Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Sync Your Trail Arm and Body for a Better Swing
After this video, you'll be able to:
- Feel how your body movement influences the swing path
- Understand the importance of keeping your arm in front during the swing
- Practice throwing a ball to develop better arm and body coordination
In this drill, you'll learn how to synchronize your trail arm with your body to create a more powerful and fluid swing. This is essential for improving your overall swing mechanics and consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.
2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.
3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,
4
00:00:16.720 --> 00:00:16.840
so I'm
5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.
6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing
7
00:00:21.910 --> 00:00:23.200
in transition
8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.
9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up
10
00:00:33.130 --> 00:00:33.880
and then
11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a
12
00:00:39.160 --> 00:00:40.120
lat pull,
13
00:00:40.120 --> 00:00:42.000
but a big arm pull.
14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and
15
00:00:48.640 --> 00:00:49.240
the arm
16
00:00:49.240 --> 00:00:50.560
working together.
17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the
18
00:00:54.390 --> 00:00:54.960
ball.
19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your
20
00:00:59.160 --> 00:00:59.720
body.
21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the
22
00:01:03.560 --> 00:01:04.360
ball in kind of
23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my
24
00:01:09.640 --> 00:01:10.280
body.
25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.
26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.
27
00:01:17.560 --> 00:01:18.560
This would not work.
28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I
29
00:01:21.810 --> 00:01:22.400
was actually
30
00:01:22.400 --> 00:01:23.480
make this movement.
31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and
32
00:01:28.150 --> 00:01:28.960
then I'm going
33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.
34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.
35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.
36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using
37
00:01:47.140 --> 00:01:47.800
the body.
38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from
39
00:01:51.350 --> 00:01:51.920
body and
40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.
41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going
42
00:01:57.190 --> 00:01:58.440
through together.
43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're
44
00:02:03.860 --> 00:02:04.480
going to
45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.
46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a
47
00:02:11.890 --> 00:02:12.680
little bit
48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is
49
00:02:17.430 --> 00:02:18.160
for the top
50
00:02:18.160 --> 00:02:19.160
of the swing.
51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the
52
00:02:23.510 --> 00:02:24.360
body stopped
53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow
54
00:02:27.990 --> 00:02:28.720
position.
55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,
56
00:02:34.590 --> 00:02:35.320
we're not
57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically
58
00:02:41.270 --> 00:02:42.000
not that
59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.
60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent
61
00:02:54.740 --> 00:02:56.000
control of the
62
00:02:56.000 --> 00:02:57.000
radius.
63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going
64
00:03:00.820 --> 00:03:01.420
to change
65
00:03:01.420 --> 00:03:02.420
very much.
66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit
67
00:03:07.700 --> 00:03:07.840
.
68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.
69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.
70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.
71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the
72
00:03:25.540 --> 00:03:26.000
swing
73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.
74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is
75
00:03:34.440 --> 00:03:34.880
facing the
76
00:03:34.880 --> 00:03:35.880
target.
77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.
78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing
79
00:03:44.800 --> 00:03:45.920
your posture.
80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.
81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an
82
00:03:55.960 --> 00:03:56.160
isolated
83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,
84
00:04:01.440 --> 00:04:02.000
put my hand
85
00:04:02.000 --> 00:04:05.800
on, kind of like that.
86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel
87
00:04:10.060 --> 00:04:11.240
more body rotation
88
00:04:11.240 --> 00:04:12.480
there in transition.
89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more
90
00:04:16.270 --> 00:04:17.240
of a dynamic
91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.
92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more
93
00:04:26.520 --> 00:04:27.360
powered from the
94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.
95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw
96
00:04:35.070 --> 00:04:35.760
a ball.
97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.
98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the
99
00:04:44.720 --> 00:04:45.680
other hand
100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there
101
00:04:56.080 --> 00:04:57.240
and just
102
00:04:57.240 --> 00:04:58.240
turn through.
103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.
2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.
3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,
4
00:00:16.720 --> 00:00:16.840
so I'm
5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.
6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing
7
00:00:21.910 --> 00:00:23.200
in transition
8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.
9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up
10
00:00:33.130 --> 00:00:33.880
and then
11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a
12
00:00:39.160 --> 00:00:40.120
lat pull,
13
00:00:40.120 --> 00:00:42.000
but a big arm pull.
14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and
15
00:00:48.640 --> 00:00:49.240
the arm
16
00:00:49.240 --> 00:00:50.560
working together.
17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the
18
00:00:54.390 --> 00:00:54.960
ball.
19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your
20
00:00:59.160 --> 00:00:59.720
body.
21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the
22
00:01:03.560 --> 00:01:04.360
ball in kind of
23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my
24
00:01:09.640 --> 00:01:10.280
body.
25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.
26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.
27
00:01:17.560 --> 00:01:18.560
This would not work.
28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I
29
00:01:21.810 --> 00:01:22.400
was actually
30
00:01:22.400 --> 00:01:23.480
make this movement.
31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and
32
00:01:28.150 --> 00:01:28.960
then I'm going
33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.
34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.
35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.
36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using
37
00:01:47.140 --> 00:01:47.800
the body.
38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from
39
00:01:51.350 --> 00:01:51.920
body and
40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.
41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going
42
00:01:57.190 --> 00:01:58.440
through together.
43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're
44
00:02:03.860 --> 00:02:04.480
going to
45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.
46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a
47
00:02:11.890 --> 00:02:12.680
little bit
48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is
49
00:02:17.430 --> 00:02:18.160
for the top
50
00:02:18.160 --> 00:02:19.160
of the swing.
51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the
52
00:02:23.510 --> 00:02:24.360
body stopped
53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow
54
00:02:27.990 --> 00:02:28.720
position.
55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,
56
00:02:34.590 --> 00:02:35.320
we're not
57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically
58
00:02:41.270 --> 00:02:42.000
not that
59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.
60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent
61
00:02:54.740 --> 00:02:56.000
control of the
62
00:02:56.000 --> 00:02:57.000
radius.
63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going
64
00:03:00.820 --> 00:03:01.420
to change
65
00:03:01.420 --> 00:03:02.420
very much.
66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit
67
00:03:07.700 --> 00:03:07.840
.
68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.
69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.
70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.
71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the
72
00:03:25.540 --> 00:03:26.000
swing
73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.
74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is
75
00:03:34.440 --> 00:03:34.880
facing the
76
00:03:34.880 --> 00:03:35.880
target.
77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.
78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing
79
00:03:44.800 --> 00:03:45.920
your posture.
80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.
81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an
82
00:03:55.960 --> 00:03:56.160
isolated
83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,
84
00:04:01.440 --> 00:04:02.000
put my hand
85
00:04:02.000 --> 00:04:05.800
on, kind of like that.
86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel
87
00:04:10.060 --> 00:04:11.240
more body rotation
88
00:04:11.240 --> 00:04:12.480
there in transition.
89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more
90
00:04:16.270 --> 00:04:17.240
of a dynamic
91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.
92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more
93
00:04:26.520 --> 00:04:27.360
powered from the
94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.
95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw
96
00:04:35.070 --> 00:04:35.760
a ball.
97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.
98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the
99
00:04:44.720 --> 00:04:45.680
other hand
100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there
101
00:04:56.080 --> 00:04:57.240
and just
102
00:04:57.240 --> 00:04:58.240
turn through.
103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Sync Your Trail Arm and Body for a Better Swing
After this video, you'll be able to:
- Feel how your body movement influences the swing path
- Understand the importance of keeping your arm in front during the swing
- Practice throwing a ball to develop better arm and body coordination
In this drill, you'll learn how to synchronize your trail arm with your body to create a more powerful and fluid swing. This is essential for improving your overall swing mechanics and consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.
2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.
3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,
4
00:00:16.720 --> 00:00:16.840
so I'm
5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.
6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing
7
00:00:21.910 --> 00:00:23.200
in transition
8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.
9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up
10
00:00:33.130 --> 00:00:33.880
and then
11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a
12
00:00:39.160 --> 00:00:40.120
lat pull,
13
00:00:40.120 --> 00:00:42.000
but a big arm pull.
14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and
15
00:00:48.640 --> 00:00:49.240
the arm
16
00:00:49.240 --> 00:00:50.560
working together.
17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the
18
00:00:54.390 --> 00:00:54.960
ball.
19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your
20
00:00:59.160 --> 00:00:59.720
body.
21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the
22
00:01:03.560 --> 00:01:04.360
ball in kind of
23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my
24
00:01:09.640 --> 00:01:10.280
body.
25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.
26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.
27
00:01:17.560 --> 00:01:18.560
This would not work.
28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I
29
00:01:21.810 --> 00:01:22.400
was actually
30
00:01:22.400 --> 00:01:23.480
make this movement.
31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and
32
00:01:28.150 --> 00:01:28.960
then I'm going
33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.
34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.
35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.
36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using
37
00:01:47.140 --> 00:01:47.800
the body.
38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from
39
00:01:51.350 --> 00:01:51.920
body and
40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.
41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going
42
00:01:57.190 --> 00:01:58.440
through together.
43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're
44
00:02:03.860 --> 00:02:04.480
going to
45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.
46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a
47
00:02:11.890 --> 00:02:12.680
little bit
48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is
49
00:02:17.430 --> 00:02:18.160
for the top
50
00:02:18.160 --> 00:02:19.160
of the swing.
51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the
52
00:02:23.510 --> 00:02:24.360
body stopped
53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow
54
00:02:27.990 --> 00:02:28.720
position.
55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,
56
00:02:34.590 --> 00:02:35.320
we're not
57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically
58
00:02:41.270 --> 00:02:42.000
not that
59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.
60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent
61
00:02:54.740 --> 00:02:56.000
control of the
62
00:02:56.000 --> 00:02:57.000
radius.
63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going
64
00:03:00.820 --> 00:03:01.420
to change
65
00:03:01.420 --> 00:03:02.420
very much.
66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit
67
00:03:07.700 --> 00:03:07.840
.
68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.
69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.
70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.
71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the
72
00:03:25.540 --> 00:03:26.000
swing
73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.
74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is
75
00:03:34.440 --> 00:03:34.880
facing the
76
00:03:34.880 --> 00:03:35.880
target.
77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.
78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing
79
00:03:44.800 --> 00:03:45.920
your posture.
80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.
81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an
82
00:03:55.960 --> 00:03:56.160
isolated
83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,
84
00:04:01.440 --> 00:04:02.000
put my hand
85
00:04:02.000 --> 00:04:05.800
on, kind of like that.
86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel
87
00:04:10.060 --> 00:04:11.240
more body rotation
88
00:04:11.240 --> 00:04:12.480
there in transition.
89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more
90
00:04:16.270 --> 00:04:17.240
of a dynamic
91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.
92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more
93
00:04:26.520 --> 00:04:27.360
powered from the
94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.
95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw
96
00:04:35.070 --> 00:04:35.760
a ball.
97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.
98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the
99
00:04:44.720 --> 00:04:45.680
other hand
100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there
101
00:04:56.080 --> 00:04:57.240
and just
102
00:04:57.240 --> 00:04:58.240
turn through.
103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.
2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.
3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,
4
00:00:16.720 --> 00:00:16.840
so I'm
5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.
6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing
7
00:00:21.910 --> 00:00:23.200
in transition
8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.
9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up
10
00:00:33.130 --> 00:00:33.880
and then
11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a
12
00:00:39.160 --> 00:00:40.120
lat pull,
13
00:00:40.120 --> 00:00:42.000
but a big arm pull.
14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and
15
00:00:48.640 --> 00:00:49.240
the arm
16
00:00:49.240 --> 00:00:50.560
working together.
17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the
18
00:00:54.390 --> 00:00:54.960
ball.
19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your
20
00:00:59.160 --> 00:00:59.720
body.
21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the
22
00:01:03.560 --> 00:01:04.360
ball in kind of
23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my
24
00:01:09.640 --> 00:01:10.280
body.
25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.
26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.
27
00:01:17.560 --> 00:01:18.560
This would not work.
28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I
29
00:01:21.810 --> 00:01:22.400
was actually
30
00:01:22.400 --> 00:01:23.480
make this movement.
31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and
32
00:01:28.150 --> 00:01:28.960
then I'm going
33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.
34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.
35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.
36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using
37
00:01:47.140 --> 00:01:47.800
the body.
38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from
39
00:01:51.350 --> 00:01:51.920
body and
40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.
41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going
42
00:01:57.190 --> 00:01:58.440
through together.
43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're
44
00:02:03.860 --> 00:02:04.480
going to
45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.
46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a
47
00:02:11.890 --> 00:02:12.680
little bit
48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is
49
00:02:17.430 --> 00:02:18.160
for the top
50
00:02:18.160 --> 00:02:19.160
of the swing.
51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the
52
00:02:23.510 --> 00:02:24.360
body stopped
53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow
54
00:02:27.990 --> 00:02:28.720
position.
55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,
56
00:02:34.590 --> 00:02:35.320
we're not
57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically
58
00:02:41.270 --> 00:02:42.000
not that
59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.
60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent
61
00:02:54.740 --> 00:02:56.000
control of the
62
00:02:56.000 --> 00:02:57.000
radius.
63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going
64
00:03:00.820 --> 00:03:01.420
to change
65
00:03:01.420 --> 00:03:02.420
very much.
66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit
67
00:03:07.700 --> 00:03:07.840
.
68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.
69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.
70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.
71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the
72
00:03:25.540 --> 00:03:26.000
swing
73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.
74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is
75
00:03:34.440 --> 00:03:34.880
facing the
76
00:03:34.880 --> 00:03:35.880
target.
77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.
78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing
79
00:03:44.800 --> 00:03:45.920
your posture.
80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.
81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an
82
00:03:55.960 --> 00:03:56.160
isolated
83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,
84
00:04:01.440 --> 00:04:02.000
put my hand
85
00:04:02.000 --> 00:04:05.800
on, kind of like that.
86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel
87
00:04:10.060 --> 00:04:11.240
more body rotation
88
00:04:11.240 --> 00:04:12.480
there in transition.
89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more
90
00:04:16.270 --> 00:04:17.240
of a dynamic
91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.
92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more
93
00:04:26.520 --> 00:04:27.360
powered from the
94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.
95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw
96
00:04:35.070 --> 00:04:35.760
a ball.
97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.
98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the
99
00:04:44.720 --> 00:04:45.680
other hand
100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there
101
00:04:56.080 --> 00:04:57.240
and just
102
00:04:57.240 --> 00:04:58.240
turn through.
103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
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