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Swing Analysis - Collin Morikawa - Transition
2 Keys to Collin Morikawa's elite ball-striking are his transition sequence and his arm shallow. See the breakdown in this analysis video.
2 Keys to Collin Morikawa's elite ball-striking are his transition sequence and his arm shallow. See the breakdown in this analysis video.
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Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:03.660
In this analysis video, we're going to take a look at the swing of Colin Mor
2
00:00:03.660 --> 00:00:04.840
ikawa.
3
00:00:04.840 --> 00:00:11.640
Colin is one of the young guys on tour who's already won, and he's doing so
4
00:00:11.640 --> 00:00:14.160
well because of his elite level ball striking.
5
00:00:14.160 --> 00:00:18.990
He's actually losing strokes to the field in terms of putting, but he's doing
6
00:00:18.990 --> 00:00:21.800
exceptionally well in terms of his ball striking,
7
00:00:21.800 --> 00:00:25.560
both approach into the green as well as off the tee, and he's one of the
8
00:00:25.560 --> 00:00:28.600
leaders in terms of the number of eagles made.
9
00:00:28.600 --> 00:00:33.530
So, we're going to take a look at his swing from the context of why it makes
10
00:00:33.530 --> 00:00:36.600
him such a good, uh, long iron player,
11
00:00:36.600 --> 00:00:41.330
and we'll talk about two things that you can apply to your own game if long ir
12
00:00:41.330 --> 00:00:44.400
ons are one of the areas that you're hoping to improve.
13
00:00:44.400 --> 00:00:47.610
So, we're going to look at his swing from a few different angles, and we're
14
00:00:47.610 --> 00:00:50.840
going to focus on two main components that will help you with your long iron
15
00:00:50.840 --> 00:00:51.200
game.
16
00:00:51.200 --> 00:00:56.810
One, is looking at and visualizing the sequence of his body during transition,
17
00:00:56.810 --> 00:01:01.340
so how he uses his lower body and his core to power his swing more so than his
18
00:01:01.340 --> 00:01:01.600
arms,
19
00:01:01.600 --> 00:01:07.110
and then two, we're going to look at the arm shallowing, or the path of his
20
00:01:07.110 --> 00:01:08.800
arms in transition.
21
00:01:08.800 --> 00:01:11.800
But first, let's take a look at the sequencing.
22
00:01:11.800 --> 00:01:16.630
So, this one over here on the left is a great camera angle for looking at
23
00:01:16.630 --> 00:01:17.400
sequencing.
24
00:01:17.400 --> 00:01:19.600
We're going to look at a couple different pieces.
25
00:01:19.600 --> 00:01:26.400
So, as he starts down, I want you to watch how his lower body starts to rotate
26
00:01:26.400 --> 00:01:28.600
before his upper body starts coming down.
27
00:01:28.600 --> 00:01:33.020
And one area that you might not have looked at before is I want you to look at
28
00:01:33.020 --> 00:01:36.000
his left shoulder and left shoulder blade.
29
00:01:36.000 --> 00:01:40.000
So, right around here is his spine, and his shoulder blade is some distance
30
00:01:40.000 --> 00:01:42.200
away from that at the top of the swing.
31
00:01:42.200 --> 00:01:48.100
Now, what we'll see is as he starts down, that shoulder blade actually gets
32
00:01:48.100 --> 00:01:51.200
pulled further away from his spine.
33
00:01:51.200 --> 00:01:55.820
So, if he was using the big muscles in his upper back, he would probably pull
34
00:01:55.820 --> 00:01:58.000
that shoulder blade in closer to the spine,
35
00:01:58.000 --> 00:02:02.830
and that would cause him to look like his upper body was firing a little bit
36
00:02:02.830 --> 00:02:04.400
harder in transition.
37
00:02:04.400 --> 00:02:08.610
But instead, if we scrub back and forth like this, you'll see that there's
38
00:02:08.610 --> 00:02:10.800
movement of his ribs going this way,
39
00:02:10.800 --> 00:02:15.400
there's movement of his hips rotating, there's movement of his legs.
40
00:02:15.400 --> 00:02:20.800
But as he starts down, that shoulder blade doesn't really go with it.
41
00:02:20.800 --> 00:02:25.600
So, he's creating a bunch of speed through his legs and through his core,
42
00:02:25.600 --> 00:02:35.600
and transferring that speed through the shoulder blade into his hands, but he's
43
00:02:35.600 --> 00:02:35.600
not really generating a whole lot of pull or speed with his upper body in his
44
00:02:35.600 --> 00:02:35.600
arms.
45
00:02:35.600 --> 00:02:40.530
From this video over on the right, where it zoomed in on his upper body, you'll
46
00:02:40.530 --> 00:02:42.600
see that as he starts down,
47
00:02:42.600 --> 00:02:47.020
there's that lower body leading very nicely, from this view, I want you to take
48
00:02:47.020 --> 00:02:48.400
a look at his left arm.
49
00:02:48.400 --> 00:02:52.060
And you'll notice that while his left arm is a little bit bent at the top of
50
00:02:52.060 --> 00:02:52.800
the swing,
51
00:02:52.800 --> 00:02:58.600
it basically maintains a lot of that same bend as he starts down.
52
00:02:58.600 --> 00:03:03.220
So, if he was to really pull with his upper body, if he was going to pull with
53
00:03:03.220 --> 00:03:05.800
his triceps or if he was going to pull with the lats,
54
00:03:05.800 --> 00:03:10.400
he would typically straighten that arm much earlier.
55
00:03:10.400 --> 00:03:14.090
But we know that since the shoulder blade's not moving and that elbow isn't
56
00:03:14.090 --> 00:03:16.600
straightening very early in the downswing,
57
00:03:16.600 --> 00:03:21.470
he's not using a lot of the major power generating muscle groups in that left
58
00:03:21.470 --> 00:03:22.400
shoulder.
59
00:03:22.400 --> 00:03:26.200
So, if you feel like you're swinging mostly with your arms and shoulders,
60
00:03:26.200 --> 00:03:30.600
that might be one of the reasons why you're struggling with your long irons.
61
00:03:30.600 --> 00:03:32.800
But it might not be the only reason.
62
00:03:32.800 --> 00:03:37.810
So, in the next couple of clips, let's take a look at the arm-shallowing
63
00:03:37.810 --> 00:03:39.000
component.
64
00:03:39.000 --> 00:03:44.000
Okay, so we have two swings where we can look at the arm-shallowing component.
65
00:03:44.000 --> 00:03:49.200
I really like this swing over here on the left because the shirt gives us a
66
00:03:49.200 --> 00:03:52.200
good horizontal line across his chest
67
00:03:52.200 --> 00:03:54.200
or perpendicular to his spine.
68
00:03:54.200 --> 00:04:01.220
Now, what you'll see is on the way in the backswing, the club compared to that
69
00:04:01.220 --> 00:04:03.200
shirt line is at an angle,
70
00:04:03.200 --> 00:04:07.270
let's say somewhere around 30 degrees, but it's definitely more vertical than
71
00:04:07.270 --> 00:04:08.600
the line on his shirt.
72
00:04:08.600 --> 00:04:15.000
But as he starts down, you'll see compared to the line on his shirt,
73
00:04:15.000 --> 00:04:19.830
now the back of his hand is basically perpendicular to that, or his elbow is
74
00:04:19.830 --> 00:04:23.800
pointing basically in the same direction as it.
75
00:04:23.800 --> 00:04:28.910
So, those are two ways that you can look at how the left arm tends to get into
76
00:04:28.910 --> 00:04:30.600
this shallow position.
77
00:04:30.600 --> 00:04:33.200
And then the right arm would just mirror it.
78
00:04:33.200 --> 00:04:38.830
So, that right palm is facing basically up towards the sky instead of already
79
00:04:38.830 --> 00:04:40.800
pointing straight up and down.
80
00:04:40.800 --> 00:04:46.310
And that right elbow is pointing more down towards the ground instead of
81
00:04:46.310 --> 00:04:47.800
pointing behind.
82
00:04:47.800 --> 00:04:50.800
Over on the right here, we're gonna see that same thing.
83
00:04:50.800 --> 00:04:56.450
So, as he starts with his lower body, you'll see that the club gets into that
84
00:04:56.450 --> 00:04:58.800
nice similar-looking position
85
00:04:58.800 --> 00:05:03.930
where it's basically perpendicular to his spine, that the hand is pointing
86
00:05:03.930 --> 00:05:06.800
parallel to his spine, just like that.
87
00:05:06.800 --> 00:05:09.800
And the left elbow is pointing out away from him.
88
00:05:09.800 --> 00:05:15.460
So, this is that really good arm-shallowing that can only happen if you're not
89
00:05:15.460 --> 00:05:18.800
being really active with your arms in transition.
90
00:05:18.800 --> 00:05:21.800
Okay, now I want you to experience that position.
91
00:05:21.800 --> 00:05:24.900
So, what you're gonna do is take your hands, place them out in front of you,
92
00:05:24.900 --> 00:05:26.800
and put your hands together just like this.
93
00:05:26.800 --> 00:05:30.300
Now, what we're gonna do is we're gonna match the arm position that Colin's
94
00:05:30.300 --> 00:05:31.800
demonstrating here in transition.
95
00:05:31.800 --> 00:05:37.310
So, now we're going to rotate our left arm or lead arm if you're a right-handed
96
00:05:37.310 --> 00:05:40.800
golfer so that the back of your hand is pointing up
97
00:05:40.800 --> 00:05:43.800
and your elbow is pointing towards the target.
98
00:05:43.800 --> 00:05:47.520
Your right hand is going to match it so that right elbow is gonna be pointing
99
00:05:47.520 --> 00:05:47.800
down
100
00:05:47.800 --> 00:05:51.800
and the back of the right hand is going to be facing the ground just like this.
101
00:05:51.800 --> 00:05:54.120
Now, to make it a little bit more accurate, we're gonna put it more in front of
102
00:05:54.120 --> 00:05:57.800
the right shoulder rather than in front of your chest, kind of like this.
103
00:05:57.800 --> 00:06:01.840
Now, what I want you to do is you're going to close your eyes in this position,
104
00:06:01.840 --> 00:06:04.290
and if you want to, you can take your golf grip, but you're gonna keep your
105
00:06:04.290 --> 00:06:04.800
arms in this position.
106
00:06:04.800 --> 00:06:07.840
I just want you to ask yourself, how do your arms feel compared to the middle
107
00:06:07.840 --> 00:06:08.800
of your downswing?
108
00:06:08.800 --> 00:06:10.800
Okay, open your eyes.
109
00:06:10.800 --> 00:06:14.530
If you're like most people, what you're gonna say is you'll feel a lot more
110
00:06:14.530 --> 00:06:17.800
normal or comfortable if you turn this left arm so that it's pointing down
111
00:06:17.800 --> 00:06:22.630
and the left arm thumb up or close to thumb up, and now that right elbow is
112
00:06:22.630 --> 00:06:26.140
pointing behind you and the right palm is facing towards the target, kind of
113
00:06:26.140 --> 00:06:26.800
like this.
114
00:06:26.800 --> 00:06:31.970
So just go back and forth a couple times between the shallow colon position or
115
00:06:31.970 --> 00:06:35.800
the more vertical, maybe more comfortable position.
116
00:06:35.800 --> 00:06:40.110
And now what I want you to do is stop when you're in this shallow position, and
117
00:06:40.110 --> 00:06:44.080
I want you to just kind of imagine what you would have to do in transition in
118
00:06:44.080 --> 00:06:46.800
order to get into that position during the downswing.
119
00:06:46.800 --> 00:06:51.070
And you'd probably start to feel that the energy is gonna work more around you,
120
00:06:51.070 --> 00:06:54.800
which supports what he's doing with his lower body and his core.
121
00:06:54.800 --> 00:06:59.290
So what Colin is demonstrating here is that good combination of shallow arms
122
00:06:59.290 --> 00:07:04.310
and a body powered swing that tends to produce a really flat bottom of the
123
00:07:04.310 --> 00:07:08.800
swing, which tends to create more of a consistent contact.
124
00:07:08.800 --> 00:07:12.520
As long as you have a club face that's matching the path, you'll typically
125
00:07:12.520 --> 00:07:16.240
become a really good long iron play with those two characteristics in your
126
00:07:16.240 --> 00:07:16.800
swing.
1
00:00:00.000 --> 00:00:03.660
In this analysis video, we're going to take a look at the swing of Colin Mor
2
00:00:03.660 --> 00:00:04.840
ikawa.
3
00:00:04.840 --> 00:00:11.640
Colin is one of the young guys on tour who's already won, and he's doing so
4
00:00:11.640 --> 00:00:14.160
well because of his elite level ball striking.
5
00:00:14.160 --> 00:00:18.990
He's actually losing strokes to the field in terms of putting, but he's doing
6
00:00:18.990 --> 00:00:21.800
exceptionally well in terms of his ball striking,
7
00:00:21.800 --> 00:00:25.560
both approach into the green as well as off the tee, and he's one of the
8
00:00:25.560 --> 00:00:28.600
leaders in terms of the number of eagles made.
9
00:00:28.600 --> 00:00:33.530
So, we're going to take a look at his swing from the context of why it makes
10
00:00:33.530 --> 00:00:36.600
him such a good, uh, long iron player,
11
00:00:36.600 --> 00:00:41.330
and we'll talk about two things that you can apply to your own game if long ir
12
00:00:41.330 --> 00:00:44.400
ons are one of the areas that you're hoping to improve.
13
00:00:44.400 --> 00:00:47.610
So, we're going to look at his swing from a few different angles, and we're
14
00:00:47.610 --> 00:00:50.840
going to focus on two main components that will help you with your long iron
15
00:00:50.840 --> 00:00:51.200
game.
16
00:00:51.200 --> 00:00:56.810
One, is looking at and visualizing the sequence of his body during transition,
17
00:00:56.810 --> 00:01:01.340
so how he uses his lower body and his core to power his swing more so than his
18
00:01:01.340 --> 00:01:01.600
arms,
19
00:01:01.600 --> 00:01:07.110
and then two, we're going to look at the arm shallowing, or the path of his
20
00:01:07.110 --> 00:01:08.800
arms in transition.
21
00:01:08.800 --> 00:01:11.800
But first, let's take a look at the sequencing.
22
00:01:11.800 --> 00:01:16.630
So, this one over here on the left is a great camera angle for looking at
23
00:01:16.630 --> 00:01:17.400
sequencing.
24
00:01:17.400 --> 00:01:19.600
We're going to look at a couple different pieces.
25
00:01:19.600 --> 00:01:26.400
So, as he starts down, I want you to watch how his lower body starts to rotate
26
00:01:26.400 --> 00:01:28.600
before his upper body starts coming down.
27
00:01:28.600 --> 00:01:33.020
And one area that you might not have looked at before is I want you to look at
28
00:01:33.020 --> 00:01:36.000
his left shoulder and left shoulder blade.
29
00:01:36.000 --> 00:01:40.000
So, right around here is his spine, and his shoulder blade is some distance
30
00:01:40.000 --> 00:01:42.200
away from that at the top of the swing.
31
00:01:42.200 --> 00:01:48.100
Now, what we'll see is as he starts down, that shoulder blade actually gets
32
00:01:48.100 --> 00:01:51.200
pulled further away from his spine.
33
00:01:51.200 --> 00:01:55.820
So, if he was using the big muscles in his upper back, he would probably pull
34
00:01:55.820 --> 00:01:58.000
that shoulder blade in closer to the spine,
35
00:01:58.000 --> 00:02:02.830
and that would cause him to look like his upper body was firing a little bit
36
00:02:02.830 --> 00:02:04.400
harder in transition.
37
00:02:04.400 --> 00:02:08.610
But instead, if we scrub back and forth like this, you'll see that there's
38
00:02:08.610 --> 00:02:10.800
movement of his ribs going this way,
39
00:02:10.800 --> 00:02:15.400
there's movement of his hips rotating, there's movement of his legs.
40
00:02:15.400 --> 00:02:20.800
But as he starts down, that shoulder blade doesn't really go with it.
41
00:02:20.800 --> 00:02:25.600
So, he's creating a bunch of speed through his legs and through his core,
42
00:02:25.600 --> 00:02:35.600
and transferring that speed through the shoulder blade into his hands, but he's
43
00:02:35.600 --> 00:02:35.600
not really generating a whole lot of pull or speed with his upper body in his
44
00:02:35.600 --> 00:02:35.600
arms.
45
00:02:35.600 --> 00:02:40.530
From this video over on the right, where it zoomed in on his upper body, you'll
46
00:02:40.530 --> 00:02:42.600
see that as he starts down,
47
00:02:42.600 --> 00:02:47.020
there's that lower body leading very nicely, from this view, I want you to take
48
00:02:47.020 --> 00:02:48.400
a look at his left arm.
49
00:02:48.400 --> 00:02:52.060
And you'll notice that while his left arm is a little bit bent at the top of
50
00:02:52.060 --> 00:02:52.800
the swing,
51
00:02:52.800 --> 00:02:58.600
it basically maintains a lot of that same bend as he starts down.
52
00:02:58.600 --> 00:03:03.220
So, if he was to really pull with his upper body, if he was going to pull with
53
00:03:03.220 --> 00:03:05.800
his triceps or if he was going to pull with the lats,
54
00:03:05.800 --> 00:03:10.400
he would typically straighten that arm much earlier.
55
00:03:10.400 --> 00:03:14.090
But we know that since the shoulder blade's not moving and that elbow isn't
56
00:03:14.090 --> 00:03:16.600
straightening very early in the downswing,
57
00:03:16.600 --> 00:03:21.470
he's not using a lot of the major power generating muscle groups in that left
58
00:03:21.470 --> 00:03:22.400
shoulder.
59
00:03:22.400 --> 00:03:26.200
So, if you feel like you're swinging mostly with your arms and shoulders,
60
00:03:26.200 --> 00:03:30.600
that might be one of the reasons why you're struggling with your long irons.
61
00:03:30.600 --> 00:03:32.800
But it might not be the only reason.
62
00:03:32.800 --> 00:03:37.810
So, in the next couple of clips, let's take a look at the arm-shallowing
63
00:03:37.810 --> 00:03:39.000
component.
64
00:03:39.000 --> 00:03:44.000
Okay, so we have two swings where we can look at the arm-shallowing component.
65
00:03:44.000 --> 00:03:49.200
I really like this swing over here on the left because the shirt gives us a
66
00:03:49.200 --> 00:03:52.200
good horizontal line across his chest
67
00:03:52.200 --> 00:03:54.200
or perpendicular to his spine.
68
00:03:54.200 --> 00:04:01.220
Now, what you'll see is on the way in the backswing, the club compared to that
69
00:04:01.220 --> 00:04:03.200
shirt line is at an angle,
70
00:04:03.200 --> 00:04:07.270
let's say somewhere around 30 degrees, but it's definitely more vertical than
71
00:04:07.270 --> 00:04:08.600
the line on his shirt.
72
00:04:08.600 --> 00:04:15.000
But as he starts down, you'll see compared to the line on his shirt,
73
00:04:15.000 --> 00:04:19.830
now the back of his hand is basically perpendicular to that, or his elbow is
74
00:04:19.830 --> 00:04:23.800
pointing basically in the same direction as it.
75
00:04:23.800 --> 00:04:28.910
So, those are two ways that you can look at how the left arm tends to get into
76
00:04:28.910 --> 00:04:30.600
this shallow position.
77
00:04:30.600 --> 00:04:33.200
And then the right arm would just mirror it.
78
00:04:33.200 --> 00:04:38.830
So, that right palm is facing basically up towards the sky instead of already
79
00:04:38.830 --> 00:04:40.800
pointing straight up and down.
80
00:04:40.800 --> 00:04:46.310
And that right elbow is pointing more down towards the ground instead of
81
00:04:46.310 --> 00:04:47.800
pointing behind.
82
00:04:47.800 --> 00:04:50.800
Over on the right here, we're gonna see that same thing.
83
00:04:50.800 --> 00:04:56.450
So, as he starts with his lower body, you'll see that the club gets into that
84
00:04:56.450 --> 00:04:58.800
nice similar-looking position
85
00:04:58.800 --> 00:05:03.930
where it's basically perpendicular to his spine, that the hand is pointing
86
00:05:03.930 --> 00:05:06.800
parallel to his spine, just like that.
87
00:05:06.800 --> 00:05:09.800
And the left elbow is pointing out away from him.
88
00:05:09.800 --> 00:05:15.460
So, this is that really good arm-shallowing that can only happen if you're not
89
00:05:15.460 --> 00:05:18.800
being really active with your arms in transition.
90
00:05:18.800 --> 00:05:21.800
Okay, now I want you to experience that position.
91
00:05:21.800 --> 00:05:24.900
So, what you're gonna do is take your hands, place them out in front of you,
92
00:05:24.900 --> 00:05:26.800
and put your hands together just like this.
93
00:05:26.800 --> 00:05:30.300
Now, what we're gonna do is we're gonna match the arm position that Colin's
94
00:05:30.300 --> 00:05:31.800
demonstrating here in transition.
95
00:05:31.800 --> 00:05:37.310
So, now we're going to rotate our left arm or lead arm if you're a right-handed
96
00:05:37.310 --> 00:05:40.800
golfer so that the back of your hand is pointing up
97
00:05:40.800 --> 00:05:43.800
and your elbow is pointing towards the target.
98
00:05:43.800 --> 00:05:47.520
Your right hand is going to match it so that right elbow is gonna be pointing
99
00:05:47.520 --> 00:05:47.800
down
100
00:05:47.800 --> 00:05:51.800
and the back of the right hand is going to be facing the ground just like this.
101
00:05:51.800 --> 00:05:54.120
Now, to make it a little bit more accurate, we're gonna put it more in front of
102
00:05:54.120 --> 00:05:57.800
the right shoulder rather than in front of your chest, kind of like this.
103
00:05:57.800 --> 00:06:01.840
Now, what I want you to do is you're going to close your eyes in this position,
104
00:06:01.840 --> 00:06:04.290
and if you want to, you can take your golf grip, but you're gonna keep your
105
00:06:04.290 --> 00:06:04.800
arms in this position.
106
00:06:04.800 --> 00:06:07.840
I just want you to ask yourself, how do your arms feel compared to the middle
107
00:06:07.840 --> 00:06:08.800
of your downswing?
108
00:06:08.800 --> 00:06:10.800
Okay, open your eyes.
109
00:06:10.800 --> 00:06:14.530
If you're like most people, what you're gonna say is you'll feel a lot more
110
00:06:14.530 --> 00:06:17.800
normal or comfortable if you turn this left arm so that it's pointing down
111
00:06:17.800 --> 00:06:22.630
and the left arm thumb up or close to thumb up, and now that right elbow is
112
00:06:22.630 --> 00:06:26.140
pointing behind you and the right palm is facing towards the target, kind of
113
00:06:26.140 --> 00:06:26.800
like this.
114
00:06:26.800 --> 00:06:31.970
So just go back and forth a couple times between the shallow colon position or
115
00:06:31.970 --> 00:06:35.800
the more vertical, maybe more comfortable position.
116
00:06:35.800 --> 00:06:40.110
And now what I want you to do is stop when you're in this shallow position, and
117
00:06:40.110 --> 00:06:44.080
I want you to just kind of imagine what you would have to do in transition in
118
00:06:44.080 --> 00:06:46.800
order to get into that position during the downswing.
119
00:06:46.800 --> 00:06:51.070
And you'd probably start to feel that the energy is gonna work more around you,
120
00:06:51.070 --> 00:06:54.800
which supports what he's doing with his lower body and his core.
121
00:06:54.800 --> 00:06:59.290
So what Colin is demonstrating here is that good combination of shallow arms
122
00:06:59.290 --> 00:07:04.310
and a body powered swing that tends to produce a really flat bottom of the
123
00:07:04.310 --> 00:07:08.800
swing, which tends to create more of a consistent contact.
124
00:07:08.800 --> 00:07:12.520
As long as you have a club face that's matching the path, you'll typically
125
00:07:12.520 --> 00:07:16.240
become a really good long iron play with those two characteristics in your
126
00:07:16.240 --> 00:07:16.800
swing.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Swing Analysis - Collin Morikawa - Transition
2 Keys to Collin Morikawa's elite ball-striking are his transition sequence and his arm shallow. See the breakdown in this analysis video.
2 Keys to Collin Morikawa's elite ball-striking are his transition sequence and his arm shallow. See the breakdown in this analysis video.
Hide
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:03.660
In this analysis video, we're going to take a look at the swing of Colin Mor
2
00:00:03.660 --> 00:00:04.840
ikawa.
3
00:00:04.840 --> 00:00:11.640
Colin is one of the young guys on tour who's already won, and he's doing so
4
00:00:11.640 --> 00:00:14.160
well because of his elite level ball striking.
5
00:00:14.160 --> 00:00:18.990
He's actually losing strokes to the field in terms of putting, but he's doing
6
00:00:18.990 --> 00:00:21.800
exceptionally well in terms of his ball striking,
7
00:00:21.800 --> 00:00:25.560
both approach into the green as well as off the tee, and he's one of the
8
00:00:25.560 --> 00:00:28.600
leaders in terms of the number of eagles made.
9
00:00:28.600 --> 00:00:33.530
So, we're going to take a look at his swing from the context of why it makes
10
00:00:33.530 --> 00:00:36.600
him such a good, uh, long iron player,
11
00:00:36.600 --> 00:00:41.330
and we'll talk about two things that you can apply to your own game if long ir
12
00:00:41.330 --> 00:00:44.400
ons are one of the areas that you're hoping to improve.
13
00:00:44.400 --> 00:00:47.610
So, we're going to look at his swing from a few different angles, and we're
14
00:00:47.610 --> 00:00:50.840
going to focus on two main components that will help you with your long iron
15
00:00:50.840 --> 00:00:51.200
game.
16
00:00:51.200 --> 00:00:56.810
One, is looking at and visualizing the sequence of his body during transition,
17
00:00:56.810 --> 00:01:01.340
so how he uses his lower body and his core to power his swing more so than his
18
00:01:01.340 --> 00:01:01.600
arms,
19
00:01:01.600 --> 00:01:07.110
and then two, we're going to look at the arm shallowing, or the path of his
20
00:01:07.110 --> 00:01:08.800
arms in transition.
21
00:01:08.800 --> 00:01:11.800
But first, let's take a look at the sequencing.
22
00:01:11.800 --> 00:01:16.630
So, this one over here on the left is a great camera angle for looking at
23
00:01:16.630 --> 00:01:17.400
sequencing.
24
00:01:17.400 --> 00:01:19.600
We're going to look at a couple different pieces.
25
00:01:19.600 --> 00:01:26.400
So, as he starts down, I want you to watch how his lower body starts to rotate
26
00:01:26.400 --> 00:01:28.600
before his upper body starts coming down.
27
00:01:28.600 --> 00:01:33.020
And one area that you might not have looked at before is I want you to look at
28
00:01:33.020 --> 00:01:36.000
his left shoulder and left shoulder blade.
29
00:01:36.000 --> 00:01:40.000
So, right around here is his spine, and his shoulder blade is some distance
30
00:01:40.000 --> 00:01:42.200
away from that at the top of the swing.
31
00:01:42.200 --> 00:01:48.100
Now, what we'll see is as he starts down, that shoulder blade actually gets
32
00:01:48.100 --> 00:01:51.200
pulled further away from his spine.
33
00:01:51.200 --> 00:01:55.820
So, if he was using the big muscles in his upper back, he would probably pull
34
00:01:55.820 --> 00:01:58.000
that shoulder blade in closer to the spine,
35
00:01:58.000 --> 00:02:02.830
and that would cause him to look like his upper body was firing a little bit
36
00:02:02.830 --> 00:02:04.400
harder in transition.
37
00:02:04.400 --> 00:02:08.610
But instead, if we scrub back and forth like this, you'll see that there's
38
00:02:08.610 --> 00:02:10.800
movement of his ribs going this way,
39
00:02:10.800 --> 00:02:15.400
there's movement of his hips rotating, there's movement of his legs.
40
00:02:15.400 --> 00:02:20.800
But as he starts down, that shoulder blade doesn't really go with it.
41
00:02:20.800 --> 00:02:25.600
So, he's creating a bunch of speed through his legs and through his core,
42
00:02:25.600 --> 00:02:35.600
and transferring that speed through the shoulder blade into his hands, but he's
43
00:02:35.600 --> 00:02:35.600
not really generating a whole lot of pull or speed with his upper body in his
44
00:02:35.600 --> 00:02:35.600
arms.
45
00:02:35.600 --> 00:02:40.530
From this video over on the right, where it zoomed in on his upper body, you'll
46
00:02:40.530 --> 00:02:42.600
see that as he starts down,
47
00:02:42.600 --> 00:02:47.020
there's that lower body leading very nicely, from this view, I want you to take
48
00:02:47.020 --> 00:02:48.400
a look at his left arm.
49
00:02:48.400 --> 00:02:52.060
And you'll notice that while his left arm is a little bit bent at the top of
50
00:02:52.060 --> 00:02:52.800
the swing,
51
00:02:52.800 --> 00:02:58.600
it basically maintains a lot of that same bend as he starts down.
52
00:02:58.600 --> 00:03:03.220
So, if he was to really pull with his upper body, if he was going to pull with
53
00:03:03.220 --> 00:03:05.800
his triceps or if he was going to pull with the lats,
54
00:03:05.800 --> 00:03:10.400
he would typically straighten that arm much earlier.
55
00:03:10.400 --> 00:03:14.090
But we know that since the shoulder blade's not moving and that elbow isn't
56
00:03:14.090 --> 00:03:16.600
straightening very early in the downswing,
57
00:03:16.600 --> 00:03:21.470
he's not using a lot of the major power generating muscle groups in that left
58
00:03:21.470 --> 00:03:22.400
shoulder.
59
00:03:22.400 --> 00:03:26.200
So, if you feel like you're swinging mostly with your arms and shoulders,
60
00:03:26.200 --> 00:03:30.600
that might be one of the reasons why you're struggling with your long irons.
61
00:03:30.600 --> 00:03:32.800
But it might not be the only reason.
62
00:03:32.800 --> 00:03:37.810
So, in the next couple of clips, let's take a look at the arm-shallowing
63
00:03:37.810 --> 00:03:39.000
component.
64
00:03:39.000 --> 00:03:44.000
Okay, so we have two swings where we can look at the arm-shallowing component.
65
00:03:44.000 --> 00:03:49.200
I really like this swing over here on the left because the shirt gives us a
66
00:03:49.200 --> 00:03:52.200
good horizontal line across his chest
67
00:03:52.200 --> 00:03:54.200
or perpendicular to his spine.
68
00:03:54.200 --> 00:04:01.220
Now, what you'll see is on the way in the backswing, the club compared to that
69
00:04:01.220 --> 00:04:03.200
shirt line is at an angle,
70
00:04:03.200 --> 00:04:07.270
let's say somewhere around 30 degrees, but it's definitely more vertical than
71
00:04:07.270 --> 00:04:08.600
the line on his shirt.
72
00:04:08.600 --> 00:04:15.000
But as he starts down, you'll see compared to the line on his shirt,
73
00:04:15.000 --> 00:04:19.830
now the back of his hand is basically perpendicular to that, or his elbow is
74
00:04:19.830 --> 00:04:23.800
pointing basically in the same direction as it.
75
00:04:23.800 --> 00:04:28.910
So, those are two ways that you can look at how the left arm tends to get into
76
00:04:28.910 --> 00:04:30.600
this shallow position.
77
00:04:30.600 --> 00:04:33.200
And then the right arm would just mirror it.
78
00:04:33.200 --> 00:04:38.830
So, that right palm is facing basically up towards the sky instead of already
79
00:04:38.830 --> 00:04:40.800
pointing straight up and down.
80
00:04:40.800 --> 00:04:46.310
And that right elbow is pointing more down towards the ground instead of
81
00:04:46.310 --> 00:04:47.800
pointing behind.
82
00:04:47.800 --> 00:04:50.800
Over on the right here, we're gonna see that same thing.
83
00:04:50.800 --> 00:04:56.450
So, as he starts with his lower body, you'll see that the club gets into that
84
00:04:56.450 --> 00:04:58.800
nice similar-looking position
85
00:04:58.800 --> 00:05:03.930
where it's basically perpendicular to his spine, that the hand is pointing
86
00:05:03.930 --> 00:05:06.800
parallel to his spine, just like that.
87
00:05:06.800 --> 00:05:09.800
And the left elbow is pointing out away from him.
88
00:05:09.800 --> 00:05:15.460
So, this is that really good arm-shallowing that can only happen if you're not
89
00:05:15.460 --> 00:05:18.800
being really active with your arms in transition.
90
00:05:18.800 --> 00:05:21.800
Okay, now I want you to experience that position.
91
00:05:21.800 --> 00:05:24.900
So, what you're gonna do is take your hands, place them out in front of you,
92
00:05:24.900 --> 00:05:26.800
and put your hands together just like this.
93
00:05:26.800 --> 00:05:30.300
Now, what we're gonna do is we're gonna match the arm position that Colin's
94
00:05:30.300 --> 00:05:31.800
demonstrating here in transition.
95
00:05:31.800 --> 00:05:37.310
So, now we're going to rotate our left arm or lead arm if you're a right-handed
96
00:05:37.310 --> 00:05:40.800
golfer so that the back of your hand is pointing up
97
00:05:40.800 --> 00:05:43.800
and your elbow is pointing towards the target.
98
00:05:43.800 --> 00:05:47.520
Your right hand is going to match it so that right elbow is gonna be pointing
99
00:05:47.520 --> 00:05:47.800
down
100
00:05:47.800 --> 00:05:51.800
and the back of the right hand is going to be facing the ground just like this.
101
00:05:51.800 --> 00:05:54.120
Now, to make it a little bit more accurate, we're gonna put it more in front of
102
00:05:54.120 --> 00:05:57.800
the right shoulder rather than in front of your chest, kind of like this.
103
00:05:57.800 --> 00:06:01.840
Now, what I want you to do is you're going to close your eyes in this position,
104
00:06:01.840 --> 00:06:04.290
and if you want to, you can take your golf grip, but you're gonna keep your
105
00:06:04.290 --> 00:06:04.800
arms in this position.
106
00:06:04.800 --> 00:06:07.840
I just want you to ask yourself, how do your arms feel compared to the middle
107
00:06:07.840 --> 00:06:08.800
of your downswing?
108
00:06:08.800 --> 00:06:10.800
Okay, open your eyes.
109
00:06:10.800 --> 00:06:14.530
If you're like most people, what you're gonna say is you'll feel a lot more
110
00:06:14.530 --> 00:06:17.800
normal or comfortable if you turn this left arm so that it's pointing down
111
00:06:17.800 --> 00:06:22.630
and the left arm thumb up or close to thumb up, and now that right elbow is
112
00:06:22.630 --> 00:06:26.140
pointing behind you and the right palm is facing towards the target, kind of
113
00:06:26.140 --> 00:06:26.800
like this.
114
00:06:26.800 --> 00:06:31.970
So just go back and forth a couple times between the shallow colon position or
115
00:06:31.970 --> 00:06:35.800
the more vertical, maybe more comfortable position.
116
00:06:35.800 --> 00:06:40.110
And now what I want you to do is stop when you're in this shallow position, and
117
00:06:40.110 --> 00:06:44.080
I want you to just kind of imagine what you would have to do in transition in
118
00:06:44.080 --> 00:06:46.800
order to get into that position during the downswing.
119
00:06:46.800 --> 00:06:51.070
And you'd probably start to feel that the energy is gonna work more around you,
120
00:06:51.070 --> 00:06:54.800
which supports what he's doing with his lower body and his core.
121
00:06:54.800 --> 00:06:59.290
So what Colin is demonstrating here is that good combination of shallow arms
122
00:06:59.290 --> 00:07:04.310
and a body powered swing that tends to produce a really flat bottom of the
123
00:07:04.310 --> 00:07:08.800
swing, which tends to create more of a consistent contact.
124
00:07:08.800 --> 00:07:12.520
As long as you have a club face that's matching the path, you'll typically
125
00:07:12.520 --> 00:07:16.240
become a really good long iron play with those two characteristics in your
126
00:07:16.240 --> 00:07:16.800
swing.
1
00:00:00.000 --> 00:00:03.660
In this analysis video, we're going to take a look at the swing of Colin Mor
2
00:00:03.660 --> 00:00:04.840
ikawa.
3
00:00:04.840 --> 00:00:11.640
Colin is one of the young guys on tour who's already won, and he's doing so
4
00:00:11.640 --> 00:00:14.160
well because of his elite level ball striking.
5
00:00:14.160 --> 00:00:18.990
He's actually losing strokes to the field in terms of putting, but he's doing
6
00:00:18.990 --> 00:00:21.800
exceptionally well in terms of his ball striking,
7
00:00:21.800 --> 00:00:25.560
both approach into the green as well as off the tee, and he's one of the
8
00:00:25.560 --> 00:00:28.600
leaders in terms of the number of eagles made.
9
00:00:28.600 --> 00:00:33.530
So, we're going to take a look at his swing from the context of why it makes
10
00:00:33.530 --> 00:00:36.600
him such a good, uh, long iron player,
11
00:00:36.600 --> 00:00:41.330
and we'll talk about two things that you can apply to your own game if long ir
12
00:00:41.330 --> 00:00:44.400
ons are one of the areas that you're hoping to improve.
13
00:00:44.400 --> 00:00:47.610
So, we're going to look at his swing from a few different angles, and we're
14
00:00:47.610 --> 00:00:50.840
going to focus on two main components that will help you with your long iron
15
00:00:50.840 --> 00:00:51.200
game.
16
00:00:51.200 --> 00:00:56.810
One, is looking at and visualizing the sequence of his body during transition,
17
00:00:56.810 --> 00:01:01.340
so how he uses his lower body and his core to power his swing more so than his
18
00:01:01.340 --> 00:01:01.600
arms,
19
00:01:01.600 --> 00:01:07.110
and then two, we're going to look at the arm shallowing, or the path of his
20
00:01:07.110 --> 00:01:08.800
arms in transition.
21
00:01:08.800 --> 00:01:11.800
But first, let's take a look at the sequencing.
22
00:01:11.800 --> 00:01:16.630
So, this one over here on the left is a great camera angle for looking at
23
00:01:16.630 --> 00:01:17.400
sequencing.
24
00:01:17.400 --> 00:01:19.600
We're going to look at a couple different pieces.
25
00:01:19.600 --> 00:01:26.400
So, as he starts down, I want you to watch how his lower body starts to rotate
26
00:01:26.400 --> 00:01:28.600
before his upper body starts coming down.
27
00:01:28.600 --> 00:01:33.020
And one area that you might not have looked at before is I want you to look at
28
00:01:33.020 --> 00:01:36.000
his left shoulder and left shoulder blade.
29
00:01:36.000 --> 00:01:40.000
So, right around here is his spine, and his shoulder blade is some distance
30
00:01:40.000 --> 00:01:42.200
away from that at the top of the swing.
31
00:01:42.200 --> 00:01:48.100
Now, what we'll see is as he starts down, that shoulder blade actually gets
32
00:01:48.100 --> 00:01:51.200
pulled further away from his spine.
33
00:01:51.200 --> 00:01:55.820
So, if he was using the big muscles in his upper back, he would probably pull
34
00:01:55.820 --> 00:01:58.000
that shoulder blade in closer to the spine,
35
00:01:58.000 --> 00:02:02.830
and that would cause him to look like his upper body was firing a little bit
36
00:02:02.830 --> 00:02:04.400
harder in transition.
37
00:02:04.400 --> 00:02:08.610
But instead, if we scrub back and forth like this, you'll see that there's
38
00:02:08.610 --> 00:02:10.800
movement of his ribs going this way,
39
00:02:10.800 --> 00:02:15.400
there's movement of his hips rotating, there's movement of his legs.
40
00:02:15.400 --> 00:02:20.800
But as he starts down, that shoulder blade doesn't really go with it.
41
00:02:20.800 --> 00:02:25.600
So, he's creating a bunch of speed through his legs and through his core,
42
00:02:25.600 --> 00:02:35.600
and transferring that speed through the shoulder blade into his hands, but he's
43
00:02:35.600 --> 00:02:35.600
not really generating a whole lot of pull or speed with his upper body in his
44
00:02:35.600 --> 00:02:35.600
arms.
45
00:02:35.600 --> 00:02:40.530
From this video over on the right, where it zoomed in on his upper body, you'll
46
00:02:40.530 --> 00:02:42.600
see that as he starts down,
47
00:02:42.600 --> 00:02:47.020
there's that lower body leading very nicely, from this view, I want you to take
48
00:02:47.020 --> 00:02:48.400
a look at his left arm.
49
00:02:48.400 --> 00:02:52.060
And you'll notice that while his left arm is a little bit bent at the top of
50
00:02:52.060 --> 00:02:52.800
the swing,
51
00:02:52.800 --> 00:02:58.600
it basically maintains a lot of that same bend as he starts down.
52
00:02:58.600 --> 00:03:03.220
So, if he was to really pull with his upper body, if he was going to pull with
53
00:03:03.220 --> 00:03:05.800
his triceps or if he was going to pull with the lats,
54
00:03:05.800 --> 00:03:10.400
he would typically straighten that arm much earlier.
55
00:03:10.400 --> 00:03:14.090
But we know that since the shoulder blade's not moving and that elbow isn't
56
00:03:14.090 --> 00:03:16.600
straightening very early in the downswing,
57
00:03:16.600 --> 00:03:21.470
he's not using a lot of the major power generating muscle groups in that left
58
00:03:21.470 --> 00:03:22.400
shoulder.
59
00:03:22.400 --> 00:03:26.200
So, if you feel like you're swinging mostly with your arms and shoulders,
60
00:03:26.200 --> 00:03:30.600
that might be one of the reasons why you're struggling with your long irons.
61
00:03:30.600 --> 00:03:32.800
But it might not be the only reason.
62
00:03:32.800 --> 00:03:37.810
So, in the next couple of clips, let's take a look at the arm-shallowing
63
00:03:37.810 --> 00:03:39.000
component.
64
00:03:39.000 --> 00:03:44.000
Okay, so we have two swings where we can look at the arm-shallowing component.
65
00:03:44.000 --> 00:03:49.200
I really like this swing over here on the left because the shirt gives us a
66
00:03:49.200 --> 00:03:52.200
good horizontal line across his chest
67
00:03:52.200 --> 00:03:54.200
or perpendicular to his spine.
68
00:03:54.200 --> 00:04:01.220
Now, what you'll see is on the way in the backswing, the club compared to that
69
00:04:01.220 --> 00:04:03.200
shirt line is at an angle,
70
00:04:03.200 --> 00:04:07.270
let's say somewhere around 30 degrees, but it's definitely more vertical than
71
00:04:07.270 --> 00:04:08.600
the line on his shirt.
72
00:04:08.600 --> 00:04:15.000
But as he starts down, you'll see compared to the line on his shirt,
73
00:04:15.000 --> 00:04:19.830
now the back of his hand is basically perpendicular to that, or his elbow is
74
00:04:19.830 --> 00:04:23.800
pointing basically in the same direction as it.
75
00:04:23.800 --> 00:04:28.910
So, those are two ways that you can look at how the left arm tends to get into
76
00:04:28.910 --> 00:04:30.600
this shallow position.
77
00:04:30.600 --> 00:04:33.200
And then the right arm would just mirror it.
78
00:04:33.200 --> 00:04:38.830
So, that right palm is facing basically up towards the sky instead of already
79
00:04:38.830 --> 00:04:40.800
pointing straight up and down.
80
00:04:40.800 --> 00:04:46.310
And that right elbow is pointing more down towards the ground instead of
81
00:04:46.310 --> 00:04:47.800
pointing behind.
82
00:04:47.800 --> 00:04:50.800
Over on the right here, we're gonna see that same thing.
83
00:04:50.800 --> 00:04:56.450
So, as he starts with his lower body, you'll see that the club gets into that
84
00:04:56.450 --> 00:04:58.800
nice similar-looking position
85
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where it's basically perpendicular to his spine, that the hand is pointing
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parallel to his spine, just like that.
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And the left elbow is pointing out away from him.
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So, this is that really good arm-shallowing that can only happen if you're not
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00:05:15.460 --> 00:05:18.800
being really active with your arms in transition.
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00:05:18.800 --> 00:05:21.800
Okay, now I want you to experience that position.
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So, what you're gonna do is take your hands, place them out in front of you,
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00:05:24.900 --> 00:05:26.800
and put your hands together just like this.
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00:05:26.800 --> 00:05:30.300
Now, what we're gonna do is we're gonna match the arm position that Colin's
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demonstrating here in transition.
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So, now we're going to rotate our left arm or lead arm if you're a right-handed
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00:05:37.310 --> 00:05:40.800
golfer so that the back of your hand is pointing up
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00:05:40.800 --> 00:05:43.800
and your elbow is pointing towards the target.
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Your right hand is going to match it so that right elbow is gonna be pointing
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00:05:47.520 --> 00:05:47.800
down
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and the back of the right hand is going to be facing the ground just like this.
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Now, to make it a little bit more accurate, we're gonna put it more in front of
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the right shoulder rather than in front of your chest, kind of like this.
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Now, what I want you to do is you're going to close your eyes in this position,
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and if you want to, you can take your golf grip, but you're gonna keep your
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arms in this position.
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00:06:04.800 --> 00:06:07.840
I just want you to ask yourself, how do your arms feel compared to the middle
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of your downswing?
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Okay, open your eyes.
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If you're like most people, what you're gonna say is you'll feel a lot more
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normal or comfortable if you turn this left arm so that it's pointing down
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and the left arm thumb up or close to thumb up, and now that right elbow is
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00:06:22.630 --> 00:06:26.140
pointing behind you and the right palm is facing towards the target, kind of
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like this.
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00:06:26.800 --> 00:06:31.970
So just go back and forth a couple times between the shallow colon position or
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the more vertical, maybe more comfortable position.
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And now what I want you to do is stop when you're in this shallow position, and
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I want you to just kind of imagine what you would have to do in transition in
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order to get into that position during the downswing.
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And you'd probably start to feel that the energy is gonna work more around you,
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which supports what he's doing with his lower body and his core.
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So what Colin is demonstrating here is that good combination of shallow arms
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and a body powered swing that tends to produce a really flat bottom of the
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swing, which tends to create more of a consistent contact.
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As long as you have a club face that's matching the path, you'll typically
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become a really good long iron play with those two characteristics in your
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swing.
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