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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
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America AND its list of Best Golf Fitness Professionals in America.
Improve Your Ball Striking by Analyzing Kuchar's Transition
After this video, you'll be able to:
- Identify the role of the trail shoulder in a flat swing position
- Learn how to adjust your elbow position during the transition
- Recognize the differences in swing mechanics between your driver and iron shots
In this video, we break down Matt Kuchar's swing to highlight key elements of his transition and impact. Learn how to apply these insights to enhance your own ball striking consistency.
Video Transcript
WEBVTT
1
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In this analysis video, we're going to take a look at the swing of Matt Kuchar.
2
00:00:05.000 --> 00:00:10.500
Now Matt Kuchar is one of the prime examples used for the one plain swing
3
00:00:10.500 --> 00:00:11.000
technique.
4
00:00:11.000 --> 00:00:14.000
He works with Chris O'Connell.
5
00:00:14.000 --> 00:00:19.330
I'm going to take a look at his driver swing and show you a few things he does
6
00:00:19.330 --> 00:00:20.000
in transition
7
00:00:20.000 --> 00:00:24.000
and one thing you can learn from his release and impact
8
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that you can apply to your own game to help you with your ball striking
9
00:00:27.440 --> 00:00:28.000
consistency.
10
00:00:28.000 --> 00:00:32.000
So on the left, we have Matt Kuchar hitting a draw with a three wood.
11
00:00:32.000 --> 00:00:36.000
Great filming work here by Terry Rolls and his team.
12
00:00:36.000 --> 00:00:40.000
So first thing we're going to look at is transition.
13
00:00:40.000 --> 00:00:46.000
So you can see he's got kind of some of his normal
14
00:00:46.000 --> 00:00:50.000
hint, keep the club head well outside the hands, work that elbow back
15
00:00:50.000 --> 00:00:53.000
as if you were starting a lawn mower.
16
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But as we get to the top of the swing, we're going to pay attention
17
00:00:57.000 --> 00:01:00.000
to what's happening with the trail shoulder.
18
00:01:00.000 --> 00:01:03.000
So now that I've been here in Houston for a little while,
19
00:01:03.000 --> 00:01:08.000
I've worked with more and more golfers who tried the one plain method.
20
00:01:08.000 --> 00:01:13.000
So nothing, this won't be a bash one way or the other.
21
00:01:13.000 --> 00:01:18.000
Really what I want to do is highlight what he does in his trail shoulder
22
00:01:18.000 --> 00:01:23.000
that allows him to play from such a flat position at the top of the swing.
23
00:01:23.000 --> 00:01:28.000
And for comparison, we're going to look at this iron swing over here on the
24
00:01:28.000 --> 00:01:28.000
right
25
00:01:28.000 --> 00:01:34.540
where it appears that he's playing less of a draw, more a straight shot or even
26
00:01:34.540 --> 00:01:35.000
a fade.
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00:01:35.000 --> 00:01:40.840
So you'll have a lot of the similar characteristics to what we're going to see
28
00:01:40.840 --> 00:01:41.000
over here on the driver.
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But I want to highlight a couple little changes that we'll see that vary from
30
00:01:46.290 --> 00:01:47.000
whether he's hitting a
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00:01:47.000 --> 00:01:52.000
draw three wood or a straight/fade iron.
32
00:01:52.000 --> 00:01:58.000
Okay, so as we look at this transition at the top of the swing,
33
00:01:58.000 --> 00:02:02.000
the right elbow has worked a little bit more across his body.
34
00:02:02.000 --> 00:02:04.000
That's kind of away from his body, I should say.
35
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It's kind of working more along the side of his body instead of staying well
36
00:02:08.000 --> 00:02:09.000
out in front of his chest.
37
00:02:09.000 --> 00:02:13.000
Because his chest is kind of pointing out in this space here.
38
00:02:13.000 --> 00:02:17.000
That's kind of characteristic for Matt Kuchar's swing.
39
00:02:17.000 --> 00:02:24.490
Now as he starts down, you'll be able to see that that right arm tends to start
40
00:02:24.490 --> 00:02:27.000
working into external rotation.
41
00:02:27.000 --> 00:02:37.330
Or if I was to zoom in here, basically what we'll see is as he starts down, you
42
00:02:37.330 --> 00:02:40.000
can see that the elbow leads
43
00:02:40.000 --> 00:02:44.840
the hand slightly, and you can see that the club starts working a little bit
44
00:02:44.840 --> 00:02:46.000
more shallow.
45
00:02:46.000 --> 00:02:52.010
Even when he's working on this slightly steeper pattern when he's trying to hit
46
00:02:52.010 --> 00:02:53.000
more of a straight shot
47
00:02:53.000 --> 00:02:58.000
or a little bit of a fade, you'll see that the elbow is there.
48
00:02:58.000 --> 00:03:05.000
It's kind of out away from his side, kind of more towards the side of his body,
49
00:03:05.000 --> 00:03:09.000
or out away from the front of his chest, more towards the side of his body.
50
00:03:09.000 --> 00:03:14.610
And then as he starts down, that elbow is working in the direction of his belly
51
00:03:14.610 --> 00:03:16.000
button or sternum.
52
00:03:16.000 --> 00:03:19.740
It's kind of working back in front of his body as it goes into a little bit of
53
00:03:19.740 --> 00:03:21.000
external rotation.
54
00:03:21.000 --> 00:03:24.930
I'll bring up an amateur real quick just to show you the comparison of the
55
00:03:24.930 --> 00:03:29.000
danger of that arm getting too much behind your body.
56
00:03:29.000 --> 00:03:34.020
Zoomed in, here's a golfer who had that right arm working a little bit more
57
00:03:34.020 --> 00:03:35.000
into that flying elbow position
58
00:03:35.000 --> 00:03:37.000
a little bit more along the side of his body.
59
00:03:37.000 --> 00:03:41.000
Now the danger from here is as you elevate with the arm behind your body,
60
00:03:41.000 --> 00:03:45.000
you'll quickly run out of external shoulder range of motion.
61
00:03:45.000 --> 00:03:49.530
So part of the benefit of what Matt Kuchar does, or part of the reason why Matt
62
00:03:49.530 --> 00:03:52.000
Kuchar is able to make a good transition shoulder move
63
00:03:52.000 --> 00:03:57.880
with that external rotation, is that he keeps his elbow close to, if not
64
00:03:57.880 --> 00:04:00.000
connected to his rib cage.
65
00:04:00.000 --> 00:04:07.310
If he were to raise it up there, he'd be very restricted in terms of going into
66
00:04:07.310 --> 00:04:09.000
more external rotation.
67
00:04:09.000 --> 00:04:12.000
So here we'll see the normal tendency.
68
00:04:12.000 --> 00:04:16.080
When that shoulder runs out of external rotation, it's frequently going to
69
00:04:16.080 --> 00:04:19.000
result to going into internal rotation
70
00:04:19.000 --> 00:04:21.000
as this gentleman is demonstrating there.
71
00:04:21.000 --> 00:04:25.430
And that internal rotation can create a massive steepening of the shaft, as you
72
00:04:25.430 --> 00:04:28.000
'll see by the very vertical position over on the right
73
00:04:28.000 --> 00:04:33.290
compared to the external rotation of the shoulder, creating a much more flat
74
00:04:33.290 --> 00:04:34.000
shaft angle,
75
00:04:34.000 --> 00:04:39.290
which will allow for him to make his good body pivot and have really good
76
00:04:39.290 --> 00:04:41.000
sequencing as he gets into the downswing.
77
00:04:41.000 --> 00:04:46.490
So key number one for you is to make sure that your trail shoulder goes into
78
00:04:46.490 --> 00:04:50.000
external rotation as you start the downswing.
79
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For key number two, we're going to take a look at what Matt Kuchar looks like
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at impact.
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So over on the left, as we take him down, we can get towards impact.
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We can see, well, just to be fair, we'll go one frame past so that it doesn't
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skew it that much.
84
00:05:06.000 --> 00:05:11.290
So frequently, golf instructors will talk about kind of keeping your shoulders
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parallel at impact while getting your lower body open.
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And typically, we'll use the down the line camera angle, or the golf
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instructors will say that.
88
00:05:21.000 --> 00:05:25.130
So we'll use the down the line camera angle in order to demonstrate that
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relationship.
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Because from down the line, you do want to see this right arm a little bit
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underneath the left.
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That's indicating that you had good, shallowing arm movements during transition
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and good arm timing.
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The release was a little bit more of what I call a white and then kind of
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extend as opposed to going into internal rotation
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and really just kind of turning that club over through impact.
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So this is really good form/shoulder alignments here at impact.
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Now cautioning you again, some danger can happen if you try to keep your
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shoulders closed.
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So what will sometimes happen is trying to keep your shoulders closed will
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limit the ability or the rotation amount in the rib cage.
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So this 3/4 face-on view is one of my favorites for showing where the chest is
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pointing as we reach impact.
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It's also a good way to look at the sequencing.
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So during his downswing, you can see his lower body is starting, but you can
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see that as soon as his lower body starts,
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his rib cage is actually doing a good job of transmitting that force right
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through there
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and then it gets into the shoulder girdle pretty quickly.
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So you'll see there's a little bit of relaxation in this lead shoulder.
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As the hips and the rib cage kind of work together rotating towards the target,
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you'll see that his shoulder blade, which is kind of in line right there,
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basically works a little bit towards the into protraction.
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So it basically works a little bit away from the target that way, kind of
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stretching some of the muscles in the posterior shoulder.
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So then as he starts down, we're seeing that upper body, that lower body
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continue to rotate, kind of lagging behind with the arms,
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and then here we have him pretty much at impact.
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So now from this down the line view, it does look like his shoulders are close
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to square, right?
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We can kind of see there are his shoulders.
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From his face on view, you can see that his chest or his pelvis is pointed well
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out in front of the target,
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somewhere in that 40-45 degree range.
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We can see that his upper body is pointing well out in front of the target,
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kind of down along that target line,
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somewhere in that 30 degree range.
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And as a result, the arms kind of look like they're more behind or toward the
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right half of his body.
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You can also, we can imagine how it would look from down the line.
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We can see this right forearm is kind of underneath the left, so we know that
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this left arm is closer to us than the right.
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Keeping that perspective, you can see how that right side is kind of underneath
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the left,
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but it's more this side bend that creates that look of the shoulders staying
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closed,
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not actually lack of rotation.
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I find that a lot of golfers who try to restrict their rotation of their core
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ends up with significant issues when hitting the longer clubs
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and can frequently have early release of the arms, hit it fat, have lots of
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contact misses.
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So, two great keys you can learn from looking at Matt Coucher's or how the
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trail arm works into external rotation
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as he goes into his downswing and how he sequences his body, or his transition
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from the ground up,
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enabling him to reach this really classic looking impact position,
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regardless of the little nuances that he has in his takeaway and/or backswing.
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So, if you're struggling to understand how to shallow your arms
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or what a good impact position should really look at,
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feel free to check out our other videos here on the YouTube channel
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or go over to Golfsmart Academy and get a free membership
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where you can learn about some of the science-based instruction
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and what 3D research as well as current golf science trends
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can help you understand about how to simplify your goals when you're practicing
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your golf game.
1
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In this analysis video, we're going to take a look at the swing of Matt Kuchar.
2
00:00:05.000 --> 00:00:10.500
Now Matt Kuchar is one of the prime examples used for the one plain swing
3
00:00:10.500 --> 00:00:11.000
technique.
4
00:00:11.000 --> 00:00:14.000
He works with Chris O'Connell.
5
00:00:14.000 --> 00:00:19.330
I'm going to take a look at his driver swing and show you a few things he does
6
00:00:19.330 --> 00:00:20.000
in transition
7
00:00:20.000 --> 00:00:24.000
and one thing you can learn from his release and impact
8
00:00:24.000 --> 00:00:27.440
that you can apply to your own game to help you with your ball striking
9
00:00:27.440 --> 00:00:28.000
consistency.
10
00:00:28.000 --> 00:00:32.000
So on the left, we have Matt Kuchar hitting a draw with a three wood.
11
00:00:32.000 --> 00:00:36.000
Great filming work here by Terry Rolls and his team.
12
00:00:36.000 --> 00:00:40.000
So first thing we're going to look at is transition.
13
00:00:40.000 --> 00:00:46.000
So you can see he's got kind of some of his normal
14
00:00:46.000 --> 00:00:50.000
hint, keep the club head well outside the hands, work that elbow back
15
00:00:50.000 --> 00:00:53.000
as if you were starting a lawn mower.
16
00:00:53.000 --> 00:00:57.000
But as we get to the top of the swing, we're going to pay attention
17
00:00:57.000 --> 00:01:00.000
to what's happening with the trail shoulder.
18
00:01:00.000 --> 00:01:03.000
So now that I've been here in Houston for a little while,
19
00:01:03.000 --> 00:01:08.000
I've worked with more and more golfers who tried the one plain method.
20
00:01:08.000 --> 00:01:13.000
So nothing, this won't be a bash one way or the other.
21
00:01:13.000 --> 00:01:18.000
Really what I want to do is highlight what he does in his trail shoulder
22
00:01:18.000 --> 00:01:23.000
that allows him to play from such a flat position at the top of the swing.
23
00:01:23.000 --> 00:01:28.000
And for comparison, we're going to look at this iron swing over here on the
24
00:01:28.000 --> 00:01:28.000
right
25
00:01:28.000 --> 00:01:34.540
where it appears that he's playing less of a draw, more a straight shot or even
26
00:01:34.540 --> 00:01:35.000
a fade.
27
00:01:35.000 --> 00:01:40.840
So you'll have a lot of the similar characteristics to what we're going to see
28
00:01:40.840 --> 00:01:41.000
over here on the driver.
29
00:01:41.000 --> 00:01:46.290
But I want to highlight a couple little changes that we'll see that vary from
30
00:01:46.290 --> 00:01:47.000
whether he's hitting a
31
00:01:47.000 --> 00:01:52.000
draw three wood or a straight/fade iron.
32
00:01:52.000 --> 00:01:58.000
Okay, so as we look at this transition at the top of the swing,
33
00:01:58.000 --> 00:02:02.000
the right elbow has worked a little bit more across his body.
34
00:02:02.000 --> 00:02:04.000
That's kind of away from his body, I should say.
35
00:02:04.000 --> 00:02:08.000
It's kind of working more along the side of his body instead of staying well
36
00:02:08.000 --> 00:02:09.000
out in front of his chest.
37
00:02:09.000 --> 00:02:13.000
Because his chest is kind of pointing out in this space here.
38
00:02:13.000 --> 00:02:17.000
That's kind of characteristic for Matt Kuchar's swing.
39
00:02:17.000 --> 00:02:24.490
Now as he starts down, you'll be able to see that that right arm tends to start
40
00:02:24.490 --> 00:02:27.000
working into external rotation.
41
00:02:27.000 --> 00:02:37.330
Or if I was to zoom in here, basically what we'll see is as he starts down, you
42
00:02:37.330 --> 00:02:40.000
can see that the elbow leads
43
00:02:40.000 --> 00:02:44.840
the hand slightly, and you can see that the club starts working a little bit
44
00:02:44.840 --> 00:02:46.000
more shallow.
45
00:02:46.000 --> 00:02:52.010
Even when he's working on this slightly steeper pattern when he's trying to hit
46
00:02:52.010 --> 00:02:53.000
more of a straight shot
47
00:02:53.000 --> 00:02:58.000
or a little bit of a fade, you'll see that the elbow is there.
48
00:02:58.000 --> 00:03:05.000
It's kind of out away from his side, kind of more towards the side of his body,
49
00:03:05.000 --> 00:03:09.000
or out away from the front of his chest, more towards the side of his body.
50
00:03:09.000 --> 00:03:14.610
And then as he starts down, that elbow is working in the direction of his belly
51
00:03:14.610 --> 00:03:16.000
button or sternum.
52
00:03:16.000 --> 00:03:19.740
It's kind of working back in front of his body as it goes into a little bit of
53
00:03:19.740 --> 00:03:21.000
external rotation.
54
00:03:21.000 --> 00:03:24.930
I'll bring up an amateur real quick just to show you the comparison of the
55
00:03:24.930 --> 00:03:29.000
danger of that arm getting too much behind your body.
56
00:03:29.000 --> 00:03:34.020
Zoomed in, here's a golfer who had that right arm working a little bit more
57
00:03:34.020 --> 00:03:35.000
into that flying elbow position
58
00:03:35.000 --> 00:03:37.000
a little bit more along the side of his body.
59
00:03:37.000 --> 00:03:41.000
Now the danger from here is as you elevate with the arm behind your body,
60
00:03:41.000 --> 00:03:45.000
you'll quickly run out of external shoulder range of motion.
61
00:03:45.000 --> 00:03:49.530
So part of the benefit of what Matt Kuchar does, or part of the reason why Matt
62
00:03:49.530 --> 00:03:52.000
Kuchar is able to make a good transition shoulder move
63
00:03:52.000 --> 00:03:57.880
with that external rotation, is that he keeps his elbow close to, if not
64
00:03:57.880 --> 00:04:00.000
connected to his rib cage.
65
00:04:00.000 --> 00:04:07.310
If he were to raise it up there, he'd be very restricted in terms of going into
66
00:04:07.310 --> 00:04:09.000
more external rotation.
67
00:04:09.000 --> 00:04:12.000
So here we'll see the normal tendency.
68
00:04:12.000 --> 00:04:16.080
When that shoulder runs out of external rotation, it's frequently going to
69
00:04:16.080 --> 00:04:19.000
result to going into internal rotation
70
00:04:19.000 --> 00:04:21.000
as this gentleman is demonstrating there.
71
00:04:21.000 --> 00:04:25.430
And that internal rotation can create a massive steepening of the shaft, as you
72
00:04:25.430 --> 00:04:28.000
'll see by the very vertical position over on the right
73
00:04:28.000 --> 00:04:33.290
compared to the external rotation of the shoulder, creating a much more flat
74
00:04:33.290 --> 00:04:34.000
shaft angle,
75
00:04:34.000 --> 00:04:39.290
which will allow for him to make his good body pivot and have really good
76
00:04:39.290 --> 00:04:41.000
sequencing as he gets into the downswing.
77
00:04:41.000 --> 00:04:46.490
So key number one for you is to make sure that your trail shoulder goes into
78
00:04:46.490 --> 00:04:50.000
external rotation as you start the downswing.
79
00:04:50.000 --> 00:04:54.180
For key number two, we're going to take a look at what Matt Kuchar looks like
80
00:04:54.180 --> 00:04:55.000
at impact.
81
00:04:55.000 --> 00:04:59.000
So over on the left, as we take him down, we can get towards impact.
82
00:04:59.000 --> 00:05:04.370
We can see, well, just to be fair, we'll go one frame past so that it doesn't
83
00:05:04.370 --> 00:05:06.000
skew it that much.
84
00:05:06.000 --> 00:05:11.290
So frequently, golf instructors will talk about kind of keeping your shoulders
85
00:05:11.290 --> 00:05:15.000
parallel at impact while getting your lower body open.
86
00:05:15.000 --> 00:05:19.560
And typically, we'll use the down the line camera angle, or the golf
87
00:05:19.560 --> 00:05:21.000
instructors will say that.
88
00:05:21.000 --> 00:05:25.130
So we'll use the down the line camera angle in order to demonstrate that
89
00:05:25.130 --> 00:05:26.000
relationship.
90
00:05:26.000 --> 00:05:30.430
Because from down the line, you do want to see this right arm a little bit
91
00:05:30.430 --> 00:05:32.000
underneath the left.
92
00:05:32.000 --> 00:05:37.210
That's indicating that you had good, shallowing arm movements during transition
93
00:05:37.210 --> 00:05:39.000
and good arm timing.
94
00:05:39.000 --> 00:05:44.370
The release was a little bit more of what I call a white and then kind of
95
00:05:44.370 --> 00:05:48.000
extend as opposed to going into internal rotation
96
00:05:48.000 --> 00:05:52.000
and really just kind of turning that club over through impact.
97
00:05:52.000 --> 00:05:57.000
So this is really good form/shoulder alignments here at impact.
98
00:05:57.000 --> 00:06:03.640
Now cautioning you again, some danger can happen if you try to keep your
99
00:06:03.640 --> 00:06:05.000
shoulders closed.
100
00:06:05.000 --> 00:06:09.210
So what will sometimes happen is trying to keep your shoulders closed will
101
00:06:09.210 --> 00:06:13.000
limit the ability or the rotation amount in the rib cage.
102
00:06:13.000 --> 00:06:18.880
So this 3/4 face-on view is one of my favorites for showing where the chest is
103
00:06:18.880 --> 00:06:21.000
pointing as we reach impact.
104
00:06:21.000 --> 00:06:25.000
It's also a good way to look at the sequencing.
105
00:06:25.000 --> 00:06:30.590
So during his downswing, you can see his lower body is starting, but you can
106
00:06:30.590 --> 00:06:33.000
see that as soon as his lower body starts,
107
00:06:33.000 --> 00:06:38.290
his rib cage is actually doing a good job of transmitting that force right
108
00:06:38.290 --> 00:06:39.000
through there
109
00:06:39.000 --> 00:06:42.000
and then it gets into the shoulder girdle pretty quickly.
110
00:06:42.000 --> 00:06:47.000
So you'll see there's a little bit of relaxation in this lead shoulder.
111
00:06:47.000 --> 00:06:54.000
As the hips and the rib cage kind of work together rotating towards the target,
112
00:06:54.000 --> 00:07:00.000
you'll see that his shoulder blade, which is kind of in line right there,
113
00:07:00.000 --> 00:07:06.000
basically works a little bit towards the into protraction.
114
00:07:06.000 --> 00:07:11.290
So it basically works a little bit away from the target that way, kind of
115
00:07:11.290 --> 00:07:13.000
stretching some of the muscles in the posterior shoulder.
116
00:07:13.000 --> 00:07:18.290
So then as he starts down, we're seeing that upper body, that lower body
117
00:07:18.290 --> 00:07:21.000
continue to rotate, kind of lagging behind with the arms,
118
00:07:21.000 --> 00:07:25.000
and then here we have him pretty much at impact.
119
00:07:25.000 --> 00:07:30.210
So now from this down the line view, it does look like his shoulders are close
120
00:07:30.210 --> 00:07:31.000
to square, right?
121
00:07:31.000 --> 00:07:35.000
We can kind of see there are his shoulders.
122
00:07:35.000 --> 00:07:41.310
From his face on view, you can see that his chest or his pelvis is pointed well
123
00:07:41.310 --> 00:07:43.000
out in front of the target,
124
00:07:43.000 --> 00:07:45.000
somewhere in that 40-45 degree range.
125
00:07:45.000 --> 00:07:50.290
We can see that his upper body is pointing well out in front of the target,
126
00:07:50.290 --> 00:07:53.000
kind of down along that target line,
127
00:07:53.000 --> 00:07:55.000
somewhere in that 30 degree range.
128
00:07:55.000 --> 00:08:00.290
And as a result, the arms kind of look like they're more behind or toward the
129
00:08:00.290 --> 00:08:02.000
right half of his body.
130
00:08:02.000 --> 00:08:08.000
You can also, we can imagine how it would look from down the line.
131
00:08:08.000 --> 00:08:13.210
We can see this right forearm is kind of underneath the left, so we know that
132
00:08:13.210 --> 00:08:16.000
this left arm is closer to us than the right.
133
00:08:16.000 --> 00:08:20.480
Keeping that perspective, you can see how that right side is kind of underneath
134
00:08:20.480 --> 00:08:21.000
the left,
135
00:08:21.000 --> 00:08:25.430
but it's more this side bend that creates that look of the shoulders staying
136
00:08:25.430 --> 00:08:26.000
closed,
137
00:08:26.000 --> 00:08:28.000
not actually lack of rotation.
138
00:08:28.000 --> 00:08:34.000
I find that a lot of golfers who try to restrict their rotation of their core
139
00:08:34.000 --> 00:08:38.000
ends up with significant issues when hitting the longer clubs
140
00:08:38.000 --> 00:08:42.750
and can frequently have early release of the arms, hit it fat, have lots of
141
00:08:42.750 --> 00:08:44.000
contact misses.
142
00:08:44.000 --> 00:08:49.480
So, two great keys you can learn from looking at Matt Coucher's or how the
143
00:08:49.480 --> 00:08:53.000
trail arm works into external rotation
144
00:08:53.000 --> 00:08:59.010
as he goes into his downswing and how he sequences his body, or his transition
145
00:08:59.010 --> 00:09:00.000
from the ground up,
146
00:09:00.000 --> 00:09:05.000
enabling him to reach this really classic looking impact position,
147
00:09:05.000 --> 00:09:10.000
regardless of the little nuances that he has in his takeaway and/or backswing.
148
00:09:10.000 --> 00:09:14.000
So, if you're struggling to understand how to shallow your arms
149
00:09:14.000 --> 00:09:18.000
or what a good impact position should really look at,
150
00:09:18.000 --> 00:09:21.000
feel free to check out our other videos here on the YouTube channel
151
00:09:21.000 --> 00:09:25.000
or go over to Golfsmart Academy and get a free membership
152
00:09:25.000 --> 00:09:29.000
where you can learn about some of the science-based instruction
153
00:09:29.000 --> 00:09:34.000
and what 3D research as well as current golf science trends
154
00:09:34.000 --> 00:09:38.430
can help you understand about how to simplify your goals when you're practicing
155
00:09:38.430 --> 00:09:39.000
your golf game.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Improve Your Ball Striking by Analyzing Kuchar's Transition
After this video, you'll be able to:
- Identify the role of the trail shoulder in a flat swing position
- Learn how to adjust your elbow position during the transition
- Recognize the differences in swing mechanics between your driver and iron shots
In this video, we break down Matt Kuchar's swing to highlight key elements of his transition and impact. Learn how to apply these insights to enhance your own ball striking consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:05.000
In this analysis video, we're going to take a look at the swing of Matt Kuchar.
2
00:00:05.000 --> 00:00:10.500
Now Matt Kuchar is one of the prime examples used for the one plain swing
3
00:00:10.500 --> 00:00:11.000
technique.
4
00:00:11.000 --> 00:00:14.000
He works with Chris O'Connell.
5
00:00:14.000 --> 00:00:19.330
I'm going to take a look at his driver swing and show you a few things he does
6
00:00:19.330 --> 00:00:20.000
in transition
7
00:00:20.000 --> 00:00:24.000
and one thing you can learn from his release and impact
8
00:00:24.000 --> 00:00:27.440
that you can apply to your own game to help you with your ball striking
9
00:00:27.440 --> 00:00:28.000
consistency.
10
00:00:28.000 --> 00:00:32.000
So on the left, we have Matt Kuchar hitting a draw with a three wood.
11
00:00:32.000 --> 00:00:36.000
Great filming work here by Terry Rolls and his team.
12
00:00:36.000 --> 00:00:40.000
So first thing we're going to look at is transition.
13
00:00:40.000 --> 00:00:46.000
So you can see he's got kind of some of his normal
14
00:00:46.000 --> 00:00:50.000
hint, keep the club head well outside the hands, work that elbow back
15
00:00:50.000 --> 00:00:53.000
as if you were starting a lawn mower.
16
00:00:53.000 --> 00:00:57.000
But as we get to the top of the swing, we're going to pay attention
17
00:00:57.000 --> 00:01:00.000
to what's happening with the trail shoulder.
18
00:01:00.000 --> 00:01:03.000
So now that I've been here in Houston for a little while,
19
00:01:03.000 --> 00:01:08.000
I've worked with more and more golfers who tried the one plain method.
20
00:01:08.000 --> 00:01:13.000
So nothing, this won't be a bash one way or the other.
21
00:01:13.000 --> 00:01:18.000
Really what I want to do is highlight what he does in his trail shoulder
22
00:01:18.000 --> 00:01:23.000
that allows him to play from such a flat position at the top of the swing.
23
00:01:23.000 --> 00:01:28.000
And for comparison, we're going to look at this iron swing over here on the
24
00:01:28.000 --> 00:01:28.000
right
25
00:01:28.000 --> 00:01:34.540
where it appears that he's playing less of a draw, more a straight shot or even
26
00:01:34.540 --> 00:01:35.000
a fade.
27
00:01:35.000 --> 00:01:40.840
So you'll have a lot of the similar characteristics to what we're going to see
28
00:01:40.840 --> 00:01:41.000
over here on the driver.
29
00:01:41.000 --> 00:01:46.290
But I want to highlight a couple little changes that we'll see that vary from
30
00:01:46.290 --> 00:01:47.000
whether he's hitting a
31
00:01:47.000 --> 00:01:52.000
draw three wood or a straight/fade iron.
32
00:01:52.000 --> 00:01:58.000
Okay, so as we look at this transition at the top of the swing,
33
00:01:58.000 --> 00:02:02.000
the right elbow has worked a little bit more across his body.
34
00:02:02.000 --> 00:02:04.000
That's kind of away from his body, I should say.
35
00:02:04.000 --> 00:02:08.000
It's kind of working more along the side of his body instead of staying well
36
00:02:08.000 --> 00:02:09.000
out in front of his chest.
37
00:02:09.000 --> 00:02:13.000
Because his chest is kind of pointing out in this space here.
38
00:02:13.000 --> 00:02:17.000
That's kind of characteristic for Matt Kuchar's swing.
39
00:02:17.000 --> 00:02:24.490
Now as he starts down, you'll be able to see that that right arm tends to start
40
00:02:24.490 --> 00:02:27.000
working into external rotation.
41
00:02:27.000 --> 00:02:37.330
Or if I was to zoom in here, basically what we'll see is as he starts down, you
42
00:02:37.330 --> 00:02:40.000
can see that the elbow leads
43
00:02:40.000 --> 00:02:44.840
the hand slightly, and you can see that the club starts working a little bit
44
00:02:44.840 --> 00:02:46.000
more shallow.
45
00:02:46.000 --> 00:02:52.010
Even when he's working on this slightly steeper pattern when he's trying to hit
46
00:02:52.010 --> 00:02:53.000
more of a straight shot
47
00:02:53.000 --> 00:02:58.000
or a little bit of a fade, you'll see that the elbow is there.
48
00:02:58.000 --> 00:03:05.000
It's kind of out away from his side, kind of more towards the side of his body,
49
00:03:05.000 --> 00:03:09.000
or out away from the front of his chest, more towards the side of his body.
50
00:03:09.000 --> 00:03:14.610
And then as he starts down, that elbow is working in the direction of his belly
51
00:03:14.610 --> 00:03:16.000
button or sternum.
52
00:03:16.000 --> 00:03:19.740
It's kind of working back in front of his body as it goes into a little bit of
53
00:03:19.740 --> 00:03:21.000
external rotation.
54
00:03:21.000 --> 00:03:24.930
I'll bring up an amateur real quick just to show you the comparison of the
55
00:03:24.930 --> 00:03:29.000
danger of that arm getting too much behind your body.
56
00:03:29.000 --> 00:03:34.020
Zoomed in, here's a golfer who had that right arm working a little bit more
57
00:03:34.020 --> 00:03:35.000
into that flying elbow position
58
00:03:35.000 --> 00:03:37.000
a little bit more along the side of his body.
59
00:03:37.000 --> 00:03:41.000
Now the danger from here is as you elevate with the arm behind your body,
60
00:03:41.000 --> 00:03:45.000
you'll quickly run out of external shoulder range of motion.
61
00:03:45.000 --> 00:03:49.530
So part of the benefit of what Matt Kuchar does, or part of the reason why Matt
62
00:03:49.530 --> 00:03:52.000
Kuchar is able to make a good transition shoulder move
63
00:03:52.000 --> 00:03:57.880
with that external rotation, is that he keeps his elbow close to, if not
64
00:03:57.880 --> 00:04:00.000
connected to his rib cage.
65
00:04:00.000 --> 00:04:07.310
If he were to raise it up there, he'd be very restricted in terms of going into
66
00:04:07.310 --> 00:04:09.000
more external rotation.
67
00:04:09.000 --> 00:04:12.000
So here we'll see the normal tendency.
68
00:04:12.000 --> 00:04:16.080
When that shoulder runs out of external rotation, it's frequently going to
69
00:04:16.080 --> 00:04:19.000
result to going into internal rotation
70
00:04:19.000 --> 00:04:21.000
as this gentleman is demonstrating there.
71
00:04:21.000 --> 00:04:25.430
And that internal rotation can create a massive steepening of the shaft, as you
72
00:04:25.430 --> 00:04:28.000
'll see by the very vertical position over on the right
73
00:04:28.000 --> 00:04:33.290
compared to the external rotation of the shoulder, creating a much more flat
74
00:04:33.290 --> 00:04:34.000
shaft angle,
75
00:04:34.000 --> 00:04:39.290
which will allow for him to make his good body pivot and have really good
76
00:04:39.290 --> 00:04:41.000
sequencing as he gets into the downswing.
77
00:04:41.000 --> 00:04:46.490
So key number one for you is to make sure that your trail shoulder goes into
78
00:04:46.490 --> 00:04:50.000
external rotation as you start the downswing.
79
00:04:50.000 --> 00:04:54.180
For key number two, we're going to take a look at what Matt Kuchar looks like
80
00:04:54.180 --> 00:04:55.000
at impact.
81
00:04:55.000 --> 00:04:59.000
So over on the left, as we take him down, we can get towards impact.
82
00:04:59.000 --> 00:05:04.370
We can see, well, just to be fair, we'll go one frame past so that it doesn't
83
00:05:04.370 --> 00:05:06.000
skew it that much.
84
00:05:06.000 --> 00:05:11.290
So frequently, golf instructors will talk about kind of keeping your shoulders
85
00:05:11.290 --> 00:05:15.000
parallel at impact while getting your lower body open.
86
00:05:15.000 --> 00:05:19.560
And typically, we'll use the down the line camera angle, or the golf
87
00:05:19.560 --> 00:05:21.000
instructors will say that.
88
00:05:21.000 --> 00:05:25.130
So we'll use the down the line camera angle in order to demonstrate that
89
00:05:25.130 --> 00:05:26.000
relationship.
90
00:05:26.000 --> 00:05:30.430
Because from down the line, you do want to see this right arm a little bit
91
00:05:30.430 --> 00:05:32.000
underneath the left.
92
00:05:32.000 --> 00:05:37.210
That's indicating that you had good, shallowing arm movements during transition
93
00:05:37.210 --> 00:05:39.000
and good arm timing.
94
00:05:39.000 --> 00:05:44.370
The release was a little bit more of what I call a white and then kind of
95
00:05:44.370 --> 00:05:48.000
extend as opposed to going into internal rotation
96
00:05:48.000 --> 00:05:52.000
and really just kind of turning that club over through impact.
97
00:05:52.000 --> 00:05:57.000
So this is really good form/shoulder alignments here at impact.
98
00:05:57.000 --> 00:06:03.640
Now cautioning you again, some danger can happen if you try to keep your
99
00:06:03.640 --> 00:06:05.000
shoulders closed.
100
00:06:05.000 --> 00:06:09.210
So what will sometimes happen is trying to keep your shoulders closed will
101
00:06:09.210 --> 00:06:13.000
limit the ability or the rotation amount in the rib cage.
102
00:06:13.000 --> 00:06:18.880
So this 3/4 face-on view is one of my favorites for showing where the chest is
103
00:06:18.880 --> 00:06:21.000
pointing as we reach impact.
104
00:06:21.000 --> 00:06:25.000
It's also a good way to look at the sequencing.
105
00:06:25.000 --> 00:06:30.590
So during his downswing, you can see his lower body is starting, but you can
106
00:06:30.590 --> 00:06:33.000
see that as soon as his lower body starts,
107
00:06:33.000 --> 00:06:38.290
his rib cage is actually doing a good job of transmitting that force right
108
00:06:38.290 --> 00:06:39.000
through there
109
00:06:39.000 --> 00:06:42.000
and then it gets into the shoulder girdle pretty quickly.
110
00:06:42.000 --> 00:06:47.000
So you'll see there's a little bit of relaxation in this lead shoulder.
111
00:06:47.000 --> 00:06:54.000
As the hips and the rib cage kind of work together rotating towards the target,
112
00:06:54.000 --> 00:07:00.000
you'll see that his shoulder blade, which is kind of in line right there,
113
00:07:00.000 --> 00:07:06.000
basically works a little bit towards the into protraction.
114
00:07:06.000 --> 00:07:11.290
So it basically works a little bit away from the target that way, kind of
115
00:07:11.290 --> 00:07:13.000
stretching some of the muscles in the posterior shoulder.
116
00:07:13.000 --> 00:07:18.290
So then as he starts down, we're seeing that upper body, that lower body
117
00:07:18.290 --> 00:07:21.000
continue to rotate, kind of lagging behind with the arms,
118
00:07:21.000 --> 00:07:25.000
and then here we have him pretty much at impact.
119
00:07:25.000 --> 00:07:30.210
So now from this down the line view, it does look like his shoulders are close
120
00:07:30.210 --> 00:07:31.000
to square, right?
121
00:07:31.000 --> 00:07:35.000
We can kind of see there are his shoulders.
122
00:07:35.000 --> 00:07:41.310
From his face on view, you can see that his chest or his pelvis is pointed well
123
00:07:41.310 --> 00:07:43.000
out in front of the target,
124
00:07:43.000 --> 00:07:45.000
somewhere in that 40-45 degree range.
125
00:07:45.000 --> 00:07:50.290
We can see that his upper body is pointing well out in front of the target,
126
00:07:50.290 --> 00:07:53.000
kind of down along that target line,
127
00:07:53.000 --> 00:07:55.000
somewhere in that 30 degree range.
128
00:07:55.000 --> 00:08:00.290
And as a result, the arms kind of look like they're more behind or toward the
129
00:08:00.290 --> 00:08:02.000
right half of his body.
130
00:08:02.000 --> 00:08:08.000
You can also, we can imagine how it would look from down the line.
131
00:08:08.000 --> 00:08:13.210
We can see this right forearm is kind of underneath the left, so we know that
132
00:08:13.210 --> 00:08:16.000
this left arm is closer to us than the right.
133
00:08:16.000 --> 00:08:20.480
Keeping that perspective, you can see how that right side is kind of underneath
134
00:08:20.480 --> 00:08:21.000
the left,
135
00:08:21.000 --> 00:08:25.430
but it's more this side bend that creates that look of the shoulders staying
136
00:08:25.430 --> 00:08:26.000
closed,
137
00:08:26.000 --> 00:08:28.000
not actually lack of rotation.
138
00:08:28.000 --> 00:08:34.000
I find that a lot of golfers who try to restrict their rotation of their core
139
00:08:34.000 --> 00:08:38.000
ends up with significant issues when hitting the longer clubs
140
00:08:38.000 --> 00:08:42.750
and can frequently have early release of the arms, hit it fat, have lots of
141
00:08:42.750 --> 00:08:44.000
contact misses.
142
00:08:44.000 --> 00:08:49.480
So, two great keys you can learn from looking at Matt Coucher's or how the
143
00:08:49.480 --> 00:08:53.000
trail arm works into external rotation
144
00:08:53.000 --> 00:08:59.010
as he goes into his downswing and how he sequences his body, or his transition
145
00:08:59.010 --> 00:09:00.000
from the ground up,
146
00:09:00.000 --> 00:09:05.000
enabling him to reach this really classic looking impact position,
147
00:09:05.000 --> 00:09:10.000
regardless of the little nuances that he has in his takeaway and/or backswing.
148
00:09:10.000 --> 00:09:14.000
So, if you're struggling to understand how to shallow your arms
149
00:09:14.000 --> 00:09:18.000
or what a good impact position should really look at,
150
00:09:18.000 --> 00:09:21.000
feel free to check out our other videos here on the YouTube channel
151
00:09:21.000 --> 00:09:25.000
or go over to Golfsmart Academy and get a free membership
152
00:09:25.000 --> 00:09:29.000
where you can learn about some of the science-based instruction
153
00:09:29.000 --> 00:09:34.000
and what 3D research as well as current golf science trends
154
00:09:34.000 --> 00:09:38.430
can help you understand about how to simplify your goals when you're practicing
155
00:09:38.430 --> 00:09:39.000
your golf game.
1
00:00:00.000 --> 00:00:05.000
In this analysis video, we're going to take a look at the swing of Matt Kuchar.
2
00:00:05.000 --> 00:00:10.500
Now Matt Kuchar is one of the prime examples used for the one plain swing
3
00:00:10.500 --> 00:00:11.000
technique.
4
00:00:11.000 --> 00:00:14.000
He works with Chris O'Connell.
5
00:00:14.000 --> 00:00:19.330
I'm going to take a look at his driver swing and show you a few things he does
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in transition
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and one thing you can learn from his release and impact
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that you can apply to your own game to help you with your ball striking
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consistency.
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So on the left, we have Matt Kuchar hitting a draw with a three wood.
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Great filming work here by Terry Rolls and his team.
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So first thing we're going to look at is transition.
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So you can see he's got kind of some of his normal
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hint, keep the club head well outside the hands, work that elbow back
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as if you were starting a lawn mower.
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But as we get to the top of the swing, we're going to pay attention
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to what's happening with the trail shoulder.
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So now that I've been here in Houston for a little while,
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I've worked with more and more golfers who tried the one plain method.
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So nothing, this won't be a bash one way or the other.
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Really what I want to do is highlight what he does in his trail shoulder
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that allows him to play from such a flat position at the top of the swing.
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And for comparison, we're going to look at this iron swing over here on the
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right
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where it appears that he's playing less of a draw, more a straight shot or even
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a fade.
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So you'll have a lot of the similar characteristics to what we're going to see
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over here on the driver.
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But I want to highlight a couple little changes that we'll see that vary from
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whether he's hitting a
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draw three wood or a straight/fade iron.
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Okay, so as we look at this transition at the top of the swing,
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the right elbow has worked a little bit more across his body.
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That's kind of away from his body, I should say.
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It's kind of working more along the side of his body instead of staying well
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out in front of his chest.
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Because his chest is kind of pointing out in this space here.
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That's kind of characteristic for Matt Kuchar's swing.
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Now as he starts down, you'll be able to see that that right arm tends to start
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working into external rotation.
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Or if I was to zoom in here, basically what we'll see is as he starts down, you
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can see that the elbow leads
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the hand slightly, and you can see that the club starts working a little bit
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more shallow.
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Even when he's working on this slightly steeper pattern when he's trying to hit
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more of a straight shot
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or a little bit of a fade, you'll see that the elbow is there.
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It's kind of out away from his side, kind of more towards the side of his body,
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or out away from the front of his chest, more towards the side of his body.
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And then as he starts down, that elbow is working in the direction of his belly
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button or sternum.
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It's kind of working back in front of his body as it goes into a little bit of
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external rotation.
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I'll bring up an amateur real quick just to show you the comparison of the
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danger of that arm getting too much behind your body.
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Zoomed in, here's a golfer who had that right arm working a little bit more
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into that flying elbow position
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a little bit more along the side of his body.
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Now the danger from here is as you elevate with the arm behind your body,
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you'll quickly run out of external shoulder range of motion.
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So part of the benefit of what Matt Kuchar does, or part of the reason why Matt
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Kuchar is able to make a good transition shoulder move
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with that external rotation, is that he keeps his elbow close to, if not
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connected to his rib cage.
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If he were to raise it up there, he'd be very restricted in terms of going into
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more external rotation.
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So here we'll see the normal tendency.
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When that shoulder runs out of external rotation, it's frequently going to
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result to going into internal rotation
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as this gentleman is demonstrating there.
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And that internal rotation can create a massive steepening of the shaft, as you
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'll see by the very vertical position over on the right
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compared to the external rotation of the shoulder, creating a much more flat
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shaft angle,
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which will allow for him to make his good body pivot and have really good
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sequencing as he gets into the downswing.
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So key number one for you is to make sure that your trail shoulder goes into
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external rotation as you start the downswing.
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For key number two, we're going to take a look at what Matt Kuchar looks like
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at impact.
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So over on the left, as we take him down, we can get towards impact.
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We can see, well, just to be fair, we'll go one frame past so that it doesn't
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skew it that much.
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So frequently, golf instructors will talk about kind of keeping your shoulders
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parallel at impact while getting your lower body open.
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And typically, we'll use the down the line camera angle, or the golf
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instructors will say that.
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So we'll use the down the line camera angle in order to demonstrate that
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relationship.
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Because from down the line, you do want to see this right arm a little bit
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underneath the left.
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That's indicating that you had good, shallowing arm movements during transition
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and good arm timing.
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The release was a little bit more of what I call a white and then kind of
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extend as opposed to going into internal rotation
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00:05:48.000 --> 00:05:52.000
and really just kind of turning that club over through impact.
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So this is really good form/shoulder alignments here at impact.
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Now cautioning you again, some danger can happen if you try to keep your
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shoulders closed.
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So what will sometimes happen is trying to keep your shoulders closed will
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limit the ability or the rotation amount in the rib cage.
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So this 3/4 face-on view is one of my favorites for showing where the chest is
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pointing as we reach impact.
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It's also a good way to look at the sequencing.
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So during his downswing, you can see his lower body is starting, but you can
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00:06:30.590 --> 00:06:33.000
see that as soon as his lower body starts,
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his rib cage is actually doing a good job of transmitting that force right
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through there
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and then it gets into the shoulder girdle pretty quickly.
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So you'll see there's a little bit of relaxation in this lead shoulder.
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As the hips and the rib cage kind of work together rotating towards the target,
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you'll see that his shoulder blade, which is kind of in line right there,
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basically works a little bit towards the into protraction.
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So it basically works a little bit away from the target that way, kind of
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stretching some of the muscles in the posterior shoulder.
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So then as he starts down, we're seeing that upper body, that lower body
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continue to rotate, kind of lagging behind with the arms,
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and then here we have him pretty much at impact.
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So now from this down the line view, it does look like his shoulders are close
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to square, right?
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We can kind of see there are his shoulders.
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From his face on view, you can see that his chest or his pelvis is pointed well
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out in front of the target,
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somewhere in that 40-45 degree range.
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We can see that his upper body is pointing well out in front of the target,
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kind of down along that target line,
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somewhere in that 30 degree range.
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And as a result, the arms kind of look like they're more behind or toward the
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right half of his body.
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You can also, we can imagine how it would look from down the line.
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We can see this right forearm is kind of underneath the left, so we know that
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this left arm is closer to us than the right.
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Keeping that perspective, you can see how that right side is kind of underneath
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the left,
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but it's more this side bend that creates that look of the shoulders staying
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closed,
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not actually lack of rotation.
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I find that a lot of golfers who try to restrict their rotation of their core
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ends up with significant issues when hitting the longer clubs
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and can frequently have early release of the arms, hit it fat, have lots of
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contact misses.
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So, two great keys you can learn from looking at Matt Coucher's or how the
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trail arm works into external rotation
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as he goes into his downswing and how he sequences his body, or his transition
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from the ground up,
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enabling him to reach this really classic looking impact position,
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regardless of the little nuances that he has in his takeaway and/or backswing.
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So, if you're struggling to understand how to shallow your arms
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or what a good impact position should really look at,
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feel free to check out our other videos here on the YouTube channel
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or go over to Golfsmart Academy and get a free membership
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where you can learn about some of the science-based instruction
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and what 3D research as well as current golf science trends
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can help you understand about how to simplify your goals when you're practicing
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your golf game.
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