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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Identify Sway Patterns to Improve Your Ball Striking

After this video, you'll be able to:

  • Identify how lateral movement of the pelvis impacts your swing
  • Recognize the signs of sway to improve your contact with the ball
  • Learn to differentiate between effective and ineffective weight distribution during your backswing

In this video, we analyze the sway pattern in your golf swing and how it affects your consistency. Understanding these movements will help you make necessary adjustments for better contact and performance.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.

2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from

3
00:00:11.030 --> 00:00:12.200
the target.

4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on

5
00:00:16.260 --> 00:00:16.880
video.

6
00:00:16.880 --> 00:00:19.000
It's barely anything.

7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.

8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we

9
00:00:26.450 --> 00:00:27.200
're looking

10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.

11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be

12
00:00:36.380 --> 00:00:37.160
this amount of

13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.

14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back

15
00:00:46.970 --> 00:00:48.000
swing again,

16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going

17
00:00:52.590 --> 00:00:53.360
to roll onto

18
00:00:53.360 --> 00:00:55.640
the outside.

19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in

20
00:01:00.010 --> 00:01:04.440
the downswing.

21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk

22
00:01:09.300 --> 00:01:10.480
about later.

23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,

24
00:01:15.560 --> 00:01:16.760
and especially with

25
00:01:16.760 --> 00:01:17.760
the irons.

26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real

27
00:01:22.860 --> 00:01:24.480
advantage from

28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.

29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just

30
00:01:36.280 --> 00:01:38.040
builds inconsistency.

31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most

32
00:01:41.660 --> 00:01:42.240
prominent

33
00:01:42.240 --> 00:01:44.160
would be the chasing.

34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of

35
00:01:50.000 --> 00:01:51.160
his foot, we

36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift

37
00:01:54.710 --> 00:01:56.280
into the backswing

38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.

39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never

40
00:02:05.140 --> 00:02:05.640
really rolled

41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.

42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a

43
00:02:12.500 --> 00:02:13.080
pro sway

44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.

45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.

46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the

47
00:02:27.560 --> 00:02:28.200
line for,

48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.

49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease

50
00:02:38.990 --> 00:02:39.920
slightly.

51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.

52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way

53
00:02:47.460 --> 00:02:48.160
the amateurs

54
00:02:48.160 --> 00:02:49.160
do.

55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of

56
00:02:53.260 --> 00:02:53.960
drive from

57
00:02:53.960 --> 00:02:55.440
the lower body.

58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the

59
00:03:00.310 --> 00:03:01.000
amateur

60
00:03:01.000 --> 00:03:02.080
sway.

61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are

62
00:03:06.150 --> 00:03:06.800
others,

63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their

64
00:03:11.750 --> 00:03:13.040
consistency.

65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically

66
00:03:18.440 --> 00:03:18.720
if you're

67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single

68
00:03:23.050 --> 00:03:23.880
day in order

69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the

70
00:03:28.710 --> 00:03:29.200
bottom of your

71
00:03:29.200 --> 00:03:33.760
swing is.

72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does

73
00:03:37.620 --> 00:03:38.560
for the overall

74
00:03:38.560 --> 00:03:39.760
swing.

75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.

76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.

77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.

78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically

79
00:04:03.320 --> 00:04:04.040
the top

80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.

81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder

82
00:04:13.840 --> 00:04:14.400
to pull

83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically

84
00:04:19.290 --> 00:04:19.880
or a pull

85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.

86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement

87
00:04:29.790 --> 00:04:30.520
of that left

88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the

89
00:04:37.880 --> 00:04:39.000
sway to finish

90
00:04:39.000 --> 00:04:44.360
the top of the backswing helps make that movement more powerful.

91
00:04:44.360 --> 00:04:49.630
With the torso pattern, you will see that even though there's a sway, VJ is

92
00:04:49.630 --> 00:04:50.480
still able

93
00:04:50.480 --> 00:04:54.680
to initiate the swing with the upper body, or sorry, with the lower body and

94
00:04:54.680 --> 00:04:55.520
the pelvis,

95
00:04:55.520 --> 00:05:01.520
then you'll see that the left shoulder weights its turn before it pulls.

96
00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on

97
00:05:06.160 --> 00:05:06.760
the outside

98
00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to

99
00:05:13.440 --> 00:05:13.680
create

100
00:05:13.680 --> 00:05:15.520
hip or pelvis rotation.

101
00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.

102
00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.

103
00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount

104
00:05:31.610 --> 00:05:32.360
of pelvis

105
00:05:32.360 --> 00:05:38.750
side bend as they come back into this delivery position, where the torso way,

106
00:05:38.750 --> 00:05:39.400
you'll see

107
00:05:39.400 --> 00:05:44.530
that VJ is still able to maintain pretty good movement with the pelvis and he's

108
00:05:44.530 --> 00:05:45.080
able to

109
00:05:45.080 --> 00:05:51.040
get his lower body farther ahead of his upper body.

110
00:05:51.040 --> 00:05:56.660
He hasn't gone into his side bend quite yet, and if we take him right about

111
00:05:56.660 --> 00:05:57.560
there you can

112
00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper

113
00:06:03.480 --> 00:06:04.240
to shirt

114
00:06:04.240 --> 00:06:05.400
buttons.

115
00:06:05.400 --> 00:06:09.980
The sway will tend to support or tend to move more with this lunge pattern and

116
00:06:09.980 --> 00:06:10.680
you'll see

117
00:06:10.680 --> 00:06:18.000
his zipper to shirt buttons is a little bit more vertical.

118
00:06:18.000 --> 00:06:22.270
From a face perspective, the sway by itself does absolutely nothing for

119
00:06:22.270 --> 00:06:23.280
changing the face

120
00:06:23.280 --> 00:06:29.560
orientation to the path.

121
00:06:29.560 --> 00:06:36.290
The sway by itself does not have any necessarily common compensation, but one

122
00:06:36.290 --> 00:06:37.200
common pattern

123
00:06:37.200 --> 00:06:41.080
is to have sway combined with early extension.

124
00:06:41.080 --> 00:06:46.050
Since the sway is going to create a steepening of the swing path because of

125
00:06:46.050 --> 00:06:47.200
where the upper

126
00:06:47.200 --> 00:06:52.280
body is going to go, typically that early extension will help balance that back

127
00:06:52.280 --> 00:06:52.840
out.

128
00:06:52.840 --> 00:06:56.530
Also because the lat gets loaded, it's very common for the arms to work a

129
00:06:56.530 --> 00:06:57.440
little bit more

130
00:06:57.440 --> 00:07:00.920
vertically in this sway pattern.

131
00:07:00.920 --> 00:07:04.610
The body moving in towards the golf ball during the downswing, which we will

132
00:07:04.610 --> 00:07:05.200
describe

133
00:07:05.200 --> 00:07:10.360
more in the early extension section is a common way to balance that back out.

134
00:07:10.360 --> 00:07:15.030
So even a golfer like Vijay Singh who has more of that tourist sway and less of

135
00:07:15.030 --> 00:07:15.320
the

136
00:07:15.320 --> 00:07:20.440
steepening of the arms will still have a slight amount of the early extension

137
00:07:20.440 --> 00:07:21.520
to balance out

138
00:07:21.520 --> 00:07:24.160
or to compensate for some of his sway mechanics.
Related topics
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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Identify Sway Patterns to Improve Your Ball Striking

After this video, you'll be able to:

  • Identify how lateral movement of the pelvis impacts your swing
  • Recognize the signs of sway to improve your contact with the ball
  • Learn to differentiate between effective and ineffective weight distribution during your backswing

In this video, we analyze the sway pattern in your golf swing and how it affects your consistency. Understanding these movements will help you make necessary adjustments for better contact and performance.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:06.800
In this analysis video, we're going to look at the sway pattern.

2
00:00:06.800 --> 00:00:11.030
Now the sway pattern is any amount of lateral movement of the pelvis away from

3
00:00:11.030 --> 00:00:12.200
the target.

4
00:00:12.200 --> 00:00:16.260
The tour average is about half an inch, which doesn't show up very well on

5
00:00:16.260 --> 00:00:16.880
video.

6
00:00:16.880 --> 00:00:19.000
It's barely anything.

7
00:00:19.000 --> 00:00:22.920
The easiest way to view the sway is from the face-on camera view.

8
00:00:22.920 --> 00:00:26.450
If you draw a line from the outside of the ankle to the outside of the hip, we

9
00:00:26.450 --> 00:00:27.200
're looking

10
00:00:27.200 --> 00:00:32.240
for any amount of movement to the outside of that line or away from the target.

11
00:00:32.240 --> 00:00:36.380
The two areas you can look at to see the effects of the sway are going to be

12
00:00:36.380 --> 00:00:37.160
this amount of

13
00:00:37.160 --> 00:00:42.360
space right here, or you can look at the trail foot if it's subtle.

14
00:00:42.360 --> 00:00:46.970
So if you were to look at the foot, and we took this golfer through his back

15
00:00:46.970 --> 00:00:48.000
swing again,

16
00:00:48.000 --> 00:00:52.590
you would see that as he goes towards the top of the swing, that foot is going

17
00:00:52.590 --> 00:00:53.360
to roll onto

18
00:00:53.360 --> 00:00:55.640
the outside.

19
00:00:55.640 --> 00:01:00.010
That provides a very poor platform to then push off of during the transition in

20
00:01:00.010 --> 00:01:04.440
the downswing.

21
00:01:04.440 --> 00:01:09.300
Mechanically there's a small advantage for one power source, which we'll talk

22
00:01:09.300 --> 00:01:10.480
about later.

23
00:01:10.480 --> 00:01:15.560
But the pattern of this way is typically inconsistent contact with the irons,

24
00:01:15.560 --> 00:01:16.760
and especially with

25
00:01:16.760 --> 00:01:17.760
the irons.

26
00:01:17.760 --> 00:01:22.860
You will tend to struggle with fat and thin contact, but there's no real

27
00:01:22.860 --> 00:01:24.480
advantage from

28
00:01:24.480 --> 00:01:29.800
a consistency or any particular shot that is helped by having the sway pattern.

29
00:01:29.800 --> 00:01:36.280
So it's typically one of the more frustrating patterns because it simply just

30
00:01:36.280 --> 00:01:38.040
builds inconsistency.

31
00:01:38.040 --> 00:01:41.660
There's a small handful of toward examples of swayers, but probably the most

32
00:01:41.660 --> 00:01:42.240
prominent

33
00:01:42.240 --> 00:01:44.160
would be the chasing.

34
00:01:44.160 --> 00:01:50.000
So if we were to draw the line from the outside of his hip to the outside of

35
00:01:50.000 --> 00:01:51.160
his foot, we

36
00:01:51.160 --> 00:01:54.710
can take him up towards the top of the swing and you will see a clear shift

37
00:01:54.710 --> 00:01:56.280
into the backswing

38
00:01:56.280 --> 00:02:00.240
of the or a clear lateral movement of the pelvis into the backswing.

39
00:02:00.240 --> 00:02:05.140
But if you were to pay attention to his trail foot, you would see that he never

40
00:02:05.140 --> 00:02:05.640
really rolled

41
00:02:05.640 --> 00:02:07.720
to the outside of the foot.

42
00:02:07.720 --> 00:02:12.500
That's something that you'll typically only see with an amateur sway, where a

43
00:02:12.500 --> 00:02:13.080
pro sway

44
00:02:13.080 --> 00:02:18.440
will just have this lateral movement.

45
00:02:18.440 --> 00:02:23.240
Another example of a tour player who has a sway pattern is Camellio Vijegas.

46
00:02:23.240 --> 00:02:27.560
Now this camera moves, so that's not going to be a very good thing to use the

47
00:02:27.560 --> 00:02:28.200
line for,

48
00:02:28.200 --> 00:02:34.200
but just look at the amount of space in this chair compared to his white pants.

49
00:02:34.200 --> 00:02:38.990
As you'll see during the backswing, the amount of space is going to decrease

50
00:02:38.990 --> 00:02:39.920
slightly.

51
00:02:39.920 --> 00:02:44.200
He has a much more subtle sway than VJ Singh, but he does have a sway.

52
00:02:44.200 --> 00:02:47.460
You will also note that he does not get onto the outside of the foot the way

53
00:02:47.460 --> 00:02:48.160
the amateurs

54
00:02:48.160 --> 00:02:49.160
do.

55
00:02:49.160 --> 00:02:53.260
That is purely a movement that is going to cause inconsistency and lack of

56
00:02:53.260 --> 00:02:53.960
drive from

57
00:02:53.960 --> 00:02:55.440
the lower body.

58
00:02:55.440 --> 00:03:00.310
So there's kind of two different versions of the sway, the tour sway and the

59
00:03:00.310 --> 00:03:01.000
amateur

60
00:03:01.000 --> 00:03:02.080
sway.

61
00:03:02.080 --> 00:03:06.150
Now it's important to note that these two examples, and I'm sure there are

62
00:03:06.150 --> 00:03:06.800
others,

63
00:03:06.800 --> 00:03:11.750
but these two examples hit lots of golf balls in order to keep their

64
00:03:11.750 --> 00:03:13.040
consistency.

65
00:03:13.040 --> 00:03:18.440
Because of the inherent built-in inconsistency to the sway pattern, typically

66
00:03:18.440 --> 00:03:18.720
if you're

67
00:03:18.720 --> 00:03:23.050
going to be very good with a sway, you need to hit balls almost every single

68
00:03:23.050 --> 00:03:23.880
day in order

69
00:03:23.880 --> 00:03:28.710
to keep the subtleties to your timing, your rhythm, and knowing where the

70
00:03:28.710 --> 00:03:29.200
bottom of your

71
00:03:29.200 --> 00:03:33.760
swing is.

72
00:03:33.760 --> 00:03:37.620
Now let's take a power path and face perspective and look at what the sway does

73
00:03:37.620 --> 00:03:38.560
for the overall

74
00:03:38.560 --> 00:03:39.760
swing.

75
00:03:39.760 --> 00:03:45.600
From a power perspective, this sway actually helps load the lat.

76
00:03:45.600 --> 00:03:52.880
Now the lat is a large muscle that connects the pelvis or to the upper arm.

77
00:03:52.880 --> 00:03:56.520
So it kind of spans half of your back and it's a very large muscle.

78
00:03:56.520 --> 00:04:03.320
When the pelvis shifts laterally away from the target, it helps get basically

79
00:04:03.320 --> 00:04:04.040
the top

80
00:04:04.040 --> 00:04:08.960
of the lat in a more powerful position compared to the bottom of the lat.

81
00:04:08.960 --> 00:04:13.840
So frequently with these amateurs, if I'm going to use my lat and my shoulder

82
00:04:13.840 --> 00:04:14.400
to pull

83
00:04:14.400 --> 00:04:19.290
my upper body or pull my arms down, whether that's a pull straight vertically

84
00:04:19.290 --> 00:04:19.880
or a pull

85
00:04:19.880 --> 00:04:25.560
with rotation, the sway actually helps load that lateral movement.

86
00:04:25.560 --> 00:04:29.790
You'll see in both of these cases of amateurs, there's a pretty clear movement

87
00:04:29.790 --> 00:04:30.520
of that left

88
00:04:30.520 --> 00:04:37.880
shoulder rotating and slightly lunging during that transition movement and the

89
00:04:37.880 --> 00:04:39.000
sway to finish

90
00:04:39.000 --> 00:04:44.360
the top of the backswing helps make that movement more powerful.

91
00:04:44.360 --> 00:04:49.630
With the torso pattern, you will see that even though there's a sway, VJ is

92
00:04:49.630 --> 00:04:50.480
still able

93
00:04:50.480 --> 00:04:54.680
to initiate the swing with the upper body, or sorry, with the lower body and

94
00:04:54.680 --> 00:04:55.520
the pelvis,

95
00:04:55.520 --> 00:05:01.520
then you'll see that the left shoulder weights its turn before it pulls.

96
00:05:01.520 --> 00:05:06.160
This is largely due to what the amateur sway does to the foot and getting on

97
00:05:06.160 --> 00:05:06.760
the outside

98
00:05:06.760 --> 00:05:13.440
of the foot pretty much weakens your ability to push with that trail leg and to

99
00:05:13.440 --> 00:05:13.680
create

100
00:05:13.680 --> 00:05:15.520
hip or pelvis rotation.

101
00:05:15.520 --> 00:05:20.840
So it leaves you with pretty much an upper body dominated swing.

102
00:05:20.840 --> 00:05:26.240
Upper body dominated swing will tend to steepen the path of the club.

103
00:05:26.240 --> 00:05:31.610
In addition, the amateur sway will tend to have trouble getting a fair amount

104
00:05:31.610 --> 00:05:32.360
of pelvis

105
00:05:32.360 --> 00:05:38.750
side bend as they come back into this delivery position, where the torso way,

106
00:05:38.750 --> 00:05:39.400
you'll see

107
00:05:39.400 --> 00:05:44.530
that VJ is still able to maintain pretty good movement with the pelvis and he's

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00:05:44.530 --> 00:05:45.080
able to

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00:05:45.080 --> 00:05:51.040
get his lower body farther ahead of his upper body.

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00:05:51.040 --> 00:05:56.660
He hasn't gone into his side bend quite yet, and if we take him right about

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00:05:56.660 --> 00:05:57.560
there you can

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00:05:57.560 --> 00:06:03.480
see a certain amount of side bend but it's probably easier if we look at zipper

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to shirt

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00:06:04.240 --> 00:06:05.400
buttons.

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00:06:05.400 --> 00:06:09.980
The sway will tend to support or tend to move more with this lunge pattern and

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00:06:09.980 --> 00:06:10.680
you'll see

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00:06:10.680 --> 00:06:18.000
his zipper to shirt buttons is a little bit more vertical.

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From a face perspective, the sway by itself does absolutely nothing for

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changing the face

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00:06:23.280 --> 00:06:29.560
orientation to the path.

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00:06:29.560 --> 00:06:36.290
The sway by itself does not have any necessarily common compensation, but one

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common pattern

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00:06:37.200 --> 00:06:41.080
is to have sway combined with early extension.

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00:06:41.080 --> 00:06:46.050
Since the sway is going to create a steepening of the swing path because of

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00:06:46.050 --> 00:06:47.200
where the upper

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00:06:47.200 --> 00:06:52.280
body is going to go, typically that early extension will help balance that back

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00:06:52.280 --> 00:06:52.840
out.

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00:06:52.840 --> 00:06:56.530
Also because the lat gets loaded, it's very common for the arms to work a

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00:06:56.530 --> 00:06:57.440
little bit more

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vertically in this sway pattern.

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00:07:00.920 --> 00:07:04.610
The body moving in towards the golf ball during the downswing, which we will

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00:07:04.610 --> 00:07:05.200
describe

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more in the early extension section is a common way to balance that back out.

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00:07:10.360 --> 00:07:15.030
So even a golfer like Vijay Singh who has more of that tourist sway and less of

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00:07:15.030 --> 00:07:15.320
the

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00:07:15.320 --> 00:07:20.440
steepening of the arms will still have a slight amount of the early extension

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to balance out

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or to compensate for some of his sway mechanics.
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