Not sure where to start? Ask Mulligan
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Understanding Trail Hip Rotation for Better Golf Swings
After this video, you'll be able to:
- Identify the impact of trail hip rotation on your weight distribution.
- Distinguish between disassociation and connection in your hip movement.
- Enhance your swing dynamics by recognizing the relationship between hip rotation and upper body movement.
In this video, we explore the differences between internal and external rotation of the trail hip, and how each affects your swing mechanics. Understanding these concepts can enhance your performance and consistency on the course.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:09.400
This content video is revisiting internal versus external rotation of the trail
2
00:00:09.400 --> 00:00:10.420
hip.
3
00:00:10.420 --> 00:00:16.520
So the look of kind of the Sam Snead Squat versus the knee kind of caving in
4
00:00:16.520 --> 00:00:16.760
has been
5
00:00:16.760 --> 00:00:20.720
a hot topic in golf instruction for many years.
6
00:00:20.720 --> 00:00:24.330
I did a video on it talking about its relationship to weight distribution,
7
00:00:24.330 --> 00:00:25.280
which I do think is
8
00:00:25.280 --> 00:00:28.720
relevant, but I think I have a better description of it now.
9
00:00:28.720 --> 00:00:35.220
So from talking with some of the people I bounce my ideas off of on the body,
10
00:00:35.220 --> 00:00:37.680
the medical side,
11
00:00:37.680 --> 00:00:42.910
the way I would phrase it now is the one that looks external rotation is more
12
00:00:42.910 --> 00:00:44.280
of a disassociation
13
00:00:44.280 --> 00:00:48.350
of the hip and the one that looks like internal rotation is more of a
14
00:00:48.350 --> 00:00:50.120
connection of the hip.
15
00:00:50.120 --> 00:00:57.200
So what's likely happening is the disassociation, so the more of the kind of
16
00:00:57.200 --> 00:00:58.520
the squat look
17
00:00:58.520 --> 00:01:03.760
is using the glute, creating a stretch so we can get a little bit more of a
18
00:01:03.760 --> 00:01:04.440
whip effect
19
00:01:04.440 --> 00:01:06.960
on down through the release.
20
00:01:06.960 --> 00:01:12.340
And the look of going into internal rotation is likely using my abs but
21
00:01:12.340 --> 00:01:14.200
creating this whole
22
00:01:14.200 --> 00:01:19.580
region as a fixed point so that my abs can work through the leg into the foot
23
00:01:19.580 --> 00:01:20.200
to spin
24
00:01:20.200 --> 00:01:21.520
my body.
25
00:01:21.520 --> 00:01:26.760
So the look of the internal rotation is typically going to be more associated
26
00:01:26.760 --> 00:01:28.200
with an upper body
27
00:01:28.200 --> 00:01:34.210
kind of dominant pattern or a little bit more of a spin of the shoulder girdle
28
00:01:34.210 --> 00:01:34.960
compared
29
00:01:34.960 --> 00:01:40.400
to the look of going into external rotation, which is going to be a little bit
30
00:01:40.400 --> 00:01:41.000
more of
31
00:01:41.000 --> 00:01:46.240
an independent hip movement and while that's happening your core is staying
32
00:01:46.240 --> 00:01:47.120
back and you're
33
00:01:47.120 --> 00:01:50.760
kind of spring loading the muscles in your trunk.
34
00:01:50.760 --> 00:01:56.320
So one way to look at it is as we're going up to the top of the swing, if you
35
00:01:56.320 --> 00:01:56.960
look at
36
00:01:56.960 --> 00:02:00.930
basically where is the knee pointed compared to where the belt buckle is
37
00:02:00.930 --> 00:02:01.920
pointing, as we
38
00:02:01.920 --> 00:02:08.240
go up to the top some golfers like Minwoo Lee, you'll see the knee kind of
39
00:02:08.240 --> 00:02:09.560
comes in and other
40
00:02:09.560 --> 00:02:14.210
golfers like Rory or the classic one with Sam Snead, you'll see that the knee
41
00:02:14.210 --> 00:02:14.920
stays kind
42
00:02:14.920 --> 00:02:19.120
of pointing out and the belt buckle rotates away from the knee.
43
00:02:19.120 --> 00:02:23.010
If the belt buckle rotates away from the knee then I'm actually getting hip
44
00:02:23.010 --> 00:02:24.080
rotation.
45
00:02:24.080 --> 00:02:28.340
If the belt buckle and the knee move together then I'm not really getting a lot
46
00:02:28.340 --> 00:02:29.600
of hip rotation,
47
00:02:29.600 --> 00:02:34.840
I'm more moving the pelvis with some other muscles, some other structures
48
00:02:34.840 --> 00:02:35.560
either down
49
00:02:35.560 --> 00:02:41.000
from the leg or what I likely believe it's more from the abs and the core.
50
00:02:41.000 --> 00:02:46.240
So my preference has shifted to I don't really care to now, my preference is a
51
00:02:46.240 --> 00:02:47.040
little bit
52
00:02:47.040 --> 00:02:52.880
more towards the look of the disassociation because it tends to load the core
53
00:02:52.880 --> 00:02:53.760
better for
54
00:02:53.760 --> 00:02:59.430
more of the negative torsion or what I think is one of the big hallmarks of the
55
00:02:59.430 --> 00:03:00.000
really
56
00:03:00.000 --> 00:03:05.420
good body release pattern where if you tend to do too much with your abs this
57
00:03:05.420 --> 00:03:06.200
way it can
58
00:03:06.200 --> 00:03:09.960
encourage a little bit more of a stall, it can encourage this hip kind of
59
00:03:09.960 --> 00:03:10.960
dropping down
60
00:03:10.960 --> 00:03:14.860
and causing low point issues, it creates a little bit more timing and a little
61
00:03:14.860 --> 00:03:15.320
bit more
62
00:03:15.320 --> 00:03:18.840
inconsistency than that external rotation.
63
00:03:18.840 --> 00:03:24.080
So I have other videos as far as the hip action and how to get the combination
64
00:03:24.080 --> 00:03:25.000
of extending
65
00:03:25.000 --> 00:03:31.340
the leg, rotating the hip, extending the hip and going into slight adduction,
66
00:03:31.340 --> 00:03:32.480
or abduction
67
00:03:32.480 --> 00:03:40.260
sorry, so getting that movement going from the hip, if you do that then while
68
00:03:40.260 --> 00:03:41.720
the shoulders
69
00:03:41.720 --> 00:03:45.380
stay a little bit more closed that's going to get you into this really good
70
00:03:45.380 --> 00:03:46.320
loaded delivery
71
00:03:46.320 --> 00:03:52.370
position for the spine and now you're pretty much set up in a position where if
72
00:03:52.370 --> 00:03:52.960
you go
73
00:03:52.960 --> 00:03:58.820
into that negative torsion, straightening the leg, all that good release
74
00:03:58.820 --> 00:03:59.800
movement we're
75
00:03:59.800 --> 00:04:05.040
in a position where our low point control is going to be really precise and
76
00:04:05.040 --> 00:04:05.880
kind of gradual
77
00:04:05.880 --> 00:04:09.900
we can be off by a bunch and still hit it pretty solid and it doubles in giving
78
00:04:09.900 --> 00:04:10.360
us pretty
79
00:04:10.360 --> 00:04:11.360
good face control.
80
00:04:11.360 --> 00:04:15.490
So I think it's one of the hallmarks of the more consistent ball strikers so if
81
00:04:15.490 --> 00:04:16.240
you haven't
82
00:04:16.240 --> 00:04:19.670
messed around with it I think it's a good piece to work on in transition,
83
00:04:19.670 --> 00:04:20.560
trying to get more
84
00:04:20.560 --> 00:04:25.800
of this disassociation of the hip rather than more of a connected hip, what we
85
00:04:25.800 --> 00:04:26.160
used
86
00:04:26.160 --> 00:04:30.240
to refer to is more of an external rotation of the hip versus internal.
87
00:04:30.240 --> 00:04:34.860
So again quick demo, if I was to do kind of this movement right there that
88
00:04:34.860 --> 00:04:35.800
would be more
89
00:04:35.800 --> 00:04:43.420
of the disassociation which would have a look a little bit more kind of like
90
00:04:43.420 --> 00:04:44.320
that where
91
00:04:44.320 --> 00:04:50.170
if I was to basically bend this knee and really kind of rotate the shoulder,
92
00:04:50.170 --> 00:04:51.600
the shoulder and
93
00:04:51.600 --> 00:04:56.360
abs it would have more of a look kind of like this.
94
00:04:56.360 --> 00:05:04.800
This is going to encourage a little bit more of kind of a stall down at impact.
95
00:05:04.800 --> 00:05:08.790
So if you see that as one of your patterns and you're fighting this stall and
96
00:05:08.790 --> 00:05:09.240
kind of
97
00:05:09.240 --> 00:05:13.350
flip down to the bottom look at transition especially that trail hip it may be
98
00:05:13.350 --> 00:05:13.920
relevant
99
00:05:13.920 --> 00:05:19.400
for getting rid of that kind of quick upper body dominant pattern.
1
00:00:00.000 --> 00:00:09.400
This content video is revisiting internal versus external rotation of the trail
2
00:00:09.400 --> 00:00:10.420
hip.
3
00:00:10.420 --> 00:00:16.520
So the look of kind of the Sam Snead Squat versus the knee kind of caving in
4
00:00:16.520 --> 00:00:16.760
has been
5
00:00:16.760 --> 00:00:20.720
a hot topic in golf instruction for many years.
6
00:00:20.720 --> 00:00:24.330
I did a video on it talking about its relationship to weight distribution,
7
00:00:24.330 --> 00:00:25.280
which I do think is
8
00:00:25.280 --> 00:00:28.720
relevant, but I think I have a better description of it now.
9
00:00:28.720 --> 00:00:35.220
So from talking with some of the people I bounce my ideas off of on the body,
10
00:00:35.220 --> 00:00:37.680
the medical side,
11
00:00:37.680 --> 00:00:42.910
the way I would phrase it now is the one that looks external rotation is more
12
00:00:42.910 --> 00:00:44.280
of a disassociation
13
00:00:44.280 --> 00:00:48.350
of the hip and the one that looks like internal rotation is more of a
14
00:00:48.350 --> 00:00:50.120
connection of the hip.
15
00:00:50.120 --> 00:00:57.200
So what's likely happening is the disassociation, so the more of the kind of
16
00:00:57.200 --> 00:00:58.520
the squat look
17
00:00:58.520 --> 00:01:03.760
is using the glute, creating a stretch so we can get a little bit more of a
18
00:01:03.760 --> 00:01:04.440
whip effect
19
00:01:04.440 --> 00:01:06.960
on down through the release.
20
00:01:06.960 --> 00:01:12.340
And the look of going into internal rotation is likely using my abs but
21
00:01:12.340 --> 00:01:14.200
creating this whole
22
00:01:14.200 --> 00:01:19.580
region as a fixed point so that my abs can work through the leg into the foot
23
00:01:19.580 --> 00:01:20.200
to spin
24
00:01:20.200 --> 00:01:21.520
my body.
25
00:01:21.520 --> 00:01:26.760
So the look of the internal rotation is typically going to be more associated
26
00:01:26.760 --> 00:01:28.200
with an upper body
27
00:01:28.200 --> 00:01:34.210
kind of dominant pattern or a little bit more of a spin of the shoulder girdle
28
00:01:34.210 --> 00:01:34.960
compared
29
00:01:34.960 --> 00:01:40.400
to the look of going into external rotation, which is going to be a little bit
30
00:01:40.400 --> 00:01:41.000
more of
31
00:01:41.000 --> 00:01:46.240
an independent hip movement and while that's happening your core is staying
32
00:01:46.240 --> 00:01:47.120
back and you're
33
00:01:47.120 --> 00:01:50.760
kind of spring loading the muscles in your trunk.
34
00:01:50.760 --> 00:01:56.320
So one way to look at it is as we're going up to the top of the swing, if you
35
00:01:56.320 --> 00:01:56.960
look at
36
00:01:56.960 --> 00:02:00.930
basically where is the knee pointed compared to where the belt buckle is
37
00:02:00.930 --> 00:02:01.920
pointing, as we
38
00:02:01.920 --> 00:02:08.240
go up to the top some golfers like Minwoo Lee, you'll see the knee kind of
39
00:02:08.240 --> 00:02:09.560
comes in and other
40
00:02:09.560 --> 00:02:14.210
golfers like Rory or the classic one with Sam Snead, you'll see that the knee
41
00:02:14.210 --> 00:02:14.920
stays kind
42
00:02:14.920 --> 00:02:19.120
of pointing out and the belt buckle rotates away from the knee.
43
00:02:19.120 --> 00:02:23.010
If the belt buckle rotates away from the knee then I'm actually getting hip
44
00:02:23.010 --> 00:02:24.080
rotation.
45
00:02:24.080 --> 00:02:28.340
If the belt buckle and the knee move together then I'm not really getting a lot
46
00:02:28.340 --> 00:02:29.600
of hip rotation,
47
00:02:29.600 --> 00:02:34.840
I'm more moving the pelvis with some other muscles, some other structures
48
00:02:34.840 --> 00:02:35.560
either down
49
00:02:35.560 --> 00:02:41.000
from the leg or what I likely believe it's more from the abs and the core.
50
00:02:41.000 --> 00:02:46.240
So my preference has shifted to I don't really care to now, my preference is a
51
00:02:46.240 --> 00:02:47.040
little bit
52
00:02:47.040 --> 00:02:52.880
more towards the look of the disassociation because it tends to load the core
53
00:02:52.880 --> 00:02:53.760
better for
54
00:02:53.760 --> 00:02:59.430
more of the negative torsion or what I think is one of the big hallmarks of the
55
00:02:59.430 --> 00:03:00.000
really
56
00:03:00.000 --> 00:03:05.420
good body release pattern where if you tend to do too much with your abs this
57
00:03:05.420 --> 00:03:06.200
way it can
58
00:03:06.200 --> 00:03:09.960
encourage a little bit more of a stall, it can encourage this hip kind of
59
00:03:09.960 --> 00:03:10.960
dropping down
60
00:03:10.960 --> 00:03:14.860
and causing low point issues, it creates a little bit more timing and a little
61
00:03:14.860 --> 00:03:15.320
bit more
62
00:03:15.320 --> 00:03:18.840
inconsistency than that external rotation.
63
00:03:18.840 --> 00:03:24.080
So I have other videos as far as the hip action and how to get the combination
64
00:03:24.080 --> 00:03:25.000
of extending
65
00:03:25.000 --> 00:03:31.340
the leg, rotating the hip, extending the hip and going into slight adduction,
66
00:03:31.340 --> 00:03:32.480
or abduction
67
00:03:32.480 --> 00:03:40.260
sorry, so getting that movement going from the hip, if you do that then while
68
00:03:40.260 --> 00:03:41.720
the shoulders
69
00:03:41.720 --> 00:03:45.380
stay a little bit more closed that's going to get you into this really good
70
00:03:45.380 --> 00:03:46.320
loaded delivery
71
00:03:46.320 --> 00:03:52.370
position for the spine and now you're pretty much set up in a position where if
72
00:03:52.370 --> 00:03:52.960
you go
73
00:03:52.960 --> 00:03:58.820
into that negative torsion, straightening the leg, all that good release
74
00:03:58.820 --> 00:03:59.800
movement we're
75
00:03:59.800 --> 00:04:05.040
in a position where our low point control is going to be really precise and
76
00:04:05.040 --> 00:04:05.880
kind of gradual
77
00:04:05.880 --> 00:04:09.900
we can be off by a bunch and still hit it pretty solid and it doubles in giving
78
00:04:09.900 --> 00:04:10.360
us pretty
79
00:04:10.360 --> 00:04:11.360
good face control.
80
00:04:11.360 --> 00:04:15.490
So I think it's one of the hallmarks of the more consistent ball strikers so if
81
00:04:15.490 --> 00:04:16.240
you haven't
82
00:04:16.240 --> 00:04:19.670
messed around with it I think it's a good piece to work on in transition,
83
00:04:19.670 --> 00:04:20.560
trying to get more
84
00:04:20.560 --> 00:04:25.800
of this disassociation of the hip rather than more of a connected hip, what we
85
00:04:25.800 --> 00:04:26.160
used
86
00:04:26.160 --> 00:04:30.240
to refer to is more of an external rotation of the hip versus internal.
87
00:04:30.240 --> 00:04:34.860
So again quick demo, if I was to do kind of this movement right there that
88
00:04:34.860 --> 00:04:35.800
would be more
89
00:04:35.800 --> 00:04:43.420
of the disassociation which would have a look a little bit more kind of like
90
00:04:43.420 --> 00:04:44.320
that where
91
00:04:44.320 --> 00:04:50.170
if I was to basically bend this knee and really kind of rotate the shoulder,
92
00:04:50.170 --> 00:04:51.600
the shoulder and
93
00:04:51.600 --> 00:04:56.360
abs it would have more of a look kind of like this.
94
00:04:56.360 --> 00:05:04.800
This is going to encourage a little bit more of kind of a stall down at impact.
95
00:05:04.800 --> 00:05:08.790
So if you see that as one of your patterns and you're fighting this stall and
96
00:05:08.790 --> 00:05:09.240
kind of
97
00:05:09.240 --> 00:05:13.350
flip down to the bottom look at transition especially that trail hip it may be
98
00:05:13.350 --> 00:05:13.920
relevant
99
00:05:13.920 --> 00:05:19.400
for getting rid of that kind of quick upper body dominant pattern.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Understanding Trail Hip Rotation for Better Golf Swings
After this video, you'll be able to:
- Identify the impact of trail hip rotation on your weight distribution.
- Distinguish between disassociation and connection in your hip movement.
- Enhance your swing dynamics by recognizing the relationship between hip rotation and upper body movement.
In this video, we explore the differences between internal and external rotation of the trail hip, and how each affects your swing mechanics. Understanding these concepts can enhance your performance and consistency on the course.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:09.400
This content video is revisiting internal versus external rotation of the trail
2
00:00:09.400 --> 00:00:10.420
hip.
3
00:00:10.420 --> 00:00:16.520
So the look of kind of the Sam Snead Squat versus the knee kind of caving in
4
00:00:16.520 --> 00:00:16.760
has been
5
00:00:16.760 --> 00:00:20.720
a hot topic in golf instruction for many years.
6
00:00:20.720 --> 00:00:24.330
I did a video on it talking about its relationship to weight distribution,
7
00:00:24.330 --> 00:00:25.280
which I do think is
8
00:00:25.280 --> 00:00:28.720
relevant, but I think I have a better description of it now.
9
00:00:28.720 --> 00:00:35.220
So from talking with some of the people I bounce my ideas off of on the body,
10
00:00:35.220 --> 00:00:37.680
the medical side,
11
00:00:37.680 --> 00:00:42.910
the way I would phrase it now is the one that looks external rotation is more
12
00:00:42.910 --> 00:00:44.280
of a disassociation
13
00:00:44.280 --> 00:00:48.350
of the hip and the one that looks like internal rotation is more of a
14
00:00:48.350 --> 00:00:50.120
connection of the hip.
15
00:00:50.120 --> 00:00:57.200
So what's likely happening is the disassociation, so the more of the kind of
16
00:00:57.200 --> 00:00:58.520
the squat look
17
00:00:58.520 --> 00:01:03.760
is using the glute, creating a stretch so we can get a little bit more of a
18
00:01:03.760 --> 00:01:04.440
whip effect
19
00:01:04.440 --> 00:01:06.960
on down through the release.
20
00:01:06.960 --> 00:01:12.340
And the look of going into internal rotation is likely using my abs but
21
00:01:12.340 --> 00:01:14.200
creating this whole
22
00:01:14.200 --> 00:01:19.580
region as a fixed point so that my abs can work through the leg into the foot
23
00:01:19.580 --> 00:01:20.200
to spin
24
00:01:20.200 --> 00:01:21.520
my body.
25
00:01:21.520 --> 00:01:26.760
So the look of the internal rotation is typically going to be more associated
26
00:01:26.760 --> 00:01:28.200
with an upper body
27
00:01:28.200 --> 00:01:34.210
kind of dominant pattern or a little bit more of a spin of the shoulder girdle
28
00:01:34.210 --> 00:01:34.960
compared
29
00:01:34.960 --> 00:01:40.400
to the look of going into external rotation, which is going to be a little bit
30
00:01:40.400 --> 00:01:41.000
more of
31
00:01:41.000 --> 00:01:46.240
an independent hip movement and while that's happening your core is staying
32
00:01:46.240 --> 00:01:47.120
back and you're
33
00:01:47.120 --> 00:01:50.760
kind of spring loading the muscles in your trunk.
34
00:01:50.760 --> 00:01:56.320
So one way to look at it is as we're going up to the top of the swing, if you
35
00:01:56.320 --> 00:01:56.960
look at
36
00:01:56.960 --> 00:02:00.930
basically where is the knee pointed compared to where the belt buckle is
37
00:02:00.930 --> 00:02:01.920
pointing, as we
38
00:02:01.920 --> 00:02:08.240
go up to the top some golfers like Minwoo Lee, you'll see the knee kind of
39
00:02:08.240 --> 00:02:09.560
comes in and other
40
00:02:09.560 --> 00:02:14.210
golfers like Rory or the classic one with Sam Snead, you'll see that the knee
41
00:02:14.210 --> 00:02:14.920
stays kind
42
00:02:14.920 --> 00:02:19.120
of pointing out and the belt buckle rotates away from the knee.
43
00:02:19.120 --> 00:02:23.010
If the belt buckle rotates away from the knee then I'm actually getting hip
44
00:02:23.010 --> 00:02:24.080
rotation.
45
00:02:24.080 --> 00:02:28.340
If the belt buckle and the knee move together then I'm not really getting a lot
46
00:02:28.340 --> 00:02:29.600
of hip rotation,
47
00:02:29.600 --> 00:02:34.840
I'm more moving the pelvis with some other muscles, some other structures
48
00:02:34.840 --> 00:02:35.560
either down
49
00:02:35.560 --> 00:02:41.000
from the leg or what I likely believe it's more from the abs and the core.
50
00:02:41.000 --> 00:02:46.240
So my preference has shifted to I don't really care to now, my preference is a
51
00:02:46.240 --> 00:02:47.040
little bit
52
00:02:47.040 --> 00:02:52.880
more towards the look of the disassociation because it tends to load the core
53
00:02:52.880 --> 00:02:53.760
better for
54
00:02:53.760 --> 00:02:59.430
more of the negative torsion or what I think is one of the big hallmarks of the
55
00:02:59.430 --> 00:03:00.000
really
56
00:03:00.000 --> 00:03:05.420
good body release pattern where if you tend to do too much with your abs this
57
00:03:05.420 --> 00:03:06.200
way it can
58
00:03:06.200 --> 00:03:09.960
encourage a little bit more of a stall, it can encourage this hip kind of
59
00:03:09.960 --> 00:03:10.960
dropping down
60
00:03:10.960 --> 00:03:14.860
and causing low point issues, it creates a little bit more timing and a little
61
00:03:14.860 --> 00:03:15.320
bit more
62
00:03:15.320 --> 00:03:18.840
inconsistency than that external rotation.
63
00:03:18.840 --> 00:03:24.080
So I have other videos as far as the hip action and how to get the combination
64
00:03:24.080 --> 00:03:25.000
of extending
65
00:03:25.000 --> 00:03:31.340
the leg, rotating the hip, extending the hip and going into slight adduction,
66
00:03:31.340 --> 00:03:32.480
or abduction
67
00:03:32.480 --> 00:03:40.260
sorry, so getting that movement going from the hip, if you do that then while
68
00:03:40.260 --> 00:03:41.720
the shoulders
69
00:03:41.720 --> 00:03:45.380
stay a little bit more closed that's going to get you into this really good
70
00:03:45.380 --> 00:03:46.320
loaded delivery
71
00:03:46.320 --> 00:03:52.370
position for the spine and now you're pretty much set up in a position where if
72
00:03:52.370 --> 00:03:52.960
you go
73
00:03:52.960 --> 00:03:58.820
into that negative torsion, straightening the leg, all that good release
74
00:03:58.820 --> 00:03:59.800
movement we're
75
00:03:59.800 --> 00:04:05.040
in a position where our low point control is going to be really precise and
76
00:04:05.040 --> 00:04:05.880
kind of gradual
77
00:04:05.880 --> 00:04:09.900
we can be off by a bunch and still hit it pretty solid and it doubles in giving
78
00:04:09.900 --> 00:04:10.360
us pretty
79
00:04:10.360 --> 00:04:11.360
good face control.
80
00:04:11.360 --> 00:04:15.490
So I think it's one of the hallmarks of the more consistent ball strikers so if
81
00:04:15.490 --> 00:04:16.240
you haven't
82
00:04:16.240 --> 00:04:19.670
messed around with it I think it's a good piece to work on in transition,
83
00:04:19.670 --> 00:04:20.560
trying to get more
84
00:04:20.560 --> 00:04:25.800
of this disassociation of the hip rather than more of a connected hip, what we
85
00:04:25.800 --> 00:04:26.160
used
86
00:04:26.160 --> 00:04:30.240
to refer to is more of an external rotation of the hip versus internal.
87
00:04:30.240 --> 00:04:34.860
So again quick demo, if I was to do kind of this movement right there that
88
00:04:34.860 --> 00:04:35.800
would be more
89
00:04:35.800 --> 00:04:43.420
of the disassociation which would have a look a little bit more kind of like
90
00:04:43.420 --> 00:04:44.320
that where
91
00:04:44.320 --> 00:04:50.170
if I was to basically bend this knee and really kind of rotate the shoulder,
92
00:04:50.170 --> 00:04:51.600
the shoulder and
93
00:04:51.600 --> 00:04:56.360
abs it would have more of a look kind of like this.
94
00:04:56.360 --> 00:05:04.800
This is going to encourage a little bit more of kind of a stall down at impact.
95
00:05:04.800 --> 00:05:08.790
So if you see that as one of your patterns and you're fighting this stall and
96
00:05:08.790 --> 00:05:09.240
kind of
97
00:05:09.240 --> 00:05:13.350
flip down to the bottom look at transition especially that trail hip it may be
98
00:05:13.350 --> 00:05:13.920
relevant
99
00:05:13.920 --> 00:05:19.400
for getting rid of that kind of quick upper body dominant pattern.
1
00:00:00.000 --> 00:00:09.400
This content video is revisiting internal versus external rotation of the trail
2
00:00:09.400 --> 00:00:10.420
hip.
3
00:00:10.420 --> 00:00:16.520
So the look of kind of the Sam Snead Squat versus the knee kind of caving in
4
00:00:16.520 --> 00:00:16.760
has been
5
00:00:16.760 --> 00:00:20.720
a hot topic in golf instruction for many years.
6
00:00:20.720 --> 00:00:24.330
I did a video on it talking about its relationship to weight distribution,
7
00:00:24.330 --> 00:00:25.280
which I do think is
8
00:00:25.280 --> 00:00:28.720
relevant, but I think I have a better description of it now.
9
00:00:28.720 --> 00:00:35.220
So from talking with some of the people I bounce my ideas off of on the body,
10
00:00:35.220 --> 00:00:37.680
the medical side,
11
00:00:37.680 --> 00:00:42.910
the way I would phrase it now is the one that looks external rotation is more
12
00:00:42.910 --> 00:00:44.280
of a disassociation
13
00:00:44.280 --> 00:00:48.350
of the hip and the one that looks like internal rotation is more of a
14
00:00:48.350 --> 00:00:50.120
connection of the hip.
15
00:00:50.120 --> 00:00:57.200
So what's likely happening is the disassociation, so the more of the kind of
16
00:00:57.200 --> 00:00:58.520
the squat look
17
00:00:58.520 --> 00:01:03.760
is using the glute, creating a stretch so we can get a little bit more of a
18
00:01:03.760 --> 00:01:04.440
whip effect
19
00:01:04.440 --> 00:01:06.960
on down through the release.
20
00:01:06.960 --> 00:01:12.340
And the look of going into internal rotation is likely using my abs but
21
00:01:12.340 --> 00:01:14.200
creating this whole
22
00:01:14.200 --> 00:01:19.580
region as a fixed point so that my abs can work through the leg into the foot
23
00:01:19.580 --> 00:01:20.200
to spin
24
00:01:20.200 --> 00:01:21.520
my body.
25
00:01:21.520 --> 00:01:26.760
So the look of the internal rotation is typically going to be more associated
26
00:01:26.760 --> 00:01:28.200
with an upper body
27
00:01:28.200 --> 00:01:34.210
kind of dominant pattern or a little bit more of a spin of the shoulder girdle
28
00:01:34.210 --> 00:01:34.960
compared
29
00:01:34.960 --> 00:01:40.400
to the look of going into external rotation, which is going to be a little bit
30
00:01:40.400 --> 00:01:41.000
more of
31
00:01:41.000 --> 00:01:46.240
an independent hip movement and while that's happening your core is staying
32
00:01:46.240 --> 00:01:47.120
back and you're
33
00:01:47.120 --> 00:01:50.760
kind of spring loading the muscles in your trunk.
34
00:01:50.760 --> 00:01:56.320
So one way to look at it is as we're going up to the top of the swing, if you
35
00:01:56.320 --> 00:01:56.960
look at
36
00:01:56.960 --> 00:02:00.930
basically where is the knee pointed compared to where the belt buckle is
37
00:02:00.930 --> 00:02:01.920
pointing, as we
38
00:02:01.920 --> 00:02:08.240
go up to the top some golfers like Minwoo Lee, you'll see the knee kind of
39
00:02:08.240 --> 00:02:09.560
comes in and other
40
00:02:09.560 --> 00:02:14.210
golfers like Rory or the classic one with Sam Snead, you'll see that the knee
41
00:02:14.210 --> 00:02:14.920
stays kind
42
00:02:14.920 --> 00:02:19.120
of pointing out and the belt buckle rotates away from the knee.
43
00:02:19.120 --> 00:02:23.010
If the belt buckle rotates away from the knee then I'm actually getting hip
44
00:02:23.010 --> 00:02:24.080
rotation.
45
00:02:24.080 --> 00:02:28.340
If the belt buckle and the knee move together then I'm not really getting a lot
46
00:02:28.340 --> 00:02:29.600
of hip rotation,
47
00:02:29.600 --> 00:02:34.840
I'm more moving the pelvis with some other muscles, some other structures
48
00:02:34.840 --> 00:02:35.560
either down
49
00:02:35.560 --> 00:02:41.000
from the leg or what I likely believe it's more from the abs and the core.
50
00:02:41.000 --> 00:02:46.240
So my preference has shifted to I don't really care to now, my preference is a
51
00:02:46.240 --> 00:02:47.040
little bit
52
00:02:47.040 --> 00:02:52.880
more towards the look of the disassociation because it tends to load the core
53
00:02:52.880 --> 00:02:53.760
better for
54
00:02:53.760 --> 00:02:59.430
more of the negative torsion or what I think is one of the big hallmarks of the
55
00:02:59.430 --> 00:03:00.000
really
56
00:03:00.000 --> 00:03:05.420
good body release pattern where if you tend to do too much with your abs this
57
00:03:05.420 --> 00:03:06.200
way it can
58
00:03:06.200 --> 00:03:09.960
encourage a little bit more of a stall, it can encourage this hip kind of
59
00:03:09.960 --> 00:03:10.960
dropping down
60
00:03:10.960 --> 00:03:14.860
and causing low point issues, it creates a little bit more timing and a little
61
00:03:14.860 --> 00:03:15.320
bit more
62
00:03:15.320 --> 00:03:18.840
inconsistency than that external rotation.
63
00:03:18.840 --> 00:03:24.080
So I have other videos as far as the hip action and how to get the combination
64
00:03:24.080 --> 00:03:25.000
of extending
65
00:03:25.000 --> 00:03:31.340
the leg, rotating the hip, extending the hip and going into slight adduction,
66
00:03:31.340 --> 00:03:32.480
or abduction
67
00:03:32.480 --> 00:03:40.260
sorry, so getting that movement going from the hip, if you do that then while
68
00:03:40.260 --> 00:03:41.720
the shoulders
69
00:03:41.720 --> 00:03:45.380
stay a little bit more closed that's going to get you into this really good
70
00:03:45.380 --> 00:03:46.320
loaded delivery
71
00:03:46.320 --> 00:03:52.370
position for the spine and now you're pretty much set up in a position where if
72
00:03:52.370 --> 00:03:52.960
you go
73
00:03:52.960 --> 00:03:58.820
into that negative torsion, straightening the leg, all that good release
74
00:03:58.820 --> 00:03:59.800
movement we're
75
00:03:59.800 --> 00:04:05.040
in a position where our low point control is going to be really precise and
76
00:04:05.040 --> 00:04:05.880
kind of gradual
77
00:04:05.880 --> 00:04:09.900
we can be off by a bunch and still hit it pretty solid and it doubles in giving
78
00:04:09.900 --> 00:04:10.360
us pretty
79
00:04:10.360 --> 00:04:11.360
good face control.
80
00:04:11.360 --> 00:04:15.490
So I think it's one of the hallmarks of the more consistent ball strikers so if
81
00:04:15.490 --> 00:04:16.240
you haven't
82
00:04:16.240 --> 00:04:19.670
messed around with it I think it's a good piece to work on in transition,
83
00:04:19.670 --> 00:04:20.560
trying to get more
84
00:04:20.560 --> 00:04:25.800
of this disassociation of the hip rather than more of a connected hip, what we
85
00:04:25.800 --> 00:04:26.160
used
86
00:04:26.160 --> 00:04:30.240
to refer to is more of an external rotation of the hip versus internal.
87
00:04:30.240 --> 00:04:34.860
So again quick demo, if I was to do kind of this movement right there that
88
00:04:34.860 --> 00:04:35.800
would be more
89
00:04:35.800 --> 00:04:43.420
of the disassociation which would have a look a little bit more kind of like
90
00:04:43.420 --> 00:04:44.320
that where
91
00:04:44.320 --> 00:04:50.170
if I was to basically bend this knee and really kind of rotate the shoulder,
92
00:04:50.170 --> 00:04:51.600
the shoulder and
93
00:04:51.600 --> 00:04:56.360
abs it would have more of a look kind of like this.
94
00:04:56.360 --> 00:05:04.800
This is going to encourage a little bit more of kind of a stall down at impact.
95
00:05:04.800 --> 00:05:08.790
So if you see that as one of your patterns and you're fighting this stall and
96
00:05:08.790 --> 00:05:09.240
kind of
97
00:05:09.240 --> 00:05:13.350
flip down to the bottom look at transition especially that trail hip it may be
98
00:05:13.350 --> 00:05:13.920
relevant
99
00:05:13.920 --> 00:05:19.400
for getting rid of that kind of quick upper body dominant pattern.
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