WEBVTT

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In this analysis video, we're going to take a look at one of my favorite swings

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on tour,

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the one of Jim Fürich.

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Now Jim Fürich is currently the sixth ranked player in the world.

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At the age of 44, he has amassed $61 million on the PGA Tour, which is fourth

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all time.

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And last year, he made 21 out of 21 cuts and had 11 top 10s.

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This is all very impressive for a swing that has been called Unconventional and

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Unorthodox.

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We're going to break down a couple key movements that make his swing the way

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that it looks

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and then talk about what we would work on if he came to us and wanted to

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improve something

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in his swing.

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So the two unique movements that kind of make Jim swing his are the loop in the

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backswing

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and the dip in the release or in the follow through.

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So let's take a look at those two movements and talk about how, why he may be

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doing them

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and then what's going on possibly within his body.

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So if we take his swing back to kind of that first checkpoint as far as the

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takeaway goes,

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everything looks more or less normal.

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The club faces a little bit close compared to what you would typically see, but

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for the

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most part, that was a pretty one piece takeaway with good stable lower body,

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not a lot of changes

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in his pivot, everything's looking great.

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Now from here, what you'll see is instead of continuing to rotate his body, his

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arms basically

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work straight vertical.

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In fact, the club, if you were to draw a line actually works slightly out

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towards the golf

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ball as he gets up towards the top of the swing.

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But if this was to be more of a classic looking swing, all you would have to do

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is rotate

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his hips, rotate his thorax, and let that arm work into more external rotation.

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That combination would bring the left arm across his chest and the golf club

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way over

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here.

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But there's a very good chance we may have never heard of him if he had gone

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that route.

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We can see it from the face on view that during that phase when he's lifting

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the club, you'll

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see a little bit of pelvis sway where his belt buckle and his hip are actually

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moving away

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from the target.

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Now if you remember, or if you check out our sway section, we talk about how

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the sway of

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the pelvis can be a big power source if you're using your lat as your primary

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driver for

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creating speed.

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So what he does with this lower body sets up using this lat pull down in that

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left shoulder

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as a main power source as opposed to the right hip in core, we'll get into how

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he shows that

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that may be even more so the case in his particular situation.

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So then from the top of the swing, you're going to see a pretty dramatic shift.

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You'll see that the club that was way up high and elevated is going to flatten.

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This is an exaggeration of the shallowing movements that we create or that we

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try to

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create in transition.

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So he is essentially using the left arm and the right arm transition moves that

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we talk

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about as well as the combo of the Zorro loops, but he's doing it at a great

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scale.

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In fact, I like to use him as an example of the upper limit of how much you can

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actually

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feel or how much you can actually do that.

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Now if we get him to delivery position, somewhere in here, the only thing that

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looks relatively

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odd is he's lost a little bit of his posture in his right elbow is more or less

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behind

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the center of his body.

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But compare that to what's going on with a lot of other golf swings on door and

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you'd

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see that there's not too big of a difference.

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In fact, we'll take a look at comparing him to someone like, say, Roy McElroy

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so that

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you can see that where the club is and how it relates to the body isn't going

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to be

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that dramatically different down at this point.

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What will be dramatically different is how he's powering the golf swing.

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So then from this position, you'll see him continue rotating and side bending

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and he

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does an amazing job of not releasing the angles of his arms until he makes

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contact with the

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golf ball.

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What we would see with most amateurs is if they were having that big arm

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movement during

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transition and that elbow getting stuck behind his body like so, right about

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here, you would

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tend to see that right arm and that right wrist start straightening and

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extending.

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That would get the club far away from him and he would hit it fat if he

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maintained the

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body position the way Jim does.

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So what most amateurs would do is as those arms are extending that way, the

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body would

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be backing up this way.

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What's unique and special about what Jim does is even though his arms probably

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have an impulse

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of wanting to extend, he does a great job of not letting them and he uses his

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body to

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continue powering the swing until he gets down right before impact and then he

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's allowed

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to let his arms extend through the shot.

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One of the 3D graphs that I look at is arc width, which is the distance between

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the thorax

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and the hands.

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This is one of the graphs that I use as a predictor of consistency.

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From what I've seen, Jim has one of the best and most or latest peaks in his

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arc width

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graph, which I think is a testament because everybody who I've seen who has a

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very late

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peak in that arc width graph tends to have very consistent ball striking

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statistics.

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Now the other movement that's a little bit unique for Jim is as he comes

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through, you'll

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see the little drop or the little buckle movement.

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From the down the line view, we can take a look and we'll see right about there

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his

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body just, his pelvis drops and his body sort of collapses a little bit.

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Now what he's doing there is he's trying to find stability.

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Now we're going to take a look at it from at his swing from more of a biomechan

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ics point

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view or a kinesiology point of view really and let's see how he's not utilizing

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his hips

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and perhaps why he has both this drop and the buckle.

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So now let's compare Jim with Rory, since they have similar kind of transition

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movements.

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They're definitely different animals, but you'll see that Rory has a tendency

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of getting

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that elbow a little bit more along his side or towards his back as opposed to

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some other

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players.

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So if we get them both down towards this delivery position, you'll see that

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there's

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a lot of similarities in terms of their arm positions, Jim actually has a

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little bit more

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turn at this point, what we'll see is that as we come through, so as I go

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towards the

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release, notice how we can see the entire backside of Jim's knee and we can see

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the

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vast majority of his pelvis.

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So when we get Rory to about the same point just after impact, you can see that

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we can

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see about the same amount of his pelvis, but his knee is actually pointing much

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further

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behind the ball.

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Let's look at it from face on and it'll help explain what I'm talking about

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when I say

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that Jim is not necessarily using his hips as well as some of the longer

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hitters.

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So now from the face on view, let's take a look at the hips versus the legs and

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how

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they can influence the pelvis.

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So I want you to pay attention to two different areas as we look at Jim's down

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swing.

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So we're going to look at area one is kind of below the knees and area two is

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more at

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the hip.

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So we can get a good idea as far as hip rotation, not to any real degree, but

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we can get a rough

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idea as to how much he's rotated his hips by looking at where is his knee

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pointing and

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where is his belt buckle pointing.

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When they're pointing in the same direction, there's essentially zero hip

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rotation.

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If this belt buckle was pointed at the target and his knee was still pointed at

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us, that

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would be 90 degrees of hip rotation.

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So as we look into the downswing, you'll see that his knee and his belt buckle

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stay pointed

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roughly in the same direction for a long period of time.

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So you'll see that the majority of his movement was happening actually at the

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ankle and below

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the knee.

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Whereas if we look at those two areas over here on Roy McElroy, you'll see that

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his knee

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is pointed somewhere out in that area and his belt buckle is already pointing

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close towards

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the target as we saw from that down the line view.

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So he has a lot more activity going on in his trail hip, getting external

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rotation and

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in his lead hip, possibly getting internal rotation.

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So what happens is as a result, when he goes through to his waist height finish

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, you'll

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see that he's stabilizing the speed of the club with the big muscles of his gl

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utes and

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his abs and all these muscles in his core.

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The reason Jim has that little buckle is because he's not really using his gl

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utes as a major

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stabilizer.

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So then what he has to do is recruit muscles in his leg or his thighs in his

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hip flexor.

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And when he recruits those muscles, they pull him into hip flexion, knee flex

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ion, which

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pulls him down just like so and gives him that appearance of a little drop.

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So we have two indicators, one in the backswing where he doesn't rotate his

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hips very much,

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and then two in the release where he doesn't use his hips very much.

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But he has a lot of good athleticism in getting his body into the right

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positions.

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He just does it using some of the smaller muscles in his ankles and then some

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of the

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bigger muscles in his shoulders.

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Now while Jim has a few oddities with his movement, let's talk about some of

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the things

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that are consistent with his move as well as some of the other elite ball

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strikers.

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So he does a great job of sequencing his body on the downswing, letting the

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majority

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of his speed be transferred through the pelvis and into that left shoulder.

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And while he's doing this little drop move, he does a great job of starting to

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square

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the club face.

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So you can see that when the club faces up towards the top of the swing,

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essentially

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the club is pointing or laying in the same direction as the club shaft.

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Well as he starts down, he's going to start doing that motorcycle move that we

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teach during

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transition at the top of the swing so that when he gets to about waist height,

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the club

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is already starting to point in the general direction of the target.

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A lot of golfers who are a lot of amateur golfers who get that elbow way behind

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them like so

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would actually have that lead wrist going into extension and so the club face

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would

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be pointing more up towards the sky or in an open position.

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If that club face were pointed more up towards the sky, then the only way he

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would be able

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to get that square would be to release that trail arm early and possibly stand

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up.

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And Jim has squared or started squaring the club face with his wrist and gets

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everything

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into a great delivery position so that he can continue rotating, continue

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sequencing

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his body and get really good arm extension through the ball.

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So if Jim were to come to us, we would probably tell him that given his ball

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striking statistics

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and giving his putting statistics, we probably would want to spend more time

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working on putting

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and less time working on ball striking since he was third in strokes gained

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from T to

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green.

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But Jim is ultimately the customer so if he were to tell us that we absolutely

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have to

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help him with his golf swing, there are two things that we would potentially

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work on.

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Since he at the Olympic club and a number of other times once in the Ryder Cup,

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I forget

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which course, but he's had some issues with getting hooks late in rounds on

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Sunday under

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pressure.

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Now, there's a couple things that can lead towards that one would be having

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that trail

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elbow a little bit more behind him like so.

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When he goes to release the club, it's going to cause an external or internal

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rotation

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of the shoulder which can close the club face.

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Let's take a look at a close up view of that so you see what I mean.

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So this is a great clip that shows that trail elbow action that we're talking

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about or trail

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shoulder action that we're talking about.

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So as he goes into this release, you can see that elbow working a little bit

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out away from

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his body in what we call internal rotation.

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So you can see that shoulder is rotating in that direction like so.

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If he continued to battle hooks, what we would probably want to work on is that

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elbow working

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a little bit more out in front of his body which would require a little bit

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more stability

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in that lead hip and a little bit more of that external rotation in that trail

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hip.

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Now we're not quite sure if he has any issues with that trail hip external

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rotation.

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We would want to screen that in the gym if we had the chance or ask him to

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perform a

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overhead deep squat.

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We'd be able to possibly investigate and figure out what's going on with that

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pelvis

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and how we can get the hips to work better.

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But from a technical standpoint, just getting that elbow to work a little bit

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more across

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could potentially help him especially under pressure.

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That being said, he is currently one of my favorite swings on tour because it

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looks goofy

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until you break it down and you see that he does a lot of the key movements and

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key objectives

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that we prescribe in our system and that's part of the reason why he is third

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in strokes

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gained from T to green and just one of the most consistent ball strikers on

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tour over

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the last decade.

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If you like the way we break down the swing and you want to have your swing

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broken down,

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feel free to join GolfSmart Academy and submit your swing today.