Not sure where to start? Ask Mulligan
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Overcome Swing Anxiety with Engaging Storytelling Drills
After this video, you'll be able to:
- Reduce swing anxiety by focusing on storytelling instead of mechanics
- Enhance your ability to perform under pressure by distracting your mind
- Practice maintaining a steady rhythm in your swing while sharing details
In this drill, you'll learn how to reduce swing anxiety by engaging in storytelling while practicing your golf swing. This technique helps you develop a more automatic swing by freeing your mind from overthinking.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:07.040
This drill is trash talk swings. So this is a little bit of a kind of a
2
00:00:07.040 --> 00:00:11.960
controversial practice that I'll have some of my players do and I've used this
3
00:00:11.960 --> 00:00:16.800
after watching a sports psychologist work with some players on the range and
4
00:00:16.800 --> 00:00:21.960
it reminded me a whole lot of how I played every other sport that I ever
5
00:00:21.960 --> 00:00:30.080
played. So basketball, tennis, volleyball, disc golf, I was very comfortable in
6
00:00:30.080 --> 00:00:30.600
the
7
00:00:30.600 --> 00:00:36.480
heat of the game while performing the skill to talk to my opponents or talk to
8
00:00:36.480 --> 00:00:41.960
the the playing partners, right? And that's because the the motion itself was
9
00:00:41.960 --> 00:00:42.240
at
10
00:00:42.240 --> 00:00:47.000
that point more or less automatic so I could occupy my conscious brain with
11
00:00:47.000 --> 00:00:47.120
what
12
00:00:47.120 --> 00:00:52.520
I was gonna say to them and just feel and kind of kind of it was more of an
13
00:00:52.520 --> 00:00:56.900
experience to actually perform the shot or perform the ground stroke. I didn't
14
00:00:56.900 --> 00:01:03.600
have to think through every single piece. So if I have players who I feel are
15
00:01:03.600 --> 00:01:10.160
standing over the wall for too long and running a checklist in their mind or if
16
00:01:10.160 --> 00:01:14.200
I think that they're close to being able to go automatic where they could go
17
00:01:14.200 --> 00:01:18.480
with no swing thoughts then I'll give them this challenge and basically what
18
00:01:18.480 --> 00:01:22.920
I'll have them do. I call it trash talking but really any story will work.
19
00:01:22.920 --> 00:01:30.480
So the most common one is if it's coming up on a holiday I'll ask them to
20
00:01:30.480 --> 00:01:34.790
tell me about where they're gonna travel and you know just tell me all about
21
00:01:34.790 --> 00:01:34.960
the
22
00:01:34.960 --> 00:01:38.240
trip or if they just went on one I'll say you know tell me about your last
23
00:01:38.240 --> 00:01:42.760
vacation. So where did you go? Where did you sit on the plane? Where did you
24
00:01:42.760 --> 00:01:43.000
stay?
25
00:01:43.000 --> 00:01:47.040
Whatever you want just you're not allowed to break strides you're not allowed
26
00:01:47.040 --> 00:01:47.160
to
27
00:01:47.160 --> 00:01:52.240
stop the story. If you haven't been traveling much then I'll usually ask okay
28
00:01:52.240 --> 00:01:57.360
tell me about the last meal that you cooked or tell me about what you had for
29
00:01:57.360 --> 00:02:01.670
breakfast. So simple little things like that but I will ask details while they
30
00:02:01.670 --> 00:02:01.740
're
31
00:02:01.740 --> 00:02:08.040
going through trying to execute the swing. It's a good way for you to test if
32
00:02:08.040 --> 00:02:14.680
you can be aware of the feeling without hyper focused on the feeling. So one of
33
00:02:14.680 --> 00:02:22.520
the traits of a swing that will hold up under pressure is that the swing has a
34
00:02:22.520 --> 00:02:27.920
bit of unity to it that basically you have the same level of focus as Debbie
35
00:02:27.920 --> 00:02:32.520
Cruz calls it. You have the same level of focus all the way from the start of
36
00:02:32.520 --> 00:02:32.600
the
37
00:02:32.600 --> 00:02:36.800
swing until the end of the motion. So one of the advantages that I get when I'm
38
00:02:36.800 --> 00:02:42.960
filming these videos is that I often have to talk through the shot while I'm
39
00:02:42.960 --> 00:02:46.320
swinging. You could hear a little bit of pause through there just because I was
40
00:02:46.320 --> 00:02:54.040
replaying in my mind very quickly what did I feel? What didn't I like? But a
41
00:02:54.040 --> 00:02:59.360
sign that you're getting closer and closer to being more automated is that
42
00:02:59.360 --> 00:03:03.200
you could talk to someone you can talk to yourself and you don't necessarily
43
00:03:03.200 --> 00:03:09.720
have to stop yourself and run through the the logical checklist in order to
44
00:03:09.720 --> 00:03:14.760
perform the motion. Now there's a great chance that some of your technique will
45
00:03:14.760 --> 00:03:19.360
break down when you're experimenting with this drill but that's also
46
00:03:19.360 --> 00:03:24.000
incredibly valuable information because what is breaking down is typically the
47
00:03:24.000 --> 00:03:27.680
parts that you then have to train a little bit more so that it can become
48
00:03:27.680 --> 00:03:32.880
unconscious or more of a simple sense. So when I'm demonstrating this and I'm
49
00:03:32.880 --> 00:03:37.560
talking through while I'm hitting these shots right before I pull the trigger I
50
00:03:37.560 --> 00:03:37.680
'm
51
00:03:37.680 --> 00:03:42.240
feeling what the swing is going to feel like and I'm feeling the swing in its
52
00:03:42.240 --> 00:03:48.520
entirety. Unfortunately on that one I took it back at the end of a sentence so
53
00:03:48.520 --> 00:03:54.320
that pause was not me shifting into thinking checklist but it was a pause
54
00:03:54.320 --> 00:03:58.080
because I wasn't quite sure what the next line was gonna be. It's better when
55
00:03:58.080 --> 00:04:01.920
you're doing this if you look at the first two that I did that you're going to
56
00:04:01.920 --> 00:04:06.640
execute the swing and start the swing mid-sentence. It'll be a whole lot
57
00:04:06.640 --> 00:04:11.040
easier. So if you feel like you're getting too bogged down with details
58
00:04:11.040 --> 00:04:15.200
you're getting too analytical try to get yourself feeling more like an
59
00:04:15.200 --> 00:04:20.880
athlete and you can do so by talking while you're swinging.
1
00:00:00.000 --> 00:00:07.040
This drill is trash talk swings. So this is a little bit of a kind of a
2
00:00:07.040 --> 00:00:11.960
controversial practice that I'll have some of my players do and I've used this
3
00:00:11.960 --> 00:00:16.800
after watching a sports psychologist work with some players on the range and
4
00:00:16.800 --> 00:00:21.960
it reminded me a whole lot of how I played every other sport that I ever
5
00:00:21.960 --> 00:00:30.080
played. So basketball, tennis, volleyball, disc golf, I was very comfortable in
6
00:00:30.080 --> 00:00:30.600
the
7
00:00:30.600 --> 00:00:36.480
heat of the game while performing the skill to talk to my opponents or talk to
8
00:00:36.480 --> 00:00:41.960
the the playing partners, right? And that's because the the motion itself was
9
00:00:41.960 --> 00:00:42.240
at
10
00:00:42.240 --> 00:00:47.000
that point more or less automatic so I could occupy my conscious brain with
11
00:00:47.000 --> 00:00:47.120
what
12
00:00:47.120 --> 00:00:52.520
I was gonna say to them and just feel and kind of kind of it was more of an
13
00:00:52.520 --> 00:00:56.900
experience to actually perform the shot or perform the ground stroke. I didn't
14
00:00:56.900 --> 00:01:03.600
have to think through every single piece. So if I have players who I feel are
15
00:01:03.600 --> 00:01:10.160
standing over the wall for too long and running a checklist in their mind or if
16
00:01:10.160 --> 00:01:14.200
I think that they're close to being able to go automatic where they could go
17
00:01:14.200 --> 00:01:18.480
with no swing thoughts then I'll give them this challenge and basically what
18
00:01:18.480 --> 00:01:22.920
I'll have them do. I call it trash talking but really any story will work.
19
00:01:22.920 --> 00:01:30.480
So the most common one is if it's coming up on a holiday I'll ask them to
20
00:01:30.480 --> 00:01:34.790
tell me about where they're gonna travel and you know just tell me all about
21
00:01:34.790 --> 00:01:34.960
the
22
00:01:34.960 --> 00:01:38.240
trip or if they just went on one I'll say you know tell me about your last
23
00:01:38.240 --> 00:01:42.760
vacation. So where did you go? Where did you sit on the plane? Where did you
24
00:01:42.760 --> 00:01:43.000
stay?
25
00:01:43.000 --> 00:01:47.040
Whatever you want just you're not allowed to break strides you're not allowed
26
00:01:47.040 --> 00:01:47.160
to
27
00:01:47.160 --> 00:01:52.240
stop the story. If you haven't been traveling much then I'll usually ask okay
28
00:01:52.240 --> 00:01:57.360
tell me about the last meal that you cooked or tell me about what you had for
29
00:01:57.360 --> 00:02:01.670
breakfast. So simple little things like that but I will ask details while they
30
00:02:01.670 --> 00:02:01.740
're
31
00:02:01.740 --> 00:02:08.040
going through trying to execute the swing. It's a good way for you to test if
32
00:02:08.040 --> 00:02:14.680
you can be aware of the feeling without hyper focused on the feeling. So one of
33
00:02:14.680 --> 00:02:22.520
the traits of a swing that will hold up under pressure is that the swing has a
34
00:02:22.520 --> 00:02:27.920
bit of unity to it that basically you have the same level of focus as Debbie
35
00:02:27.920 --> 00:02:32.520
Cruz calls it. You have the same level of focus all the way from the start of
36
00:02:32.520 --> 00:02:32.600
the
37
00:02:32.600 --> 00:02:36.800
swing until the end of the motion. So one of the advantages that I get when I'm
38
00:02:36.800 --> 00:02:42.960
filming these videos is that I often have to talk through the shot while I'm
39
00:02:42.960 --> 00:02:46.320
swinging. You could hear a little bit of pause through there just because I was
40
00:02:46.320 --> 00:02:54.040
replaying in my mind very quickly what did I feel? What didn't I like? But a
41
00:02:54.040 --> 00:02:59.360
sign that you're getting closer and closer to being more automated is that
42
00:02:59.360 --> 00:03:03.200
you could talk to someone you can talk to yourself and you don't necessarily
43
00:03:03.200 --> 00:03:09.720
have to stop yourself and run through the the logical checklist in order to
44
00:03:09.720 --> 00:03:14.760
perform the motion. Now there's a great chance that some of your technique will
45
00:03:14.760 --> 00:03:19.360
break down when you're experimenting with this drill but that's also
46
00:03:19.360 --> 00:03:24.000
incredibly valuable information because what is breaking down is typically the
47
00:03:24.000 --> 00:03:27.680
parts that you then have to train a little bit more so that it can become
48
00:03:27.680 --> 00:03:32.880
unconscious or more of a simple sense. So when I'm demonstrating this and I'm
49
00:03:32.880 --> 00:03:37.560
talking through while I'm hitting these shots right before I pull the trigger I
50
00:03:37.560 --> 00:03:37.680
'm
51
00:03:37.680 --> 00:03:42.240
feeling what the swing is going to feel like and I'm feeling the swing in its
52
00:03:42.240 --> 00:03:48.520
entirety. Unfortunately on that one I took it back at the end of a sentence so
53
00:03:48.520 --> 00:03:54.320
that pause was not me shifting into thinking checklist but it was a pause
54
00:03:54.320 --> 00:03:58.080
because I wasn't quite sure what the next line was gonna be. It's better when
55
00:03:58.080 --> 00:04:01.920
you're doing this if you look at the first two that I did that you're going to
56
00:04:01.920 --> 00:04:06.640
execute the swing and start the swing mid-sentence. It'll be a whole lot
57
00:04:06.640 --> 00:04:11.040
easier. So if you feel like you're getting too bogged down with details
58
00:04:11.040 --> 00:04:15.200
you're getting too analytical try to get yourself feeling more like an
59
00:04:15.200 --> 00:04:20.880
athlete and you can do so by talking while you're swinging.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Overcome Swing Anxiety with Engaging Storytelling Drills
After this video, you'll be able to:
- Reduce swing anxiety by focusing on storytelling instead of mechanics
- Enhance your ability to perform under pressure by distracting your mind
- Practice maintaining a steady rhythm in your swing while sharing details
In this drill, you'll learn how to reduce swing anxiety by engaging in storytelling while practicing your golf swing. This technique helps you develop a more automatic swing by freeing your mind from overthinking.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:07.040
This drill is trash talk swings. So this is a little bit of a kind of a
2
00:00:07.040 --> 00:00:11.960
controversial practice that I'll have some of my players do and I've used this
3
00:00:11.960 --> 00:00:16.800
after watching a sports psychologist work with some players on the range and
4
00:00:16.800 --> 00:00:21.960
it reminded me a whole lot of how I played every other sport that I ever
5
00:00:21.960 --> 00:00:30.080
played. So basketball, tennis, volleyball, disc golf, I was very comfortable in
6
00:00:30.080 --> 00:00:30.600
the
7
00:00:30.600 --> 00:00:36.480
heat of the game while performing the skill to talk to my opponents or talk to
8
00:00:36.480 --> 00:00:41.960
the the playing partners, right? And that's because the the motion itself was
9
00:00:41.960 --> 00:00:42.240
at
10
00:00:42.240 --> 00:00:47.000
that point more or less automatic so I could occupy my conscious brain with
11
00:00:47.000 --> 00:00:47.120
what
12
00:00:47.120 --> 00:00:52.520
I was gonna say to them and just feel and kind of kind of it was more of an
13
00:00:52.520 --> 00:00:56.900
experience to actually perform the shot or perform the ground stroke. I didn't
14
00:00:56.900 --> 00:01:03.600
have to think through every single piece. So if I have players who I feel are
15
00:01:03.600 --> 00:01:10.160
standing over the wall for too long and running a checklist in their mind or if
16
00:01:10.160 --> 00:01:14.200
I think that they're close to being able to go automatic where they could go
17
00:01:14.200 --> 00:01:18.480
with no swing thoughts then I'll give them this challenge and basically what
18
00:01:18.480 --> 00:01:22.920
I'll have them do. I call it trash talking but really any story will work.
19
00:01:22.920 --> 00:01:30.480
So the most common one is if it's coming up on a holiday I'll ask them to
20
00:01:30.480 --> 00:01:34.790
tell me about where they're gonna travel and you know just tell me all about
21
00:01:34.790 --> 00:01:34.960
the
22
00:01:34.960 --> 00:01:38.240
trip or if they just went on one I'll say you know tell me about your last
23
00:01:38.240 --> 00:01:42.760
vacation. So where did you go? Where did you sit on the plane? Where did you
24
00:01:42.760 --> 00:01:43.000
stay?
25
00:01:43.000 --> 00:01:47.040
Whatever you want just you're not allowed to break strides you're not allowed
26
00:01:47.040 --> 00:01:47.160
to
27
00:01:47.160 --> 00:01:52.240
stop the story. If you haven't been traveling much then I'll usually ask okay
28
00:01:52.240 --> 00:01:57.360
tell me about the last meal that you cooked or tell me about what you had for
29
00:01:57.360 --> 00:02:01.670
breakfast. So simple little things like that but I will ask details while they
30
00:02:01.670 --> 00:02:01.740
're
31
00:02:01.740 --> 00:02:08.040
going through trying to execute the swing. It's a good way for you to test if
32
00:02:08.040 --> 00:02:14.680
you can be aware of the feeling without hyper focused on the feeling. So one of
33
00:02:14.680 --> 00:02:22.520
the traits of a swing that will hold up under pressure is that the swing has a
34
00:02:22.520 --> 00:02:27.920
bit of unity to it that basically you have the same level of focus as Debbie
35
00:02:27.920 --> 00:02:32.520
Cruz calls it. You have the same level of focus all the way from the start of
36
00:02:32.520 --> 00:02:32.600
the
37
00:02:32.600 --> 00:02:36.800
swing until the end of the motion. So one of the advantages that I get when I'm
38
00:02:36.800 --> 00:02:42.960
filming these videos is that I often have to talk through the shot while I'm
39
00:02:42.960 --> 00:02:46.320
swinging. You could hear a little bit of pause through there just because I was
40
00:02:46.320 --> 00:02:54.040
replaying in my mind very quickly what did I feel? What didn't I like? But a
41
00:02:54.040 --> 00:02:59.360
sign that you're getting closer and closer to being more automated is that
42
00:02:59.360 --> 00:03:03.200
you could talk to someone you can talk to yourself and you don't necessarily
43
00:03:03.200 --> 00:03:09.720
have to stop yourself and run through the the logical checklist in order to
44
00:03:09.720 --> 00:03:14.760
perform the motion. Now there's a great chance that some of your technique will
45
00:03:14.760 --> 00:03:19.360
break down when you're experimenting with this drill but that's also
46
00:03:19.360 --> 00:03:24.000
incredibly valuable information because what is breaking down is typically the
47
00:03:24.000 --> 00:03:27.680
parts that you then have to train a little bit more so that it can become
48
00:03:27.680 --> 00:03:32.880
unconscious or more of a simple sense. So when I'm demonstrating this and I'm
49
00:03:32.880 --> 00:03:37.560
talking through while I'm hitting these shots right before I pull the trigger I
50
00:03:37.560 --> 00:03:37.680
'm
51
00:03:37.680 --> 00:03:42.240
feeling what the swing is going to feel like and I'm feeling the swing in its
52
00:03:42.240 --> 00:03:48.520
entirety. Unfortunately on that one I took it back at the end of a sentence so
53
00:03:48.520 --> 00:03:54.320
that pause was not me shifting into thinking checklist but it was a pause
54
00:03:54.320 --> 00:03:58.080
because I wasn't quite sure what the next line was gonna be. It's better when
55
00:03:58.080 --> 00:04:01.920
you're doing this if you look at the first two that I did that you're going to
56
00:04:01.920 --> 00:04:06.640
execute the swing and start the swing mid-sentence. It'll be a whole lot
57
00:04:06.640 --> 00:04:11.040
easier. So if you feel like you're getting too bogged down with details
58
00:04:11.040 --> 00:04:15.200
you're getting too analytical try to get yourself feeling more like an
59
00:04:15.200 --> 00:04:20.880
athlete and you can do so by talking while you're swinging.
1
00:00:00.000 --> 00:00:07.040
This drill is trash talk swings. So this is a little bit of a kind of a
2
00:00:07.040 --> 00:00:11.960
controversial practice that I'll have some of my players do and I've used this
3
00:00:11.960 --> 00:00:16.800
after watching a sports psychologist work with some players on the range and
4
00:00:16.800 --> 00:00:21.960
it reminded me a whole lot of how I played every other sport that I ever
5
00:00:21.960 --> 00:00:30.080
played. So basketball, tennis, volleyball, disc golf, I was very comfortable in
6
00:00:30.080 --> 00:00:30.600
the
7
00:00:30.600 --> 00:00:36.480
heat of the game while performing the skill to talk to my opponents or talk to
8
00:00:36.480 --> 00:00:41.960
the the playing partners, right? And that's because the the motion itself was
9
00:00:41.960 --> 00:00:42.240
at
10
00:00:42.240 --> 00:00:47.000
that point more or less automatic so I could occupy my conscious brain with
11
00:00:47.000 --> 00:00:47.120
what
12
00:00:47.120 --> 00:00:52.520
I was gonna say to them and just feel and kind of kind of it was more of an
13
00:00:52.520 --> 00:00:56.900
experience to actually perform the shot or perform the ground stroke. I didn't
14
00:00:56.900 --> 00:01:03.600
have to think through every single piece. So if I have players who I feel are
15
00:01:03.600 --> 00:01:10.160
standing over the wall for too long and running a checklist in their mind or if
16
00:01:10.160 --> 00:01:14.200
I think that they're close to being able to go automatic where they could go
17
00:01:14.200 --> 00:01:18.480
with no swing thoughts then I'll give them this challenge and basically what
18
00:01:18.480 --> 00:01:22.920
I'll have them do. I call it trash talking but really any story will work.
19
00:01:22.920 --> 00:01:30.480
So the most common one is if it's coming up on a holiday I'll ask them to
20
00:01:30.480 --> 00:01:34.790
tell me about where they're gonna travel and you know just tell me all about
21
00:01:34.790 --> 00:01:34.960
the
22
00:01:34.960 --> 00:01:38.240
trip or if they just went on one I'll say you know tell me about your last
23
00:01:38.240 --> 00:01:42.760
vacation. So where did you go? Where did you sit on the plane? Where did you
24
00:01:42.760 --> 00:01:43.000
stay?
25
00:01:43.000 --> 00:01:47.040
Whatever you want just you're not allowed to break strides you're not allowed
26
00:01:47.040 --> 00:01:47.160
to
27
00:01:47.160 --> 00:01:52.240
stop the story. If you haven't been traveling much then I'll usually ask okay
28
00:01:52.240 --> 00:01:57.360
tell me about the last meal that you cooked or tell me about what you had for
29
00:01:57.360 --> 00:02:01.670
breakfast. So simple little things like that but I will ask details while they
30
00:02:01.670 --> 00:02:01.740
're
31
00:02:01.740 --> 00:02:08.040
going through trying to execute the swing. It's a good way for you to test if
32
00:02:08.040 --> 00:02:14.680
you can be aware of the feeling without hyper focused on the feeling. So one of
33
00:02:14.680 --> 00:02:22.520
the traits of a swing that will hold up under pressure is that the swing has a
34
00:02:22.520 --> 00:02:27.920
bit of unity to it that basically you have the same level of focus as Debbie
35
00:02:27.920 --> 00:02:32.520
Cruz calls it. You have the same level of focus all the way from the start of
36
00:02:32.520 --> 00:02:32.600
the
37
00:02:32.600 --> 00:02:36.800
swing until the end of the motion. So one of the advantages that I get when I'm
38
00:02:36.800 --> 00:02:42.960
filming these videos is that I often have to talk through the shot while I'm
39
00:02:42.960 --> 00:02:46.320
swinging. You could hear a little bit of pause through there just because I was
40
00:02:46.320 --> 00:02:54.040
replaying in my mind very quickly what did I feel? What didn't I like? But a
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sign that you're getting closer and closer to being more automated is that
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you could talk to someone you can talk to yourself and you don't necessarily
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have to stop yourself and run through the the logical checklist in order to
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perform the motion. Now there's a great chance that some of your technique will
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break down when you're experimenting with this drill but that's also
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incredibly valuable information because what is breaking down is typically the
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parts that you then have to train a little bit more so that it can become
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unconscious or more of a simple sense. So when I'm demonstrating this and I'm
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talking through while I'm hitting these shots right before I pull the trigger I
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'm
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feeling what the swing is going to feel like and I'm feeling the swing in its
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entirety. Unfortunately on that one I took it back at the end of a sentence so
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that pause was not me shifting into thinking checklist but it was a pause
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because I wasn't quite sure what the next line was gonna be. It's better when
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you're doing this if you look at the first two that I did that you're going to
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execute the swing and start the swing mid-sentence. It'll be a whole lot
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easier. So if you feel like you're getting too bogged down with details
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you're getting too analytical try to get yourself feeling more like an
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athlete and you can do so by talking while you're swinging.
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