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Swing Analysis - Jordan Spieth - Release Concepts
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Video Transcript
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In this analysis video, we're going to take a look at the swing of Jordan Sp
2
00:00:04.610 --> 00:00:05.000
ieth.
3
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Specifically, we're going to take a look at Jordan Spieth's release,
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and what he does that makes him such a consistent ball striker,
5
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and what you can learn that you can apply to your own swing.
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So for those who've been kind of following my swing analysis videos,
7
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the first one I did was Jordan Spieth,
8
00:00:22.000 --> 00:00:27.000
and I actually did it right before he kind of went on a little bit of his tear
9
00:00:27.000 --> 00:00:29.000
and gained a little bit more popularity.
10
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And it was the first video I did.
11
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It was a little bit more negative in terms of just,
12
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"Hey, here are a bunch of things Jordan's doing wrong."
13
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So what I wanted to do was refilm it and help you understand
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what Jordan does so well in his release that you can learn from
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and apply to your own swing.
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So if we kind of breeze through his backswing,
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you can see very good kind of one-piece takeaway,
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not a ton of linear movement in the backswing.
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Good pivot, you know,
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all the planes and angles look pretty solid.
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He does have a little bit of an unconventional grip
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with a weaker left hand that results in the big bowing movement
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that we see on the downswing.
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But for all intent and purposes, his backswing looks fairly normal.
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Other than he's got a little bit of that bent lead arm.
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Now, I'm not a huge critic of the bent lead arm.
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I think he can be very helpful in terms of what you want to do in the release
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as long as it's not kind of forced one way or the other.
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So let's get into the downswing, which is where I think Jordan really excels
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in what he does with his golf swing.
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So in transition, he does a lot of really good things.
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He sequences with his lower body.
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So one of the checkpoints we use is when did the thighs get parallel
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to the target line, and you can see that he does that right about
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when his left arm is parallel, which is a clear indication that he's using his
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lower body.
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Even though from the face on view, you can see that there's a little bit of
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upper body
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kind of lunge or drift where the upper body is getting well on top of the lower
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body.
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Not dramatically so, but more so than we would see with kind of the average
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tour pro.
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But at the same time, we can see that he has a really good arm-shallowing move,
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and so the club is flattening nicely and setting him up for a really good
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release position.
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We'll also see that at the end of his transition,
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you can see that his left shoulder is still higher than his right.
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So he hasn't gone into this right side bend too early in the golf swing,
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which can mess up low point angle of attack.
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He's going to do that more during the release.
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So one of the things that is frequently highlighted in his release is how,
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from the face on camera angle, you will tend to see a little unorthodox lead
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arm bend.
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Now, it's not a true chicken wing because you'll see that his hands stay out in
55
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front of his chest,
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so the arm isn't really working around him.
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He's not pulling and bending the arms in order to help square the club face.
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It just seems to be the way that he stabilizes with his shoulder.
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But from a good perspective, what we see is some tremendous right arm extension
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without collapsing or flipping his trail wrist.
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So that right arm really extends through the release,
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which helps keep the wide point or keeps the arc width increasing through the
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ball,
64
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which tends to help build the flat spot for consistency.
65
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So his release pattern really begins right about here,
66
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and we'll see a couple key characteristics.
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One, we can see that he's able to create a fair amount of shaft lean,
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but he does so without taking a deep divot.
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So you'll see that he's able to create the shaft lean and not take a deep divot
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based on the combination of what he's doing with his arms and what he's doing
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with his body.
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I've frequently heard that if you do everything right in transition,
73
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that the release will happen almost automatically,
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but there's a lot of guys who have a similar transition look
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to what we're seeing over here on the right,
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who have very different release patterns.
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So it can't quite be as automatic as some other instructors tend to lead you to
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believe.
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So let's talk about what he does actively during the release that works so well
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.
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So one, he shallows out with his body by having his upper body,
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his thorax move away from the golf ball as he's pushing through the ground,
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causing that side tilt to initiate.
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So what you'll see is during the release,
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his body is doing what I call bracing,
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where his body is starting to go into right side bend,
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and it's going to max out the right side bend right around there.
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So from this down the line, you'll see from impact,
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as he continues through the follow through,
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you can see that the tilt of his shoulders continues to slightly increase
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between impact and follow through.
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So that's a trademark that I see with a lot of really good solid ball strikers.
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It helps set up for the shallow angle of attack.
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If you also include really good arm movements,
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one in particular that I refer to as the white.
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So when he's doing this upper body or he's doing this body bracing,
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what we'll then see is we'll tend to see the arms work more across his body
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like so.
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In fact, put a horizontal line roughly when the shaft's vertical,
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you'll see that the hands work very much across his body.
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That's how he's able to have shaft lean but not take a very deep divot.
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A lot of amateurs at this point here,
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when the shaft is roughly parallel with the ground,
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would have their hands higher up closer to the belt height.
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And so what will happen is the hands will be moving down,
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and so if they had that shaft lean, they would tend to take very deep divots.
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And that can be a big problem either with contact or creating hooks and snap
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hooks.
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Now one of the other pieces that I really like with Jordan's release
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is as that right arm extends,
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you'll see that he does a great job of keeping the elbow pointed down.
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So even though that arm is extending,
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it's not going into what we call internal rotation.
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Even though it's not going into internal rotation,
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from this down the line view, you can see that the club continues to rotate
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compared to the plane.
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So the club is rotating even though his elbow or his shoulder is not internally
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rotating.
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Basically what we're seeing is that his trail forearm and lead forearm
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are rotating from the start of the release through to the end of the release
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in order to allow him to have shaft lean but still have the club face not point
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open.
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So he's squaring the club face with more of this shaft rotation
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unless with a flip or what I call in-plane shaft movement.
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So that shaft rotating is getting the club face to point at the target,
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but the body position is allowing him to do so without taking a really deep div
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ot
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even though he has this shaft lean.
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I'm going to keep saying those, stressing those three points.
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How can you create shaft lean so that you get a heavy hit and hit kind of
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higher up
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on the face with the irons, but not take a super deep divot?
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You have to do that with bracing with the body
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and wiping with the arms during this release pattern.
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So again, as it applies to your release,
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don't be afraid to let your upper body back up through the shot,
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especially if it's coming from pushing that lead leg into the ground.
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That's actually a trademark of great ball strikers,
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a movement that we teach that we call bracing.
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And if you do so and you hit a lot of fat shots
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then it typically means that you have a problem in your release pattern,
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specifically not enough of the white movement.
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So here's a great camera angle showing a combination of those.
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You can see that Jordan is extending that right arm
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without really extending that right wrist.
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The right wrist is going to rather flex or straighten that right wrist.
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That right wrist is going to straighten and flexed more from the speed
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than an active movement in the wrist.
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So because his body is going this way as his arms are going with the club this
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way,
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that'll tend to cause the trail wrist to come out of extension.
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Jordan does a great job of sequencing the arm movements before the shoulder
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movements,
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and that's part of why he's been such a consistent ball striker the last few
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years.
156
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He's the defending champ this week at the Masters.
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Hopefully he can find his putting on the greens and return to form that he
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demonstrated last year.
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So if you have any questions about your release,
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feel free to sign up for a free membership over at golfsmartacademy.com.
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If you want to work on the release and understand how Jordan is releasing the
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club the way that he does,
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check out the movements of the bracing in the release section,
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as well as the movements of the wipe in the release section, and hopefully that
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will help you with your game.
1
00:00:00.000 --> 00:00:04.610
In this analysis video, we're going to take a look at the swing of Jordan Sp
2
00:00:04.610 --> 00:00:05.000
ieth.
3
00:00:05.000 --> 00:00:08.000
Specifically, we're going to take a look at Jordan Spieth's release,
4
00:00:08.000 --> 00:00:11.000
and what he does that makes him such a consistent ball striker,
5
00:00:11.000 --> 00:00:16.000
and what you can learn that you can apply to your own swing.
6
00:00:16.000 --> 00:00:20.000
So for those who've been kind of following my swing analysis videos,
7
00:00:20.000 --> 00:00:22.000
the first one I did was Jordan Spieth,
8
00:00:22.000 --> 00:00:27.000
and I actually did it right before he kind of went on a little bit of his tear
9
00:00:27.000 --> 00:00:29.000
and gained a little bit more popularity.
10
00:00:29.000 --> 00:00:32.000
And it was the first video I did.
11
00:00:32.000 --> 00:00:35.000
It was a little bit more negative in terms of just,
12
00:00:35.000 --> 00:00:38.000
"Hey, here are a bunch of things Jordan's doing wrong."
13
00:00:38.000 --> 00:00:42.000
So what I wanted to do was refilm it and help you understand
14
00:00:42.000 --> 00:00:46.000
what Jordan does so well in his release that you can learn from
15
00:00:46.000 --> 00:00:48.000
and apply to your own swing.
16
00:00:48.000 --> 00:00:52.000
So if we kind of breeze through his backswing,
17
00:00:52.000 --> 00:00:55.000
you can see very good kind of one-piece takeaway,
18
00:00:55.000 --> 00:00:58.000
not a ton of linear movement in the backswing.
19
00:00:58.000 --> 00:01:01.000
Good pivot, you know,
20
00:01:01.000 --> 00:01:05.000
all the planes and angles look pretty solid.
21
00:01:05.000 --> 00:01:09.000
He does have a little bit of an unconventional grip
22
00:01:09.000 --> 00:01:13.000
with a weaker left hand that results in the big bowing movement
23
00:01:13.000 --> 00:01:15.000
that we see on the downswing.
24
00:01:15.000 --> 00:01:20.000
But for all intent and purposes, his backswing looks fairly normal.
25
00:01:20.000 --> 00:01:24.000
Other than he's got a little bit of that bent lead arm.
26
00:01:24.000 --> 00:01:27.000
Now, I'm not a huge critic of the bent lead arm.
27
00:01:27.000 --> 00:01:32.000
I think he can be very helpful in terms of what you want to do in the release
28
00:01:32.000 --> 00:01:35.000
as long as it's not kind of forced one way or the other.
29
00:01:35.000 --> 00:01:40.000
So let's get into the downswing, which is where I think Jordan really excels
30
00:01:40.000 --> 00:01:43.000
in what he does with his golf swing.
31
00:01:43.000 --> 00:01:46.000
So in transition, he does a lot of really good things.
32
00:01:46.000 --> 00:01:49.000
He sequences with his lower body.
33
00:01:49.000 --> 00:01:52.000
So one of the checkpoints we use is when did the thighs get parallel
34
00:01:52.000 --> 00:01:56.000
to the target line, and you can see that he does that right about
35
00:01:56.000 --> 00:01:59.550
when his left arm is parallel, which is a clear indication that he's using his
36
00:01:59.550 --> 00:02:00.000
lower body.
37
00:02:00.000 --> 00:02:04.350
Even though from the face on view, you can see that there's a little bit of
38
00:02:04.350 --> 00:02:05.000
upper body
39
00:02:05.000 --> 00:02:09.580
kind of lunge or drift where the upper body is getting well on top of the lower
40
00:02:09.580 --> 00:02:10.000
body.
41
00:02:10.000 --> 00:02:16.700
Not dramatically so, but more so than we would see with kind of the average
42
00:02:16.700 --> 00:02:17.000
tour pro.
43
00:02:17.000 --> 00:02:21.000
But at the same time, we can see that he has a really good arm-shallowing move,
44
00:02:21.000 --> 00:02:27.060
and so the club is flattening nicely and setting him up for a really good
45
00:02:27.060 --> 00:02:29.000
release position.
46
00:02:29.000 --> 00:02:34.000
We'll also see that at the end of his transition,
47
00:02:34.000 --> 00:02:38.000
you can see that his left shoulder is still higher than his right.
48
00:02:38.000 --> 00:02:42.000
So he hasn't gone into this right side bend too early in the golf swing,
49
00:02:42.000 --> 00:02:45.000
which can mess up low point angle of attack.
50
00:02:45.000 --> 00:02:48.000
He's going to do that more during the release.
51
00:02:48.000 --> 00:02:53.000
So one of the things that is frequently highlighted in his release is how,
52
00:02:53.000 --> 00:02:58.690
from the face on camera angle, you will tend to see a little unorthodox lead
53
00:02:58.690 --> 00:03:00.000
arm bend.
54
00:03:00.000 --> 00:03:03.420
Now, it's not a true chicken wing because you'll see that his hands stay out in
55
00:03:03.420 --> 00:03:04.000
front of his chest,
56
00:03:04.000 --> 00:03:07.000
so the arm isn't really working around him.
57
00:03:07.000 --> 00:03:12.000
He's not pulling and bending the arms in order to help square the club face.
58
00:03:12.000 --> 00:03:15.000
It just seems to be the way that he stabilizes with his shoulder.
59
00:03:15.000 --> 00:03:21.000
But from a good perspective, what we see is some tremendous right arm extension
60
00:03:21.000 --> 00:03:27.000
without collapsing or flipping his trail wrist.
61
00:03:27.000 --> 00:03:32.000
So that right arm really extends through the release,
62
00:03:32.000 --> 00:03:37.700
which helps keep the wide point or keeps the arc width increasing through the
63
00:03:37.700 --> 00:03:38.000
ball,
64
00:03:38.000 --> 00:03:41.000
which tends to help build the flat spot for consistency.
65
00:03:41.000 --> 00:03:45.000
So his release pattern really begins right about here,
66
00:03:45.000 --> 00:03:48.000
and we'll see a couple key characteristics.
67
00:03:48.000 --> 00:03:55.000
One, we can see that he's able to create a fair amount of shaft lean,
68
00:03:55.000 --> 00:03:59.000
but he does so without taking a deep divot.
69
00:03:59.000 --> 00:04:05.000
So you'll see that he's able to create the shaft lean and not take a deep divot
70
00:04:05.000 --> 00:04:08.580
based on the combination of what he's doing with his arms and what he's doing
71
00:04:08.580 --> 00:04:10.000
with his body.
72
00:04:10.000 --> 00:04:15.000
I've frequently heard that if you do everything right in transition,
73
00:04:15.000 --> 00:04:18.000
that the release will happen almost automatically,
74
00:04:18.000 --> 00:04:22.000
but there's a lot of guys who have a similar transition look
75
00:04:22.000 --> 00:04:24.000
to what we're seeing over here on the right,
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who have very different release patterns.
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So it can't quite be as automatic as some other instructors tend to lead you to
78
00:04:32.000 --> 00:04:32.000
believe.
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So let's talk about what he does actively during the release that works so well
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00:04:36.700 --> 00:04:37.000
.
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So one, he shallows out with his body by having his upper body,
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00:04:42.000 --> 00:04:47.000
his thorax move away from the golf ball as he's pushing through the ground,
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00:04:47.000 --> 00:04:50.000
causing that side tilt to initiate.
84
00:04:50.000 --> 00:04:54.000
So what you'll see is during the release,
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00:04:54.000 --> 00:04:57.000
his body is doing what I call bracing,
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where his body is starting to go into right side bend,
87
00:05:00.000 --> 00:05:04.000
and it's going to max out the right side bend right around there.
88
00:05:04.000 --> 00:05:09.000
So from this down the line, you'll see from impact,
89
00:05:09.000 --> 00:05:11.000
as he continues through the follow through,
90
00:05:11.000 --> 00:05:16.000
you can see that the tilt of his shoulders continues to slightly increase
91
00:05:16.000 --> 00:05:20.000
between impact and follow through.
92
00:05:20.000 --> 00:05:26.000
So that's a trademark that I see with a lot of really good solid ball strikers.
93
00:05:26.000 --> 00:05:29.000
It helps set up for the shallow angle of attack.
94
00:05:29.000 --> 00:05:33.000
If you also include really good arm movements,
95
00:05:33.000 --> 00:05:37.000
one in particular that I refer to as the white.
96
00:05:37.000 --> 00:05:41.000
So when he's doing this upper body or he's doing this body bracing,
97
00:05:41.000 --> 00:05:46.870
what we'll then see is we'll tend to see the arms work more across his body
98
00:05:46.870 --> 00:05:48.000
like so.
99
00:05:48.000 --> 00:05:51.000
In fact, put a horizontal line roughly when the shaft's vertical,
100
00:05:51.000 --> 00:05:54.000
you'll see that the hands work very much across his body.
101
00:05:54.000 --> 00:05:59.000
That's how he's able to have shaft lean but not take a very deep divot.
102
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A lot of amateurs at this point here,
103
00:06:04.000 --> 00:06:07.000
when the shaft is roughly parallel with the ground,
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00:06:07.000 --> 00:06:10.000
would have their hands higher up closer to the belt height.
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And so what will happen is the hands will be moving down,
106
00:06:13.000 --> 00:06:17.000
and so if they had that shaft lean, they would tend to take very deep divots.
107
00:06:17.000 --> 00:06:22.460
And that can be a big problem either with contact or creating hooks and snap
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00:06:22.460 --> 00:06:23.000
hooks.
109
00:06:23.000 --> 00:06:29.000
Now one of the other pieces that I really like with Jordan's release
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is as that right arm extends,
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00:06:32.000 --> 00:06:37.000
you'll see that he does a great job of keeping the elbow pointed down.
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So even though that arm is extending,
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it's not going into what we call internal rotation.
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Even though it's not going into internal rotation,
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from this down the line view, you can see that the club continues to rotate
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compared to the plane.
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So the club is rotating even though his elbow or his shoulder is not internally
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00:07:00.060 --> 00:07:01.000
rotating.
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00:07:01.000 --> 00:07:06.000
Basically what we're seeing is that his trail forearm and lead forearm
120
00:07:06.000 --> 00:07:12.000
are rotating from the start of the release through to the end of the release
121
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in order to allow him to have shaft lean but still have the club face not point
122
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open.
123
00:07:17.000 --> 00:07:21.000
So he's squaring the club face with more of this shaft rotation
124
00:07:21.000 --> 00:07:25.000
unless with a flip or what I call in-plane shaft movement.
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So that shaft rotating is getting the club face to point at the target,
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but the body position is allowing him to do so without taking a really deep div
127
00:07:34.600 --> 00:07:35.000
ot
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even though he has this shaft lean.
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00:07:37.000 --> 00:07:40.000
I'm going to keep saying those, stressing those three points.
130
00:07:40.000 --> 00:07:44.490
How can you create shaft lean so that you get a heavy hit and hit kind of
131
00:07:44.490 --> 00:07:45.000
higher up
132
00:07:45.000 --> 00:07:49.000
on the face with the irons, but not take a super deep divot?
133
00:07:49.000 --> 00:07:51.000
You have to do that with bracing with the body
134
00:07:51.000 --> 00:07:56.000
and wiping with the arms during this release pattern.
135
00:07:56.000 --> 00:07:59.000
So again, as it applies to your release,
136
00:07:59.000 --> 00:08:03.000
don't be afraid to let your upper body back up through the shot,
137
00:08:03.000 --> 00:08:07.000
especially if it's coming from pushing that lead leg into the ground.
138
00:08:07.000 --> 00:08:10.000
That's actually a trademark of great ball strikers,
139
00:08:10.000 --> 00:08:13.000
a movement that we teach that we call bracing.
140
00:08:13.000 --> 00:08:17.000
And if you do so and you hit a lot of fat shots
141
00:08:17.000 --> 00:08:20.000
then it typically means that you have a problem in your release pattern,
142
00:08:20.000 --> 00:08:23.000
specifically not enough of the white movement.
143
00:08:23.000 --> 00:08:27.000
So here's a great camera angle showing a combination of those.
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00:08:27.000 --> 00:08:33.000
You can see that Jordan is extending that right arm
145
00:08:33.000 --> 00:08:36.000
without really extending that right wrist.
146
00:08:36.000 --> 00:08:41.000
The right wrist is going to rather flex or straighten that right wrist.
147
00:08:41.000 --> 00:08:45.000
That right wrist is going to straighten and flexed more from the speed
148
00:08:45.000 --> 00:08:49.000
than an active movement in the wrist.
149
00:08:49.000 --> 00:08:53.580
So because his body is going this way as his arms are going with the club this
150
00:08:53.580 --> 00:08:54.000
way,
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00:08:54.000 --> 00:08:59.000
that'll tend to cause the trail wrist to come out of extension.
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00:08:59.000 --> 00:09:03.300
Jordan does a great job of sequencing the arm movements before the shoulder
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00:09:03.300 --> 00:09:04.000
movements,
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and that's part of why he's been such a consistent ball striker the last few
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years.
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He's the defending champ this week at the Masters.
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Hopefully he can find his putting on the greens and return to form that he
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demonstrated last year.
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00:09:19.000 --> 00:09:22.000
So if you have any questions about your release,
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feel free to sign up for a free membership over at golfsmartacademy.com.
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If you want to work on the release and understand how Jordan is releasing the
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club the way that he does,
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check out the movements of the bracing in the release section,
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as well as the movements of the wipe in the release section, and hopefully that
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will help you with your game.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Swing Analysis - Jordan Spieth - Release Concepts
Hide
Video Transcript
WEBVTT
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In this analysis video, we're going to take a look at the swing of Jordan Sp
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ieth.
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Specifically, we're going to take a look at Jordan Spieth's release,
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and what he does that makes him such a consistent ball striker,
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and what you can learn that you can apply to your own swing.
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So for those who've been kind of following my swing analysis videos,
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the first one I did was Jordan Spieth,
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and I actually did it right before he kind of went on a little bit of his tear
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and gained a little bit more popularity.
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And it was the first video I did.
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It was a little bit more negative in terms of just,
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"Hey, here are a bunch of things Jordan's doing wrong."
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So what I wanted to do was refilm it and help you understand
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what Jordan does so well in his release that you can learn from
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and apply to your own swing.
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So if we kind of breeze through his backswing,
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you can see very good kind of one-piece takeaway,
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not a ton of linear movement in the backswing.
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Good pivot, you know,
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all the planes and angles look pretty solid.
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He does have a little bit of an unconventional grip
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00:01:09.000 --> 00:01:13.000
with a weaker left hand that results in the big bowing movement
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that we see on the downswing.
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But for all intent and purposes, his backswing looks fairly normal.
25
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Other than he's got a little bit of that bent lead arm.
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00:01:24.000 --> 00:01:27.000
Now, I'm not a huge critic of the bent lead arm.
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I think he can be very helpful in terms of what you want to do in the release
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as long as it's not kind of forced one way or the other.
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So let's get into the downswing, which is where I think Jordan really excels
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in what he does with his golf swing.
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So in transition, he does a lot of really good things.
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He sequences with his lower body.
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So one of the checkpoints we use is when did the thighs get parallel
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to the target line, and you can see that he does that right about
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when his left arm is parallel, which is a clear indication that he's using his
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lower body.
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Even though from the face on view, you can see that there's a little bit of
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upper body
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kind of lunge or drift where the upper body is getting well on top of the lower
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body.
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Not dramatically so, but more so than we would see with kind of the average
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00:02:16.700 --> 00:02:17.000
tour pro.
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But at the same time, we can see that he has a really good arm-shallowing move,
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00:02:21.000 --> 00:02:27.060
and so the club is flattening nicely and setting him up for a really good
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00:02:27.060 --> 00:02:29.000
release position.
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We'll also see that at the end of his transition,
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00:02:34.000 --> 00:02:38.000
you can see that his left shoulder is still higher than his right.
48
00:02:38.000 --> 00:02:42.000
So he hasn't gone into this right side bend too early in the golf swing,
49
00:02:42.000 --> 00:02:45.000
which can mess up low point angle of attack.
50
00:02:45.000 --> 00:02:48.000
He's going to do that more during the release.
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So one of the things that is frequently highlighted in his release is how,
52
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from the face on camera angle, you will tend to see a little unorthodox lead
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00:02:58.690 --> 00:03:00.000
arm bend.
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00:03:00.000 --> 00:03:03.420
Now, it's not a true chicken wing because you'll see that his hands stay out in
55
00:03:03.420 --> 00:03:04.000
front of his chest,
56
00:03:04.000 --> 00:03:07.000
so the arm isn't really working around him.
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He's not pulling and bending the arms in order to help square the club face.
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00:03:12.000 --> 00:03:15.000
It just seems to be the way that he stabilizes with his shoulder.
59
00:03:15.000 --> 00:03:21.000
But from a good perspective, what we see is some tremendous right arm extension
60
00:03:21.000 --> 00:03:27.000
without collapsing or flipping his trail wrist.
61
00:03:27.000 --> 00:03:32.000
So that right arm really extends through the release,
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00:03:32.000 --> 00:03:37.700
which helps keep the wide point or keeps the arc width increasing through the
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ball,
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which tends to help build the flat spot for consistency.
65
00:03:41.000 --> 00:03:45.000
So his release pattern really begins right about here,
66
00:03:45.000 --> 00:03:48.000
and we'll see a couple key characteristics.
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One, we can see that he's able to create a fair amount of shaft lean,
68
00:03:55.000 --> 00:03:59.000
but he does so without taking a deep divot.
69
00:03:59.000 --> 00:04:05.000
So you'll see that he's able to create the shaft lean and not take a deep divot
70
00:04:05.000 --> 00:04:08.580
based on the combination of what he's doing with his arms and what he's doing
71
00:04:08.580 --> 00:04:10.000
with his body.
72
00:04:10.000 --> 00:04:15.000
I've frequently heard that if you do everything right in transition,
73
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that the release will happen almost automatically,
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00:04:18.000 --> 00:04:22.000
but there's a lot of guys who have a similar transition look
75
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to what we're seeing over here on the right,
76
00:04:24.000 --> 00:04:26.000
who have very different release patterns.
77
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So it can't quite be as automatic as some other instructors tend to lead you to
78
00:04:32.000 --> 00:04:32.000
believe.
79
00:04:32.000 --> 00:04:36.700
So let's talk about what he does actively during the release that works so well
80
00:04:36.700 --> 00:04:37.000
.
81
00:04:37.000 --> 00:04:42.000
So one, he shallows out with his body by having his upper body,
82
00:04:42.000 --> 00:04:47.000
his thorax move away from the golf ball as he's pushing through the ground,
83
00:04:47.000 --> 00:04:50.000
causing that side tilt to initiate.
84
00:04:50.000 --> 00:04:54.000
So what you'll see is during the release,
85
00:04:54.000 --> 00:04:57.000
his body is doing what I call bracing,
86
00:04:57.000 --> 00:05:00.000
where his body is starting to go into right side bend,
87
00:05:00.000 --> 00:05:04.000
and it's going to max out the right side bend right around there.
88
00:05:04.000 --> 00:05:09.000
So from this down the line, you'll see from impact,
89
00:05:09.000 --> 00:05:11.000
as he continues through the follow through,
90
00:05:11.000 --> 00:05:16.000
you can see that the tilt of his shoulders continues to slightly increase
91
00:05:16.000 --> 00:05:20.000
between impact and follow through.
92
00:05:20.000 --> 00:05:26.000
So that's a trademark that I see with a lot of really good solid ball strikers.
93
00:05:26.000 --> 00:05:29.000
It helps set up for the shallow angle of attack.
94
00:05:29.000 --> 00:05:33.000
If you also include really good arm movements,
95
00:05:33.000 --> 00:05:37.000
one in particular that I refer to as the white.
96
00:05:37.000 --> 00:05:41.000
So when he's doing this upper body or he's doing this body bracing,
97
00:05:41.000 --> 00:05:46.870
what we'll then see is we'll tend to see the arms work more across his body
98
00:05:46.870 --> 00:05:48.000
like so.
99
00:05:48.000 --> 00:05:51.000
In fact, put a horizontal line roughly when the shaft's vertical,
100
00:05:51.000 --> 00:05:54.000
you'll see that the hands work very much across his body.
101
00:05:54.000 --> 00:05:59.000
That's how he's able to have shaft lean but not take a very deep divot.
102
00:05:59.000 --> 00:06:04.000
A lot of amateurs at this point here,
103
00:06:04.000 --> 00:06:07.000
when the shaft is roughly parallel with the ground,
104
00:06:07.000 --> 00:06:10.000
would have their hands higher up closer to the belt height.
105
00:06:10.000 --> 00:06:13.000
And so what will happen is the hands will be moving down,
106
00:06:13.000 --> 00:06:17.000
and so if they had that shaft lean, they would tend to take very deep divots.
107
00:06:17.000 --> 00:06:22.460
And that can be a big problem either with contact or creating hooks and snap
108
00:06:22.460 --> 00:06:23.000
hooks.
109
00:06:23.000 --> 00:06:29.000
Now one of the other pieces that I really like with Jordan's release
110
00:06:29.000 --> 00:06:32.000
is as that right arm extends,
111
00:06:32.000 --> 00:06:37.000
you'll see that he does a great job of keeping the elbow pointed down.
112
00:06:37.000 --> 00:06:40.000
So even though that arm is extending,
113
00:06:40.000 --> 00:06:43.000
it's not going into what we call internal rotation.
114
00:06:43.000 --> 00:06:47.000
Even though it's not going into internal rotation,
115
00:06:47.000 --> 00:06:52.000
from this down the line view, you can see that the club continues to rotate
116
00:06:52.000 --> 00:06:54.000
compared to the plane.
117
00:06:54.000 --> 00:07:00.060
So the club is rotating even though his elbow or his shoulder is not internally
118
00:07:00.060 --> 00:07:01.000
rotating.
119
00:07:01.000 --> 00:07:06.000
Basically what we're seeing is that his trail forearm and lead forearm
120
00:07:06.000 --> 00:07:12.000
are rotating from the start of the release through to the end of the release
121
00:07:12.000 --> 00:07:16.600
in order to allow him to have shaft lean but still have the club face not point
122
00:07:16.600 --> 00:07:17.000
open.
123
00:07:17.000 --> 00:07:21.000
So he's squaring the club face with more of this shaft rotation
124
00:07:21.000 --> 00:07:25.000
unless with a flip or what I call in-plane shaft movement.
125
00:07:25.000 --> 00:07:29.000
So that shaft rotating is getting the club face to point at the target,
126
00:07:29.000 --> 00:07:34.600
but the body position is allowing him to do so without taking a really deep div
127
00:07:34.600 --> 00:07:35.000
ot
128
00:07:35.000 --> 00:07:37.000
even though he has this shaft lean.
129
00:07:37.000 --> 00:07:40.000
I'm going to keep saying those, stressing those three points.
130
00:07:40.000 --> 00:07:44.490
How can you create shaft lean so that you get a heavy hit and hit kind of
131
00:07:44.490 --> 00:07:45.000
higher up
132
00:07:45.000 --> 00:07:49.000
on the face with the irons, but not take a super deep divot?
133
00:07:49.000 --> 00:07:51.000
You have to do that with bracing with the body
134
00:07:51.000 --> 00:07:56.000
and wiping with the arms during this release pattern.
135
00:07:56.000 --> 00:07:59.000
So again, as it applies to your release,
136
00:07:59.000 --> 00:08:03.000
don't be afraid to let your upper body back up through the shot,
137
00:08:03.000 --> 00:08:07.000
especially if it's coming from pushing that lead leg into the ground.
138
00:08:07.000 --> 00:08:10.000
That's actually a trademark of great ball strikers,
139
00:08:10.000 --> 00:08:13.000
a movement that we teach that we call bracing.
140
00:08:13.000 --> 00:08:17.000
And if you do so and you hit a lot of fat shots
141
00:08:17.000 --> 00:08:20.000
then it typically means that you have a problem in your release pattern,
142
00:08:20.000 --> 00:08:23.000
specifically not enough of the white movement.
143
00:08:23.000 --> 00:08:27.000
So here's a great camera angle showing a combination of those.
144
00:08:27.000 --> 00:08:33.000
You can see that Jordan is extending that right arm
145
00:08:33.000 --> 00:08:36.000
without really extending that right wrist.
146
00:08:36.000 --> 00:08:41.000
The right wrist is going to rather flex or straighten that right wrist.
147
00:08:41.000 --> 00:08:45.000
That right wrist is going to straighten and flexed more from the speed
148
00:08:45.000 --> 00:08:49.000
than an active movement in the wrist.
149
00:08:49.000 --> 00:08:53.580
So because his body is going this way as his arms are going with the club this
150
00:08:53.580 --> 00:08:54.000
way,
151
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that'll tend to cause the trail wrist to come out of extension.
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00:08:59.000 --> 00:09:03.300
Jordan does a great job of sequencing the arm movements before the shoulder
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00:09:03.300 --> 00:09:04.000
movements,
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00:09:04.000 --> 00:09:08.590
and that's part of why he's been such a consistent ball striker the last few
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00:09:08.590 --> 00:09:09.000
years.
156
00:09:09.000 --> 00:09:12.000
He's the defending champ this week at the Masters.
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00:09:12.000 --> 00:09:17.240
Hopefully he can find his putting on the greens and return to form that he
158
00:09:17.240 --> 00:09:19.000
demonstrated last year.
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00:09:19.000 --> 00:09:22.000
So if you have any questions about your release,
160
00:09:22.000 --> 00:09:27.000
feel free to sign up for a free membership over at golfsmartacademy.com.
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00:09:27.000 --> 00:09:32.240
If you want to work on the release and understand how Jordan is releasing the
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00:09:32.240 --> 00:09:33.000
club the way that he does,
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00:09:33.000 --> 00:09:37.000
check out the movements of the bracing in the release section,
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00:09:37.000 --> 00:09:41.130
as well as the movements of the wipe in the release section, and hopefully that
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00:09:41.130 --> 00:09:42.000
will help you with your game.
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In this analysis video, we're going to take a look at the swing of Jordan Sp
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ieth.
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Specifically, we're going to take a look at Jordan Spieth's release,
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and what he does that makes him such a consistent ball striker,
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and what you can learn that you can apply to your own swing.
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So for those who've been kind of following my swing analysis videos,
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the first one I did was Jordan Spieth,
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and I actually did it right before he kind of went on a little bit of his tear
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and gained a little bit more popularity.
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And it was the first video I did.
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It was a little bit more negative in terms of just,
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"Hey, here are a bunch of things Jordan's doing wrong."
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So what I wanted to do was refilm it and help you understand
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what Jordan does so well in his release that you can learn from
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and apply to your own swing.
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So if we kind of breeze through his backswing,
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you can see very good kind of one-piece takeaway,
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not a ton of linear movement in the backswing.
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Good pivot, you know,
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all the planes and angles look pretty solid.
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He does have a little bit of an unconventional grip
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with a weaker left hand that results in the big bowing movement
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that we see on the downswing.
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But for all intent and purposes, his backswing looks fairly normal.
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Other than he's got a little bit of that bent lead arm.
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Now, I'm not a huge critic of the bent lead arm.
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I think he can be very helpful in terms of what you want to do in the release
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as long as it's not kind of forced one way or the other.
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So let's get into the downswing, which is where I think Jordan really excels
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in what he does with his golf swing.
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So in transition, he does a lot of really good things.
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He sequences with his lower body.
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So one of the checkpoints we use is when did the thighs get parallel
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to the target line, and you can see that he does that right about
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when his left arm is parallel, which is a clear indication that he's using his
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lower body.
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Even though from the face on view, you can see that there's a little bit of
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upper body
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kind of lunge or drift where the upper body is getting well on top of the lower
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body.
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Not dramatically so, but more so than we would see with kind of the average
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tour pro.
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But at the same time, we can see that he has a really good arm-shallowing move,
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and so the club is flattening nicely and setting him up for a really good
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release position.
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We'll also see that at the end of his transition,
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you can see that his left shoulder is still higher than his right.
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So he hasn't gone into this right side bend too early in the golf swing,
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which can mess up low point angle of attack.
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He's going to do that more during the release.
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So one of the things that is frequently highlighted in his release is how,
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from the face on camera angle, you will tend to see a little unorthodox lead
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arm bend.
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Now, it's not a true chicken wing because you'll see that his hands stay out in
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front of his chest,
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so the arm isn't really working around him.
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He's not pulling and bending the arms in order to help square the club face.
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It just seems to be the way that he stabilizes with his shoulder.
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But from a good perspective, what we see is some tremendous right arm extension
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without collapsing or flipping his trail wrist.
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So that right arm really extends through the release,
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which helps keep the wide point or keeps the arc width increasing through the
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ball,
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which tends to help build the flat spot for consistency.
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So his release pattern really begins right about here,
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and we'll see a couple key characteristics.
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One, we can see that he's able to create a fair amount of shaft lean,
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but he does so without taking a deep divot.
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So you'll see that he's able to create the shaft lean and not take a deep divot
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based on the combination of what he's doing with his arms and what he's doing
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with his body.
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I've frequently heard that if you do everything right in transition,
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that the release will happen almost automatically,
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but there's a lot of guys who have a similar transition look
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to what we're seeing over here on the right,
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who have very different release patterns.
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So it can't quite be as automatic as some other instructors tend to lead you to
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believe.
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So let's talk about what he does actively during the release that works so well
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.
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So one, he shallows out with his body by having his upper body,
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his thorax move away from the golf ball as he's pushing through the ground,
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causing that side tilt to initiate.
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So what you'll see is during the release,
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his body is doing what I call bracing,
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where his body is starting to go into right side bend,
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and it's going to max out the right side bend right around there.
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So from this down the line, you'll see from impact,
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as he continues through the follow through,
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you can see that the tilt of his shoulders continues to slightly increase
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between impact and follow through.
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So that's a trademark that I see with a lot of really good solid ball strikers.
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It helps set up for the shallow angle of attack.
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If you also include really good arm movements,
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one in particular that I refer to as the white.
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So when he's doing this upper body or he's doing this body bracing,
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what we'll then see is we'll tend to see the arms work more across his body
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like so.
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In fact, put a horizontal line roughly when the shaft's vertical,
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you'll see that the hands work very much across his body.
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That's how he's able to have shaft lean but not take a very deep divot.
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A lot of amateurs at this point here,
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when the shaft is roughly parallel with the ground,
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would have their hands higher up closer to the belt height.
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And so what will happen is the hands will be moving down,
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and so if they had that shaft lean, they would tend to take very deep divots.
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And that can be a big problem either with contact or creating hooks and snap
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hooks.
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Now one of the other pieces that I really like with Jordan's release
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is as that right arm extends,
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you'll see that he does a great job of keeping the elbow pointed down.
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So even though that arm is extending,
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it's not going into what we call internal rotation.
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Even though it's not going into internal rotation,
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from this down the line view, you can see that the club continues to rotate
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compared to the plane.
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So the club is rotating even though his elbow or his shoulder is not internally
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rotating.
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Basically what we're seeing is that his trail forearm and lead forearm
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are rotating from the start of the release through to the end of the release
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in order to allow him to have shaft lean but still have the club face not point
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open.
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So he's squaring the club face with more of this shaft rotation
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unless with a flip or what I call in-plane shaft movement.
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So that shaft rotating is getting the club face to point at the target,
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but the body position is allowing him to do so without taking a really deep div
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ot
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even though he has this shaft lean.
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I'm going to keep saying those, stressing those three points.
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How can you create shaft lean so that you get a heavy hit and hit kind of
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higher up
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on the face with the irons, but not take a super deep divot?
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You have to do that with bracing with the body
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and wiping with the arms during this release pattern.
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So again, as it applies to your release,
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don't be afraid to let your upper body back up through the shot,
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especially if it's coming from pushing that lead leg into the ground.
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That's actually a trademark of great ball strikers,
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a movement that we teach that we call bracing.
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And if you do so and you hit a lot of fat shots
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00:08:17.000 --> 00:08:20.000
then it typically means that you have a problem in your release pattern,
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specifically not enough of the white movement.
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00:08:23.000 --> 00:08:27.000
So here's a great camera angle showing a combination of those.
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00:08:27.000 --> 00:08:33.000
You can see that Jordan is extending that right arm
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without really extending that right wrist.
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The right wrist is going to rather flex or straighten that right wrist.
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00:08:41.000 --> 00:08:45.000
That right wrist is going to straighten and flexed more from the speed
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00:08:45.000 --> 00:08:49.000
than an active movement in the wrist.
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00:08:49.000 --> 00:08:53.580
So because his body is going this way as his arms are going with the club this
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00:08:53.580 --> 00:08:54.000
way,
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00:08:54.000 --> 00:08:59.000
that'll tend to cause the trail wrist to come out of extension.
152
00:08:59.000 --> 00:09:03.300
Jordan does a great job of sequencing the arm movements before the shoulder
153
00:09:03.300 --> 00:09:04.000
movements,
154
00:09:04.000 --> 00:09:08.590
and that's part of why he's been such a consistent ball striker the last few
155
00:09:08.590 --> 00:09:09.000
years.
156
00:09:09.000 --> 00:09:12.000
He's the defending champ this week at the Masters.
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00:09:12.000 --> 00:09:17.240
Hopefully he can find his putting on the greens and return to form that he
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00:09:17.240 --> 00:09:19.000
demonstrated last year.
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00:09:19.000 --> 00:09:22.000
So if you have any questions about your release,
160
00:09:22.000 --> 00:09:27.000
feel free to sign up for a free membership over at golfsmartacademy.com.
161
00:09:27.000 --> 00:09:32.240
If you want to work on the release and understand how Jordan is releasing the
162
00:09:32.240 --> 00:09:33.000
club the way that he does,
163
00:09:33.000 --> 00:09:37.000
check out the movements of the bracing in the release section,
164
00:09:37.000 --> 00:09:41.130
as well as the movements of the wipe in the release section, and hopefully that
165
00:09:41.130 --> 00:09:42.000
will help you with your game.
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