Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Identify Sway Patterns to Improve Your Ball Striking
After this video, you'll be able to:
- Identify how lateral movement of the pelvis impacts your swing
- Recognize the signs of sway to improve your contact with the ball
- Learn to differentiate between effective and ineffective weight distribution during your backswing
In this video, we analyze the sway pattern in your golf swing and how it affects your consistency. Understanding these movements will help you make necessary adjustments for better contact and performance.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.
2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from
3
00:00:11.030 --> 00:00:12.200
the target.
4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on
5
00:00:16.260 --> 00:00:16.880
video.
6
00:00:16.880 --> 00:00:19.000
It's barely anything.
7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.
8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we
9
00:00:26.450 --> 00:00:27.200
're looking
10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.
11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be
12
00:00:36.380 --> 00:00:37.160
this amount of
13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.
14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back
15
00:00:46.970 --> 00:00:48.000
swing again,
16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going
17
00:00:52.590 --> 00:00:53.360
to roll onto
18
00:00:53.360 --> 00:00:55.640
the outside.
19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in
20
00:01:00.010 --> 00:01:04.440
the downswing.
21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk
22
00:01:09.300 --> 00:01:10.480
about later.
23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,
24
00:01:15.560 --> 00:01:16.760
and especially with
25
00:01:16.760 --> 00:01:17.760
the irons.
26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real
27
00:01:22.860 --> 00:01:24.480
advantage from
28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.
29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just
30
00:01:36.280 --> 00:01:38.040
builds inconsistency.
31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most
32
00:01:41.660 --> 00:01:42.240
prominent
33
00:01:42.240 --> 00:01:44.160
would be the chasing.
34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of
35
00:01:50.000 --> 00:01:51.160
his foot, we
36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift
37
00:01:54.710 --> 00:01:56.280
into the backswing
38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.
39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never
40
00:02:05.140 --> 00:02:05.640
really rolled
41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.
42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a
43
00:02:12.500 --> 00:02:13.080
pro sway
44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.
45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.
46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the
47
00:02:27.560 --> 00:02:28.200
line for,
48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.
49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease
50
00:02:38.990 --> 00:02:39.920
slightly.
51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.
52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way
53
00:02:47.460 --> 00:02:48.160
the amateurs
54
00:02:48.160 --> 00:02:49.160
do.
55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of
56
00:02:53.260 --> 00:02:53.960
drive from
57
00:02:53.960 --> 00:02:55.440
the lower body.
58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the
59
00:03:00.310 --> 00:03:01.000
amateur
60
00:03:01.000 --> 00:03:02.080
sway.
61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are
62
00:03:06.150 --> 00:03:06.800
others,
63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their
64
00:03:11.750 --> 00:03:13.040
consistency.
65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically
66
00:03:18.440 --> 00:03:18.720
if you're
67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single
68
00:03:23.050 --> 00:03:23.880
day in order
69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the
70
00:03:28.710 --> 00:03:29.200
bottom of your
71
00:03:29.200 --> 00:03:33.760
swing is.
72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does
73
00:03:37.620 --> 00:03:38.560
for the overall
74
00:03:38.560 --> 00:03:39.760
swing.
75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.
76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.
77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.
78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically
79
00:04:03.320 --> 00:04:04.040
the top
80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.
81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder
82
00:04:13.840 --> 00:04:14.400
to pull
83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically
84
00:04:19.290 --> 00:04:19.880
or a pull
85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.
86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement
87
00:04:29.790 --> 00:04:30.520
of that left
88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the
89
00:04:37.880 --> 00:04:39.000
sway to finish
90
00:04:39.000 --> 00:04:44.360
the top of the backswing helps make that movement more powerful.
91
00:04:44.360 --> 00:04:49.630
With the torso pattern, you will see that even though there's a sway, VJ is
92
00:04:49.630 --> 00:04:50.480
still able
93
00:04:50.480 --> 00:04:54.680
to initiate the swing with the upper body, or sorry, with the lower body and
94
00:04:54.680 --> 00:04:55.520
the pelvis,
95
00:04:55.520 --> 00:05:01.520
then you'll see that the left shoulder weights its turn before it pulls.
96
00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on
97
00:05:06.160 --> 00:05:06.760
the outside
98
00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to
99
00:05:13.440 --> 00:05:13.680
create
100
00:05:13.680 --> 00:05:15.520
hip or pelvis rotation.
101
00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.
102
00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.
103
00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount
104
00:05:31.610 --> 00:05:32.360
of pelvis
105
00:05:32.360 --> 00:05:38.750
side bend as they come back into this delivery position, where the torso way,
106
00:05:38.750 --> 00:05:39.400
you'll see
107
00:05:39.400 --> 00:05:44.530
that VJ is still able to maintain pretty good movement with the pelvis and he's
108
00:05:44.530 --> 00:05:45.080
able to
109
00:05:45.080 --> 00:05:51.040
get his lower body farther ahead of his upper body.
110
00:05:51.040 --> 00:05:56.660
He hasn't gone into his side bend quite yet, and if we take him right about
111
00:05:56.660 --> 00:05:57.560
there you can
112
00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper
113
00:06:03.480 --> 00:06:04.240
to shirt
114
00:06:04.240 --> 00:06:05.400
buttons.
115
00:06:05.400 --> 00:06:09.980
The sway will tend to support or tend to move more with this lunge pattern and
116
00:06:09.980 --> 00:06:10.680
you'll see
117
00:06:10.680 --> 00:06:18.000
his zipper to shirt buttons is a little bit more vertical.
118
00:06:18.000 --> 00:06:22.270
From a face perspective, the sway by itself does absolutely nothing for
119
00:06:22.270 --> 00:06:23.280
changing the face
120
00:06:23.280 --> 00:06:29.560
orientation to the path.
121
00:06:29.560 --> 00:06:36.290
The sway by itself does not have any necessarily common compensation, but one
122
00:06:36.290 --> 00:06:37.200
common pattern
123
00:06:37.200 --> 00:06:41.080
is to have sway combined with early extension.
124
00:06:41.080 --> 00:06:46.050
Since the sway is going to create a steepening of the swing path because of
125
00:06:46.050 --> 00:06:47.200
where the upper
126
00:06:47.200 --> 00:06:52.280
body is going to go, typically that early extension will help balance that back
127
00:06:52.280 --> 00:06:52.840
out.
128
00:06:52.840 --> 00:06:56.530
Also because the lat gets loaded, it's very common for the arms to work a
129
00:06:56.530 --> 00:06:57.440
little bit more
130
00:06:57.440 --> 00:07:00.920
vertically in this sway pattern.
131
00:07:00.920 --> 00:07:04.610
The body moving in towards the golf ball during the downswing, which we will
132
00:07:04.610 --> 00:07:05.200
describe
133
00:07:05.200 --> 00:07:10.360
more in the early extension section is a common way to balance that back out.
134
00:07:10.360 --> 00:07:15.030
So even a golfer like Vijay Singh who has more of that tourist sway and less of
135
00:07:15.030 --> 00:07:15.320
the
136
00:07:15.320 --> 00:07:20.440
steepening of the arms will still have a slight amount of the early extension
137
00:07:20.440 --> 00:07:21.520
to balance out
138
00:07:21.520 --> 00:07:24.160
or to compensate for some of his sway mechanics.
1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.
2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from
3
00:00:11.030 --> 00:00:12.200
the target.
4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on
5
00:00:16.260 --> 00:00:16.880
video.
6
00:00:16.880 --> 00:00:19.000
It's barely anything.
7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.
8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we
9
00:00:26.450 --> 00:00:27.200
're looking
10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.
11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be
12
00:00:36.380 --> 00:00:37.160
this amount of
13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.
14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back
15
00:00:46.970 --> 00:00:48.000
swing again,
16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going
17
00:00:52.590 --> 00:00:53.360
to roll onto
18
00:00:53.360 --> 00:00:55.640
the outside.
19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in
20
00:01:00.010 --> 00:01:04.440
the downswing.
21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk
22
00:01:09.300 --> 00:01:10.480
about later.
23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,
24
00:01:15.560 --> 00:01:16.760
and especially with
25
00:01:16.760 --> 00:01:17.760
the irons.
26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real
27
00:01:22.860 --> 00:01:24.480
advantage from
28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.
29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just
30
00:01:36.280 --> 00:01:38.040
builds inconsistency.
31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most
32
00:01:41.660 --> 00:01:42.240
prominent
33
00:01:42.240 --> 00:01:44.160
would be the chasing.
34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of
35
00:01:50.000 --> 00:01:51.160
his foot, we
36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift
37
00:01:54.710 --> 00:01:56.280
into the backswing
38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.
39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never
40
00:02:05.140 --> 00:02:05.640
really rolled
41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.
42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a
43
00:02:12.500 --> 00:02:13.080
pro sway
44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.
45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.
46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the
47
00:02:27.560 --> 00:02:28.200
line for,
48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.
49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease
50
00:02:38.990 --> 00:02:39.920
slightly.
51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.
52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way
53
00:02:47.460 --> 00:02:48.160
the amateurs
54
00:02:48.160 --> 00:02:49.160
do.
55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of
56
00:02:53.260 --> 00:02:53.960
drive from
57
00:02:53.960 --> 00:02:55.440
the lower body.
58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the
59
00:03:00.310 --> 00:03:01.000
amateur
60
00:03:01.000 --> 00:03:02.080
sway.
61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are
62
00:03:06.150 --> 00:03:06.800
others,
63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their
64
00:03:11.750 --> 00:03:13.040
consistency.
65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically
66
00:03:18.440 --> 00:03:18.720
if you're
67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single
68
00:03:23.050 --> 00:03:23.880
day in order
69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the
70
00:03:28.710 --> 00:03:29.200
bottom of your
71
00:03:29.200 --> 00:03:33.760
swing is.
72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does
73
00:03:37.620 --> 00:03:38.560
for the overall
74
00:03:38.560 --> 00:03:39.760
swing.
75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.
76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.
77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.
78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically
79
00:04:03.320 --> 00:04:04.040
the top
80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.
81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder
82
00:04:13.840 --> 00:04:14.400
to pull
83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically
84
00:04:19.290 --> 00:04:19.880
or a pull
85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.
86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement
87
00:04:29.790 --> 00:04:30.520
of that left
88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the
89
00:04:37.880 --> 00:04:39.000
sway to finish
90
00:04:39.000 --> 00:04:44.360
the top of the backswing helps make that movement more powerful.
91
00:04:44.360 --> 00:04:49.630
With the torso pattern, you will see that even though there's a sway, VJ is
92
00:04:49.630 --> 00:04:50.480
still able
93
00:04:50.480 --> 00:04:54.680
to initiate the swing with the upper body, or sorry, with the lower body and
94
00:04:54.680 --> 00:04:55.520
the pelvis,
95
00:04:55.520 --> 00:05:01.520
then you'll see that the left shoulder weights its turn before it pulls.
96
00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on
97
00:05:06.160 --> 00:05:06.760
the outside
98
00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to
99
00:05:13.440 --> 00:05:13.680
create
100
00:05:13.680 --> 00:05:15.520
hip or pelvis rotation.
101
00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.
102
00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.
103
00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount
104
00:05:31.610 --> 00:05:32.360
of pelvis
105
00:05:32.360 --> 00:05:38.750
side bend as they come back into this delivery position, where the torso way,
106
00:05:38.750 --> 00:05:39.400
you'll see
107
00:05:39.400 --> 00:05:44.530
that VJ is still able to maintain pretty good movement with the pelvis and he's
108
00:05:44.530 --> 00:05:45.080
able to
109
00:05:45.080 --> 00:05:51.040
get his lower body farther ahead of his upper body.
110
00:05:51.040 --> 00:05:56.660
He hasn't gone into his side bend quite yet, and if we take him right about
111
00:05:56.660 --> 00:05:57.560
there you can
112
00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper
113
00:06:03.480 --> 00:06:04.240
to shirt
114
00:06:04.240 --> 00:06:05.400
buttons.
115
00:06:05.400 --> 00:06:09.980
The sway will tend to support or tend to move more with this lunge pattern and
116
00:06:09.980 --> 00:06:10.680
you'll see
117
00:06:10.680 --> 00:06:18.000
his zipper to shirt buttons is a little bit more vertical.
118
00:06:18.000 --> 00:06:22.270
From a face perspective, the sway by itself does absolutely nothing for
119
00:06:22.270 --> 00:06:23.280
changing the face
120
00:06:23.280 --> 00:06:29.560
orientation to the path.
121
00:06:29.560 --> 00:06:36.290
The sway by itself does not have any necessarily common compensation, but one
122
00:06:36.290 --> 00:06:37.200
common pattern
123
00:06:37.200 --> 00:06:41.080
is to have sway combined with early extension.
124
00:06:41.080 --> 00:06:46.050
Since the sway is going to create a steepening of the swing path because of
125
00:06:46.050 --> 00:06:47.200
where the upper
126
00:06:47.200 --> 00:06:52.280
body is going to go, typically that early extension will help balance that back
127
00:06:52.280 --> 00:06:52.840
out.
128
00:06:52.840 --> 00:06:56.530
Also because the lat gets loaded, it's very common for the arms to work a
129
00:06:56.530 --> 00:06:57.440
little bit more
130
00:06:57.440 --> 00:07:00.920
vertically in this sway pattern.
131
00:07:00.920 --> 00:07:04.610
The body moving in towards the golf ball during the downswing, which we will
132
00:07:04.610 --> 00:07:05.200
describe
133
00:07:05.200 --> 00:07:10.360
more in the early extension section is a common way to balance that back out.
134
00:07:10.360 --> 00:07:15.030
So even a golfer like Vijay Singh who has more of that tourist sway and less of
135
00:07:15.030 --> 00:07:15.320
the
136
00:07:15.320 --> 00:07:20.440
steepening of the arms will still have a slight amount of the early extension
137
00:07:20.440 --> 00:07:21.520
to balance out
138
00:07:21.520 --> 00:07:24.160
or to compensate for some of his sway mechanics.
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Identify Sway Patterns to Improve Your Ball Striking
After this video, you'll be able to:
- Identify how lateral movement of the pelvis impacts your swing
- Recognize the signs of sway to improve your contact with the ball
- Learn to differentiate between effective and ineffective weight distribution during your backswing
In this video, we analyze the sway pattern in your golf swing and how it affects your consistency. Understanding these movements will help you make necessary adjustments for better contact and performance.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.
2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from
3
00:00:11.030 --> 00:00:12.200
the target.
4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on
5
00:00:16.260 --> 00:00:16.880
video.
6
00:00:16.880 --> 00:00:19.000
It's barely anything.
7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.
8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we
9
00:00:26.450 --> 00:00:27.200
're looking
10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.
11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be
12
00:00:36.380 --> 00:00:37.160
this amount of
13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.
14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back
15
00:00:46.970 --> 00:00:48.000
swing again,
16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going
17
00:00:52.590 --> 00:00:53.360
to roll onto
18
00:00:53.360 --> 00:00:55.640
the outside.
19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in
20
00:01:00.010 --> 00:01:04.440
the downswing.
21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk
22
00:01:09.300 --> 00:01:10.480
about later.
23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,
24
00:01:15.560 --> 00:01:16.760
and especially with
25
00:01:16.760 --> 00:01:17.760
the irons.
26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real
27
00:01:22.860 --> 00:01:24.480
advantage from
28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.
29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just
30
00:01:36.280 --> 00:01:38.040
builds inconsistency.
31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most
32
00:01:41.660 --> 00:01:42.240
prominent
33
00:01:42.240 --> 00:01:44.160
would be the chasing.
34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of
35
00:01:50.000 --> 00:01:51.160
his foot, we
36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift
37
00:01:54.710 --> 00:01:56.280
into the backswing
38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.
39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never
40
00:02:05.140 --> 00:02:05.640
really rolled
41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.
42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a
43
00:02:12.500 --> 00:02:13.080
pro sway
44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.
45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.
46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the
47
00:02:27.560 --> 00:02:28.200
line for,
48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.
49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease
50
00:02:38.990 --> 00:02:39.920
slightly.
51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.
52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way
53
00:02:47.460 --> 00:02:48.160
the amateurs
54
00:02:48.160 --> 00:02:49.160
do.
55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of
56
00:02:53.260 --> 00:02:53.960
drive from
57
00:02:53.960 --> 00:02:55.440
the lower body.
58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the
59
00:03:00.310 --> 00:03:01.000
amateur
60
00:03:01.000 --> 00:03:02.080
sway.
61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are
62
00:03:06.150 --> 00:03:06.800
others,
63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their
64
00:03:11.750 --> 00:03:13.040
consistency.
65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically
66
00:03:18.440 --> 00:03:18.720
if you're
67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single
68
00:03:23.050 --> 00:03:23.880
day in order
69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the
70
00:03:28.710 --> 00:03:29.200
bottom of your
71
00:03:29.200 --> 00:03:33.760
swing is.
72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does
73
00:03:37.620 --> 00:03:38.560
for the overall
74
00:03:38.560 --> 00:03:39.760
swing.
75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.
76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.
77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.
78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically
79
00:04:03.320 --> 00:04:04.040
the top
80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.
81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder
82
00:04:13.840 --> 00:04:14.400
to pull
83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically
84
00:04:19.290 --> 00:04:19.880
or a pull
85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.
86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement
87
00:04:29.790 --> 00:04:30.520
of that left
88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the
89
00:04:37.880 --> 00:04:39.000
sway to finish
90
00:04:39.000 --> 00:04:44.360
the top of the backswing helps make that movement more powerful.
91
00:04:44.360 --> 00:04:49.630
With the torso pattern, you will see that even though there's a sway, VJ is
92
00:04:49.630 --> 00:04:50.480
still able
93
00:04:50.480 --> 00:04:54.680
to initiate the swing with the upper body, or sorry, with the lower body and
94
00:04:54.680 --> 00:04:55.520
the pelvis,
95
00:04:55.520 --> 00:05:01.520
then you'll see that the left shoulder weights its turn before it pulls.
96
00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on
97
00:05:06.160 --> 00:05:06.760
the outside
98
00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to
99
00:05:13.440 --> 00:05:13.680
create
100
00:05:13.680 --> 00:05:15.520
hip or pelvis rotation.
101
00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.
102
00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.
103
00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount
104
00:05:31.610 --> 00:05:32.360
of pelvis
105
00:05:32.360 --> 00:05:38.750
side bend as they come back into this delivery position, where the torso way,
106
00:05:38.750 --> 00:05:39.400
you'll see
107
00:05:39.400 --> 00:05:44.530
that VJ is still able to maintain pretty good movement with the pelvis and he's
108
00:05:44.530 --> 00:05:45.080
able to
109
00:05:45.080 --> 00:05:51.040
get his lower body farther ahead of his upper body.
110
00:05:51.040 --> 00:05:56.660
He hasn't gone into his side bend quite yet, and if we take him right about
111
00:05:56.660 --> 00:05:57.560
there you can
112
00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper
113
00:06:03.480 --> 00:06:04.240
to shirt
114
00:06:04.240 --> 00:06:05.400
buttons.
115
00:06:05.400 --> 00:06:09.980
The sway will tend to support or tend to move more with this lunge pattern and
116
00:06:09.980 --> 00:06:10.680
you'll see
117
00:06:10.680 --> 00:06:18.000
his zipper to shirt buttons is a little bit more vertical.
118
00:06:18.000 --> 00:06:22.270
From a face perspective, the sway by itself does absolutely nothing for
119
00:06:22.270 --> 00:06:23.280
changing the face
120
00:06:23.280 --> 00:06:29.560
orientation to the path.
121
00:06:29.560 --> 00:06:36.290
The sway by itself does not have any necessarily common compensation, but one
122
00:06:36.290 --> 00:06:37.200
common pattern
123
00:06:37.200 --> 00:06:41.080
is to have sway combined with early extension.
124
00:06:41.080 --> 00:06:46.050
Since the sway is going to create a steepening of the swing path because of
125
00:06:46.050 --> 00:06:47.200
where the upper
126
00:06:47.200 --> 00:06:52.280
body is going to go, typically that early extension will help balance that back
127
00:06:52.280 --> 00:06:52.840
out.
128
00:06:52.840 --> 00:06:56.530
Also because the lat gets loaded, it's very common for the arms to work a
129
00:06:56.530 --> 00:06:57.440
little bit more
130
00:06:57.440 --> 00:07:00.920
vertically in this sway pattern.
131
00:07:00.920 --> 00:07:04.610
The body moving in towards the golf ball during the downswing, which we will
132
00:07:04.610 --> 00:07:05.200
describe
133
00:07:05.200 --> 00:07:10.360
more in the early extension section is a common way to balance that back out.
134
00:07:10.360 --> 00:07:15.030
So even a golfer like Vijay Singh who has more of that tourist sway and less of
135
00:07:15.030 --> 00:07:15.320
the
136
00:07:15.320 --> 00:07:20.440
steepening of the arms will still have a slight amount of the early extension
137
00:07:20.440 --> 00:07:21.520
to balance out
138
00:07:21.520 --> 00:07:24.160
or to compensate for some of his sway mechanics.
1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.
2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from
3
00:00:11.030 --> 00:00:12.200
the target.
4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on
5
00:00:16.260 --> 00:00:16.880
video.
6
00:00:16.880 --> 00:00:19.000
It's barely anything.
7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.
8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we
9
00:00:26.450 --> 00:00:27.200
're looking
10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.
11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be
12
00:00:36.380 --> 00:00:37.160
this amount of
13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.
14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back
15
00:00:46.970 --> 00:00:48.000
swing again,
16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going
17
00:00:52.590 --> 00:00:53.360
to roll onto
18
00:00:53.360 --> 00:00:55.640
the outside.
19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in
20
00:01:00.010 --> 00:01:04.440
the downswing.
21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk
22
00:01:09.300 --> 00:01:10.480
about later.
23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,
24
00:01:15.560 --> 00:01:16.760
and especially with
25
00:01:16.760 --> 00:01:17.760
the irons.
26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real
27
00:01:22.860 --> 00:01:24.480
advantage from
28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.
29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just
30
00:01:36.280 --> 00:01:38.040
builds inconsistency.
31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most
32
00:01:41.660 --> 00:01:42.240
prominent
33
00:01:42.240 --> 00:01:44.160
would be the chasing.
34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of
35
00:01:50.000 --> 00:01:51.160
his foot, we
36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift
37
00:01:54.710 --> 00:01:56.280
into the backswing
38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.
39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never
40
00:02:05.140 --> 00:02:05.640
really rolled
41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.
42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a
43
00:02:12.500 --> 00:02:13.080
pro sway
44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.
45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.
46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the
47
00:02:27.560 --> 00:02:28.200
line for,
48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.
49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease
50
00:02:38.990 --> 00:02:39.920
slightly.
51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.
52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way
53
00:02:47.460 --> 00:02:48.160
the amateurs
54
00:02:48.160 --> 00:02:49.160
do.
55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of
56
00:02:53.260 --> 00:02:53.960
drive from
57
00:02:53.960 --> 00:02:55.440
the lower body.
58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the
59
00:03:00.310 --> 00:03:01.000
amateur
60
00:03:01.000 --> 00:03:02.080
sway.
61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are
62
00:03:06.150 --> 00:03:06.800
others,
63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their
64
00:03:11.750 --> 00:03:13.040
consistency.
65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically
66
00:03:18.440 --> 00:03:18.720
if you're
67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single
68
00:03:23.050 --> 00:03:23.880
day in order
69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the
70
00:03:28.710 --> 00:03:29.200
bottom of your
71
00:03:29.200 --> 00:03:33.760
swing is.
72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does
73
00:03:37.620 --> 00:03:38.560
for the overall
74
00:03:38.560 --> 00:03:39.760
swing.
75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.
76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.
77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.
78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically
79
00:04:03.320 --> 00:04:04.040
the top
80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.
81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder
82
00:04:13.840 --> 00:04:14.400
to pull
83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically
84
00:04:19.290 --> 00:04:19.880
or a pull
85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.
86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement
87
00:04:29.790 --> 00:04:30.520
of that left
88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the
89
00:04:37.880 --> 00:04:39.000
sway to finish
90
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the top of the backswing helps make that movement more powerful.
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With the torso pattern, you will see that even though there's a sway, VJ is
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still able
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to initiate the swing with the upper body, or sorry, with the lower body and
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the pelvis,
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then you'll see that the left shoulder weights its turn before it pulls.
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00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on
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the outside
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00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to
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create
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hip or pelvis rotation.
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00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.
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00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.
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00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount
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of pelvis
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side bend as they come back into this delivery position, where the torso way,
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you'll see
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that VJ is still able to maintain pretty good movement with the pelvis and he's
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able to
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get his lower body farther ahead of his upper body.
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He hasn't gone into his side bend quite yet, and if we take him right about
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there you can
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00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper
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to shirt
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buttons.
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The sway will tend to support or tend to move more with this lunge pattern and
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you'll see
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his zipper to shirt buttons is a little bit more vertical.
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From a face perspective, the sway by itself does absolutely nothing for
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changing the face
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orientation to the path.
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The sway by itself does not have any necessarily common compensation, but one
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common pattern
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is to have sway combined with early extension.
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Since the sway is going to create a steepening of the swing path because of
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where the upper
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body is going to go, typically that early extension will help balance that back
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out.
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Also because the lat gets loaded, it's very common for the arms to work a
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little bit more
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vertically in this sway pattern.
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The body moving in towards the golf ball during the downswing, which we will
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describe
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more in the early extension section is a common way to balance that back out.
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So even a golfer like Vijay Singh who has more of that tourist sway and less of
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the
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steepening of the arms will still have a slight amount of the early extension
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to balance out
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or to compensate for some of his sway mechanics.
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