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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Improve Your Ball Striking with Alex Noren's Practice Routine

After this video, you'll be able to:

  • Identify key changes in your swing mechanics for better contact
  • Understand how to combine multiple swing adjustments into one drill
  • Implement a pre-shot routine that enhances your overall ball striking

In this video, we analyze Alex Noren's swing and practice moves, revealing how his rehearsal routine has led to significant improvements in his ball striking. Learn how to apply these insights to elevate your own game.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:04.560
In this analysis video we're going to take a look at the swing of Alex Norin.

2
00:00:04.560 --> 00:00:08.600
More importantly we're going to take a look at this practice move or this

3
00:00:08.600 --> 00:00:12.720
rehearsal swing and what you can learn about it and apply to your own game. Now

4
00:00:12.720 --> 00:00:17.760
Alex Norin has been a great putter but in the last few years he's found

5
00:00:17.760 --> 00:00:21.320
something that's really improved his ball striking and he's climbed all the

6
00:00:21.320 --> 00:00:25.560
way to 13th in the world. In this video I'm going to help you understand how

7
00:00:25.560 --> 00:00:25.880
his

8
00:00:25.880 --> 00:00:31.640
practice routine is helping his ball striking. So over here on the left we

9
00:00:31.640 --> 00:00:34.990
have an older swing and over here on the right we have a more current swing.

10
00:00:34.990 --> 00:00:35.480
This

11
00:00:35.480 --> 00:00:39.800
is prior to his big jump in world golf rankings and ball striking improvement

12
00:00:39.800 --> 00:00:44.360
and this one over here on the right is demonstrating the swing that has helped

13
00:00:44.360 --> 00:00:48.840
him climb close to the top 10. Now whenever I work with a new student I always

14
00:00:48.840 --> 00:00:52.800
show them their video or take a video of their swing and ask them what do they

15
00:00:52.800 --> 00:00:58.440
see and they always key in on one or two things they may say I've got a flip or

16
00:00:58.440 --> 00:01:04.440
a scoop chicken wing I've got a cast I'm not turned enough I'm standing up

17
00:01:04.440 --> 00:01:09.980
whatever it is they always focus on one thing and then what I'll usually ask

18
00:01:09.980 --> 00:01:14.720
them is okay if we change that what else would we have to change and that's

19
00:01:14.720 --> 00:01:20.520
where sometimes I get the kind of frozen look like I'm I'm sure if I just make

20
00:01:20.520 --> 00:01:25.000
that one change I'll hit the ball better. What Alex pre-shot routine and

21
00:01:25.000 --> 00:01:30.400
rehearsal swing helps us understand is that usually there's like four or five

22
00:01:30.400 --> 00:01:35.200
things that you would have to change when you make one change. The key is

23
00:01:35.200 --> 00:01:41.480
finding one drill or one feeling that allows you to combine some of those

24
00:01:41.480 --> 00:01:48.040
things into one playing feel. So if we look over here on the left we will see a

25
00:01:48.040 --> 00:01:53.720
few of the things that change or that he wanted to change and why they used

26
00:01:53.720 --> 00:01:54.000
that

27
00:01:54.000 --> 00:02:01.480
rehearsal drill. So at the top of the swing you'll see his initial movement is

28
00:02:01.480 --> 00:02:07.920
a little bit more of a pull of those arms down. He does have some some shift

29
00:02:07.920 --> 00:02:12.760
of his lower body but his lower body doesn't really start to get going until

30
00:02:12.760 --> 00:02:17.960
down somewhere in this zone. So that first transition move is more of a pull

31
00:02:17.960 --> 00:02:24.280
down of the arms. Now when he pulls down with the arms you'll see right about

32
00:02:24.280 --> 00:02:29.880
halfway that right elbow gets kind of stuck on the side of his body and becomes

33
00:02:29.880 --> 00:02:34.440
just kind of a pivot. You'll see that right through there that right elbow

34
00:02:34.440 --> 00:02:40.960
doesn't come across his body too much. It stays more behind his body as he

35
00:02:40.960 --> 00:02:47.280
releases the club out. The momentum of the the arm kind of pivoting around that

36
00:02:47.280 --> 00:02:55.240
elbow back there then causes more of a scoop action on the way through. If we

37
00:02:55.240 --> 00:03:01.560
look over here on the right you'll see from the top of the swing it's a little

38
00:03:01.560 --> 00:03:07.320
bit more of a blended or a unified transition movement. You can see that his

39
00:03:07.320 --> 00:03:12.400
lower body and his core are helping bring his arms down into position and then

40
00:03:12.400 --> 00:03:17.320
you can see down here his elbow is much more in front of his body and it

41
00:03:17.320 --> 00:03:22.600
continues to move in front of his body all the way during the release. So

42
00:03:22.600 --> 00:03:27.840
instead of having a look of the arms pull the elbow gets stuck and then the

43
00:03:27.840 --> 00:03:35.000
hands flip he has more of a unified pull arms get in front and then whole arms

44
00:03:35.000 --> 00:03:41.280
release together not just the wrist. These are some of the differences that

45
00:03:41.280 --> 00:03:41.400
have

46
00:03:41.400 --> 00:03:46.720
helped him elevate his ball striking to near top 10 status. Here's an older

47
00:03:46.720 --> 00:03:51.480
swing from down the line. It's not a great camera angle but it was one of the

48
00:03:51.480 --> 00:03:55.960
best I could find and then here's that same practice session from about a year

49
00:03:55.960 --> 00:04:01.320
ago. Now many golfers also would look at this and they might have looked at the

50
00:04:01.320 --> 00:04:06.200
face-on and they might have said that the swing looks pretty much the same what

51
00:04:06.200 --> 00:04:06.240
I

52
00:04:06.240 --> 00:04:12.560
what I keyed in on in that face-on view is somewhat subtle unless you know what

53
00:04:12.560 --> 00:04:17.440
to look at but sometimes it's those subtle differences that really create the

54
00:04:17.440 --> 00:04:22.020
difference between your quality shots and your bad shots. You don't always need

55
00:04:22.020 --> 00:04:22.120
a

56
00:04:22.120 --> 00:04:28.280
complete swing overhaul sometimes you just need a few movements to work a

57
00:04:28.280 --> 00:04:33.470
little bit better together. So now if we look at the down the line there's

58
00:04:33.470 --> 00:04:33.680
where

59
00:04:33.680 --> 00:04:38.880
we can see more of that arm pull and you'll see that as he does that arm pull

60
00:04:38.880 --> 00:04:45.080
this left shoulder is actually looking like it kind of elevates. Now over here

61
00:04:45.080 --> 00:04:49.080
you'll see that that left shoulder stays down a bit longer that's what helps

62
00:04:49.080 --> 00:04:52.920
create some of the space for that right elbow. Here you can see that right

63
00:04:52.920 --> 00:04:53.120
elbow

64
00:04:53.120 --> 00:04:57.920
get stuck behind and then right through there is where he's releasing more of

65
00:04:57.920 --> 00:04:58.120
his

66
00:04:58.120 --> 00:05:04.160
wrist instead of his whole arms where from this view he's able to shallow the

67
00:05:04.160 --> 00:05:07.760
shaft a little bit better with his arms and then he's able to release

68
00:05:07.760 --> 00:05:14.120
everything through the arms the wrist and kind of the body together. Here

69
00:05:14.120 --> 00:05:14.480
because

70
00:05:14.480 --> 00:05:20.920
that arm got stuck and had to work more out towards the target or work more out

71
00:05:20.920 --> 00:05:24.040
towards the golf ball you'll see a little bit more of a stall pattern

72
00:05:24.040 --> 00:05:29.640
accompanying a little bit more of a hand flip. Here there's a lot more

73
00:05:29.640 --> 00:05:34.760
connection going on during his release. So now if we look back at his practice

74
00:05:34.760 --> 00:05:38.600
swing we might understand a few of these pieces a little bit better. You'll see

75
00:05:38.600 --> 00:05:42.040
that that left shoulder stays down to help create some of the space that right

76
00:05:42.040 --> 00:05:48.040
elbow gets well in front and the body the lower body and core is rotating

77
00:05:48.040 --> 00:05:58.240
through that early transition point. You'll also see that he's organizing the

78
00:05:58.240 --> 00:06:03.100
club more with the forearm so he's creating nice that little shallow

79
00:06:03.100 --> 00:06:07.240
movement with his forearms and you'll see that that there's a little bit of a

80
00:06:07.240 --> 00:06:11.720
variety in that one. You can see this he's focusing where it appears that he's

81
00:06:11.720 --> 00:06:17.880
focusing more on the body the lower body portion and he lost the the club shaft

82
00:06:17.880 --> 00:06:24.240
just a little bit coming down through here. So it appears that he's able to

83
00:06:24.240 --> 00:06:31.240
focus on a few different areas with this one unified drill.

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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Improve Your Ball Striking with Alex Noren's Practice Routine

After this video, you'll be able to:

  • Identify key changes in your swing mechanics for better contact
  • Understand how to combine multiple swing adjustments into one drill
  • Implement a pre-shot routine that enhances your overall ball striking

In this video, we analyze Alex Noren's swing and practice moves, revealing how his rehearsal routine has led to significant improvements in his ball striking. Learn how to apply these insights to elevate your own game.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:04.560
In this analysis video we're going to take a look at the swing of Alex Norin.

2
00:00:04.560 --> 00:00:08.600
More importantly we're going to take a look at this practice move or this

3
00:00:08.600 --> 00:00:12.720
rehearsal swing and what you can learn about it and apply to your own game. Now

4
00:00:12.720 --> 00:00:17.760
Alex Norin has been a great putter but in the last few years he's found

5
00:00:17.760 --> 00:00:21.320
something that's really improved his ball striking and he's climbed all the

6
00:00:21.320 --> 00:00:25.560
way to 13th in the world. In this video I'm going to help you understand how

7
00:00:25.560 --> 00:00:25.880
his

8
00:00:25.880 --> 00:00:31.640
practice routine is helping his ball striking. So over here on the left we

9
00:00:31.640 --> 00:00:34.990
have an older swing and over here on the right we have a more current swing.

10
00:00:34.990 --> 00:00:35.480
This

11
00:00:35.480 --> 00:00:39.800
is prior to his big jump in world golf rankings and ball striking improvement

12
00:00:39.800 --> 00:00:44.360
and this one over here on the right is demonstrating the swing that has helped

13
00:00:44.360 --> 00:00:48.840
him climb close to the top 10. Now whenever I work with a new student I always

14
00:00:48.840 --> 00:00:52.800
show them their video or take a video of their swing and ask them what do they

15
00:00:52.800 --> 00:00:58.440
see and they always key in on one or two things they may say I've got a flip or

16
00:00:58.440 --> 00:01:04.440
a scoop chicken wing I've got a cast I'm not turned enough I'm standing up

17
00:01:04.440 --> 00:01:09.980
whatever it is they always focus on one thing and then what I'll usually ask

18
00:01:09.980 --> 00:01:14.720
them is okay if we change that what else would we have to change and that's

19
00:01:14.720 --> 00:01:20.520
where sometimes I get the kind of frozen look like I'm I'm sure if I just make

20
00:01:20.520 --> 00:01:25.000
that one change I'll hit the ball better. What Alex pre-shot routine and

21
00:01:25.000 --> 00:01:30.400
rehearsal swing helps us understand is that usually there's like four or five

22
00:01:30.400 --> 00:01:35.200
things that you would have to change when you make one change. The key is

23
00:01:35.200 --> 00:01:41.480
finding one drill or one feeling that allows you to combine some of those

24
00:01:41.480 --> 00:01:48.040
things into one playing feel. So if we look over here on the left we will see a

25
00:01:48.040 --> 00:01:53.720
few of the things that change or that he wanted to change and why they used

26
00:01:53.720 --> 00:01:54.000
that

27
00:01:54.000 --> 00:02:01.480
rehearsal drill. So at the top of the swing you'll see his initial movement is

28
00:02:01.480 --> 00:02:07.920
a little bit more of a pull of those arms down. He does have some some shift

29
00:02:07.920 --> 00:02:12.760
of his lower body but his lower body doesn't really start to get going until

30
00:02:12.760 --> 00:02:17.960
down somewhere in this zone. So that first transition move is more of a pull

31
00:02:17.960 --> 00:02:24.280
down of the arms. Now when he pulls down with the arms you'll see right about

32
00:02:24.280 --> 00:02:29.880
halfway that right elbow gets kind of stuck on the side of his body and becomes

33
00:02:29.880 --> 00:02:34.440
just kind of a pivot. You'll see that right through there that right elbow

34
00:02:34.440 --> 00:02:40.960
doesn't come across his body too much. It stays more behind his body as he

35
00:02:40.960 --> 00:02:47.280
releases the club out. The momentum of the the arm kind of pivoting around that

36
00:02:47.280 --> 00:02:55.240
elbow back there then causes more of a scoop action on the way through. If we

37
00:02:55.240 --> 00:03:01.560
look over here on the right you'll see from the top of the swing it's a little

38
00:03:01.560 --> 00:03:07.320
bit more of a blended or a unified transition movement. You can see that his

39
00:03:07.320 --> 00:03:12.400
lower body and his core are helping bring his arms down into position and then

40
00:03:12.400 --> 00:03:17.320
you can see down here his elbow is much more in front of his body and it

41
00:03:17.320 --> 00:03:22.600
continues to move in front of his body all the way during the release. So

42
00:03:22.600 --> 00:03:27.840
instead of having a look of the arms pull the elbow gets stuck and then the

43
00:03:27.840 --> 00:03:35.000
hands flip he has more of a unified pull arms get in front and then whole arms

44
00:03:35.000 --> 00:03:41.280
release together not just the wrist. These are some of the differences that

45
00:03:41.280 --> 00:03:41.400
have

46
00:03:41.400 --> 00:03:46.720
helped him elevate his ball striking to near top 10 status. Here's an older

47
00:03:46.720 --> 00:03:51.480
swing from down the line. It's not a great camera angle but it was one of the

48
00:03:51.480 --> 00:03:55.960
best I could find and then here's that same practice session from about a year

49
00:03:55.960 --> 00:04:01.320
ago. Now many golfers also would look at this and they might have looked at the

50
00:04:01.320 --> 00:04:06.200
face-on and they might have said that the swing looks pretty much the same what

51
00:04:06.200 --> 00:04:06.240
I

52
00:04:06.240 --> 00:04:12.560
what I keyed in on in that face-on view is somewhat subtle unless you know what

53
00:04:12.560 --> 00:04:17.440
to look at but sometimes it's those subtle differences that really create the

54
00:04:17.440 --> 00:04:22.020
difference between your quality shots and your bad shots. You don't always need

55
00:04:22.020 --> 00:04:22.120
a

56
00:04:22.120 --> 00:04:28.280
complete swing overhaul sometimes you just need a few movements to work a

57
00:04:28.280 --> 00:04:33.470
little bit better together. So now if we look at the down the line there's

58
00:04:33.470 --> 00:04:33.680
where

59
00:04:33.680 --> 00:04:38.880
we can see more of that arm pull and you'll see that as he does that arm pull

60
00:04:38.880 --> 00:04:45.080
this left shoulder is actually looking like it kind of elevates. Now over here

61
00:04:45.080 --> 00:04:49.080
you'll see that that left shoulder stays down a bit longer that's what helps

62
00:04:49.080 --> 00:04:52.920
create some of the space for that right elbow. Here you can see that right

63
00:04:52.920 --> 00:04:53.120
elbow

64
00:04:53.120 --> 00:04:57.920
get stuck behind and then right through there is where he's releasing more of

65
00:04:57.920 --> 00:04:58.120
his

66
00:04:58.120 --> 00:05:04.160
wrist instead of his whole arms where from this view he's able to shallow the

67
00:05:04.160 --> 00:05:07.760
shaft a little bit better with his arms and then he's able to release

68
00:05:07.760 --> 00:05:14.120
everything through the arms the wrist and kind of the body together. Here

69
00:05:14.120 --> 00:05:14.480
because

70
00:05:14.480 --> 00:05:20.920
that arm got stuck and had to work more out towards the target or work more out

71
00:05:20.920 --> 00:05:24.040
towards the golf ball you'll see a little bit more of a stall pattern

72
00:05:24.040 --> 00:05:29.640
accompanying a little bit more of a hand flip. Here there's a lot more

73
00:05:29.640 --> 00:05:34.760
connection going on during his release. So now if we look back at his practice

74
00:05:34.760 --> 00:05:38.600
swing we might understand a few of these pieces a little bit better. You'll see

75
00:05:38.600 --> 00:05:42.040
that that left shoulder stays down to help create some of the space that right

76
00:05:42.040 --> 00:05:48.040
elbow gets well in front and the body the lower body and core is rotating

77
00:05:48.040 --> 00:05:58.240
through that early transition point. You'll also see that he's organizing the

78
00:05:58.240 --> 00:06:03.100
club more with the forearm so he's creating nice that little shallow

79
00:06:03.100 --> 00:06:07.240
movement with his forearms and you'll see that that there's a little bit of a

80
00:06:07.240 --> 00:06:11.720
variety in that one. You can see this he's focusing where it appears that he's

81
00:06:11.720 --> 00:06:17.880
focusing more on the body the lower body portion and he lost the the club shaft

82
00:06:17.880 --> 00:06:24.240
just a little bit coming down through here. So it appears that he's able to

83
00:06:24.240 --> 00:06:31.240
focus on a few different areas with this one unified drill.

Have questions about this video?

Ask Mulligan for personalized guidance on technique, drills, or how to apply what you've learned.

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