powerful.
Keep the forearms relaxed enough to shallow
If you work on getting the right elbow in front, make sure you pair that move with soft forearms and wrists. Otherwise, you will simply drag the handle down and make the shaft steeper. The arm move only works when the club can stay responsive.
Copy the transition, not necessarily the release
For most golfers, the best lesson from Koepka is not the exact way he releases the club through impact. It is the way he organizes the top of the swing and sequences the transition. That is where the speed is built.
If you are a fade player with plenty of speed, some of his release tendencies may fit you. If you are a slicer or struggle with steep contact, focus first on the earlier pieces:
- A better trail-arm position at the top
- A body-led transition
- A later release triggered by lead-side bracing
- Extension that moves out in front of the ball
That is the pattern to diagnose in your own swing. If your transition is arm-dominant, steep, and rushed, you are leaving speed on the table. If your body can lead while your arms stay organized and responsive, you will start to create the same kind of efficient power that shows up in swings like Koepka’s.
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