Rewind P
Rewind to Improve Your Golf P2 Position
Improve your golf P2 position with a rewind drill that moves from the top of the backswing back into the takeaway. This motion helps synchronize your arms and body for a more connected swing.
After this video, you'll be able to:
- Identify the correct arm and body movements to improve your takeaway.
- Develop a smoother transition from the top of your swing to the takeaway.
- Enhance your timing to avoid awkward arm lifts and improve swing consistency.
Tyler Ferrell. Golf Digest Best Teachers in California, 2026-27. The only person named to both Golf Digest's Best Young Teachers in America and Best Golf Fitness Professionals lists. Author of The Stock Tour Swing.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:08.200
This drill is rewind to P2.
2
00:00:08.200 --> 00:00:12.260
So I had a member question about would I ever use a rewind from the top of the
3
00:00:12.260 --> 00:00:12.960
swing down
4
00:00:12.960 --> 00:00:13.960
to P2.
5
00:00:13.960 --> 00:00:18.580
I use a lot of rewind drills to help you explore kind of combining the
6
00:00:18.580 --> 00:00:19.960
movements that get you
7
00:00:19.960 --> 00:00:21.200
from one place to another.
8
00:00:21.200 --> 00:00:25.770
So I have rewind from follow through down to impact, from impact to the top of
9
00:00:25.770 --> 00:00:27.440
the swing,
10
00:00:27.440 --> 00:00:32.690
from delivery position back up to the top of the swing or from release position
11
00:00:32.690 --> 00:00:33.200
up to the
12
00:00:33.200 --> 00:00:34.200
top of the swing.
13
00:00:34.200 --> 00:00:37.880
I do a bunch of rewinds, but I've never mentioned one about rewind to P2.
14
00:00:37.880 --> 00:00:41.960
I use it sparingly, quite rare.
15
00:00:41.960 --> 00:00:44.870
Often times I'll usually just do kind of a Tai Chi backswing, but the cases
16
00:00:44.870 --> 00:00:45.480
where I will
17
00:00:45.480 --> 00:00:50.130
use it are for working on synchronizing the timing of the body movements with
18
00:00:50.130 --> 00:00:50.640
the arm
19
00:00:50.640 --> 00:00:52.160
movements in the backswing.
20
00:00:52.160 --> 00:00:57.700
So if I were to go up to the top of the swing, my natural instinct would be to
21
00:00:57.700 --> 00:00:58.680
make a downswing
22
00:00:58.680 --> 00:01:01.360
and get into a delivery position like this.
23
00:01:01.360 --> 00:01:07.580
If I was going to rewind back down to P2 or the takeaway position right before
24
00:01:07.580 --> 00:01:08.160
I go into
25
00:01:08.160 --> 00:01:13.700
setting the club, I should have more arm movement and a little bit of body
26
00:01:13.700 --> 00:01:14.760
movement.
27
00:01:14.760 --> 00:01:18.500
The time when I use this is for some golfers who tend to do all the body
28
00:01:18.500 --> 00:01:19.400
movement kind
29
00:01:19.400 --> 00:01:25.980
of all at once, and then the end of the swing is very much an arm lift, or they
30
00:01:25.980 --> 00:01:26.680
do very
31
00:01:26.680 --> 00:01:29.520
much an arm kind of pulling behind.
32
00:01:29.520 --> 00:01:33.760
So it often looks like a little awkward timing sequence wise.
33
00:01:33.760 --> 00:01:39.280
So the rewind to P2, I'm going to check in on where I want to be here in my
34
00:01:39.280 --> 00:01:39.560
takeaway,
35
00:01:39.560 --> 00:01:43.680
and you'll see my chest is basically pointing out in the direction of my hands.
36
00:01:43.680 --> 00:01:46.670
My hips have turned a little bit, but my chest has turned a little bit more,
37
00:01:46.670 --> 00:01:47.400
and the arms
38
00:01:47.400 --> 00:01:48.600
are still fairly straight.
39
00:01:48.600 --> 00:01:53.800
They've had a little bit of wrist movement, but not a lot of either wrist hinge
40
00:01:53.800 --> 00:01:54.240
or arm
41
00:01:54.240 --> 00:01:55.240
bend.
42
00:01:55.240 --> 00:01:58.320
So I'm in this pretty good P2 position.
43
00:01:58.320 --> 00:02:01.520
Now I'm going to go, I'm going to finish the top of the backswing, and now as I
44
00:02:01.520 --> 00:02:01.760
come
45
00:02:01.760 --> 00:02:08.930
back down, you'll see this is going to feel a lot more like a arm drop or kind
46
00:02:08.930 --> 00:02:10.160
of reversing
47
00:02:10.160 --> 00:02:14.440
the jazzy Jeff on the arm lift or top zone, the strike zone.
48
00:02:14.440 --> 00:02:19.330
So we're going to be reversing this movement of coming back down slightly like
49
00:02:19.330 --> 00:02:19.880
this, as
50
00:02:19.880 --> 00:02:23.400
I'm turning my core and catching up to my pelvis.
51
00:02:23.400 --> 00:02:28.940
So I go up to the top of the swing and then come back down to P2, come back
52
00:02:28.940 --> 00:02:30.120
down to P2.
53
00:02:30.120 --> 00:02:32.830
The other thing that feels weird is normally when you go to the top of the
54
00:02:32.830 --> 00:02:33.480
swing, as you
55
00:02:33.480 --> 00:02:37.320
start down, you would have already been doing some of the Jackson five or a
56
00:02:37.320 --> 00:02:38.120
little bit of
57
00:02:38.120 --> 00:02:41.960
the lateral shift, where here to get back down to P2, you're actually going to
58
00:02:41.960 --> 00:02:42.360
feel like
59
00:02:42.360 --> 00:02:45.880
you have to shift your pressure a tiny bit into the right leg.
60
00:02:45.880 --> 00:02:50.200
So up to the top of the swing and then back down to P2.
61
00:02:50.200 --> 00:02:54.460
So this is more of a Tai Chi, use a mirror and kind of work on these positions,
62
00:02:54.460 --> 00:02:55.080
because
63
00:02:55.080 --> 00:02:57.720
you're not really going to hit the ball going backward.
64
00:02:57.720 --> 00:03:05.660
Potentially we could do a go up to the top, back down to P2, up to the top, and
65
00:03:05.660 --> 00:03:06.400
then kind
66
00:03:06.400 --> 00:03:07.880
of swing through.
67
00:03:07.880 --> 00:03:11.630
But there's a lot going on there, and so it will be hard to equate a really
68
00:03:11.630 --> 00:03:12.520
good movement
69
00:03:12.520 --> 00:03:13.840
with the quality of the strike.
70
00:03:13.840 --> 00:03:20.740
I'd use that more for a baby step of going from making a different end of back
71
00:03:20.740 --> 00:03:21.860
swing to
72
00:03:21.860 --> 00:03:23.160
starting to announce one.
73
00:03:23.160 --> 00:03:28.870
So I use this primarily for sinking up the body movements in the backswing, but
74
00:03:28.870 --> 00:03:29.440
you could
75
00:03:29.440 --> 00:03:33.420
use it for working on a position if you tend to get really off plane, then
76
00:03:33.420 --> 00:03:34.440
rehearsing back
77
00:03:34.440 --> 00:03:38.970
and forth might help you figure out some of the arm motions, synced up with the
78
00:03:38.970 --> 00:03:39.280
body
79
00:03:39.280 --> 00:03:43.560
motions that will get you into a little bit better position at the top.
1
00:00:00.000 --> 00:00:08.200
This drill is rewind to P2.
2
00:00:08.200 --> 00:00:12.260
So I had a member question about would I ever use a rewind from the top of the
3
00:00:12.260 --> 00:00:12.960
swing down
4
00:00:12.960 --> 00:00:13.960
to P2.
5
00:00:13.960 --> 00:00:18.580
I use a lot of rewind drills to help you explore kind of combining the
6
00:00:18.580 --> 00:00:19.960
movements that get you
7
00:00:19.960 --> 00:00:21.200
from one place to another.
8
00:00:21.200 --> 00:00:25.770
So I have rewind from follow through down to impact, from impact to the top of
9
00:00:25.770 --> 00:00:27.440
the swing,
10
00:00:27.440 --> 00:00:32.690
from delivery position back up to the top of the swing or from release position
11
00:00:32.690 --> 00:00:33.200
up to the
12
00:00:33.200 --> 00:00:34.200
top of the swing.
13
00:00:34.200 --> 00:00:37.880
I do a bunch of rewinds, but I've never mentioned one about rewind to P2.
14
00:00:37.880 --> 00:00:41.960
I use it sparingly, quite rare.
15
00:00:41.960 --> 00:00:44.870
Often times I'll usually just do kind of a Tai Chi backswing, but the cases
16
00:00:44.870 --> 00:00:45.480
where I will
17
00:00:45.480 --> 00:00:50.130
use it are for working on synchronizing the timing of the body movements with
18
00:00:50.130 --> 00:00:50.640
the arm
19
00:00:50.640 --> 00:00:52.160
movements in the backswing.
20
00:00:52.160 --> 00:00:57.700
So if I were to go up to the top of the swing, my natural instinct would be to
21
00:00:57.700 --> 00:00:58.680
make a downswing
22
00:00:58.680 --> 00:01:01.360
and get into a delivery position like this.
23
00:01:01.360 --> 00:01:07.580
If I was going to rewind back down to P2 or the takeaway position right before
24
00:01:07.580 --> 00:01:08.160
I go into
25
00:01:08.160 --> 00:01:13.700
setting the club, I should have more arm movement and a little bit of body
26
00:01:13.700 --> 00:01:14.760
movement.
27
00:01:14.760 --> 00:01:18.500
The time when I use this is for some golfers who tend to do all the body
28
00:01:18.500 --> 00:01:19.400
movement kind
29
00:01:19.400 --> 00:01:25.980
of all at once, and then the end of the swing is very much an arm lift, or they
30
00:01:25.980 --> 00:01:26.680
do very
31
00:01:26.680 --> 00:01:29.520
much an arm kind of pulling behind.
32
00:01:29.520 --> 00:01:33.760
So it often looks like a little awkward timing sequence wise.
33
00:01:33.760 --> 00:01:39.280
So the rewind to P2, I'm going to check in on where I want to be here in my
34
00:01:39.280 --> 00:01:39.560
takeaway,
35
00:01:39.560 --> 00:01:43.680
and you'll see my chest is basically pointing out in the direction of my hands.
36
00:01:43.680 --> 00:01:46.670
My hips have turned a little bit, but my chest has turned a little bit more,
37
00:01:46.670 --> 00:01:47.400
and the arms
38
00:01:47.400 --> 00:01:48.600
are still fairly straight.
39
00:01:48.600 --> 00:01:53.800
They've had a little bit of wrist movement, but not a lot of either wrist hinge
40
00:01:53.800 --> 00:01:54.240
or arm
41
00:01:54.240 --> 00:01:55.240
bend.
42
00:01:55.240 --> 00:01:58.320
So I'm in this pretty good P2 position.
43
00:01:58.320 --> 00:02:01.520
Now I'm going to go, I'm going to finish the top of the backswing, and now as I
44
00:02:01.520 --> 00:02:01.760
come
45
00:02:01.760 --> 00:02:08.930
back down, you'll see this is going to feel a lot more like a arm drop or kind
46
00:02:08.930 --> 00:02:10.160
of reversing
47
00:02:10.160 --> 00:02:14.440
the jazzy Jeff on the arm lift or top zone, the strike zone.
48
00:02:14.440 --> 00:02:19.330
So we're going to be reversing this movement of coming back down slightly like
49
00:02:19.330 --> 00:02:19.880
this, as
50
00:02:19.880 --> 00:02:23.400
I'm turning my core and catching up to my pelvis.
51
00:02:23.400 --> 00:02:28.940
So I go up to the top of the swing and then come back down to P2, come back
52
00:02:28.940 --> 00:02:30.120
down to P2.
53
00:02:30.120 --> 00:02:32.830
The other thing that feels weird is normally when you go to the top of the
54
00:02:32.830 --> 00:02:33.480
swing, as you
55
00:02:33.480 --> 00:02:37.320
start down, you would have already been doing some of the Jackson five or a
56
00:02:37.320 --> 00:02:38.120
little bit of
57
00:02:38.120 --> 00:02:41.960
the lateral shift, where here to get back down to P2, you're actually going to
58
00:02:41.960 --> 00:02:42.360
feel like
59
00:02:42.360 --> 00:02:45.880
you have to shift your pressure a tiny bit into the right leg.
60
00:02:45.880 --> 00:02:50.200
So up to the top of the swing and then back down to P2.
61
00:02:50.200 --> 00:02:54.460
So this is more of a Tai Chi, use a mirror and kind of work on these positions,
62
00:02:54.460 --> 00:02:55.080
because
63
00:02:55.080 --> 00:02:57.720
you're not really going to hit the ball going backward.
64
00:02:57.720 --> 00:03:05.660
Potentially we could do a go up to the top, back down to P2, up to the top, and
65
00:03:05.660 --> 00:03:06.400
then kind
66
00:03:06.400 --> 00:03:07.880
of swing through.
67
00:03:07.880 --> 00:03:11.630
But there's a lot going on there, and so it will be hard to equate a really
68
00:03:11.630 --> 00:03:12.520
good movement
69
00:03:12.520 --> 00:03:13.840
with the quality of the strike.
70
00:03:13.840 --> 00:03:20.740
I'd use that more for a baby step of going from making a different end of back
71
00:03:20.740 --> 00:03:21.860
swing to
72
00:03:21.860 --> 00:03:23.160
starting to announce one.
73
00:03:23.160 --> 00:03:28.870
So I use this primarily for sinking up the body movements in the backswing, but
74
00:03:28.870 --> 00:03:29.440
you could
75
00:03:29.440 --> 00:03:33.420
use it for working on a position if you tend to get really off plane, then
76
00:03:33.420 --> 00:03:34.440
rehearsing back
77
00:03:34.440 --> 00:03:38.970
and forth might help you figure out some of the arm motions, synced up with the
78
00:03:38.970 --> 00:03:39.280
body
79
00:03:39.280 --> 00:03:43.560
motions that will get you into a little bit better position at the top.
Tyler Ferrell. Golf Digest Best Teachers in California, 2026-27. The only person named to both Golf Digest's Best Young Teachers in America and Best Golf Fitness Professionals lists. Author of The Stock Tour Swing.
Rewind P
Rewind to Improve Your Golf P2 Position
Improve your golf P2 position with a rewind drill that moves from the top of the backswing back into the takeaway. This motion helps synchronize your arms and body for a more connected swing.
After this video, you'll be able to:
- Identify the correct arm and body movements to improve your takeaway.
- Develop a smoother transition from the top of your swing to the takeaway.
- Enhance your timing to avoid awkward arm lifts and improve swing consistency.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:08.200
This drill is rewind to P2.
2
00:00:08.200 --> 00:00:12.260
So I had a member question about would I ever use a rewind from the top of the
3
00:00:12.260 --> 00:00:12.960
swing down
4
00:00:12.960 --> 00:00:13.960
to P2.
5
00:00:13.960 --> 00:00:18.580
I use a lot of rewind drills to help you explore kind of combining the
6
00:00:18.580 --> 00:00:19.960
movements that get you
7
00:00:19.960 --> 00:00:21.200
from one place to another.
8
00:00:21.200 --> 00:00:25.770
So I have rewind from follow through down to impact, from impact to the top of
9
00:00:25.770 --> 00:00:27.440
the swing,
10
00:00:27.440 --> 00:00:32.690
from delivery position back up to the top of the swing or from release position
11
00:00:32.690 --> 00:00:33.200
up to the
12
00:00:33.200 --> 00:00:34.200
top of the swing.
13
00:00:34.200 --> 00:00:37.880
I do a bunch of rewinds, but I've never mentioned one about rewind to P2.
14
00:00:37.880 --> 00:00:41.960
I use it sparingly, quite rare.
15
00:00:41.960 --> 00:00:44.870
Often times I'll usually just do kind of a Tai Chi backswing, but the cases
16
00:00:44.870 --> 00:00:45.480
where I will
17
00:00:45.480 --> 00:00:50.130
use it are for working on synchronizing the timing of the body movements with
18
00:00:50.130 --> 00:00:50.640
the arm
19
00:00:50.640 --> 00:00:52.160
movements in the backswing.
20
00:00:52.160 --> 00:00:57.700
So if I were to go up to the top of the swing, my natural instinct would be to
21
00:00:57.700 --> 00:00:58.680
make a downswing
22
00:00:58.680 --> 00:01:01.360
and get into a delivery position like this.
23
00:01:01.360 --> 00:01:07.580
If I was going to rewind back down to P2 or the takeaway position right before
24
00:01:07.580 --> 00:01:08.160
I go into
25
00:01:08.160 --> 00:01:13.700
setting the club, I should have more arm movement and a little bit of body
26
00:01:13.700 --> 00:01:14.760
movement.
27
00:01:14.760 --> 00:01:18.500
The time when I use this is for some golfers who tend to do all the body
28
00:01:18.500 --> 00:01:19.400
movement kind
29
00:01:19.400 --> 00:01:25.980
of all at once, and then the end of the swing is very much an arm lift, or they
30
00:01:25.980 --> 00:01:26.680
do very
31
00:01:26.680 --> 00:01:29.520
much an arm kind of pulling behind.
32
00:01:29.520 --> 00:01:33.760
So it often looks like a little awkward timing sequence wise.
33
00:01:33.760 --> 00:01:39.280
So the rewind to P2, I'm going to check in on where I want to be here in my
34
00:01:39.280 --> 00:01:39.560
takeaway,
35
00:01:39.560 --> 00:01:43.680
and you'll see my chest is basically pointing out in the direction of my hands.
36
00:01:43.680 --> 00:01:46.670
My hips have turned a little bit, but my chest has turned a little bit more,
37
00:01:46.670 --> 00:01:47.400
and the arms
38
00:01:47.400 --> 00:01:48.600
are still fairly straight.
39
00:01:48.600 --> 00:01:53.800
They've had a little bit of wrist movement, but not a lot of either wrist hinge
40
00:01:53.800 --> 00:01:54.240
or arm
41
00:01:54.240 --> 00:01:55.240
bend.
42
00:01:55.240 --> 00:01:58.320
So I'm in this pretty good P2 position.
43
00:01:58.320 --> 00:02:01.520
Now I'm going to go, I'm going to finish the top of the backswing, and now as I
44
00:02:01.520 --> 00:02:01.760
come
45
00:02:01.760 --> 00:02:08.930
back down, you'll see this is going to feel a lot more like a arm drop or kind
46
00:02:08.930 --> 00:02:10.160
of reversing
47
00:02:10.160 --> 00:02:14.440
the jazzy Jeff on the arm lift or top zone, the strike zone.
48
00:02:14.440 --> 00:02:19.330
So we're going to be reversing this movement of coming back down slightly like
49
00:02:19.330 --> 00:02:19.880
this, as
50
00:02:19.880 --> 00:02:23.400
I'm turning my core and catching up to my pelvis.
51
00:02:23.400 --> 00:02:28.940
So I go up to the top of the swing and then come back down to P2, come back
52
00:02:28.940 --> 00:02:30.120
down to P2.
53
00:02:30.120 --> 00:02:32.830
The other thing that feels weird is normally when you go to the top of the
54
00:02:32.830 --> 00:02:33.480
swing, as you
55
00:02:33.480 --> 00:02:37.320
start down, you would have already been doing some of the Jackson five or a
56
00:02:37.320 --> 00:02:38.120
little bit of
57
00:02:38.120 --> 00:02:41.960
the lateral shift, where here to get back down to P2, you're actually going to
58
00:02:41.960 --> 00:02:42.360
feel like
59
00:02:42.360 --> 00:02:45.880
you have to shift your pressure a tiny bit into the right leg.
60
00:02:45.880 --> 00:02:50.200
So up to the top of the swing and then back down to P2.
61
00:02:50.200 --> 00:02:54.460
So this is more of a Tai Chi, use a mirror and kind of work on these positions,
62
00:02:54.460 --> 00:02:55.080
because
63
00:02:55.080 --> 00:02:57.720
you're not really going to hit the ball going backward.
64
00:02:57.720 --> 00:03:05.660
Potentially we could do a go up to the top, back down to P2, up to the top, and
65
00:03:05.660 --> 00:03:06.400
then kind
66
00:03:06.400 --> 00:03:07.880
of swing through.
67
00:03:07.880 --> 00:03:11.630
But there's a lot going on there, and so it will be hard to equate a really
68
00:03:11.630 --> 00:03:12.520
good movement
69
00:03:12.520 --> 00:03:13.840
with the quality of the strike.
70
00:03:13.840 --> 00:03:20.740
I'd use that more for a baby step of going from making a different end of back
71
00:03:20.740 --> 00:03:21.860
swing to
72
00:03:21.860 --> 00:03:23.160
starting to announce one.
73
00:03:23.160 --> 00:03:28.870
So I use this primarily for sinking up the body movements in the backswing, but
74
00:03:28.870 --> 00:03:29.440
you could
75
00:03:29.440 --> 00:03:33.420
use it for working on a position if you tend to get really off plane, then
76
00:03:33.420 --> 00:03:34.440
rehearsing back
77
00:03:34.440 --> 00:03:38.970
and forth might help you figure out some of the arm motions, synced up with the
78
00:03:38.970 --> 00:03:39.280
body
79
00:03:39.280 --> 00:03:43.560
motions that will get you into a little bit better position at the top.
1
00:00:00.000 --> 00:00:08.200
This drill is rewind to P2.
2
00:00:08.200 --> 00:00:12.260
So I had a member question about would I ever use a rewind from the top of the
3
00:00:12.260 --> 00:00:12.960
swing down
4
00:00:12.960 --> 00:00:13.960
to P2.
5
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I use a lot of rewind drills to help you explore kind of combining the
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movements that get you
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from one place to another.
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So I have rewind from follow through down to impact, from impact to the top of
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the swing,
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from delivery position back up to the top of the swing or from release position
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up to the
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top of the swing.
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I do a bunch of rewinds, but I've never mentioned one about rewind to P2.
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I use it sparingly, quite rare.
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Often times I'll usually just do kind of a Tai Chi backswing, but the cases
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where I will
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use it are for working on synchronizing the timing of the body movements with
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the arm
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movements in the backswing.
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So if I were to go up to the top of the swing, my natural instinct would be to
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make a downswing
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and get into a delivery position like this.
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If I was going to rewind back down to P2 or the takeaway position right before
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I go into
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setting the club, I should have more arm movement and a little bit of body
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movement.
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The time when I use this is for some golfers who tend to do all the body
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movement kind
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of all at once, and then the end of the swing is very much an arm lift, or they
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do very
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much an arm kind of pulling behind.
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So it often looks like a little awkward timing sequence wise.
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So the rewind to P2, I'm going to check in on where I want to be here in my
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takeaway,
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and you'll see my chest is basically pointing out in the direction of my hands.
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My hips have turned a little bit, but my chest has turned a little bit more,
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and the arms
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are still fairly straight.
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They've had a little bit of wrist movement, but not a lot of either wrist hinge
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or arm
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bend.
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So I'm in this pretty good P2 position.
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Now I'm going to go, I'm going to finish the top of the backswing, and now as I
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come
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back down, you'll see this is going to feel a lot more like a arm drop or kind
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of reversing
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the jazzy Jeff on the arm lift or top zone, the strike zone.
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So we're going to be reversing this movement of coming back down slightly like
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this, as
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I'm turning my core and catching up to my pelvis.
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So I go up to the top of the swing and then come back down to P2, come back
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down to P2.
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The other thing that feels weird is normally when you go to the top of the
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swing, as you
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start down, you would have already been doing some of the Jackson five or a
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little bit of
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00:02:38.120 --> 00:02:41.960
the lateral shift, where here to get back down to P2, you're actually going to
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feel like
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you have to shift your pressure a tiny bit into the right leg.
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So up to the top of the swing and then back down to P2.
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So this is more of a Tai Chi, use a mirror and kind of work on these positions,
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because
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you're not really going to hit the ball going backward.
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Potentially we could do a go up to the top, back down to P2, up to the top, and
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then kind
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of swing through.
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But there's a lot going on there, and so it will be hard to equate a really
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good movement
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with the quality of the strike.
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I'd use that more for a baby step of going from making a different end of back
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swing to
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starting to announce one.
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So I use this primarily for sinking up the body movements in the backswing, but
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you could
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use it for working on a position if you tend to get really off plane, then
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rehearsing back
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and forth might help you figure out some of the arm motions, synced up with the
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body
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motions that will get you into a little bit better position at the top.
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