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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Sync Your Trail Arm and Body for a Better Swing

After this video, you'll be able to:

  • Feel how your body movement influences the swing path
  • Understand the importance of keeping your arm in front during the swing
  • Practice throwing a ball to develop better arm and body coordination

In this drill, you'll learn how to synchronize your trail arm with your body to create a more powerful and fluid swing. This is essential for improving your overall swing mechanics and consistency.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.

2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.

3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,

4
00:00:16.720 --> 00:00:16.840
so I'm

5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.

6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing

7
00:00:21.910 --> 00:00:23.200
in transition

8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.

9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up

10
00:00:33.130 --> 00:00:33.880
and then

11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a

12
00:00:39.160 --> 00:00:40.120
lat pull,

13
00:00:40.120 --> 00:00:42.000
but a big arm pull.

14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and

15
00:00:48.640 --> 00:00:49.240
the arm

16
00:00:49.240 --> 00:00:50.560
working together.

17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the

18
00:00:54.390 --> 00:00:54.960
ball.

19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your

20
00:00:59.160 --> 00:00:59.720
body.

21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the

22
00:01:03.560 --> 00:01:04.360
ball in kind of

23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my

24
00:01:09.640 --> 00:01:10.280
body.

25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.

26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.

27
00:01:17.560 --> 00:01:18.560
This would not work.

28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I

29
00:01:21.810 --> 00:01:22.400
was actually

30
00:01:22.400 --> 00:01:23.480
make this movement.

31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and

32
00:01:28.150 --> 00:01:28.960
then I'm going

33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.

34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.

35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.

36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using

37
00:01:47.140 --> 00:01:47.800
the body.

38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from

39
00:01:51.350 --> 00:01:51.920
body and

40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.

41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going

42
00:01:57.190 --> 00:01:58.440
through together.

43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're

44
00:02:03.860 --> 00:02:04.480
going to

45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.

46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a

47
00:02:11.890 --> 00:02:12.680
little bit

48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is

49
00:02:17.430 --> 00:02:18.160
for the top

50
00:02:18.160 --> 00:02:19.160
of the swing.

51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the

52
00:02:23.510 --> 00:02:24.360
body stopped

53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow

54
00:02:27.990 --> 00:02:28.720
position.

55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,

56
00:02:34.590 --> 00:02:35.320
we're not

57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically

58
00:02:41.270 --> 00:02:42.000
not that

59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.

60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent

61
00:02:54.740 --> 00:02:56.000
control of the

62
00:02:56.000 --> 00:02:57.000
radius.

63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going

64
00:03:00.820 --> 00:03:01.420
to change

65
00:03:01.420 --> 00:03:02.420
very much.

66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit

67
00:03:07.700 --> 00:03:07.840
.

68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.

69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.

70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.

71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the

72
00:03:25.540 --> 00:03:26.000
swing

73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.

74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is

75
00:03:34.440 --> 00:03:34.880
facing the

76
00:03:34.880 --> 00:03:35.880
target.

77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.

78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing

79
00:03:44.800 --> 00:03:45.920
your posture.

80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.

81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an

82
00:03:55.960 --> 00:03:56.160
isolated

83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,

84
00:04:01.440 --> 00:04:02.000
put my hand

85
00:04:02.000 --> 00:04:05.800
on, kind of like that.

86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel

87
00:04:10.060 --> 00:04:11.240
more body rotation

88
00:04:11.240 --> 00:04:12.480
there in transition.

89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more

90
00:04:16.270 --> 00:04:17.240
of a dynamic

91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.

92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more

93
00:04:26.520 --> 00:04:27.360
powered from the

94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.

95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw

96
00:04:35.070 --> 00:04:35.760
a ball.

97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.

98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the

99
00:04:44.720 --> 00:04:45.680
other hand

100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there

101
00:04:56.080 --> 00:04:57.240
and just

102
00:04:57.240 --> 00:04:58.240
turn through.

103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
Related topics
This video hasn't been assigned to any topics yet. Browse all topics in the sidebar.
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Sync Your Trail Arm and Body for a Better Swing

After this video, you'll be able to:

  • Feel how your body movement influences the swing path
  • Understand the importance of keeping your arm in front during the swing
  • Practice throwing a ball to develop better arm and body coordination

In this drill, you'll learn how to synchronize your trail arm with your body to create a more powerful and fluid swing. This is essential for improving your overall swing mechanics and consistency.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:08.880
This drill video is the Trail Arm Body Sync.

2
00:00:08.880 --> 00:00:12.560
So this is one of the few one arm drills where I focus on a bigger swing.

3
00:00:12.560 --> 00:00:16.720
I'm not doing the one arm drill for working on the arm and the wrist mechanics,

4
00:00:16.720 --> 00:00:16.840
so I'm

5
00:00:16.840 --> 00:00:19.000
not really just focusing on the 9-3.

6
00:00:19.000 --> 00:00:21.910
This is a one arm drill where we're going to focus more on the top of the swing

7
00:00:21.910 --> 00:00:23.200
in transition

8
00:00:23.200 --> 00:00:27.440
and blending how the arm and the body works together.

9
00:00:27.440 --> 00:00:33.130
A lot of golfers struggle with stopping the body too soon, lifting the arms up

10
00:00:33.130 --> 00:00:33.880
and then

11
00:00:33.880 --> 00:00:39.160
powering the swing by pulling the arms down using more of a tricep pull or a

12
00:00:39.160 --> 00:00:40.120
lat pull,

13
00:00:40.120 --> 00:00:42.000
but a big arm pull.

14
00:00:42.000 --> 00:00:48.640
So this drill, the Trail Arm Body Sync is designed to synchronize the body and

15
00:00:48.640 --> 00:00:49.240
the arm

16
00:00:49.240 --> 00:00:50.560
working together.

17
00:00:50.560 --> 00:00:54.390
So before we do it with a claw, we're going to do it with a classic toss of the

18
00:00:54.390 --> 00:00:54.960
ball.

19
00:00:54.960 --> 00:00:59.160
Now when you do the tossing of the ball, your goal is to throw it with your

20
00:00:59.160 --> 00:00:59.720
body.

21
00:00:59.720 --> 00:01:03.560
Your goal is that your arm is just a prosthetic, it's going to hold onto the

22
00:01:03.560 --> 00:01:04.360
ball in kind of

23
00:01:04.360 --> 00:01:09.640
shot position, just like this, and I'm going to keep the arm in front of my

24
00:01:09.640 --> 00:01:10.280
body.

25
00:01:10.280 --> 00:01:13.880
So you'll see as I turn, it stays in front of my chest.

26
00:01:13.880 --> 00:01:17.560
My hand is in front of my chest, it's not coming back like this.

27
00:01:17.560 --> 00:01:18.560
This would not work.

28
00:01:18.560 --> 00:01:21.810
I can't get my left arm to reach, so it would typically have to get there if I

29
00:01:21.810 --> 00:01:22.400
was actually

30
00:01:22.400 --> 00:01:23.480
make this movement.

31
00:01:23.480 --> 00:01:28.150
So keeping the arm in front of my chest, I'm going to make a backswing, and

32
00:01:28.150 --> 00:01:28.960
then I'm going

33
00:01:28.960 --> 00:01:34.640
to make a through swing, and I'm just letting go like this.

34
00:01:34.640 --> 00:01:37.520
So there's this just nice little shot pull feel.

35
00:01:37.520 --> 00:01:41.720
This is not designed to be more like that, where I threw it with my wrist.

36
00:01:41.720 --> 00:01:47.140
I threw that one more powerfully, but I also did it to the exclusion of using

37
00:01:47.140 --> 00:01:47.800
the body.

38
00:01:47.800 --> 00:01:51.350
And the goal of this is to synchronize and get more of the hit happening from

39
00:01:51.350 --> 00:01:51.920
body and

40
00:01:51.920 --> 00:01:53.640
less of it happening from the arm.

41
00:01:53.640 --> 00:01:57.190
So one more good one, where I'm going to feel the body and the arm going

42
00:01:57.190 --> 00:01:58.440
through together.

43
00:01:58.440 --> 00:02:03.860
Now when we put the club in place, there's typically two places where you're

44
00:02:03.860 --> 00:02:04.480
going to

45
00:02:04.480 --> 00:02:07.600
feel this dramatically different.

46
00:02:07.600 --> 00:02:11.890
One is the top of the swing, two is transition, and a third one, it might be a

47
00:02:11.890 --> 00:02:12.680
little bit

48
00:02:12.680 --> 00:02:17.430
during the release, but the two places where it typically feels different is

49
00:02:17.430 --> 00:02:18.160
for the top

50
00:02:18.160 --> 00:02:19.160
of the swing.

51
00:02:19.160 --> 00:02:23.510
If you need this one, then you're used to kind of this pattern here, where the

52
00:02:23.510 --> 00:02:24.360
body stopped

53
00:02:24.360 --> 00:02:27.990
the arm lift, and then they kind of pulled down and got into that really narrow

54
00:02:27.990 --> 00:02:28.720
position.

55
00:02:28.720 --> 00:02:34.590
Well, if I do what I just did with the ball, so if I keep this in front of me,

56
00:02:34.590 --> 00:02:35.320
we're not

57
00:02:35.320 --> 00:02:41.270
going to worry too much about contact, but also see that contact's typically

58
00:02:41.270 --> 00:02:42.000
not that

59
00:02:42.000 --> 00:02:48.800
bad once you figure it out.

60
00:02:48.800 --> 00:02:54.740
Because the arm staying straight and in front allows a pretty consistent

61
00:02:54.740 --> 00:02:56.000
control of the

62
00:02:56.000 --> 00:02:57.000
radius.

63
00:02:57.000 --> 00:03:00.820
And I'm not really moving my hand around that much, so the club face is going

64
00:03:00.820 --> 00:03:01.420
to change

65
00:03:01.420 --> 00:03:02.420
very much.

66
00:03:02.420 --> 00:03:07.700
You can see I'm hitting some of these thin, I'm kind of picking it a little bit

67
00:03:07.700 --> 00:03:07.840
.

68
00:03:07.840 --> 00:03:13.720
But what I'm feeling is at the top of the swing, that was a pretty good one.

69
00:03:13.720 --> 00:03:16.320
At the top of the swing, the arm feels like it's more in front.

70
00:03:16.320 --> 00:03:21.520
And now, so this kind of blends with the trail arm in front of PEC idea.

71
00:03:21.520 --> 00:03:25.540
So now I'm going to do what I just did, but I'm going to stop at the top of the

72
00:03:25.540 --> 00:03:26.000
swing

73
00:03:26.000 --> 00:03:29.160
and I'm going to reach and put the left hand on it.

74
00:03:29.160 --> 00:03:34.440
Now, if you are used to not turning, this is going to feel like your back is

75
00:03:34.440 --> 00:03:34.880
facing the

76
00:03:34.880 --> 00:03:35.880
target.

77
00:03:35.880 --> 00:03:40.080
This is going to feel like you've made a much bigger shoulder turn.

78
00:03:40.080 --> 00:03:44.800
So hopefully you can do this without swaying and without lifting up or losing

79
00:03:44.800 --> 00:03:45.920
your posture.

80
00:03:45.920 --> 00:03:50.680
And this becomes a nice little checkpoint for where I want to get to.

81
00:03:50.680 --> 00:03:55.960
And then from here, I'm just going to turn my body, it can become kind of an

82
00:03:55.960 --> 00:03:56.160
isolated

83
00:03:56.160 --> 00:04:01.440
drill or a hit from the top type drill, where I'm going to get up here, stop,

84
00:04:01.440 --> 00:04:02.000
put my hand

85
00:04:02.000 --> 00:04:05.800
on, kind of like that.

86
00:04:05.800 --> 00:04:10.060
So this will help you feel wider at the top, which will require you to feel

87
00:04:10.060 --> 00:04:11.240
more body rotation

88
00:04:11.240 --> 00:04:12.480
there in transition.

89
00:04:12.480 --> 00:04:16.270
Once you do in a few of these kind of stop drills, then you can try to add more

90
00:04:16.270 --> 00:04:17.240
of a dynamic

91
00:04:17.240 --> 00:04:22.640
feel where you're going to feel like you make the backswing.

92
00:04:22.640 --> 00:04:26.520
But the transition is going to feel like wider and typically slower, more

93
00:04:26.520 --> 00:04:27.360
powered from the

94
00:04:27.360 --> 00:04:30.640
body, less of a violent pull down from the arms.

95
00:04:30.640 --> 00:04:35.070
So if we walk through the quick demo, it would basically be arm in front, throw

96
00:04:35.070 --> 00:04:35.760
a ball.

97
00:04:35.760 --> 00:04:38.360
That's kind of stage one.

98
00:04:38.360 --> 00:04:44.720
Swing the club in front, stage two, swing the club back to the top, put the

99
00:04:44.720 --> 00:04:45.680
other hand

100
00:04:45.680 --> 00:04:56.080
on, stage three, and then stage four would be feeling like I get back to there

101
00:04:56.080 --> 00:04:57.240
and just

102
00:04:57.240 --> 00:04:58.240
turn through.

103
00:04:58.240 --> 00:05:02.480
So it's going to feel wider, more body driven, less lift and pull.
Related topics
This video hasn't been assigned to any topics yet. Browse all topics in the sidebar.