Not sure where to start? Ask Mulligan
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Improve Your Golf Swing Sequence for Better Power and Control
After this video, you'll be able to:
- Understand how to initiate your swing from the ground up for better energy transfer.
- Practice disassociating your upper and lower body for improved swing mechanics.
- Develop a feel for the correct timing in your swing to enhance speed and control.
In this video, you'll learn essential drills to enhance your swing sequencing, focusing on the proper order of body movements. Mastering this technique will help you generate more power and improve your ball striking consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:10.920
Israel video is the sequencing starter kit. So sequencing is the word that we
2
00:00:10.920 --> 00:00:11.920
use to describe
3
00:00:11.920 --> 00:00:15.540
kind of the order of what's moving in transition. The other word that you'll
4
00:00:15.540 --> 00:00:16.160
hear thrown around
5
00:00:16.160 --> 00:00:21.520
is disassociation. So disassociation is basically learning to move one part of
6
00:00:21.520 --> 00:00:21.680
your
7
00:00:21.680 --> 00:00:25.720
body independent from the other part, the other parts of your body. In this
8
00:00:25.720 --> 00:00:26.400
case, we often
9
00:00:26.400 --> 00:00:31.830
want to have the sequencing to start from the ground up before the shoulders
10
00:00:31.830 --> 00:00:33.120
move in the
11
00:00:33.120 --> 00:00:38.310
direction of the target. This builds a tension through the core that acts as a
12
00:00:38.310 --> 00:00:38.880
little bit of a
13
00:00:38.880 --> 00:00:44.240
catapult and creates speed as well as a shallow path, slower club face closure,
14
00:00:44.240 --> 00:00:45.040
lots of the traits
15
00:00:45.040 --> 00:00:48.760
that we see with the stock tour swing. So oftentimes, I start people with this
16
00:00:48.760 --> 00:00:50.480
little sequence. We're
17
00:00:50.480 --> 00:00:54.720
going to put the club across your shoulders. I've got a club for my shoulders
18
00:00:54.720 --> 00:00:55.840
and a alignment stick
19
00:00:55.840 --> 00:00:58.330
for my hips just to make it more obvious, but you don't necessarily need to
20
00:00:58.330 --> 00:00:59.280
have to hold anything.
21
00:00:59.280 --> 00:01:03.490
You can just stand up and do this at home or on the range. So first one we're
22
00:01:03.490 --> 00:01:05.120
going to do is we're
23
00:01:05.120 --> 00:01:09.320
going to try and turn our upper body to the right and to the left, back and
24
00:01:09.320 --> 00:01:10.560
forth, without moving
25
00:01:10.560 --> 00:01:14.990
the lower body. Hopefully it stays pretty still. You can check in a mirror or
26
00:01:14.990 --> 00:01:16.800
look at it on camera.
27
00:01:16.800 --> 00:01:23.120
And then second, we're going to try to turn the lower body both directions. And
28
00:01:23.120 --> 00:01:24.640
so if you struggle
29
00:01:24.640 --> 00:01:28.020
with that, you'll probably have a little bit of struggling with sequencing. But
30
00:01:28.020 --> 00:01:28.960
I think that you
31
00:01:28.960 --> 00:01:33.360
can kind of work through it as well. So then the next step would be I'm going
32
00:01:33.360 --> 00:01:35.280
to try to simultaneously
33
00:01:35.280 --> 00:01:40.880
turn my upper body to the right and my lower body to the left. Now you'll see
34
00:01:40.880 --> 00:01:41.920
that when I do this,
35
00:01:41.920 --> 00:01:49.110
my upper body tends to not move quite as much, but it doesn't follow. So the
36
00:01:49.110 --> 00:01:49.840
lower body, I'm
37
00:01:49.840 --> 00:01:53.530
going to be able to move a little bit more in the upper body turning in the
38
00:01:53.530 --> 00:01:54.720
opposite direction.
39
00:01:54.720 --> 00:01:58.810
If I'm doing it more from the ribs and not just kind of pulling the shoulder
40
00:01:58.810 --> 00:01:59.200
back,
41
00:01:59.200 --> 00:02:04.390
then I'll be able to do a little bit less movement for the upper body, but they
42
00:02:04.390 --> 00:02:05.440
're kind of coordinated
43
00:02:05.440 --> 00:02:09.190
where they're moving in opposite directions. Next, I'm going to go up to the
44
00:02:09.190 --> 00:02:10.000
top of my swing,
45
00:02:10.000 --> 00:02:14.630
and I'm going to try to do that same thing. So I'm going to leave a little bit
46
00:02:14.630 --> 00:02:15.280
of slack in my
47
00:02:15.280 --> 00:02:18.830
upper body, probably more than I would normally do in my real swing, so that I
48
00:02:18.830 --> 00:02:19.440
can turn my
49
00:02:19.840 --> 00:02:25.360
shoulders in my upper body that way as I'm turning my lower body that way. When
50
00:02:25.360 --> 00:02:25.760
I do this,
51
00:02:25.760 --> 00:02:29.800
I'm going to feel a big stretch in my core. Now what I can do is I can get into
52
00:02:29.800 --> 00:02:30.560
that position,
53
00:02:30.560 --> 00:02:34.010
and then I can feel like I keep my lower body moving and I let my upper body
54
00:02:34.010 --> 00:02:35.440
close that stretch.
55
00:02:35.440 --> 00:02:39.750
That's more of the release sequence. So next one, I'm going to do that kind of
56
00:02:39.750 --> 00:02:40.880
in more of a
57
00:02:40.880 --> 00:02:44.950
unified downswing. So I'm going to go up to the top, then I'm going to do that
58
00:02:44.950 --> 00:02:46.880
disassociation move,
59
00:02:46.880 --> 00:02:52.160
and then I'm going to kind of close the gap. So we'll do that one more time,
60
00:02:52.160 --> 00:02:53.040
but this time
61
00:02:53.040 --> 00:02:57.670
has a one-piece downswing. So I'm going to go up to the top, and then you'll
62
00:02:57.670 --> 00:02:58.640
see a little bit
63
00:02:58.640 --> 00:03:04.640
of a disassociation move or sequencing move. And if you're doing this, the kind
64
00:03:04.640 --> 00:03:05.520
of the full
65
00:03:05.520 --> 00:03:12.720
advanced version, then when I get down to impact, the shoulders should contact
66
00:03:12.720 --> 00:03:14.400
the alignment stick,
67
00:03:14.400 --> 00:03:20.630
you're kind of like that. Now I would recommend either pulling the stick so
68
00:03:20.630 --> 00:03:21.520
that it's far out
69
00:03:21.520 --> 00:03:26.710
to the side, just to make sure that you're not going to stab it, or you can
70
00:03:26.710 --> 00:03:27.920
take this stick out.
71
00:03:27.920 --> 00:03:33.110
But if we leave it there, you'll see that if I really do this, it might get in
72
00:03:33.110 --> 00:03:34.080
the way of my hands,
73
00:03:34.080 --> 00:03:37.600
so I'm going to take this out. And now what I'm going to do is I'm going to try
74
00:03:37.600 --> 00:03:38.560
to do a 9-3,
75
00:03:38.560 --> 00:03:43.760
almost like a pelvic punch, where I'm going to feel like I get into that slight
76
00:03:43.760 --> 00:03:45.520
delay. Now,
77
00:03:45.520 --> 00:03:50.960
it probably doesn't look like much on the camera, but I felt like my upper body
78
00:03:50.960 --> 00:03:52.320
went this way just
79
00:03:52.320 --> 00:03:58.720
before it went towards the target. So it has a little bit of a kind of pulling
80
00:03:58.720 --> 00:04:00.080
back this way
81
00:04:00.080 --> 00:04:04.410
before it goes towards the target, and it builds this little kind of feeling of
82
00:04:04.410 --> 00:04:05.920
like a whip or feeling
83
00:04:05.920 --> 00:04:09.600
of like a catapult down towards the bottom of the swing. So first step is doing
84
00:04:09.600 --> 00:04:10.800
it on some 9-3s,
85
00:04:10.800 --> 00:04:17.920
very similar to a pelvic punch. So we'll bring it back kind of like that. And
86
00:04:17.920 --> 00:04:18.480
then we can work
87
00:04:18.480 --> 00:04:23.900
bigger and bigger swings, but then as you get up to the full swing, as we get
88
00:04:23.900 --> 00:04:24.720
to the biggest
89
00:04:24.720 --> 00:04:29.340
swing you can do, then it's not so much that it's going to go more, but it's
90
00:04:29.340 --> 00:04:30.480
going to occupy a
91
00:04:30.480 --> 00:04:33.360
little bit longer into the downswing. So you're going to feel like you do it
92
00:04:33.360 --> 00:04:35.760
longer disassociation,
93
00:04:35.760 --> 00:04:41.280
not necessarily more disassociation. So we'll go up to the top and we'll feel
94
00:04:41.280 --> 00:04:42.560
like we create a
95
00:04:42.560 --> 00:04:49.200
little bit of this separation or disassociation or sequencing. So up to the top
96
00:04:49.200 --> 00:04:49.200
.
97
00:04:49.200 --> 00:04:56.320
Now, if you find when you do this that you start hitting balls off to the right
98
00:04:56.320 --> 00:04:57.280
or making
99
00:04:57.280 --> 00:05:00.950
poor contact, check on video to see if you're losing some of your impact line
100
00:05:00.950 --> 00:05:01.760
and your access
101
00:05:01.760 --> 00:05:05.430
till or if it's going off to the right, look it, make sure that the clubface is
102
00:05:05.430 --> 00:05:06.080
closing because
103
00:05:06.080 --> 00:05:09.530
oftentimes when you create this disassociation, you create more lag and lag
104
00:05:09.530 --> 00:05:10.720
opens to the clubface.
105
00:05:10.720 --> 00:05:13.920
But this can be a really good sequencing drill if you feel like you're doing
106
00:05:13.920 --> 00:05:14.640
really good with the
107
00:05:14.640 --> 00:05:19.370
9-3s, but you have more of an upper body dominant pattern and it's breaking
108
00:05:19.370 --> 00:05:20.240
down as you get into
109
00:05:20.240 --> 00:05:23.680
the full swing. Learning to sequence can be one of those glues that creates a
110
00:05:23.680 --> 00:05:25.360
lot better rhythm
111
00:05:25.360 --> 00:05:29.520
and consistency, both in terms of ground contact as well as clubface control
112
00:05:29.520 --> 00:05:30.240
and a little bit of
113
00:05:30.240 --> 00:05:36.000
extra power.
1
00:00:00.000 --> 00:00:10.920
Israel video is the sequencing starter kit. So sequencing is the word that we
2
00:00:10.920 --> 00:00:11.920
use to describe
3
00:00:11.920 --> 00:00:15.540
kind of the order of what's moving in transition. The other word that you'll
4
00:00:15.540 --> 00:00:16.160
hear thrown around
5
00:00:16.160 --> 00:00:21.520
is disassociation. So disassociation is basically learning to move one part of
6
00:00:21.520 --> 00:00:21.680
your
7
00:00:21.680 --> 00:00:25.720
body independent from the other part, the other parts of your body. In this
8
00:00:25.720 --> 00:00:26.400
case, we often
9
00:00:26.400 --> 00:00:31.830
want to have the sequencing to start from the ground up before the shoulders
10
00:00:31.830 --> 00:00:33.120
move in the
11
00:00:33.120 --> 00:00:38.310
direction of the target. This builds a tension through the core that acts as a
12
00:00:38.310 --> 00:00:38.880
little bit of a
13
00:00:38.880 --> 00:00:44.240
catapult and creates speed as well as a shallow path, slower club face closure,
14
00:00:44.240 --> 00:00:45.040
lots of the traits
15
00:00:45.040 --> 00:00:48.760
that we see with the stock tour swing. So oftentimes, I start people with this
16
00:00:48.760 --> 00:00:50.480
little sequence. We're
17
00:00:50.480 --> 00:00:54.720
going to put the club across your shoulders. I've got a club for my shoulders
18
00:00:54.720 --> 00:00:55.840
and a alignment stick
19
00:00:55.840 --> 00:00:58.330
for my hips just to make it more obvious, but you don't necessarily need to
20
00:00:58.330 --> 00:00:59.280
have to hold anything.
21
00:00:59.280 --> 00:01:03.490
You can just stand up and do this at home or on the range. So first one we're
22
00:01:03.490 --> 00:01:05.120
going to do is we're
23
00:01:05.120 --> 00:01:09.320
going to try and turn our upper body to the right and to the left, back and
24
00:01:09.320 --> 00:01:10.560
forth, without moving
25
00:01:10.560 --> 00:01:14.990
the lower body. Hopefully it stays pretty still. You can check in a mirror or
26
00:01:14.990 --> 00:01:16.800
look at it on camera.
27
00:01:16.800 --> 00:01:23.120
And then second, we're going to try to turn the lower body both directions. And
28
00:01:23.120 --> 00:01:24.640
so if you struggle
29
00:01:24.640 --> 00:01:28.020
with that, you'll probably have a little bit of struggling with sequencing. But
30
00:01:28.020 --> 00:01:28.960
I think that you
31
00:01:28.960 --> 00:01:33.360
can kind of work through it as well. So then the next step would be I'm going
32
00:01:33.360 --> 00:01:35.280
to try to simultaneously
33
00:01:35.280 --> 00:01:40.880
turn my upper body to the right and my lower body to the left. Now you'll see
34
00:01:40.880 --> 00:01:41.920
that when I do this,
35
00:01:41.920 --> 00:01:49.110
my upper body tends to not move quite as much, but it doesn't follow. So the
36
00:01:49.110 --> 00:01:49.840
lower body, I'm
37
00:01:49.840 --> 00:01:53.530
going to be able to move a little bit more in the upper body turning in the
38
00:01:53.530 --> 00:01:54.720
opposite direction.
39
00:01:54.720 --> 00:01:58.810
If I'm doing it more from the ribs and not just kind of pulling the shoulder
40
00:01:58.810 --> 00:01:59.200
back,
41
00:01:59.200 --> 00:02:04.390
then I'll be able to do a little bit less movement for the upper body, but they
42
00:02:04.390 --> 00:02:05.440
're kind of coordinated
43
00:02:05.440 --> 00:02:09.190
where they're moving in opposite directions. Next, I'm going to go up to the
44
00:02:09.190 --> 00:02:10.000
top of my swing,
45
00:02:10.000 --> 00:02:14.630
and I'm going to try to do that same thing. So I'm going to leave a little bit
46
00:02:14.630 --> 00:02:15.280
of slack in my
47
00:02:15.280 --> 00:02:18.830
upper body, probably more than I would normally do in my real swing, so that I
48
00:02:18.830 --> 00:02:19.440
can turn my
49
00:02:19.840 --> 00:02:25.360
shoulders in my upper body that way as I'm turning my lower body that way. When
50
00:02:25.360 --> 00:02:25.760
I do this,
51
00:02:25.760 --> 00:02:29.800
I'm going to feel a big stretch in my core. Now what I can do is I can get into
52
00:02:29.800 --> 00:02:30.560
that position,
53
00:02:30.560 --> 00:02:34.010
and then I can feel like I keep my lower body moving and I let my upper body
54
00:02:34.010 --> 00:02:35.440
close that stretch.
55
00:02:35.440 --> 00:02:39.750
That's more of the release sequence. So next one, I'm going to do that kind of
56
00:02:39.750 --> 00:02:40.880
in more of a
57
00:02:40.880 --> 00:02:44.950
unified downswing. So I'm going to go up to the top, then I'm going to do that
58
00:02:44.950 --> 00:02:46.880
disassociation move,
59
00:02:46.880 --> 00:02:52.160
and then I'm going to kind of close the gap. So we'll do that one more time,
60
00:02:52.160 --> 00:02:53.040
but this time
61
00:02:53.040 --> 00:02:57.670
has a one-piece downswing. So I'm going to go up to the top, and then you'll
62
00:02:57.670 --> 00:02:58.640
see a little bit
63
00:02:58.640 --> 00:03:04.640
of a disassociation move or sequencing move. And if you're doing this, the kind
64
00:03:04.640 --> 00:03:05.520
of the full
65
00:03:05.520 --> 00:03:12.720
advanced version, then when I get down to impact, the shoulders should contact
66
00:03:12.720 --> 00:03:14.400
the alignment stick,
67
00:03:14.400 --> 00:03:20.630
you're kind of like that. Now I would recommend either pulling the stick so
68
00:03:20.630 --> 00:03:21.520
that it's far out
69
00:03:21.520 --> 00:03:26.710
to the side, just to make sure that you're not going to stab it, or you can
70
00:03:26.710 --> 00:03:27.920
take this stick out.
71
00:03:27.920 --> 00:03:33.110
But if we leave it there, you'll see that if I really do this, it might get in
72
00:03:33.110 --> 00:03:34.080
the way of my hands,
73
00:03:34.080 --> 00:03:37.600
so I'm going to take this out. And now what I'm going to do is I'm going to try
74
00:03:37.600 --> 00:03:38.560
to do a 9-3,
75
00:03:38.560 --> 00:03:43.760
almost like a pelvic punch, where I'm going to feel like I get into that slight
76
00:03:43.760 --> 00:03:45.520
delay. Now,
77
00:03:45.520 --> 00:03:50.960
it probably doesn't look like much on the camera, but I felt like my upper body
78
00:03:50.960 --> 00:03:52.320
went this way just
79
00:03:52.320 --> 00:03:58.720
before it went towards the target. So it has a little bit of a kind of pulling
80
00:03:58.720 --> 00:04:00.080
back this way
81
00:04:00.080 --> 00:04:04.410
before it goes towards the target, and it builds this little kind of feeling of
82
00:04:04.410 --> 00:04:05.920
like a whip or feeling
83
00:04:05.920 --> 00:04:09.600
of like a catapult down towards the bottom of the swing. So first step is doing
84
00:04:09.600 --> 00:04:10.800
it on some 9-3s,
85
00:04:10.800 --> 00:04:17.920
very similar to a pelvic punch. So we'll bring it back kind of like that. And
86
00:04:17.920 --> 00:04:18.480
then we can work
87
00:04:18.480 --> 00:04:23.900
bigger and bigger swings, but then as you get up to the full swing, as we get
88
00:04:23.900 --> 00:04:24.720
to the biggest
89
00:04:24.720 --> 00:04:29.340
swing you can do, then it's not so much that it's going to go more, but it's
90
00:04:29.340 --> 00:04:30.480
going to occupy a
91
00:04:30.480 --> 00:04:33.360
little bit longer into the downswing. So you're going to feel like you do it
92
00:04:33.360 --> 00:04:35.760
longer disassociation,
93
00:04:35.760 --> 00:04:41.280
not necessarily more disassociation. So we'll go up to the top and we'll feel
94
00:04:41.280 --> 00:04:42.560
like we create a
95
00:04:42.560 --> 00:04:49.200
little bit of this separation or disassociation or sequencing. So up to the top
96
00:04:49.200 --> 00:04:49.200
.
97
00:04:49.200 --> 00:04:56.320
Now, if you find when you do this that you start hitting balls off to the right
98
00:04:56.320 --> 00:04:57.280
or making
99
00:04:57.280 --> 00:05:00.950
poor contact, check on video to see if you're losing some of your impact line
100
00:05:00.950 --> 00:05:01.760
and your access
101
00:05:01.760 --> 00:05:05.430
till or if it's going off to the right, look it, make sure that the clubface is
102
00:05:05.430 --> 00:05:06.080
closing because
103
00:05:06.080 --> 00:05:09.530
oftentimes when you create this disassociation, you create more lag and lag
104
00:05:09.530 --> 00:05:10.720
opens to the clubface.
105
00:05:10.720 --> 00:05:13.920
But this can be a really good sequencing drill if you feel like you're doing
106
00:05:13.920 --> 00:05:14.640
really good with the
107
00:05:14.640 --> 00:05:19.370
9-3s, but you have more of an upper body dominant pattern and it's breaking
108
00:05:19.370 --> 00:05:20.240
down as you get into
109
00:05:20.240 --> 00:05:23.680
the full swing. Learning to sequence can be one of those glues that creates a
110
00:05:23.680 --> 00:05:25.360
lot better rhythm
111
00:05:25.360 --> 00:05:29.520
and consistency, both in terms of ground contact as well as clubface control
112
00:05:29.520 --> 00:05:30.240
and a little bit of
113
00:05:30.240 --> 00:05:36.000
extra power.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Improve Your Golf Swing Sequence for Better Power and Control
After this video, you'll be able to:
- Understand how to initiate your swing from the ground up for better energy transfer.
- Practice disassociating your upper and lower body for improved swing mechanics.
- Develop a feel for the correct timing in your swing to enhance speed and control.
In this video, you'll learn essential drills to enhance your swing sequencing, focusing on the proper order of body movements. Mastering this technique will help you generate more power and improve your ball striking consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:10.920
Israel video is the sequencing starter kit. So sequencing is the word that we
2
00:00:10.920 --> 00:00:11.920
use to describe
3
00:00:11.920 --> 00:00:15.540
kind of the order of what's moving in transition. The other word that you'll
4
00:00:15.540 --> 00:00:16.160
hear thrown around
5
00:00:16.160 --> 00:00:21.520
is disassociation. So disassociation is basically learning to move one part of
6
00:00:21.520 --> 00:00:21.680
your
7
00:00:21.680 --> 00:00:25.720
body independent from the other part, the other parts of your body. In this
8
00:00:25.720 --> 00:00:26.400
case, we often
9
00:00:26.400 --> 00:00:31.830
want to have the sequencing to start from the ground up before the shoulders
10
00:00:31.830 --> 00:00:33.120
move in the
11
00:00:33.120 --> 00:00:38.310
direction of the target. This builds a tension through the core that acts as a
12
00:00:38.310 --> 00:00:38.880
little bit of a
13
00:00:38.880 --> 00:00:44.240
catapult and creates speed as well as a shallow path, slower club face closure,
14
00:00:44.240 --> 00:00:45.040
lots of the traits
15
00:00:45.040 --> 00:00:48.760
that we see with the stock tour swing. So oftentimes, I start people with this
16
00:00:48.760 --> 00:00:50.480
little sequence. We're
17
00:00:50.480 --> 00:00:54.720
going to put the club across your shoulders. I've got a club for my shoulders
18
00:00:54.720 --> 00:00:55.840
and a alignment stick
19
00:00:55.840 --> 00:00:58.330
for my hips just to make it more obvious, but you don't necessarily need to
20
00:00:58.330 --> 00:00:59.280
have to hold anything.
21
00:00:59.280 --> 00:01:03.490
You can just stand up and do this at home or on the range. So first one we're
22
00:01:03.490 --> 00:01:05.120
going to do is we're
23
00:01:05.120 --> 00:01:09.320
going to try and turn our upper body to the right and to the left, back and
24
00:01:09.320 --> 00:01:10.560
forth, without moving
25
00:01:10.560 --> 00:01:14.990
the lower body. Hopefully it stays pretty still. You can check in a mirror or
26
00:01:14.990 --> 00:01:16.800
look at it on camera.
27
00:01:16.800 --> 00:01:23.120
And then second, we're going to try to turn the lower body both directions. And
28
00:01:23.120 --> 00:01:24.640
so if you struggle
29
00:01:24.640 --> 00:01:28.020
with that, you'll probably have a little bit of struggling with sequencing. But
30
00:01:28.020 --> 00:01:28.960
I think that you
31
00:01:28.960 --> 00:01:33.360
can kind of work through it as well. So then the next step would be I'm going
32
00:01:33.360 --> 00:01:35.280
to try to simultaneously
33
00:01:35.280 --> 00:01:40.880
turn my upper body to the right and my lower body to the left. Now you'll see
34
00:01:40.880 --> 00:01:41.920
that when I do this,
35
00:01:41.920 --> 00:01:49.110
my upper body tends to not move quite as much, but it doesn't follow. So the
36
00:01:49.110 --> 00:01:49.840
lower body, I'm
37
00:01:49.840 --> 00:01:53.530
going to be able to move a little bit more in the upper body turning in the
38
00:01:53.530 --> 00:01:54.720
opposite direction.
39
00:01:54.720 --> 00:01:58.810
If I'm doing it more from the ribs and not just kind of pulling the shoulder
40
00:01:58.810 --> 00:01:59.200
back,
41
00:01:59.200 --> 00:02:04.390
then I'll be able to do a little bit less movement for the upper body, but they
42
00:02:04.390 --> 00:02:05.440
're kind of coordinated
43
00:02:05.440 --> 00:02:09.190
where they're moving in opposite directions. Next, I'm going to go up to the
44
00:02:09.190 --> 00:02:10.000
top of my swing,
45
00:02:10.000 --> 00:02:14.630
and I'm going to try to do that same thing. So I'm going to leave a little bit
46
00:02:14.630 --> 00:02:15.280
of slack in my
47
00:02:15.280 --> 00:02:18.830
upper body, probably more than I would normally do in my real swing, so that I
48
00:02:18.830 --> 00:02:19.440
can turn my
49
00:02:19.840 --> 00:02:25.360
shoulders in my upper body that way as I'm turning my lower body that way. When
50
00:02:25.360 --> 00:02:25.760
I do this,
51
00:02:25.760 --> 00:02:29.800
I'm going to feel a big stretch in my core. Now what I can do is I can get into
52
00:02:29.800 --> 00:02:30.560
that position,
53
00:02:30.560 --> 00:02:34.010
and then I can feel like I keep my lower body moving and I let my upper body
54
00:02:34.010 --> 00:02:35.440
close that stretch.
55
00:02:35.440 --> 00:02:39.750
That's more of the release sequence. So next one, I'm going to do that kind of
56
00:02:39.750 --> 00:02:40.880
in more of a
57
00:02:40.880 --> 00:02:44.950
unified downswing. So I'm going to go up to the top, then I'm going to do that
58
00:02:44.950 --> 00:02:46.880
disassociation move,
59
00:02:46.880 --> 00:02:52.160
and then I'm going to kind of close the gap. So we'll do that one more time,
60
00:02:52.160 --> 00:02:53.040
but this time
61
00:02:53.040 --> 00:02:57.670
has a one-piece downswing. So I'm going to go up to the top, and then you'll
62
00:02:57.670 --> 00:02:58.640
see a little bit
63
00:02:58.640 --> 00:03:04.640
of a disassociation move or sequencing move. And if you're doing this, the kind
64
00:03:04.640 --> 00:03:05.520
of the full
65
00:03:05.520 --> 00:03:12.720
advanced version, then when I get down to impact, the shoulders should contact
66
00:03:12.720 --> 00:03:14.400
the alignment stick,
67
00:03:14.400 --> 00:03:20.630
you're kind of like that. Now I would recommend either pulling the stick so
68
00:03:20.630 --> 00:03:21.520
that it's far out
69
00:03:21.520 --> 00:03:26.710
to the side, just to make sure that you're not going to stab it, or you can
70
00:03:26.710 --> 00:03:27.920
take this stick out.
71
00:03:27.920 --> 00:03:33.110
But if we leave it there, you'll see that if I really do this, it might get in
72
00:03:33.110 --> 00:03:34.080
the way of my hands,
73
00:03:34.080 --> 00:03:37.600
so I'm going to take this out. And now what I'm going to do is I'm going to try
74
00:03:37.600 --> 00:03:38.560
to do a 9-3,
75
00:03:38.560 --> 00:03:43.760
almost like a pelvic punch, where I'm going to feel like I get into that slight
76
00:03:43.760 --> 00:03:45.520
delay. Now,
77
00:03:45.520 --> 00:03:50.960
it probably doesn't look like much on the camera, but I felt like my upper body
78
00:03:50.960 --> 00:03:52.320
went this way just
79
00:03:52.320 --> 00:03:58.720
before it went towards the target. So it has a little bit of a kind of pulling
80
00:03:58.720 --> 00:04:00.080
back this way
81
00:04:00.080 --> 00:04:04.410
before it goes towards the target, and it builds this little kind of feeling of
82
00:04:04.410 --> 00:04:05.920
like a whip or feeling
83
00:04:05.920 --> 00:04:09.600
of like a catapult down towards the bottom of the swing. So first step is doing
84
00:04:09.600 --> 00:04:10.800
it on some 9-3s,
85
00:04:10.800 --> 00:04:17.920
very similar to a pelvic punch. So we'll bring it back kind of like that. And
86
00:04:17.920 --> 00:04:18.480
then we can work
87
00:04:18.480 --> 00:04:23.900
bigger and bigger swings, but then as you get up to the full swing, as we get
88
00:04:23.900 --> 00:04:24.720
to the biggest
89
00:04:24.720 --> 00:04:29.340
swing you can do, then it's not so much that it's going to go more, but it's
90
00:04:29.340 --> 00:04:30.480
going to occupy a
91
00:04:30.480 --> 00:04:33.360
little bit longer into the downswing. So you're going to feel like you do it
92
00:04:33.360 --> 00:04:35.760
longer disassociation,
93
00:04:35.760 --> 00:04:41.280
not necessarily more disassociation. So we'll go up to the top and we'll feel
94
00:04:41.280 --> 00:04:42.560
like we create a
95
00:04:42.560 --> 00:04:49.200
little bit of this separation or disassociation or sequencing. So up to the top
96
00:04:49.200 --> 00:04:49.200
.
97
00:04:49.200 --> 00:04:56.320
Now, if you find when you do this that you start hitting balls off to the right
98
00:04:56.320 --> 00:04:57.280
or making
99
00:04:57.280 --> 00:05:00.950
poor contact, check on video to see if you're losing some of your impact line
100
00:05:00.950 --> 00:05:01.760
and your access
101
00:05:01.760 --> 00:05:05.430
till or if it's going off to the right, look it, make sure that the clubface is
102
00:05:05.430 --> 00:05:06.080
closing because
103
00:05:06.080 --> 00:05:09.530
oftentimes when you create this disassociation, you create more lag and lag
104
00:05:09.530 --> 00:05:10.720
opens to the clubface.
105
00:05:10.720 --> 00:05:13.920
But this can be a really good sequencing drill if you feel like you're doing
106
00:05:13.920 --> 00:05:14.640
really good with the
107
00:05:14.640 --> 00:05:19.370
9-3s, but you have more of an upper body dominant pattern and it's breaking
108
00:05:19.370 --> 00:05:20.240
down as you get into
109
00:05:20.240 --> 00:05:23.680
the full swing. Learning to sequence can be one of those glues that creates a
110
00:05:23.680 --> 00:05:25.360
lot better rhythm
111
00:05:25.360 --> 00:05:29.520
and consistency, both in terms of ground contact as well as clubface control
112
00:05:29.520 --> 00:05:30.240
and a little bit of
113
00:05:30.240 --> 00:05:36.000
extra power.
1
00:00:00.000 --> 00:00:10.920
Israel video is the sequencing starter kit. So sequencing is the word that we
2
00:00:10.920 --> 00:00:11.920
use to describe
3
00:00:11.920 --> 00:00:15.540
kind of the order of what's moving in transition. The other word that you'll
4
00:00:15.540 --> 00:00:16.160
hear thrown around
5
00:00:16.160 --> 00:00:21.520
is disassociation. So disassociation is basically learning to move one part of
6
00:00:21.520 --> 00:00:21.680
your
7
00:00:21.680 --> 00:00:25.720
body independent from the other part, the other parts of your body. In this
8
00:00:25.720 --> 00:00:26.400
case, we often
9
00:00:26.400 --> 00:00:31.830
want to have the sequencing to start from the ground up before the shoulders
10
00:00:31.830 --> 00:00:33.120
move in the
11
00:00:33.120 --> 00:00:38.310
direction of the target. This builds a tension through the core that acts as a
12
00:00:38.310 --> 00:00:38.880
little bit of a
13
00:00:38.880 --> 00:00:44.240
catapult and creates speed as well as a shallow path, slower club face closure,
14
00:00:44.240 --> 00:00:45.040
lots of the traits
15
00:00:45.040 --> 00:00:48.760
that we see with the stock tour swing. So oftentimes, I start people with this
16
00:00:48.760 --> 00:00:50.480
little sequence. We're
17
00:00:50.480 --> 00:00:54.720
going to put the club across your shoulders. I've got a club for my shoulders
18
00:00:54.720 --> 00:00:55.840
and a alignment stick
19
00:00:55.840 --> 00:00:58.330
for my hips just to make it more obvious, but you don't necessarily need to
20
00:00:58.330 --> 00:00:59.280
have to hold anything.
21
00:00:59.280 --> 00:01:03.490
You can just stand up and do this at home or on the range. So first one we're
22
00:01:03.490 --> 00:01:05.120
going to do is we're
23
00:01:05.120 --> 00:01:09.320
going to try and turn our upper body to the right and to the left, back and
24
00:01:09.320 --> 00:01:10.560
forth, without moving
25
00:01:10.560 --> 00:01:14.990
the lower body. Hopefully it stays pretty still. You can check in a mirror or
26
00:01:14.990 --> 00:01:16.800
look at it on camera.
27
00:01:16.800 --> 00:01:23.120
And then second, we're going to try to turn the lower body both directions. And
28
00:01:23.120 --> 00:01:24.640
so if you struggle
29
00:01:24.640 --> 00:01:28.020
with that, you'll probably have a little bit of struggling with sequencing. But
30
00:01:28.020 --> 00:01:28.960
I think that you
31
00:01:28.960 --> 00:01:33.360
can kind of work through it as well. So then the next step would be I'm going
32
00:01:33.360 --> 00:01:35.280
to try to simultaneously
33
00:01:35.280 --> 00:01:40.880
turn my upper body to the right and my lower body to the left. Now you'll see
34
00:01:40.880 --> 00:01:41.920
that when I do this,
35
00:01:41.920 --> 00:01:49.110
my upper body tends to not move quite as much, but it doesn't follow. So the
36
00:01:49.110 --> 00:01:49.840
lower body, I'm
37
00:01:49.840 --> 00:01:53.530
going to be able to move a little bit more in the upper body turning in the
38
00:01:53.530 --> 00:01:54.720
opposite direction.
39
00:01:54.720 --> 00:01:58.810
If I'm doing it more from the ribs and not just kind of pulling the shoulder
40
00:01:58.810 --> 00:01:59.200
back,
41
00:01:59.200 --> 00:02:04.390
then I'll be able to do a little bit less movement for the upper body, but they
42
00:02:04.390 --> 00:02:05.440
're kind of coordinated
43
00:02:05.440 --> 00:02:09.190
where they're moving in opposite directions. Next, I'm going to go up to the
44
00:02:09.190 --> 00:02:10.000
top of my swing,
45
00:02:10.000 --> 00:02:14.630
and I'm going to try to do that same thing. So I'm going to leave a little bit
46
00:02:14.630 --> 00:02:15.280
of slack in my
47
00:02:15.280 --> 00:02:18.830
upper body, probably more than I would normally do in my real swing, so that I
48
00:02:18.830 --> 00:02:19.440
can turn my
49
00:02:19.840 --> 00:02:25.360
shoulders in my upper body that way as I'm turning my lower body that way. When
50
00:02:25.360 --> 00:02:25.760
I do this,
51
00:02:25.760 --> 00:02:29.800
I'm going to feel a big stretch in my core. Now what I can do is I can get into
52
00:02:29.800 --> 00:02:30.560
that position,
53
00:02:30.560 --> 00:02:34.010
and then I can feel like I keep my lower body moving and I let my upper body
54
00:02:34.010 --> 00:02:35.440
close that stretch.
55
00:02:35.440 --> 00:02:39.750
That's more of the release sequence. So next one, I'm going to do that kind of
56
00:02:39.750 --> 00:02:40.880
in more of a
57
00:02:40.880 --> 00:02:44.950
unified downswing. So I'm going to go up to the top, then I'm going to do that
58
00:02:44.950 --> 00:02:46.880
disassociation move,
59
00:02:46.880 --> 00:02:52.160
and then I'm going to kind of close the gap. So we'll do that one more time,
60
00:02:52.160 --> 00:02:53.040
but this time
61
00:02:53.040 --> 00:02:57.670
has a one-piece downswing. So I'm going to go up to the top, and then you'll
62
00:02:57.670 --> 00:02:58.640
see a little bit
63
00:02:58.640 --> 00:03:04.640
of a disassociation move or sequencing move. And if you're doing this, the kind
64
00:03:04.640 --> 00:03:05.520
of the full
65
00:03:05.520 --> 00:03:12.720
advanced version, then when I get down to impact, the shoulders should contact
66
00:03:12.720 --> 00:03:14.400
the alignment stick,
67
00:03:14.400 --> 00:03:20.630
you're kind of like that. Now I would recommend either pulling the stick so
68
00:03:20.630 --> 00:03:21.520
that it's far out
69
00:03:21.520 --> 00:03:26.710
to the side, just to make sure that you're not going to stab it, or you can
70
00:03:26.710 --> 00:03:27.920
take this stick out.
71
00:03:27.920 --> 00:03:33.110
But if we leave it there, you'll see that if I really do this, it might get in
72
00:03:33.110 --> 00:03:34.080
the way of my hands,
73
00:03:34.080 --> 00:03:37.600
so I'm going to take this out. And now what I'm going to do is I'm going to try
74
00:03:37.600 --> 00:03:38.560
to do a 9-3,
75
00:03:38.560 --> 00:03:43.760
almost like a pelvic punch, where I'm going to feel like I get into that slight
76
00:03:43.760 --> 00:03:45.520
delay. Now,
77
00:03:45.520 --> 00:03:50.960
it probably doesn't look like much on the camera, but I felt like my upper body
78
00:03:50.960 --> 00:03:52.320
went this way just
79
00:03:52.320 --> 00:03:58.720
before it went towards the target. So it has a little bit of a kind of pulling
80
00:03:58.720 --> 00:04:00.080
back this way
81
00:04:00.080 --> 00:04:04.410
before it goes towards the target, and it builds this little kind of feeling of
82
00:04:04.410 --> 00:04:05.920
like a whip or feeling
83
00:04:05.920 --> 00:04:09.600
of like a catapult down towards the bottom of the swing. So first step is doing
84
00:04:09.600 --> 00:04:10.800
it on some 9-3s,
85
00:04:10.800 --> 00:04:17.920
very similar to a pelvic punch. So we'll bring it back kind of like that. And
86
00:04:17.920 --> 00:04:18.480
then we can work
87
00:04:18.480 --> 00:04:23.900
bigger and bigger swings, but then as you get up to the full swing, as we get
88
00:04:23.900 --> 00:04:24.720
to the biggest
89
00:04:24.720 --> 00:04:29.340
swing you can do, then it's not so much that it's going to go more, but it's
90
00:04:29.340 --> 00:04:30.480
going to occupy a
91
00:04:30.480 --> 00:04:33.360
little bit longer into the downswing. So you're going to feel like you do it
92
00:04:33.360 --> 00:04:35.760
longer disassociation,
93
00:04:35.760 --> 00:04:41.280
not necessarily more disassociation. So we'll go up to the top and we'll feel
94
00:04:41.280 --> 00:04:42.560
like we create a
95
00:04:42.560 --> 00:04:49.200
little bit of this separation or disassociation or sequencing. So up to the top
96
00:04:49.200 --> 00:04:49.200
.
97
00:04:49.200 --> 00:04:56.320
Now, if you find when you do this that you start hitting balls off to the right
98
00:04:56.320 --> 00:04:57.280
or making
99
00:04:57.280 --> 00:05:00.950
poor contact, check on video to see if you're losing some of your impact line
100
00:05:00.950 --> 00:05:01.760
and your access
101
00:05:01.760 --> 00:05:05.430
till or if it's going off to the right, look it, make sure that the clubface is
102
00:05:05.430 --> 00:05:06.080
closing because
103
00:05:06.080 --> 00:05:09.530
oftentimes when you create this disassociation, you create more lag and lag
104
00:05:09.530 --> 00:05:10.720
opens to the clubface.
105
00:05:10.720 --> 00:05:13.920
But this can be a really good sequencing drill if you feel like you're doing
106
00:05:13.920 --> 00:05:14.640
really good with the
107
00:05:14.640 --> 00:05:19.370
9-3s, but you have more of an upper body dominant pattern and it's breaking
108
00:05:19.370 --> 00:05:20.240
down as you get into
109
00:05:20.240 --> 00:05:23.680
the full swing. Learning to sequence can be one of those glues that creates a
110
00:05:23.680 --> 00:05:25.360
lot better rhythm
111
00:05:25.360 --> 00:05:29.520
and consistency, both in terms of ground contact as well as clubface control
112
00:05:29.520 --> 00:05:30.240
and a little bit of
113
00:05:30.240 --> 00:05:36.000
extra power.
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