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Why Louis Oosthuizen's Tempo Makes Him a Top Ball Striker
After this video, you'll be able to:
- Identify the connection between your upper body and arms during the swing
- Learn how to maintain body alignment for better impact
- Understand the importance of using your body as a unit for consistent power
In this video, we'll analyze Louis Oosthuizen's swing to uncover the key to his exceptional tempo and ball striking. Understanding how he powers his swing with his body can help you improve your own game.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:05.750
In this analysis video, we're going to take a look at the swing of Louis Ustaz
2
00:00:05.750 --> 00:00:06.000
en.
3
00:00:06.000 --> 00:00:10.000
Now, Louis Ustazen is one of the top 20 golfers in the world right now,
4
00:00:10.000 --> 00:00:15.000
and he's frequently in the top tier of ball strikers,
5
00:00:15.000 --> 00:00:21.000
so driving distance, driving accuracy, or total driving, greens and regulation.
6
00:00:21.000 --> 00:00:25.000
He's always kind of in the mix in terms of the ball striking statistics.
7
00:00:25.000 --> 00:00:29.330
In this video, we're going to take a look at the one key that allows him to
8
00:00:29.330 --> 00:00:31.000
have this great tempo
9
00:00:31.000 --> 00:00:35.890
and allows that tempo to show up in these really highly ranked ball striking
10
00:00:35.890 --> 00:00:37.000
statistics.
11
00:00:37.000 --> 00:00:42.000
Louis embodies the idea of let your body swing the club.
12
00:00:42.000 --> 00:00:45.770
So I'm going to show you two ways that he shows that he powers the swing with
13
00:00:45.770 --> 00:00:46.000
his body,
14
00:00:46.000 --> 00:00:52.400
and that his arms are fairly relaxed and somewhat secondary in terms of
15
00:00:52.400 --> 00:00:53.000
creating speed
16
00:00:53.000 --> 00:00:55.000
to what his body's doing.
17
00:00:55.000 --> 00:01:00.000
So the first major key would be looking at this movement in transition
18
00:01:00.000 --> 00:01:04.000
and looking at the spacing between his lead arm and his chest.
19
00:01:04.000 --> 00:01:09.280
Golfers who tend to power their swing with the body will tend to retain that
20
00:01:09.280 --> 00:01:10.000
connection
21
00:01:10.000 --> 00:01:13.000
longer and longer into the downswing.
22
00:01:13.000 --> 00:01:16.000
So you'll see that while the arm is dropping down,
23
00:01:16.000 --> 00:01:23.000
it doesn't come flying off his upper body until very late in the swing.
24
00:01:23.000 --> 00:01:28.600
We can compare that to a more arm driven swing where we can see that the arm is
25
00:01:28.600 --> 00:01:29.000
starting
26
00:01:29.000 --> 00:01:35.050
to get off of the body through this phase here, and then that results in having
27
00:01:35.050 --> 00:01:38.000
less body rotation at impact.
28
00:01:38.000 --> 00:01:43.000
Now getting back to Louis, we can see that as we scrub through his swing,
29
00:01:43.000 --> 00:01:47.000
while he has a tiny bit of lower body early extension,
30
00:01:47.000 --> 00:01:53.000
he keeps his upper body or his thorax in relatively the same space
31
00:01:53.000 --> 00:01:58.100
and does a great job of using his body kind of as a complete unit to power the
32
00:01:58.100 --> 00:01:59.000
swing.
33
00:01:59.000 --> 00:02:04.000
From the face on view, you can see a very good sequencing of that lower body
34
00:02:04.000 --> 00:02:10.120
transmitting that energy into his core and then using his arms last during the
35
00:02:10.120 --> 00:02:11.000
release.
36
00:02:11.000 --> 00:02:15.280
So he has very good sequencing, which is part of what shows up to the
37
00:02:15.280 --> 00:02:16.000
commentators
38
00:02:16.000 --> 00:02:18.000
is having beautiful tempo.
39
00:02:18.000 --> 00:02:22.470
Now from the face on view, we can look at his release in a little bit more
40
00:02:22.470 --> 00:02:23.000
detail
41
00:02:23.000 --> 00:02:26.610
because the release, I think, is one of the really telling things about Louis
42
00:02:26.610 --> 00:02:27.000
swing.
43
00:02:27.000 --> 00:02:31.250
He's frequently described as having this classic swing, frequently described as
44
00:02:31.250 --> 00:02:34.000
having this great ball striker,
45
00:02:34.000 --> 00:02:36.550
and I'm going to show you how there's a couple things that go on during his
46
00:02:36.550 --> 00:02:37.000
release
47
00:02:37.000 --> 00:02:41.000
that would make you question some traditional golf instruction.
48
00:02:41.000 --> 00:02:45.000
So for example, let's talk about the left arm staying straight.
49
00:02:45.000 --> 00:02:50.430
So you can see that he maintains the left arm staying straight here in the back
50
00:02:50.430 --> 00:02:51.000
swing.
51
00:02:51.000 --> 00:02:56.000
But now because of his arms being fairly relaxed and being powered by the body,
52
00:02:56.000 --> 00:03:01.000
you'll see that the left arm is going to change the amount of bend a couple
53
00:03:01.000 --> 00:03:03.000
different times during the downswing.
54
00:03:03.000 --> 00:03:07.000
So as he gets to his delivery position right about here,
55
00:03:07.000 --> 00:03:10.770
you'll see that the club starts working more across his body and that left
56
00:03:10.770 --> 00:03:13.000
elbow tends to bend to help out with it.
57
00:03:13.000 --> 00:03:20.690
So the arms are basically initiating the wipe and bringing the club a little
58
00:03:20.690 --> 00:03:23.000
bit more across his body to allow for the side bend.
59
00:03:23.000 --> 00:03:29.520
Now, what you'll see is through impact, he'll then go back to straightening and
60
00:03:29.520 --> 00:03:33.000
rotating those arms.
61
00:03:33.000 --> 00:03:38.400
So he gets into a very classic looking arm extension position here in the
62
00:03:38.400 --> 00:03:41.000
follow through really good bracing position,
63
00:03:41.000 --> 00:03:46.280
powered the swing with his legs and his core. Everything looks great at this
64
00:03:46.280 --> 00:03:47.000
position.
65
00:03:47.000 --> 00:03:52.050
But there are a lot of details that can get lost when we're looking at this
66
00:03:52.050 --> 00:03:53.000
release.
67
00:03:53.000 --> 00:03:57.000
From the face on view, you can see the similar pattern.
68
00:03:57.000 --> 00:04:01.000
So you can look at that left elbow and you can see that as it comes through,
69
00:04:01.000 --> 00:04:06.230
there's what I call a little left arm whip where the left arm is going to bend
70
00:04:06.230 --> 00:04:10.000
as it initiates the wipe and then straighten through the release.
71
00:04:10.000 --> 00:04:16.950
That's a classic combination of golfers who have low body weight and high club
72
00:04:16.950 --> 00:04:18.000
head speed.
73
00:04:18.000 --> 00:04:23.400
So we can look and see guys like Charles Howl, guys like Rory McRoy, guys like
74
00:04:23.400 --> 00:04:28.660
Sergio Garcia do really well with this bending of the lead arm as they initiate
75
00:04:28.660 --> 00:04:33.640
the wipe and then straightening of that lead arm as the club works through the
76
00:04:33.640 --> 00:04:34.000
release.
77
00:04:34.000 --> 00:04:41.110
Here are two of those golfers. So we have Rory on the left and you'll see that
78
00:04:41.110 --> 00:04:43.000
left elbow bend through there and then straighten through there.
79
00:04:43.000 --> 00:04:48.050
So with speed, you can see or if I scrub back and forth, you can see a little
80
00:04:48.050 --> 00:04:52.000
almost whip activity happening in the left elbow and left shoulder.
81
00:04:52.000 --> 00:05:02.880
We'll see the same thing if we look at Sergio. So the lead arm is pretty much
82
00:05:02.880 --> 00:05:05.320
locked at this point. It will bend and then it will straighten and you'll see
83
00:05:05.320 --> 00:05:09.570
that elbow or the space between his elbow and rib cage kind of decrease through
84
00:05:09.570 --> 00:05:10.000
impact.
85
00:05:10.000 --> 00:05:15.140
So it wipes across which increases and then it releases or straightens through
86
00:05:15.140 --> 00:05:18.000
impact with that little decrease move.
87
00:05:18.000 --> 00:05:23.520
It is very hard to do that movement with any amount of arm tension. If all the
88
00:05:23.520 --> 00:05:27.720
muscles in the forearm and shoulders are very tense in an effort to hold the
89
00:05:27.720 --> 00:05:32.220
club face in a certain orientation, you're going to have a lot of trouble
90
00:05:32.220 --> 00:05:37.420
having some of these fluid movements that add speed and help control the low
91
00:05:37.420 --> 00:05:38.000
point.
92
00:05:38.000 --> 00:05:42.090
So one of the other little oddities of looking at his release that would be
93
00:05:42.090 --> 00:05:46.380
hard to do with arm tension is you'll see that his hands actually change on the
94
00:05:46.380 --> 00:05:48.000
grip during the swing.
95
00:05:48.000 --> 00:05:54.050
So on the right, you have this same video clip at setup as we have here at
96
00:05:54.050 --> 00:06:00.300
impact. So if we look at the amount of flexion in that lead wrist and where the
97
00:06:00.300 --> 00:06:04.200
V on his right hand is pointing, you can see the V on the right hand is
98
00:06:04.200 --> 00:06:07.000
pointing in a similar orientation
99
00:06:07.000 --> 00:06:13.040
kind of straight up towards the sky, but you'll see that he has a much greater
100
00:06:13.040 --> 00:06:18.190
amount of flexion in the left hand at impact over here than he did at setup
101
00:06:18.190 --> 00:06:19.000
here.
102
00:06:19.000 --> 00:06:22.980
We'll be able to see some of this movement a little bit easier from the down
103
00:06:22.980 --> 00:06:24.000
the line view.
104
00:06:24.000 --> 00:06:29.120
So from the down the line view, you'll see as he goes through impact, you can
105
00:06:29.120 --> 00:06:34.320
see that right hand coming off the club similar to a VJ or similar to a Fred
106
00:06:34.320 --> 00:06:37.000
couples or Phil Mickelson type movement.
107
00:06:37.000 --> 00:06:42.300
So what we've seen now is that Louie, who has this classic golf swing, bends
108
00:06:42.300 --> 00:06:47.630
and flexes his left elbow and his hands move on the club compared to where they
109
00:06:47.630 --> 00:06:49.000
were at setup.
110
00:06:49.000 --> 00:06:54.200
So if you're trying to have, say, constant grip pressure and hold your hands
111
00:06:54.200 --> 00:06:59.480
exactly the same way, that may require too much grip pressure to swing the club
112
00:06:59.480 --> 00:07:02.000
in an athletic way similar to Louie.
113
00:07:02.000 --> 00:07:06.950
And if you're trying to keep that left elbow perfectly straight, it's going to
114
00:07:06.950 --> 00:07:12.320
be very difficult for you to have the amount of side bend and the amount of arm
115
00:07:12.320 --> 00:07:17.000
extension on the way through in order to have a release similar to Louie.
116
00:07:17.000 --> 00:07:22.430
So one last point about the release, and similar to a Jordan's speed where the
117
00:07:22.430 --> 00:07:26.000
left arm appears to be bending through impact.
118
00:07:26.000 --> 00:07:30.980
What I want you to see is that it's not so much that the arm is bending because
119
00:07:30.980 --> 00:07:35.000
most of the movement is happening in forearm rotation.
120
00:07:35.000 --> 00:07:40.220
What you'll see is that the arm is bent and he's having that bent elbow act as
121
00:07:40.220 --> 00:07:43.000
a stable platform to rotate around.
122
00:07:43.000 --> 00:07:47.000
This will be easiest to see from the behind view.
123
00:07:47.000 --> 00:07:53.040
So from the behind view, if that lead elbow was really bending significantly,
124
00:07:53.040 --> 00:07:57.000
what we would typically see is that elbow would start working around his body.
125
00:07:57.000 --> 00:08:02.120
But what you'll see is from as the elbow starts to appear until it reaches that
126
00:08:02.120 --> 00:08:08.660
follow through position, you'll see that the elbow actually rotates and comes
127
00:08:08.660 --> 00:08:11.000
off of his body towards the target.
128
00:08:11.000 --> 00:08:16.260
So if he was bending the arm, you would either see the hands getting closer to
129
00:08:16.260 --> 00:08:20.000
the shoulder or the elbow working around his side.
130
00:08:20.000 --> 00:08:25.410
What you'll see instead is that the arm is in a bent position, but he keeps it
131
00:08:25.410 --> 00:08:29.000
in that bent position as his forearms rotate.
132
00:08:29.000 --> 00:08:34.450
That's another good sign that Louis is having a relaxed or soft arm movement
133
00:08:34.450 --> 00:08:40.030
and allowing the rotation of forearms to transmit that force all the way into
134
00:08:40.030 --> 00:08:41.000
his back.
135
00:08:41.000 --> 00:08:46.030
That's a safer way to absorb speed, which is part of the reason why he's able
136
00:08:46.030 --> 00:08:50.000
to create the kind of clubhead speed that he's able to do.
137
00:08:50.000 --> 00:08:54.470
So if you want to have a classic swing like Louis, first thing I would do is I
138
00:08:54.470 --> 00:08:59.530
would recommend trying or experimenting with having your body power, the swing,
139
00:08:59.530 --> 00:09:01.000
and having very relaxed arms.
140
00:09:01.000 --> 00:09:07.110
Now if your arms are relaxed through impact and you struggle with contact
141
00:09:07.110 --> 00:09:11.490
issues, that frequently means that there's more of a movement or technical
142
00:09:11.490 --> 00:09:15.000
issue, not so much a timing and tempo issue.
143
00:09:15.000 --> 00:09:19.370
So if you relax your arms and your contact gets worse, then I would recommend
144
00:09:19.370 --> 00:09:23.700
taking a look at the drills and concept videos inside the membership area at
145
00:09:23.700 --> 00:09:25.000
GulfSmart Academy
146
00:09:25.000 --> 00:09:30.000
under the release section to understand exactly what each arm needs to be doing
147
00:09:30.000 --> 00:09:32.000
in order to release the club like Louis U stays in.
1
00:00:00.000 --> 00:00:05.750
In this analysis video, we're going to take a look at the swing of Louis Ustaz
2
00:00:05.750 --> 00:00:06.000
en.
3
00:00:06.000 --> 00:00:10.000
Now, Louis Ustazen is one of the top 20 golfers in the world right now,
4
00:00:10.000 --> 00:00:15.000
and he's frequently in the top tier of ball strikers,
5
00:00:15.000 --> 00:00:21.000
so driving distance, driving accuracy, or total driving, greens and regulation.
6
00:00:21.000 --> 00:00:25.000
He's always kind of in the mix in terms of the ball striking statistics.
7
00:00:25.000 --> 00:00:29.330
In this video, we're going to take a look at the one key that allows him to
8
00:00:29.330 --> 00:00:31.000
have this great tempo
9
00:00:31.000 --> 00:00:35.890
and allows that tempo to show up in these really highly ranked ball striking
10
00:00:35.890 --> 00:00:37.000
statistics.
11
00:00:37.000 --> 00:00:42.000
Louis embodies the idea of let your body swing the club.
12
00:00:42.000 --> 00:00:45.770
So I'm going to show you two ways that he shows that he powers the swing with
13
00:00:45.770 --> 00:00:46.000
his body,
14
00:00:46.000 --> 00:00:52.400
and that his arms are fairly relaxed and somewhat secondary in terms of
15
00:00:52.400 --> 00:00:53.000
creating speed
16
00:00:53.000 --> 00:00:55.000
to what his body's doing.
17
00:00:55.000 --> 00:01:00.000
So the first major key would be looking at this movement in transition
18
00:01:00.000 --> 00:01:04.000
and looking at the spacing between his lead arm and his chest.
19
00:01:04.000 --> 00:01:09.280
Golfers who tend to power their swing with the body will tend to retain that
20
00:01:09.280 --> 00:01:10.000
connection
21
00:01:10.000 --> 00:01:13.000
longer and longer into the downswing.
22
00:01:13.000 --> 00:01:16.000
So you'll see that while the arm is dropping down,
23
00:01:16.000 --> 00:01:23.000
it doesn't come flying off his upper body until very late in the swing.
24
00:01:23.000 --> 00:01:28.600
We can compare that to a more arm driven swing where we can see that the arm is
25
00:01:28.600 --> 00:01:29.000
starting
26
00:01:29.000 --> 00:01:35.050
to get off of the body through this phase here, and then that results in having
27
00:01:35.050 --> 00:01:38.000
less body rotation at impact.
28
00:01:38.000 --> 00:01:43.000
Now getting back to Louis, we can see that as we scrub through his swing,
29
00:01:43.000 --> 00:01:47.000
while he has a tiny bit of lower body early extension,
30
00:01:47.000 --> 00:01:53.000
he keeps his upper body or his thorax in relatively the same space
31
00:01:53.000 --> 00:01:58.100
and does a great job of using his body kind of as a complete unit to power the
32
00:01:58.100 --> 00:01:59.000
swing.
33
00:01:59.000 --> 00:02:04.000
From the face on view, you can see a very good sequencing of that lower body
34
00:02:04.000 --> 00:02:10.120
transmitting that energy into his core and then using his arms last during the
35
00:02:10.120 --> 00:02:11.000
release.
36
00:02:11.000 --> 00:02:15.280
So he has very good sequencing, which is part of what shows up to the
37
00:02:15.280 --> 00:02:16.000
commentators
38
00:02:16.000 --> 00:02:18.000
is having beautiful tempo.
39
00:02:18.000 --> 00:02:22.470
Now from the face on view, we can look at his release in a little bit more
40
00:02:22.470 --> 00:02:23.000
detail
41
00:02:23.000 --> 00:02:26.610
because the release, I think, is one of the really telling things about Louis
42
00:02:26.610 --> 00:02:27.000
swing.
43
00:02:27.000 --> 00:02:31.250
He's frequently described as having this classic swing, frequently described as
44
00:02:31.250 --> 00:02:34.000
having this great ball striker,
45
00:02:34.000 --> 00:02:36.550
and I'm going to show you how there's a couple things that go on during his
46
00:02:36.550 --> 00:02:37.000
release
47
00:02:37.000 --> 00:02:41.000
that would make you question some traditional golf instruction.
48
00:02:41.000 --> 00:02:45.000
So for example, let's talk about the left arm staying straight.
49
00:02:45.000 --> 00:02:50.430
So you can see that he maintains the left arm staying straight here in the back
50
00:02:50.430 --> 00:02:51.000
swing.
51
00:02:51.000 --> 00:02:56.000
But now because of his arms being fairly relaxed and being powered by the body,
52
00:02:56.000 --> 00:03:01.000
you'll see that the left arm is going to change the amount of bend a couple
53
00:03:01.000 --> 00:03:03.000
different times during the downswing.
54
00:03:03.000 --> 00:03:07.000
So as he gets to his delivery position right about here,
55
00:03:07.000 --> 00:03:10.770
you'll see that the club starts working more across his body and that left
56
00:03:10.770 --> 00:03:13.000
elbow tends to bend to help out with it.
57
00:03:13.000 --> 00:03:20.690
So the arms are basically initiating the wipe and bringing the club a little
58
00:03:20.690 --> 00:03:23.000
bit more across his body to allow for the side bend.
59
00:03:23.000 --> 00:03:29.520
Now, what you'll see is through impact, he'll then go back to straightening and
60
00:03:29.520 --> 00:03:33.000
rotating those arms.
61
00:03:33.000 --> 00:03:38.400
So he gets into a very classic looking arm extension position here in the
62
00:03:38.400 --> 00:03:41.000
follow through really good bracing position,
63
00:03:41.000 --> 00:03:46.280
powered the swing with his legs and his core. Everything looks great at this
64
00:03:46.280 --> 00:03:47.000
position.
65
00:03:47.000 --> 00:03:52.050
But there are a lot of details that can get lost when we're looking at this
66
00:03:52.050 --> 00:03:53.000
release.
67
00:03:53.000 --> 00:03:57.000
From the face on view, you can see the similar pattern.
68
00:03:57.000 --> 00:04:01.000
So you can look at that left elbow and you can see that as it comes through,
69
00:04:01.000 --> 00:04:06.230
there's what I call a little left arm whip where the left arm is going to bend
70
00:04:06.230 --> 00:04:10.000
as it initiates the wipe and then straighten through the release.
71
00:04:10.000 --> 00:04:16.950
That's a classic combination of golfers who have low body weight and high club
72
00:04:16.950 --> 00:04:18.000
head speed.
73
00:04:18.000 --> 00:04:23.400
So we can look and see guys like Charles Howl, guys like Rory McRoy, guys like
74
00:04:23.400 --> 00:04:28.660
Sergio Garcia do really well with this bending of the lead arm as they initiate
75
00:04:28.660 --> 00:04:33.640
the wipe and then straightening of that lead arm as the club works through the
76
00:04:33.640 --> 00:04:34.000
release.
77
00:04:34.000 --> 00:04:41.110
Here are two of those golfers. So we have Rory on the left and you'll see that
78
00:04:41.110 --> 00:04:43.000
left elbow bend through there and then straighten through there.
79
00:04:43.000 --> 00:04:48.050
So with speed, you can see or if I scrub back and forth, you can see a little
80
00:04:48.050 --> 00:04:52.000
almost whip activity happening in the left elbow and left shoulder.
81
00:04:52.000 --> 00:05:02.880
We'll see the same thing if we look at Sergio. So the lead arm is pretty much
82
00:05:02.880 --> 00:05:05.320
locked at this point. It will bend and then it will straighten and you'll see
83
00:05:05.320 --> 00:05:09.570
that elbow or the space between his elbow and rib cage kind of decrease through
84
00:05:09.570 --> 00:05:10.000
impact.
85
00:05:10.000 --> 00:05:15.140
So it wipes across which increases and then it releases or straightens through
86
00:05:15.140 --> 00:05:18.000
impact with that little decrease move.
87
00:05:18.000 --> 00:05:23.520
It is very hard to do that movement with any amount of arm tension. If all the
88
00:05:23.520 --> 00:05:27.720
muscles in the forearm and shoulders are very tense in an effort to hold the
89
00:05:27.720 --> 00:05:32.220
club face in a certain orientation, you're going to have a lot of trouble
90
00:05:32.220 --> 00:05:37.420
having some of these fluid movements that add speed and help control the low
91
00:05:37.420 --> 00:05:38.000
point.
92
00:05:38.000 --> 00:05:42.090
So one of the other little oddities of looking at his release that would be
93
00:05:42.090 --> 00:05:46.380
hard to do with arm tension is you'll see that his hands actually change on the
94
00:05:46.380 --> 00:05:48.000
grip during the swing.
95
00:05:48.000 --> 00:05:54.050
So on the right, you have this same video clip at setup as we have here at
96
00:05:54.050 --> 00:06:00.300
impact. So if we look at the amount of flexion in that lead wrist and where the
97
00:06:00.300 --> 00:06:04.200
V on his right hand is pointing, you can see the V on the right hand is
98
00:06:04.200 --> 00:06:07.000
pointing in a similar orientation
99
00:06:07.000 --> 00:06:13.040
kind of straight up towards the sky, but you'll see that he has a much greater
100
00:06:13.040 --> 00:06:18.190
amount of flexion in the left hand at impact over here than he did at setup
101
00:06:18.190 --> 00:06:19.000
here.
102
00:06:19.000 --> 00:06:22.980
We'll be able to see some of this movement a little bit easier from the down
103
00:06:22.980 --> 00:06:24.000
the line view.
104
00:06:24.000 --> 00:06:29.120
So from the down the line view, you'll see as he goes through impact, you can
105
00:06:29.120 --> 00:06:34.320
see that right hand coming off the club similar to a VJ or similar to a Fred
106
00:06:34.320 --> 00:06:37.000
couples or Phil Mickelson type movement.
107
00:06:37.000 --> 00:06:42.300
So what we've seen now is that Louie, who has this classic golf swing, bends
108
00:06:42.300 --> 00:06:47.630
and flexes his left elbow and his hands move on the club compared to where they
109
00:06:47.630 --> 00:06:49.000
were at setup.
110
00:06:49.000 --> 00:06:54.200
So if you're trying to have, say, constant grip pressure and hold your hands
111
00:06:54.200 --> 00:06:59.480
exactly the same way, that may require too much grip pressure to swing the club
112
00:06:59.480 --> 00:07:02.000
in an athletic way similar to Louie.
113
00:07:02.000 --> 00:07:06.950
And if you're trying to keep that left elbow perfectly straight, it's going to
114
00:07:06.950 --> 00:07:12.320
be very difficult for you to have the amount of side bend and the amount of arm
115
00:07:12.320 --> 00:07:17.000
extension on the way through in order to have a release similar to Louie.
116
00:07:17.000 --> 00:07:22.430
So one last point about the release, and similar to a Jordan's speed where the
117
00:07:22.430 --> 00:07:26.000
left arm appears to be bending through impact.
118
00:07:26.000 --> 00:07:30.980
What I want you to see is that it's not so much that the arm is bending because
119
00:07:30.980 --> 00:07:35.000
most of the movement is happening in forearm rotation.
120
00:07:35.000 --> 00:07:40.220
What you'll see is that the arm is bent and he's having that bent elbow act as
121
00:07:40.220 --> 00:07:43.000
a stable platform to rotate around.
122
00:07:43.000 --> 00:07:47.000
This will be easiest to see from the behind view.
123
00:07:47.000 --> 00:07:53.040
So from the behind view, if that lead elbow was really bending significantly,
124
00:07:53.040 --> 00:07:57.000
what we would typically see is that elbow would start working around his body.
125
00:07:57.000 --> 00:08:02.120
But what you'll see is from as the elbow starts to appear until it reaches that
126
00:08:02.120 --> 00:08:08.660
follow through position, you'll see that the elbow actually rotates and comes
127
00:08:08.660 --> 00:08:11.000
off of his body towards the target.
128
00:08:11.000 --> 00:08:16.260
So if he was bending the arm, you would either see the hands getting closer to
129
00:08:16.260 --> 00:08:20.000
the shoulder or the elbow working around his side.
130
00:08:20.000 --> 00:08:25.410
What you'll see instead is that the arm is in a bent position, but he keeps it
131
00:08:25.410 --> 00:08:29.000
in that bent position as his forearms rotate.
132
00:08:29.000 --> 00:08:34.450
That's another good sign that Louis is having a relaxed or soft arm movement
133
00:08:34.450 --> 00:08:40.030
and allowing the rotation of forearms to transmit that force all the way into
134
00:08:40.030 --> 00:08:41.000
his back.
135
00:08:41.000 --> 00:08:46.030
That's a safer way to absorb speed, which is part of the reason why he's able
136
00:08:46.030 --> 00:08:50.000
to create the kind of clubhead speed that he's able to do.
137
00:08:50.000 --> 00:08:54.470
So if you want to have a classic swing like Louis, first thing I would do is I
138
00:08:54.470 --> 00:08:59.530
would recommend trying or experimenting with having your body power, the swing,
139
00:08:59.530 --> 00:09:01.000
and having very relaxed arms.
140
00:09:01.000 --> 00:09:07.110
Now if your arms are relaxed through impact and you struggle with contact
141
00:09:07.110 --> 00:09:11.490
issues, that frequently means that there's more of a movement or technical
142
00:09:11.490 --> 00:09:15.000
issue, not so much a timing and tempo issue.
143
00:09:15.000 --> 00:09:19.370
So if you relax your arms and your contact gets worse, then I would recommend
144
00:09:19.370 --> 00:09:23.700
taking a look at the drills and concept videos inside the membership area at
145
00:09:23.700 --> 00:09:25.000
GulfSmart Academy
146
00:09:25.000 --> 00:09:30.000
under the release section to understand exactly what each arm needs to be doing
147
00:09:30.000 --> 00:09:32.000
in order to release the club like Louis U stays in.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Why Louis Oosthuizen's Tempo Makes Him a Top Ball Striker
After this video, you'll be able to:
- Identify the connection between your upper body and arms during the swing
- Learn how to maintain body alignment for better impact
- Understand the importance of using your body as a unit for consistent power
In this video, we'll analyze Louis Oosthuizen's swing to uncover the key to his exceptional tempo and ball striking. Understanding how he powers his swing with his body can help you improve your own game.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:05.750
In this analysis video, we're going to take a look at the swing of Louis Ustaz
2
00:00:05.750 --> 00:00:06.000
en.
3
00:00:06.000 --> 00:00:10.000
Now, Louis Ustazen is one of the top 20 golfers in the world right now,
4
00:00:10.000 --> 00:00:15.000
and he's frequently in the top tier of ball strikers,
5
00:00:15.000 --> 00:00:21.000
so driving distance, driving accuracy, or total driving, greens and regulation.
6
00:00:21.000 --> 00:00:25.000
He's always kind of in the mix in terms of the ball striking statistics.
7
00:00:25.000 --> 00:00:29.330
In this video, we're going to take a look at the one key that allows him to
8
00:00:29.330 --> 00:00:31.000
have this great tempo
9
00:00:31.000 --> 00:00:35.890
and allows that tempo to show up in these really highly ranked ball striking
10
00:00:35.890 --> 00:00:37.000
statistics.
11
00:00:37.000 --> 00:00:42.000
Louis embodies the idea of let your body swing the club.
12
00:00:42.000 --> 00:00:45.770
So I'm going to show you two ways that he shows that he powers the swing with
13
00:00:45.770 --> 00:00:46.000
his body,
14
00:00:46.000 --> 00:00:52.400
and that his arms are fairly relaxed and somewhat secondary in terms of
15
00:00:52.400 --> 00:00:53.000
creating speed
16
00:00:53.000 --> 00:00:55.000
to what his body's doing.
17
00:00:55.000 --> 00:01:00.000
So the first major key would be looking at this movement in transition
18
00:01:00.000 --> 00:01:04.000
and looking at the spacing between his lead arm and his chest.
19
00:01:04.000 --> 00:01:09.280
Golfers who tend to power their swing with the body will tend to retain that
20
00:01:09.280 --> 00:01:10.000
connection
21
00:01:10.000 --> 00:01:13.000
longer and longer into the downswing.
22
00:01:13.000 --> 00:01:16.000
So you'll see that while the arm is dropping down,
23
00:01:16.000 --> 00:01:23.000
it doesn't come flying off his upper body until very late in the swing.
24
00:01:23.000 --> 00:01:28.600
We can compare that to a more arm driven swing where we can see that the arm is
25
00:01:28.600 --> 00:01:29.000
starting
26
00:01:29.000 --> 00:01:35.050
to get off of the body through this phase here, and then that results in having
27
00:01:35.050 --> 00:01:38.000
less body rotation at impact.
28
00:01:38.000 --> 00:01:43.000
Now getting back to Louis, we can see that as we scrub through his swing,
29
00:01:43.000 --> 00:01:47.000
while he has a tiny bit of lower body early extension,
30
00:01:47.000 --> 00:01:53.000
he keeps his upper body or his thorax in relatively the same space
31
00:01:53.000 --> 00:01:58.100
and does a great job of using his body kind of as a complete unit to power the
32
00:01:58.100 --> 00:01:59.000
swing.
33
00:01:59.000 --> 00:02:04.000
From the face on view, you can see a very good sequencing of that lower body
34
00:02:04.000 --> 00:02:10.120
transmitting that energy into his core and then using his arms last during the
35
00:02:10.120 --> 00:02:11.000
release.
36
00:02:11.000 --> 00:02:15.280
So he has very good sequencing, which is part of what shows up to the
37
00:02:15.280 --> 00:02:16.000
commentators
38
00:02:16.000 --> 00:02:18.000
is having beautiful tempo.
39
00:02:18.000 --> 00:02:22.470
Now from the face on view, we can look at his release in a little bit more
40
00:02:22.470 --> 00:02:23.000
detail
41
00:02:23.000 --> 00:02:26.610
because the release, I think, is one of the really telling things about Louis
42
00:02:26.610 --> 00:02:27.000
swing.
43
00:02:27.000 --> 00:02:31.250
He's frequently described as having this classic swing, frequently described as
44
00:02:31.250 --> 00:02:34.000
having this great ball striker,
45
00:02:34.000 --> 00:02:36.550
and I'm going to show you how there's a couple things that go on during his
46
00:02:36.550 --> 00:02:37.000
release
47
00:02:37.000 --> 00:02:41.000
that would make you question some traditional golf instruction.
48
00:02:41.000 --> 00:02:45.000
So for example, let's talk about the left arm staying straight.
49
00:02:45.000 --> 00:02:50.430
So you can see that he maintains the left arm staying straight here in the back
50
00:02:50.430 --> 00:02:51.000
swing.
51
00:02:51.000 --> 00:02:56.000
But now because of his arms being fairly relaxed and being powered by the body,
52
00:02:56.000 --> 00:03:01.000
you'll see that the left arm is going to change the amount of bend a couple
53
00:03:01.000 --> 00:03:03.000
different times during the downswing.
54
00:03:03.000 --> 00:03:07.000
So as he gets to his delivery position right about here,
55
00:03:07.000 --> 00:03:10.770
you'll see that the club starts working more across his body and that left
56
00:03:10.770 --> 00:03:13.000
elbow tends to bend to help out with it.
57
00:03:13.000 --> 00:03:20.690
So the arms are basically initiating the wipe and bringing the club a little
58
00:03:20.690 --> 00:03:23.000
bit more across his body to allow for the side bend.
59
00:03:23.000 --> 00:03:29.520
Now, what you'll see is through impact, he'll then go back to straightening and
60
00:03:29.520 --> 00:03:33.000
rotating those arms.
61
00:03:33.000 --> 00:03:38.400
So he gets into a very classic looking arm extension position here in the
62
00:03:38.400 --> 00:03:41.000
follow through really good bracing position,
63
00:03:41.000 --> 00:03:46.280
powered the swing with his legs and his core. Everything looks great at this
64
00:03:46.280 --> 00:03:47.000
position.
65
00:03:47.000 --> 00:03:52.050
But there are a lot of details that can get lost when we're looking at this
66
00:03:52.050 --> 00:03:53.000
release.
67
00:03:53.000 --> 00:03:57.000
From the face on view, you can see the similar pattern.
68
00:03:57.000 --> 00:04:01.000
So you can look at that left elbow and you can see that as it comes through,
69
00:04:01.000 --> 00:04:06.230
there's what I call a little left arm whip where the left arm is going to bend
70
00:04:06.230 --> 00:04:10.000
as it initiates the wipe and then straighten through the release.
71
00:04:10.000 --> 00:04:16.950
That's a classic combination of golfers who have low body weight and high club
72
00:04:16.950 --> 00:04:18.000
head speed.
73
00:04:18.000 --> 00:04:23.400
So we can look and see guys like Charles Howl, guys like Rory McRoy, guys like
74
00:04:23.400 --> 00:04:28.660
Sergio Garcia do really well with this bending of the lead arm as they initiate
75
00:04:28.660 --> 00:04:33.640
the wipe and then straightening of that lead arm as the club works through the
76
00:04:33.640 --> 00:04:34.000
release.
77
00:04:34.000 --> 00:04:41.110
Here are two of those golfers. So we have Rory on the left and you'll see that
78
00:04:41.110 --> 00:04:43.000
left elbow bend through there and then straighten through there.
79
00:04:43.000 --> 00:04:48.050
So with speed, you can see or if I scrub back and forth, you can see a little
80
00:04:48.050 --> 00:04:52.000
almost whip activity happening in the left elbow and left shoulder.
81
00:04:52.000 --> 00:05:02.880
We'll see the same thing if we look at Sergio. So the lead arm is pretty much
82
00:05:02.880 --> 00:05:05.320
locked at this point. It will bend and then it will straighten and you'll see
83
00:05:05.320 --> 00:05:09.570
that elbow or the space between his elbow and rib cage kind of decrease through
84
00:05:09.570 --> 00:05:10.000
impact.
85
00:05:10.000 --> 00:05:15.140
So it wipes across which increases and then it releases or straightens through
86
00:05:15.140 --> 00:05:18.000
impact with that little decrease move.
87
00:05:18.000 --> 00:05:23.520
It is very hard to do that movement with any amount of arm tension. If all the
88
00:05:23.520 --> 00:05:27.720
muscles in the forearm and shoulders are very tense in an effort to hold the
89
00:05:27.720 --> 00:05:32.220
club face in a certain orientation, you're going to have a lot of trouble
90
00:05:32.220 --> 00:05:37.420
having some of these fluid movements that add speed and help control the low
91
00:05:37.420 --> 00:05:38.000
point.
92
00:05:38.000 --> 00:05:42.090
So one of the other little oddities of looking at his release that would be
93
00:05:42.090 --> 00:05:46.380
hard to do with arm tension is you'll see that his hands actually change on the
94
00:05:46.380 --> 00:05:48.000
grip during the swing.
95
00:05:48.000 --> 00:05:54.050
So on the right, you have this same video clip at setup as we have here at
96
00:05:54.050 --> 00:06:00.300
impact. So if we look at the amount of flexion in that lead wrist and where the
97
00:06:00.300 --> 00:06:04.200
V on his right hand is pointing, you can see the V on the right hand is
98
00:06:04.200 --> 00:06:07.000
pointing in a similar orientation
99
00:06:07.000 --> 00:06:13.040
kind of straight up towards the sky, but you'll see that he has a much greater
100
00:06:13.040 --> 00:06:18.190
amount of flexion in the left hand at impact over here than he did at setup
101
00:06:18.190 --> 00:06:19.000
here.
102
00:06:19.000 --> 00:06:22.980
We'll be able to see some of this movement a little bit easier from the down
103
00:06:22.980 --> 00:06:24.000
the line view.
104
00:06:24.000 --> 00:06:29.120
So from the down the line view, you'll see as he goes through impact, you can
105
00:06:29.120 --> 00:06:34.320
see that right hand coming off the club similar to a VJ or similar to a Fred
106
00:06:34.320 --> 00:06:37.000
couples or Phil Mickelson type movement.
107
00:06:37.000 --> 00:06:42.300
So what we've seen now is that Louie, who has this classic golf swing, bends
108
00:06:42.300 --> 00:06:47.630
and flexes his left elbow and his hands move on the club compared to where they
109
00:06:47.630 --> 00:06:49.000
were at setup.
110
00:06:49.000 --> 00:06:54.200
So if you're trying to have, say, constant grip pressure and hold your hands
111
00:06:54.200 --> 00:06:59.480
exactly the same way, that may require too much grip pressure to swing the club
112
00:06:59.480 --> 00:07:02.000
in an athletic way similar to Louie.
113
00:07:02.000 --> 00:07:06.950
And if you're trying to keep that left elbow perfectly straight, it's going to
114
00:07:06.950 --> 00:07:12.320
be very difficult for you to have the amount of side bend and the amount of arm
115
00:07:12.320 --> 00:07:17.000
extension on the way through in order to have a release similar to Louie.
116
00:07:17.000 --> 00:07:22.430
So one last point about the release, and similar to a Jordan's speed where the
117
00:07:22.430 --> 00:07:26.000
left arm appears to be bending through impact.
118
00:07:26.000 --> 00:07:30.980
What I want you to see is that it's not so much that the arm is bending because
119
00:07:30.980 --> 00:07:35.000
most of the movement is happening in forearm rotation.
120
00:07:35.000 --> 00:07:40.220
What you'll see is that the arm is bent and he's having that bent elbow act as
121
00:07:40.220 --> 00:07:43.000
a stable platform to rotate around.
122
00:07:43.000 --> 00:07:47.000
This will be easiest to see from the behind view.
123
00:07:47.000 --> 00:07:53.040
So from the behind view, if that lead elbow was really bending significantly,
124
00:07:53.040 --> 00:07:57.000
what we would typically see is that elbow would start working around his body.
125
00:07:57.000 --> 00:08:02.120
But what you'll see is from as the elbow starts to appear until it reaches that
126
00:08:02.120 --> 00:08:08.660
follow through position, you'll see that the elbow actually rotates and comes
127
00:08:08.660 --> 00:08:11.000
off of his body towards the target.
128
00:08:11.000 --> 00:08:16.260
So if he was bending the arm, you would either see the hands getting closer to
129
00:08:16.260 --> 00:08:20.000
the shoulder or the elbow working around his side.
130
00:08:20.000 --> 00:08:25.410
What you'll see instead is that the arm is in a bent position, but he keeps it
131
00:08:25.410 --> 00:08:29.000
in that bent position as his forearms rotate.
132
00:08:29.000 --> 00:08:34.450
That's another good sign that Louis is having a relaxed or soft arm movement
133
00:08:34.450 --> 00:08:40.030
and allowing the rotation of forearms to transmit that force all the way into
134
00:08:40.030 --> 00:08:41.000
his back.
135
00:08:41.000 --> 00:08:46.030
That's a safer way to absorb speed, which is part of the reason why he's able
136
00:08:46.030 --> 00:08:50.000
to create the kind of clubhead speed that he's able to do.
137
00:08:50.000 --> 00:08:54.470
So if you want to have a classic swing like Louis, first thing I would do is I
138
00:08:54.470 --> 00:08:59.530
would recommend trying or experimenting with having your body power, the swing,
139
00:08:59.530 --> 00:09:01.000
and having very relaxed arms.
140
00:09:01.000 --> 00:09:07.110
Now if your arms are relaxed through impact and you struggle with contact
141
00:09:07.110 --> 00:09:11.490
issues, that frequently means that there's more of a movement or technical
142
00:09:11.490 --> 00:09:15.000
issue, not so much a timing and tempo issue.
143
00:09:15.000 --> 00:09:19.370
So if you relax your arms and your contact gets worse, then I would recommend
144
00:09:19.370 --> 00:09:23.700
taking a look at the drills and concept videos inside the membership area at
145
00:09:23.700 --> 00:09:25.000
GulfSmart Academy
146
00:09:25.000 --> 00:09:30.000
under the release section to understand exactly what each arm needs to be doing
147
00:09:30.000 --> 00:09:32.000
in order to release the club like Louis U stays in.
1
00:00:00.000 --> 00:00:05.750
In this analysis video, we're going to take a look at the swing of Louis Ustaz
2
00:00:05.750 --> 00:00:06.000
en.
3
00:00:06.000 --> 00:00:10.000
Now, Louis Ustazen is one of the top 20 golfers in the world right now,
4
00:00:10.000 --> 00:00:15.000
and he's frequently in the top tier of ball strikers,
5
00:00:15.000 --> 00:00:21.000
so driving distance, driving accuracy, or total driving, greens and regulation.
6
00:00:21.000 --> 00:00:25.000
He's always kind of in the mix in terms of the ball striking statistics.
7
00:00:25.000 --> 00:00:29.330
In this video, we're going to take a look at the one key that allows him to
8
00:00:29.330 --> 00:00:31.000
have this great tempo
9
00:00:31.000 --> 00:00:35.890
and allows that tempo to show up in these really highly ranked ball striking
10
00:00:35.890 --> 00:00:37.000
statistics.
11
00:00:37.000 --> 00:00:42.000
Louis embodies the idea of let your body swing the club.
12
00:00:42.000 --> 00:00:45.770
So I'm going to show you two ways that he shows that he powers the swing with
13
00:00:45.770 --> 00:00:46.000
his body,
14
00:00:46.000 --> 00:00:52.400
and that his arms are fairly relaxed and somewhat secondary in terms of
15
00:00:52.400 --> 00:00:53.000
creating speed
16
00:00:53.000 --> 00:00:55.000
to what his body's doing.
17
00:00:55.000 --> 00:01:00.000
So the first major key would be looking at this movement in transition
18
00:01:00.000 --> 00:01:04.000
and looking at the spacing between his lead arm and his chest.
19
00:01:04.000 --> 00:01:09.280
Golfers who tend to power their swing with the body will tend to retain that
20
00:01:09.280 --> 00:01:10.000
connection
21
00:01:10.000 --> 00:01:13.000
longer and longer into the downswing.
22
00:01:13.000 --> 00:01:16.000
So you'll see that while the arm is dropping down,
23
00:01:16.000 --> 00:01:23.000
it doesn't come flying off his upper body until very late in the swing.
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We can compare that to a more arm driven swing where we can see that the arm is
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00:01:28.600 --> 00:01:29.000
starting
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to get off of the body through this phase here, and then that results in having
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00:01:35.050 --> 00:01:38.000
less body rotation at impact.
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Now getting back to Louis, we can see that as we scrub through his swing,
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00:01:43.000 --> 00:01:47.000
while he has a tiny bit of lower body early extension,
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00:01:47.000 --> 00:01:53.000
he keeps his upper body or his thorax in relatively the same space
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00:01:53.000 --> 00:01:58.100
and does a great job of using his body kind of as a complete unit to power the
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00:01:58.100 --> 00:01:59.000
swing.
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00:01:59.000 --> 00:02:04.000
From the face on view, you can see a very good sequencing of that lower body
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00:02:04.000 --> 00:02:10.120
transmitting that energy into his core and then using his arms last during the
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00:02:10.120 --> 00:02:11.000
release.
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00:02:11.000 --> 00:02:15.280
So he has very good sequencing, which is part of what shows up to the
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00:02:15.280 --> 00:02:16.000
commentators
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00:02:16.000 --> 00:02:18.000
is having beautiful tempo.
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00:02:18.000 --> 00:02:22.470
Now from the face on view, we can look at his release in a little bit more
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00:02:22.470 --> 00:02:23.000
detail
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00:02:23.000 --> 00:02:26.610
because the release, I think, is one of the really telling things about Louis
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00:02:26.610 --> 00:02:27.000
swing.
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00:02:27.000 --> 00:02:31.250
He's frequently described as having this classic swing, frequently described as
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00:02:31.250 --> 00:02:34.000
having this great ball striker,
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00:02:34.000 --> 00:02:36.550
and I'm going to show you how there's a couple things that go on during his
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00:02:36.550 --> 00:02:37.000
release
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00:02:37.000 --> 00:02:41.000
that would make you question some traditional golf instruction.
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00:02:41.000 --> 00:02:45.000
So for example, let's talk about the left arm staying straight.
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00:02:45.000 --> 00:02:50.430
So you can see that he maintains the left arm staying straight here in the back
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00:02:50.430 --> 00:02:51.000
swing.
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00:02:51.000 --> 00:02:56.000
But now because of his arms being fairly relaxed and being powered by the body,
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00:02:56.000 --> 00:03:01.000
you'll see that the left arm is going to change the amount of bend a couple
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00:03:01.000 --> 00:03:03.000
different times during the downswing.
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00:03:03.000 --> 00:03:07.000
So as he gets to his delivery position right about here,
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00:03:07.000 --> 00:03:10.770
you'll see that the club starts working more across his body and that left
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00:03:10.770 --> 00:03:13.000
elbow tends to bend to help out with it.
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00:03:13.000 --> 00:03:20.690
So the arms are basically initiating the wipe and bringing the club a little
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00:03:20.690 --> 00:03:23.000
bit more across his body to allow for the side bend.
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Now, what you'll see is through impact, he'll then go back to straightening and
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rotating those arms.
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So he gets into a very classic looking arm extension position here in the
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follow through really good bracing position,
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powered the swing with his legs and his core. Everything looks great at this
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position.
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But there are a lot of details that can get lost when we're looking at this
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release.
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From the face on view, you can see the similar pattern.
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So you can look at that left elbow and you can see that as it comes through,
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00:04:01.000 --> 00:04:06.230
there's what I call a little left arm whip where the left arm is going to bend
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as it initiates the wipe and then straighten through the release.
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That's a classic combination of golfers who have low body weight and high club
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00:04:16.950 --> 00:04:18.000
head speed.
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So we can look and see guys like Charles Howl, guys like Rory McRoy, guys like
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Sergio Garcia do really well with this bending of the lead arm as they initiate
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the wipe and then straightening of that lead arm as the club works through the
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release.
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Here are two of those golfers. So we have Rory on the left and you'll see that
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left elbow bend through there and then straighten through there.
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So with speed, you can see or if I scrub back and forth, you can see a little
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almost whip activity happening in the left elbow and left shoulder.
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We'll see the same thing if we look at Sergio. So the lead arm is pretty much
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locked at this point. It will bend and then it will straighten and you'll see
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00:05:05.320 --> 00:05:09.570
that elbow or the space between his elbow and rib cage kind of decrease through
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impact.
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So it wipes across which increases and then it releases or straightens through
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00:05:15.140 --> 00:05:18.000
impact with that little decrease move.
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00:05:18.000 --> 00:05:23.520
It is very hard to do that movement with any amount of arm tension. If all the
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00:05:23.520 --> 00:05:27.720
muscles in the forearm and shoulders are very tense in an effort to hold the
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00:05:27.720 --> 00:05:32.220
club face in a certain orientation, you're going to have a lot of trouble
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00:05:32.220 --> 00:05:37.420
having some of these fluid movements that add speed and help control the low
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00:05:37.420 --> 00:05:38.000
point.
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00:05:38.000 --> 00:05:42.090
So one of the other little oddities of looking at his release that would be
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00:05:42.090 --> 00:05:46.380
hard to do with arm tension is you'll see that his hands actually change on the
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00:05:46.380 --> 00:05:48.000
grip during the swing.
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So on the right, you have this same video clip at setup as we have here at
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00:05:54.050 --> 00:06:00.300
impact. So if we look at the amount of flexion in that lead wrist and where the
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00:06:00.300 --> 00:06:04.200
V on his right hand is pointing, you can see the V on the right hand is
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00:06:04.200 --> 00:06:07.000
pointing in a similar orientation
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00:06:07.000 --> 00:06:13.040
kind of straight up towards the sky, but you'll see that he has a much greater
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00:06:13.040 --> 00:06:18.190
amount of flexion in the left hand at impact over here than he did at setup
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00:06:18.190 --> 00:06:19.000
here.
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00:06:19.000 --> 00:06:22.980
We'll be able to see some of this movement a little bit easier from the down
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00:06:22.980 --> 00:06:24.000
the line view.
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00:06:24.000 --> 00:06:29.120
So from the down the line view, you'll see as he goes through impact, you can
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00:06:29.120 --> 00:06:34.320
see that right hand coming off the club similar to a VJ or similar to a Fred
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00:06:34.320 --> 00:06:37.000
couples or Phil Mickelson type movement.
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00:06:37.000 --> 00:06:42.300
So what we've seen now is that Louie, who has this classic golf swing, bends
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00:06:42.300 --> 00:06:47.630
and flexes his left elbow and his hands move on the club compared to where they
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00:06:47.630 --> 00:06:49.000
were at setup.
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00:06:49.000 --> 00:06:54.200
So if you're trying to have, say, constant grip pressure and hold your hands
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00:06:54.200 --> 00:06:59.480
exactly the same way, that may require too much grip pressure to swing the club
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00:06:59.480 --> 00:07:02.000
in an athletic way similar to Louie.
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00:07:02.000 --> 00:07:06.950
And if you're trying to keep that left elbow perfectly straight, it's going to
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00:07:06.950 --> 00:07:12.320
be very difficult for you to have the amount of side bend and the amount of arm
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00:07:12.320 --> 00:07:17.000
extension on the way through in order to have a release similar to Louie.
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00:07:17.000 --> 00:07:22.430
So one last point about the release, and similar to a Jordan's speed where the
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00:07:22.430 --> 00:07:26.000
left arm appears to be bending through impact.
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00:07:26.000 --> 00:07:30.980
What I want you to see is that it's not so much that the arm is bending because
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00:07:30.980 --> 00:07:35.000
most of the movement is happening in forearm rotation.
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00:07:35.000 --> 00:07:40.220
What you'll see is that the arm is bent and he's having that bent elbow act as
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00:07:40.220 --> 00:07:43.000
a stable platform to rotate around.
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00:07:43.000 --> 00:07:47.000
This will be easiest to see from the behind view.
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00:07:47.000 --> 00:07:53.040
So from the behind view, if that lead elbow was really bending significantly,
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00:07:53.040 --> 00:07:57.000
what we would typically see is that elbow would start working around his body.
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00:07:57.000 --> 00:08:02.120
But what you'll see is from as the elbow starts to appear until it reaches that
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follow through position, you'll see that the elbow actually rotates and comes
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00:08:08.660 --> 00:08:11.000
off of his body towards the target.
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00:08:11.000 --> 00:08:16.260
So if he was bending the arm, you would either see the hands getting closer to
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00:08:16.260 --> 00:08:20.000
the shoulder or the elbow working around his side.
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00:08:20.000 --> 00:08:25.410
What you'll see instead is that the arm is in a bent position, but he keeps it
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in that bent position as his forearms rotate.
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00:08:29.000 --> 00:08:34.450
That's another good sign that Louis is having a relaxed or soft arm movement
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and allowing the rotation of forearms to transmit that force all the way into
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00:08:40.030 --> 00:08:41.000
his back.
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00:08:41.000 --> 00:08:46.030
That's a safer way to absorb speed, which is part of the reason why he's able
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00:08:46.030 --> 00:08:50.000
to create the kind of clubhead speed that he's able to do.
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00:08:50.000 --> 00:08:54.470
So if you want to have a classic swing like Louis, first thing I would do is I
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would recommend trying or experimenting with having your body power, the swing,
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00:08:59.530 --> 00:09:01.000
and having very relaxed arms.
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Now if your arms are relaxed through impact and you struggle with contact
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issues, that frequently means that there's more of a movement or technical
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00:09:11.490 --> 00:09:15.000
issue, not so much a timing and tempo issue.
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So if you relax your arms and your contact gets worse, then I would recommend
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taking a look at the drills and concept videos inside the membership area at
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GulfSmart Academy
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under the release section to understand exactly what each arm needs to be doing
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in order to release the club like Louis U stays in.
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