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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Improve Your Transition with Left Tilt for Better Shots
After this video, you'll be able to:
- Identify the importance of left tilt in your swing transition
- Visualize how proper left tilt enhances your posture during the downswing
- Differentiate between effective and ineffective transitions through analysis
In this video, we'll explore the crucial left tilt movement in your swing transition and how it influences your shot quality. Understanding this concept will help you maintain posture and load effectively during your swing.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:03.300
In this analysis video, we're going to take a look at the left tilt in
2
00:00:03.300 --> 00:00:04.160
transition.
3
00:00:04.160 --> 00:00:08.520
Now, there are two major body movements to transition, one being the Jackson 5
4
00:00:08.520 --> 00:00:08.840
or kind
5
00:00:08.840 --> 00:00:14.760
of the lateral shift, and two being this left tilt or staying in your posture.
6
00:00:14.760 --> 00:00:17.660
So we're going to take a look at a couple different angles so that we can
7
00:00:17.660 --> 00:00:18.420
really visualize
8
00:00:18.420 --> 00:00:23.990
this transition movement of the body, and specifically the left tilt and how it
9
00:00:23.990 --> 00:00:24.520
helps
10
00:00:24.520 --> 00:00:28.280
kind of load what we want to do during the release.
11
00:00:28.280 --> 00:00:32.940
So over here on the right, we have Rory McRoy, and I'm going to show you a
12
00:00:32.940 --> 00:00:34.000
couple different
13
00:00:34.000 --> 00:00:39.120
camera angles where it's possible to view this, but it's a subtle movement.
14
00:00:39.120 --> 00:00:44.640
So typically 3D is going to be the easiest place where you can observe it.
15
00:00:44.640 --> 00:00:49.330
What you'll see in 3D is that the left tilt will continue to increase until
16
00:00:49.330 --> 00:00:50.080
just after
17
00:00:50.080 --> 00:00:56.150
the top of the swing, and then the flexion or going into the flexion pattern is
18
00:00:56.150 --> 00:00:56.720
going
19
00:00:56.720 --> 00:01:00.040
to increase even a little bit longer.
20
00:01:00.040 --> 00:01:03.670
So there's a combination of this left tilt and flexion that's kind of happening
21
00:01:03.670 --> 00:01:04.080
during
22
00:01:04.080 --> 00:01:05.440
transition.
23
00:01:05.440 --> 00:01:09.280
So you can kind of see it from the down the line view.
24
00:01:09.280 --> 00:01:12.640
If we take a look at Rory there, I've got two different lines.
25
00:01:12.640 --> 00:01:19.310
You can see that he's not only lowering, you can see that the angle or the left
26
00:01:19.310 --> 00:01:20.000
side of
27
00:01:20.000 --> 00:01:25.400
his shoulder is kind of breaking through this line more so than his middle or
28
00:01:25.400 --> 00:01:26.260
kind of his
29
00:01:26.260 --> 00:01:28.520
belly button area.
30
00:01:28.520 --> 00:01:33.870
So that's the indication that he's kind of creating a little bit more of this
31
00:01:33.870 --> 00:01:34.600
left tilt
32
00:01:34.600 --> 00:01:39.920
with the left side of his ribcage during that first phase of transition.
33
00:01:39.920 --> 00:01:46.130
Now if we take a look at an amateur who I have his 3D graph and is not left til
34
00:01:46.130 --> 00:01:47.920
ting in transition,
35
00:01:47.920 --> 00:01:53.090
what you'll see is as he starts down, everything kind of starts working away
36
00:01:53.090 --> 00:01:54.160
from that line
37
00:01:54.160 --> 00:01:59.680
almost instantly and the posture is actually increasing in angle.
38
00:01:59.680 --> 00:02:03.810
So if we were to take a look, you can see that he's moving away from those
39
00:02:03.810 --> 00:02:04.560
lines where
40
00:02:04.560 --> 00:02:08.160
Rory's upper body is basically breaking through them.
41
00:02:08.160 --> 00:02:15.650
Now if I was to just look at head height, that would obviously depend on camera
42
00:02:15.650 --> 00:02:16.480
angle, but
43
00:02:16.480 --> 00:02:19.720
you can see that this golfer is dropping his head.
44
00:02:19.720 --> 00:02:23.310
Now part of that is because of the lateral movement of the pelvis, part of it
45
00:02:23.310 --> 00:02:23.720
is the
46
00:02:23.720 --> 00:02:25.760
movement that's happening at the lower body.
47
00:02:25.760 --> 00:02:32.000
So using the head is not a very good way to visualize or to monitor whether or
48
00:02:32.000 --> 00:02:32.600
not you're
49
00:02:32.600 --> 00:02:37.120
having this left tilt or keeping your spine angle in transition.
50
00:02:37.120 --> 00:02:42.520
But I'm going to show you a view where I think it's almost as easy to view it
51
00:02:42.520 --> 00:02:43.680
in 3D, but
52
00:02:43.680 --> 00:02:46.860
unfortunately it's kind of a risky view.
53
00:02:46.860 --> 00:02:50.300
Over on the right we have Rory McElroy, who, this is part of the reason why I
54
00:02:50.300 --> 00:02:50.820
used him
55
00:02:50.820 --> 00:02:54.730
for the down the line is because A, I've seen his 3D file, I know he does this
56
00:02:54.730 --> 00:02:56.200
very well,
57
00:02:56.200 --> 00:03:00.860
B, he was one of the golfers that I was able to find a very good target line
58
00:03:00.860 --> 00:03:01.440
view on.
59
00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase
60
00:03:07.750 --> 00:03:08.800
in the
61
00:03:08.800 --> 00:03:15.350
left tilt of the upper part of the spine. So you can see that upper body is
62
00:03:15.350 --> 00:03:15.640
kind of getting
63
00:03:15.640 --> 00:03:18.640
closer and he's also tilting a little bit left.
64
00:03:18.640 --> 00:03:22.730
Now the reason that you want to do that is because getting that upper body to
65
00:03:22.730 --> 00:03:23.560
tilt slightly
66
00:03:23.560 --> 00:03:27.900
to the left is going to cause the way that he is pushing against the ground to
67
00:03:27.900 --> 00:03:28.360
be more
68
00:03:28.360 --> 00:03:32.880
away from the target and less straight down.
69
00:03:32.880 --> 00:03:37.580
Imagine a running back or a soccer player that's going to change directions
70
00:03:37.580 --> 00:03:38.680
very quickly.
71
00:03:38.680 --> 00:03:41.830
They're going to get their upper body close to the ground and away from their
72
00:03:41.830 --> 00:03:42.240
foot so
73
00:03:42.240 --> 00:03:46.900
that they'll have basically a bigger moment arm or a better leverage to push
74
00:03:46.900 --> 00:03:47.440
against the
75
00:03:47.440 --> 00:03:48.440
ground from.
76
00:03:48.440 --> 00:03:51.120
It's part of the reason why the golfers are doing this is to change the
77
00:03:51.120 --> 00:03:51.880
direction that
78
00:03:51.880 --> 00:03:54.480
they're able to push against the ground with.
79
00:03:54.480 --> 00:03:58.470
So over on the left we have a teaching pro in Maryland who's a very good ball
80
00:03:58.470 --> 00:03:59.040
striker
81
00:03:59.040 --> 00:04:03.700
that I used to work with and he was brave enough to take one of these down or
82
00:04:03.700 --> 00:04:04.000
from the
83
00:04:04.000 --> 00:04:10.490
target line camera views and you can see that left tilt kind of right in there
84
00:04:10.490 --> 00:04:11.360
of the upper
85
00:04:11.360 --> 00:04:16.020
body turning into flexion and then it's not until right about here that you
86
00:04:16.020 --> 00:04:16.960
start to see
87
00:04:16.960 --> 00:04:20.960
it going into that right side bend.
88
00:04:20.960 --> 00:04:25.840
So again we'll just kind of toggle back and forth a few and you can kind of
89
00:04:25.840 --> 00:04:26.720
visualize
90
00:04:26.720 --> 00:04:31.580
what's happening with that upper body getting slightly steeper and that's part
91
00:04:31.580 --> 00:04:32.280
of the reason
92
00:04:32.280 --> 00:04:37.900
why the arms have to shallow a bit because if we go back over here to Rory McR
93
00:04:37.900 --> 00:04:38.600
oy if those
94
00:04:38.600 --> 00:04:43.480
arms were to rotate to the left you would tend to see the shaft get very very
95
00:04:43.480 --> 00:04:44.200
vertical
96
00:04:44.200 --> 00:04:47.520
because of what's going on with the upper body.
97
00:04:47.520 --> 00:04:51.600
So building off of the left tilt and transition then what will happen is during
98
00:04:51.600 --> 00:04:52.360
the release
99
00:04:52.360 --> 00:04:57.080
it will go into right side bend as that leg is pushing through and that
100
00:04:57.080 --> 00:04:58.320
rotation and upper
101
00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the
102
00:05:03.730 --> 00:05:04.400
shot.
103
00:05:04.400 --> 00:05:09.000
This is also a great camera view for being able to see the impact alignments.
104
00:05:09.000 --> 00:05:13.310
So this camera is well down on the target line and when he's making contact you
105
00:05:13.310 --> 00:05:13.640
can
106
00:05:13.640 --> 00:05:18.300
see that his belt buckle and even his chest are kind of pointed out at this
107
00:05:18.300 --> 00:05:18.920
camera.
108
00:05:18.920 --> 00:05:21.640
That allows for his arms to extend.
109
00:05:21.640 --> 00:05:25.370
So while this video is hopefully to show you about this left tilt and
110
00:05:25.370 --> 00:05:26.440
transition we might
111
00:05:26.440 --> 00:05:31.640
as well take advantage of the camera angles and look at where these golfers are
112
00:05:31.640 --> 00:05:32.380
typically
113
00:05:32.380 --> 00:05:37.800
pointed at impact and how that enables their arms to extend.
114
00:05:37.800 --> 00:05:42.110
Most amateur golfers which unfortunately we don't have I was unable to find a
115
00:05:42.110 --> 00:05:43.080
very good
116
00:05:43.080 --> 00:05:47.840
camera view like this because you'd be putting your camera at risk.
117
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Most amateur golfers would be facing much more at the golf ball and so as a
118
00:05:52.040 --> 00:05:52.660
result you
119
00:05:52.660 --> 00:05:55.630
would tend to see their arms bend on the way through in a little bit more of a
120
00:05:55.630 --> 00:05:56.060
chicken
121
00:05:56.060 --> 00:05:57.980
wing pattern.
122
00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.
123
00:05:59.860 --> 00:06:05.700
We've got Ricky Fowler on the right Dustin Johnson on the left.
124
00:06:05.700 --> 00:06:09.930
The both camera views were intended to highlight the lower body but they
125
00:06:09.930 --> 00:06:11.220
actually do a pretty
126
00:06:11.220 --> 00:06:15.020
good job of showing what we're trying to look at at the rib cage.
127
00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his
128
00:06:18.430 --> 00:06:19.180
shoulder is
129
00:06:19.180 --> 00:06:24.570
all the way up at the top of the screen and then as he starts working down it's
130
00:06:24.570 --> 00:06:25.100
that
131
00:06:25.100 --> 00:06:31.220
early first part of transition as he's shifting his pressure onto the left foot
132
00:06:31.220 --> 00:06:32.260
he's increasing
133
00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able
134
00:06:38.990 --> 00:06:39.580
to see
135
00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's
136
00:06:44.790 --> 00:06:45.540
changing
137
00:06:45.540 --> 00:06:50.720
direction during that early part of transition you can think of it a lot of
138
00:06:50.720 --> 00:06:51.740
golfers feel
139
00:06:51.740 --> 00:06:55.770
it as more of a flexion pattern but you can clearly see that it's actually
140
00:06:55.770 --> 00:06:56.980
going 90 degrees
141
00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.
142
00:07:01.740 --> 00:07:07.310
But it's that movement that allows that as his upper body or his lower body
143
00:07:07.310 --> 00:07:08.140
shifts over
144
00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that
145
00:07:12.040 --> 00:07:12.820
he's pushing
146
00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not
147
00:07:17.480 --> 00:07:18.100
so much that
148
00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall
149
00:07:22.790 --> 00:07:23.740
marks of
150
00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.
151
00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting
152
00:07:30.520 --> 00:07:30.980
your arms
153
00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition
154
00:07:35.150 --> 00:07:35.420
.
155
00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the
156
00:07:39.250 --> 00:07:40.380
increased flexion
157
00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind
158
00:07:45.200 --> 00:07:45.900
of clunky
159
00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out
160
00:07:50.310 --> 00:07:51.140
the club.
161
00:07:51.140 --> 00:07:55.510
This down the target line view is also great for seeing how they're able to
162
00:07:55.510 --> 00:07:56.380
rotate their
163
00:07:56.380 --> 00:08:01.340
arms and get into that shallow arm position and ultimately that combination
164
00:08:01.340 --> 00:08:02.180
allows them
165
00:08:02.180 --> 00:08:06.840
to get great extension on the way through which is one of those big keys to
166
00:08:06.840 --> 00:08:07.420
consistency.
167
00:08:07.420 --> 00:08:10.670
If you're having trouble implementing this in your own game feel free to submit
168
00:08:10.670 --> 00:08:11.020
a video
169
00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.
1
00:00:00.000 --> 00:00:03.300
In this analysis video, we're going to take a look at the left tilt in
2
00:00:03.300 --> 00:00:04.160
transition.
3
00:00:04.160 --> 00:00:08.520
Now, there are two major body movements to transition, one being the Jackson 5
4
00:00:08.520 --> 00:00:08.840
or kind
5
00:00:08.840 --> 00:00:14.760
of the lateral shift, and two being this left tilt or staying in your posture.
6
00:00:14.760 --> 00:00:17.660
So we're going to take a look at a couple different angles so that we can
7
00:00:17.660 --> 00:00:18.420
really visualize
8
00:00:18.420 --> 00:00:23.990
this transition movement of the body, and specifically the left tilt and how it
9
00:00:23.990 --> 00:00:24.520
helps
10
00:00:24.520 --> 00:00:28.280
kind of load what we want to do during the release.
11
00:00:28.280 --> 00:00:32.940
So over here on the right, we have Rory McRoy, and I'm going to show you a
12
00:00:32.940 --> 00:00:34.000
couple different
13
00:00:34.000 --> 00:00:39.120
camera angles where it's possible to view this, but it's a subtle movement.
14
00:00:39.120 --> 00:00:44.640
So typically 3D is going to be the easiest place where you can observe it.
15
00:00:44.640 --> 00:00:49.330
What you'll see in 3D is that the left tilt will continue to increase until
16
00:00:49.330 --> 00:00:50.080
just after
17
00:00:50.080 --> 00:00:56.150
the top of the swing, and then the flexion or going into the flexion pattern is
18
00:00:56.150 --> 00:00:56.720
going
19
00:00:56.720 --> 00:01:00.040
to increase even a little bit longer.
20
00:01:00.040 --> 00:01:03.670
So there's a combination of this left tilt and flexion that's kind of happening
21
00:01:03.670 --> 00:01:04.080
during
22
00:01:04.080 --> 00:01:05.440
transition.
23
00:01:05.440 --> 00:01:09.280
So you can kind of see it from the down the line view.
24
00:01:09.280 --> 00:01:12.640
If we take a look at Rory there, I've got two different lines.
25
00:01:12.640 --> 00:01:19.310
You can see that he's not only lowering, you can see that the angle or the left
26
00:01:19.310 --> 00:01:20.000
side of
27
00:01:20.000 --> 00:01:25.400
his shoulder is kind of breaking through this line more so than his middle or
28
00:01:25.400 --> 00:01:26.260
kind of his
29
00:01:26.260 --> 00:01:28.520
belly button area.
30
00:01:28.520 --> 00:01:33.870
So that's the indication that he's kind of creating a little bit more of this
31
00:01:33.870 --> 00:01:34.600
left tilt
32
00:01:34.600 --> 00:01:39.920
with the left side of his ribcage during that first phase of transition.
33
00:01:39.920 --> 00:01:46.130
Now if we take a look at an amateur who I have his 3D graph and is not left til
34
00:01:46.130 --> 00:01:47.920
ting in transition,
35
00:01:47.920 --> 00:01:53.090
what you'll see is as he starts down, everything kind of starts working away
36
00:01:53.090 --> 00:01:54.160
from that line
37
00:01:54.160 --> 00:01:59.680
almost instantly and the posture is actually increasing in angle.
38
00:01:59.680 --> 00:02:03.810
So if we were to take a look, you can see that he's moving away from those
39
00:02:03.810 --> 00:02:04.560
lines where
40
00:02:04.560 --> 00:02:08.160
Rory's upper body is basically breaking through them.
41
00:02:08.160 --> 00:02:15.650
Now if I was to just look at head height, that would obviously depend on camera
42
00:02:15.650 --> 00:02:16.480
angle, but
43
00:02:16.480 --> 00:02:19.720
you can see that this golfer is dropping his head.
44
00:02:19.720 --> 00:02:23.310
Now part of that is because of the lateral movement of the pelvis, part of it
45
00:02:23.310 --> 00:02:23.720
is the
46
00:02:23.720 --> 00:02:25.760
movement that's happening at the lower body.
47
00:02:25.760 --> 00:02:32.000
So using the head is not a very good way to visualize or to monitor whether or
48
00:02:32.000 --> 00:02:32.600
not you're
49
00:02:32.600 --> 00:02:37.120
having this left tilt or keeping your spine angle in transition.
50
00:02:37.120 --> 00:02:42.520
But I'm going to show you a view where I think it's almost as easy to view it
51
00:02:42.520 --> 00:02:43.680
in 3D, but
52
00:02:43.680 --> 00:02:46.860
unfortunately it's kind of a risky view.
53
00:02:46.860 --> 00:02:50.300
Over on the right we have Rory McElroy, who, this is part of the reason why I
54
00:02:50.300 --> 00:02:50.820
used him
55
00:02:50.820 --> 00:02:54.730
for the down the line is because A, I've seen his 3D file, I know he does this
56
00:02:54.730 --> 00:02:56.200
very well,
57
00:02:56.200 --> 00:03:00.860
B, he was one of the golfers that I was able to find a very good target line
58
00:03:00.860 --> 00:03:01.440
view on.
59
00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase
60
00:03:07.750 --> 00:03:08.800
in the
61
00:03:08.800 --> 00:03:15.350
left tilt of the upper part of the spine. So you can see that upper body is
62
00:03:15.350 --> 00:03:15.640
kind of getting
63
00:03:15.640 --> 00:03:18.640
closer and he's also tilting a little bit left.
64
00:03:18.640 --> 00:03:22.730
Now the reason that you want to do that is because getting that upper body to
65
00:03:22.730 --> 00:03:23.560
tilt slightly
66
00:03:23.560 --> 00:03:27.900
to the left is going to cause the way that he is pushing against the ground to
67
00:03:27.900 --> 00:03:28.360
be more
68
00:03:28.360 --> 00:03:32.880
away from the target and less straight down.
69
00:03:32.880 --> 00:03:37.580
Imagine a running back or a soccer player that's going to change directions
70
00:03:37.580 --> 00:03:38.680
very quickly.
71
00:03:38.680 --> 00:03:41.830
They're going to get their upper body close to the ground and away from their
72
00:03:41.830 --> 00:03:42.240
foot so
73
00:03:42.240 --> 00:03:46.900
that they'll have basically a bigger moment arm or a better leverage to push
74
00:03:46.900 --> 00:03:47.440
against the
75
00:03:47.440 --> 00:03:48.440
ground from.
76
00:03:48.440 --> 00:03:51.120
It's part of the reason why the golfers are doing this is to change the
77
00:03:51.120 --> 00:03:51.880
direction that
78
00:03:51.880 --> 00:03:54.480
they're able to push against the ground with.
79
00:03:54.480 --> 00:03:58.470
So over on the left we have a teaching pro in Maryland who's a very good ball
80
00:03:58.470 --> 00:03:59.040
striker
81
00:03:59.040 --> 00:04:03.700
that I used to work with and he was brave enough to take one of these down or
82
00:04:03.700 --> 00:04:04.000
from the
83
00:04:04.000 --> 00:04:10.490
target line camera views and you can see that left tilt kind of right in there
84
00:04:10.490 --> 00:04:11.360
of the upper
85
00:04:11.360 --> 00:04:16.020
body turning into flexion and then it's not until right about here that you
86
00:04:16.020 --> 00:04:16.960
start to see
87
00:04:16.960 --> 00:04:20.960
it going into that right side bend.
88
00:04:20.960 --> 00:04:25.840
So again we'll just kind of toggle back and forth a few and you can kind of
89
00:04:25.840 --> 00:04:26.720
visualize
90
00:04:26.720 --> 00:04:31.580
what's happening with that upper body getting slightly steeper and that's part
91
00:04:31.580 --> 00:04:32.280
of the reason
92
00:04:32.280 --> 00:04:37.900
why the arms have to shallow a bit because if we go back over here to Rory McR
93
00:04:37.900 --> 00:04:38.600
oy if those
94
00:04:38.600 --> 00:04:43.480
arms were to rotate to the left you would tend to see the shaft get very very
95
00:04:43.480 --> 00:04:44.200
vertical
96
00:04:44.200 --> 00:04:47.520
because of what's going on with the upper body.
97
00:04:47.520 --> 00:04:51.600
So building off of the left tilt and transition then what will happen is during
98
00:04:51.600 --> 00:04:52.360
the release
99
00:04:52.360 --> 00:04:57.080
it will go into right side bend as that leg is pushing through and that
100
00:04:57.080 --> 00:04:58.320
rotation and upper
101
00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the
102
00:05:03.730 --> 00:05:04.400
shot.
103
00:05:04.400 --> 00:05:09.000
This is also a great camera view for being able to see the impact alignments.
104
00:05:09.000 --> 00:05:13.310
So this camera is well down on the target line and when he's making contact you
105
00:05:13.310 --> 00:05:13.640
can
106
00:05:13.640 --> 00:05:18.300
see that his belt buckle and even his chest are kind of pointed out at this
107
00:05:18.300 --> 00:05:18.920
camera.
108
00:05:18.920 --> 00:05:21.640
That allows for his arms to extend.
109
00:05:21.640 --> 00:05:25.370
So while this video is hopefully to show you about this left tilt and
110
00:05:25.370 --> 00:05:26.440
transition we might
111
00:05:26.440 --> 00:05:31.640
as well take advantage of the camera angles and look at where these golfers are
112
00:05:31.640 --> 00:05:32.380
typically
113
00:05:32.380 --> 00:05:37.800
pointed at impact and how that enables their arms to extend.
114
00:05:37.800 --> 00:05:42.110
Most amateur golfers which unfortunately we don't have I was unable to find a
115
00:05:42.110 --> 00:05:43.080
very good
116
00:05:43.080 --> 00:05:47.840
camera view like this because you'd be putting your camera at risk.
117
00:05:47.840 --> 00:05:52.040
Most amateur golfers would be facing much more at the golf ball and so as a
118
00:05:52.040 --> 00:05:52.660
result you
119
00:05:52.660 --> 00:05:55.630
would tend to see their arms bend on the way through in a little bit more of a
120
00:05:55.630 --> 00:05:56.060
chicken
121
00:05:56.060 --> 00:05:57.980
wing pattern.
122
00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.
123
00:05:59.860 --> 00:06:05.700
We've got Ricky Fowler on the right Dustin Johnson on the left.
124
00:06:05.700 --> 00:06:09.930
The both camera views were intended to highlight the lower body but they
125
00:06:09.930 --> 00:06:11.220
actually do a pretty
126
00:06:11.220 --> 00:06:15.020
good job of showing what we're trying to look at at the rib cage.
127
00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his
128
00:06:18.430 --> 00:06:19.180
shoulder is
129
00:06:19.180 --> 00:06:24.570
all the way up at the top of the screen and then as he starts working down it's
130
00:06:24.570 --> 00:06:25.100
that
131
00:06:25.100 --> 00:06:31.220
early first part of transition as he's shifting his pressure onto the left foot
132
00:06:31.220 --> 00:06:32.260
he's increasing
133
00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able
134
00:06:38.990 --> 00:06:39.580
to see
135
00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's
136
00:06:44.790 --> 00:06:45.540
changing
137
00:06:45.540 --> 00:06:50.720
direction during that early part of transition you can think of it a lot of
138
00:06:50.720 --> 00:06:51.740
golfers feel
139
00:06:51.740 --> 00:06:55.770
it as more of a flexion pattern but you can clearly see that it's actually
140
00:06:55.770 --> 00:06:56.980
going 90 degrees
141
00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.
142
00:07:01.740 --> 00:07:07.310
But it's that movement that allows that as his upper body or his lower body
143
00:07:07.310 --> 00:07:08.140
shifts over
144
00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that
145
00:07:12.040 --> 00:07:12.820
he's pushing
146
00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not
147
00:07:17.480 --> 00:07:18.100
so much that
148
00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall
149
00:07:22.790 --> 00:07:23.740
marks of
150
00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.
151
00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting
152
00:07:30.520 --> 00:07:30.980
your arms
153
00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition
154
00:07:35.150 --> 00:07:35.420
.
155
00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the
156
00:07:39.250 --> 00:07:40.380
increased flexion
157
00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind
158
00:07:45.200 --> 00:07:45.900
of clunky
159
00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out
160
00:07:50.310 --> 00:07:51.140
the club.
161
00:07:51.140 --> 00:07:55.510
This down the target line view is also great for seeing how they're able to
162
00:07:55.510 --> 00:07:56.380
rotate their
163
00:07:56.380 --> 00:08:01.340
arms and get into that shallow arm position and ultimately that combination
164
00:08:01.340 --> 00:08:02.180
allows them
165
00:08:02.180 --> 00:08:06.840
to get great extension on the way through which is one of those big keys to
166
00:08:06.840 --> 00:08:07.420
consistency.
167
00:08:07.420 --> 00:08:10.670
If you're having trouble implementing this in your own game feel free to submit
168
00:08:10.670 --> 00:08:11.020
a video
169
00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Improve Your Transition with Left Tilt for Better Shots
After this video, you'll be able to:
- Identify the importance of left tilt in your swing transition
- Visualize how proper left tilt enhances your posture during the downswing
- Differentiate between effective and ineffective transitions through analysis
In this video, we'll explore the crucial left tilt movement in your swing transition and how it influences your shot quality. Understanding this concept will help you maintain posture and load effectively during your swing.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:03.300
In this analysis video, we're going to take a look at the left tilt in
2
00:00:03.300 --> 00:00:04.160
transition.
3
00:00:04.160 --> 00:00:08.520
Now, there are two major body movements to transition, one being the Jackson 5
4
00:00:08.520 --> 00:00:08.840
or kind
5
00:00:08.840 --> 00:00:14.760
of the lateral shift, and two being this left tilt or staying in your posture.
6
00:00:14.760 --> 00:00:17.660
So we're going to take a look at a couple different angles so that we can
7
00:00:17.660 --> 00:00:18.420
really visualize
8
00:00:18.420 --> 00:00:23.990
this transition movement of the body, and specifically the left tilt and how it
9
00:00:23.990 --> 00:00:24.520
helps
10
00:00:24.520 --> 00:00:28.280
kind of load what we want to do during the release.
11
00:00:28.280 --> 00:00:32.940
So over here on the right, we have Rory McRoy, and I'm going to show you a
12
00:00:32.940 --> 00:00:34.000
couple different
13
00:00:34.000 --> 00:00:39.120
camera angles where it's possible to view this, but it's a subtle movement.
14
00:00:39.120 --> 00:00:44.640
So typically 3D is going to be the easiest place where you can observe it.
15
00:00:44.640 --> 00:00:49.330
What you'll see in 3D is that the left tilt will continue to increase until
16
00:00:49.330 --> 00:00:50.080
just after
17
00:00:50.080 --> 00:00:56.150
the top of the swing, and then the flexion or going into the flexion pattern is
18
00:00:56.150 --> 00:00:56.720
going
19
00:00:56.720 --> 00:01:00.040
to increase even a little bit longer.
20
00:01:00.040 --> 00:01:03.670
So there's a combination of this left tilt and flexion that's kind of happening
21
00:01:03.670 --> 00:01:04.080
during
22
00:01:04.080 --> 00:01:05.440
transition.
23
00:01:05.440 --> 00:01:09.280
So you can kind of see it from the down the line view.
24
00:01:09.280 --> 00:01:12.640
If we take a look at Rory there, I've got two different lines.
25
00:01:12.640 --> 00:01:19.310
You can see that he's not only lowering, you can see that the angle or the left
26
00:01:19.310 --> 00:01:20.000
side of
27
00:01:20.000 --> 00:01:25.400
his shoulder is kind of breaking through this line more so than his middle or
28
00:01:25.400 --> 00:01:26.260
kind of his
29
00:01:26.260 --> 00:01:28.520
belly button area.
30
00:01:28.520 --> 00:01:33.870
So that's the indication that he's kind of creating a little bit more of this
31
00:01:33.870 --> 00:01:34.600
left tilt
32
00:01:34.600 --> 00:01:39.920
with the left side of his ribcage during that first phase of transition.
33
00:01:39.920 --> 00:01:46.130
Now if we take a look at an amateur who I have his 3D graph and is not left til
34
00:01:46.130 --> 00:01:47.920
ting in transition,
35
00:01:47.920 --> 00:01:53.090
what you'll see is as he starts down, everything kind of starts working away
36
00:01:53.090 --> 00:01:54.160
from that line
37
00:01:54.160 --> 00:01:59.680
almost instantly and the posture is actually increasing in angle.
38
00:01:59.680 --> 00:02:03.810
So if we were to take a look, you can see that he's moving away from those
39
00:02:03.810 --> 00:02:04.560
lines where
40
00:02:04.560 --> 00:02:08.160
Rory's upper body is basically breaking through them.
41
00:02:08.160 --> 00:02:15.650
Now if I was to just look at head height, that would obviously depend on camera
42
00:02:15.650 --> 00:02:16.480
angle, but
43
00:02:16.480 --> 00:02:19.720
you can see that this golfer is dropping his head.
44
00:02:19.720 --> 00:02:23.310
Now part of that is because of the lateral movement of the pelvis, part of it
45
00:02:23.310 --> 00:02:23.720
is the
46
00:02:23.720 --> 00:02:25.760
movement that's happening at the lower body.
47
00:02:25.760 --> 00:02:32.000
So using the head is not a very good way to visualize or to monitor whether or
48
00:02:32.000 --> 00:02:32.600
not you're
49
00:02:32.600 --> 00:02:37.120
having this left tilt or keeping your spine angle in transition.
50
00:02:37.120 --> 00:02:42.520
But I'm going to show you a view where I think it's almost as easy to view it
51
00:02:42.520 --> 00:02:43.680
in 3D, but
52
00:02:43.680 --> 00:02:46.860
unfortunately it's kind of a risky view.
53
00:02:46.860 --> 00:02:50.300
Over on the right we have Rory McElroy, who, this is part of the reason why I
54
00:02:50.300 --> 00:02:50.820
used him
55
00:02:50.820 --> 00:02:54.730
for the down the line is because A, I've seen his 3D file, I know he does this
56
00:02:54.730 --> 00:02:56.200
very well,
57
00:02:56.200 --> 00:03:00.860
B, he was one of the golfers that I was able to find a very good target line
58
00:03:00.860 --> 00:03:01.440
view on.
59
00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase
60
00:03:07.750 --> 00:03:08.800
in the
61
00:03:08.800 --> 00:03:15.350
left tilt of the upper part of the spine. So you can see that upper body is
62
00:03:15.350 --> 00:03:15.640
kind of getting
63
00:03:15.640 --> 00:03:18.640
closer and he's also tilting a little bit left.
64
00:03:18.640 --> 00:03:22.730
Now the reason that you want to do that is because getting that upper body to
65
00:03:22.730 --> 00:03:23.560
tilt slightly
66
00:03:23.560 --> 00:03:27.900
to the left is going to cause the way that he is pushing against the ground to
67
00:03:27.900 --> 00:03:28.360
be more
68
00:03:28.360 --> 00:03:32.880
away from the target and less straight down.
69
00:03:32.880 --> 00:03:37.580
Imagine a running back or a soccer player that's going to change directions
70
00:03:37.580 --> 00:03:38.680
very quickly.
71
00:03:38.680 --> 00:03:41.830
They're going to get their upper body close to the ground and away from their
72
00:03:41.830 --> 00:03:42.240
foot so
73
00:03:42.240 --> 00:03:46.900
that they'll have basically a bigger moment arm or a better leverage to push
74
00:03:46.900 --> 00:03:47.440
against the
75
00:03:47.440 --> 00:03:48.440
ground from.
76
00:03:48.440 --> 00:03:51.120
It's part of the reason why the golfers are doing this is to change the
77
00:03:51.120 --> 00:03:51.880
direction that
78
00:03:51.880 --> 00:03:54.480
they're able to push against the ground with.
79
00:03:54.480 --> 00:03:58.470
So over on the left we have a teaching pro in Maryland who's a very good ball
80
00:03:58.470 --> 00:03:59.040
striker
81
00:03:59.040 --> 00:04:03.700
that I used to work with and he was brave enough to take one of these down or
82
00:04:03.700 --> 00:04:04.000
from the
83
00:04:04.000 --> 00:04:10.490
target line camera views and you can see that left tilt kind of right in there
84
00:04:10.490 --> 00:04:11.360
of the upper
85
00:04:11.360 --> 00:04:16.020
body turning into flexion and then it's not until right about here that you
86
00:04:16.020 --> 00:04:16.960
start to see
87
00:04:16.960 --> 00:04:20.960
it going into that right side bend.
88
00:04:20.960 --> 00:04:25.840
So again we'll just kind of toggle back and forth a few and you can kind of
89
00:04:25.840 --> 00:04:26.720
visualize
90
00:04:26.720 --> 00:04:31.580
what's happening with that upper body getting slightly steeper and that's part
91
00:04:31.580 --> 00:04:32.280
of the reason
92
00:04:32.280 --> 00:04:37.900
why the arms have to shallow a bit because if we go back over here to Rory McR
93
00:04:37.900 --> 00:04:38.600
oy if those
94
00:04:38.600 --> 00:04:43.480
arms were to rotate to the left you would tend to see the shaft get very very
95
00:04:43.480 --> 00:04:44.200
vertical
96
00:04:44.200 --> 00:04:47.520
because of what's going on with the upper body.
97
00:04:47.520 --> 00:04:51.600
So building off of the left tilt and transition then what will happen is during
98
00:04:51.600 --> 00:04:52.360
the release
99
00:04:52.360 --> 00:04:57.080
it will go into right side bend as that leg is pushing through and that
100
00:04:57.080 --> 00:04:58.320
rotation and upper
101
00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the
102
00:05:03.730 --> 00:05:04.400
shot.
103
00:05:04.400 --> 00:05:09.000
This is also a great camera view for being able to see the impact alignments.
104
00:05:09.000 --> 00:05:13.310
So this camera is well down on the target line and when he's making contact you
105
00:05:13.310 --> 00:05:13.640
can
106
00:05:13.640 --> 00:05:18.300
see that his belt buckle and even his chest are kind of pointed out at this
107
00:05:18.300 --> 00:05:18.920
camera.
108
00:05:18.920 --> 00:05:21.640
That allows for his arms to extend.
109
00:05:21.640 --> 00:05:25.370
So while this video is hopefully to show you about this left tilt and
110
00:05:25.370 --> 00:05:26.440
transition we might
111
00:05:26.440 --> 00:05:31.640
as well take advantage of the camera angles and look at where these golfers are
112
00:05:31.640 --> 00:05:32.380
typically
113
00:05:32.380 --> 00:05:37.800
pointed at impact and how that enables their arms to extend.
114
00:05:37.800 --> 00:05:42.110
Most amateur golfers which unfortunately we don't have I was unable to find a
115
00:05:42.110 --> 00:05:43.080
very good
116
00:05:43.080 --> 00:05:47.840
camera view like this because you'd be putting your camera at risk.
117
00:05:47.840 --> 00:05:52.040
Most amateur golfers would be facing much more at the golf ball and so as a
118
00:05:52.040 --> 00:05:52.660
result you
119
00:05:52.660 --> 00:05:55.630
would tend to see their arms bend on the way through in a little bit more of a
120
00:05:55.630 --> 00:05:56.060
chicken
121
00:05:56.060 --> 00:05:57.980
wing pattern.
122
00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.
123
00:05:59.860 --> 00:06:05.700
We've got Ricky Fowler on the right Dustin Johnson on the left.
124
00:06:05.700 --> 00:06:09.930
The both camera views were intended to highlight the lower body but they
125
00:06:09.930 --> 00:06:11.220
actually do a pretty
126
00:06:11.220 --> 00:06:15.020
good job of showing what we're trying to look at at the rib cage.
127
00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his
128
00:06:18.430 --> 00:06:19.180
shoulder is
129
00:06:19.180 --> 00:06:24.570
all the way up at the top of the screen and then as he starts working down it's
130
00:06:24.570 --> 00:06:25.100
that
131
00:06:25.100 --> 00:06:31.220
early first part of transition as he's shifting his pressure onto the left foot
132
00:06:31.220 --> 00:06:32.260
he's increasing
133
00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able
134
00:06:38.990 --> 00:06:39.580
to see
135
00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's
136
00:06:44.790 --> 00:06:45.540
changing
137
00:06:45.540 --> 00:06:50.720
direction during that early part of transition you can think of it a lot of
138
00:06:50.720 --> 00:06:51.740
golfers feel
139
00:06:51.740 --> 00:06:55.770
it as more of a flexion pattern but you can clearly see that it's actually
140
00:06:55.770 --> 00:06:56.980
going 90 degrees
141
00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.
142
00:07:01.740 --> 00:07:07.310
But it's that movement that allows that as his upper body or his lower body
143
00:07:07.310 --> 00:07:08.140
shifts over
144
00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that
145
00:07:12.040 --> 00:07:12.820
he's pushing
146
00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not
147
00:07:17.480 --> 00:07:18.100
so much that
148
00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall
149
00:07:22.790 --> 00:07:23.740
marks of
150
00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.
151
00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting
152
00:07:30.520 --> 00:07:30.980
your arms
153
00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition
154
00:07:35.150 --> 00:07:35.420
.
155
00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the
156
00:07:39.250 --> 00:07:40.380
increased flexion
157
00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind
158
00:07:45.200 --> 00:07:45.900
of clunky
159
00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out
160
00:07:50.310 --> 00:07:51.140
the club.
161
00:07:51.140 --> 00:07:55.510
This down the target line view is also great for seeing how they're able to
162
00:07:55.510 --> 00:07:56.380
rotate their
163
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arms and get into that shallow arm position and ultimately that combination
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00:08:01.340 --> 00:08:02.180
allows them
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00:08:02.180 --> 00:08:06.840
to get great extension on the way through which is one of those big keys to
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00:08:06.840 --> 00:08:07.420
consistency.
167
00:08:07.420 --> 00:08:10.670
If you're having trouble implementing this in your own game feel free to submit
168
00:08:10.670 --> 00:08:11.020
a video
169
00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.
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In this analysis video, we're going to take a look at the left tilt in
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transition.
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Now, there are two major body movements to transition, one being the Jackson 5
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or kind
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of the lateral shift, and two being this left tilt or staying in your posture.
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So we're going to take a look at a couple different angles so that we can
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really visualize
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this transition movement of the body, and specifically the left tilt and how it
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helps
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kind of load what we want to do during the release.
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So over here on the right, we have Rory McRoy, and I'm going to show you a
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couple different
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camera angles where it's possible to view this, but it's a subtle movement.
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So typically 3D is going to be the easiest place where you can observe it.
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What you'll see in 3D is that the left tilt will continue to increase until
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just after
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the top of the swing, and then the flexion or going into the flexion pattern is
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going
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to increase even a little bit longer.
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So there's a combination of this left tilt and flexion that's kind of happening
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during
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transition.
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So you can kind of see it from the down the line view.
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If we take a look at Rory there, I've got two different lines.
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You can see that he's not only lowering, you can see that the angle or the left
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side of
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his shoulder is kind of breaking through this line more so than his middle or
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kind of his
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belly button area.
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So that's the indication that he's kind of creating a little bit more of this
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left tilt
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with the left side of his ribcage during that first phase of transition.
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Now if we take a look at an amateur who I have his 3D graph and is not left til
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ting in transition,
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what you'll see is as he starts down, everything kind of starts working away
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from that line
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almost instantly and the posture is actually increasing in angle.
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So if we were to take a look, you can see that he's moving away from those
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lines where
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Rory's upper body is basically breaking through them.
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Now if I was to just look at head height, that would obviously depend on camera
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angle, but
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you can see that this golfer is dropping his head.
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Now part of that is because of the lateral movement of the pelvis, part of it
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is the
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movement that's happening at the lower body.
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So using the head is not a very good way to visualize or to monitor whether or
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not you're
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having this left tilt or keeping your spine angle in transition.
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But I'm going to show you a view where I think it's almost as easy to view it
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in 3D, but
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unfortunately it's kind of a risky view.
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Over on the right we have Rory McElroy, who, this is part of the reason why I
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used him
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for the down the line is because A, I've seen his 3D file, I know he does this
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00:02:54.730 --> 00:02:56.200
very well,
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B, he was one of the golfers that I was able to find a very good target line
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view on.
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00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase
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00:03:07.750 --> 00:03:08.800
in the
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left tilt of the upper part of the spine. So you can see that upper body is
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kind of getting
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closer and he's also tilting a little bit left.
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Now the reason that you want to do that is because getting that upper body to
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tilt slightly
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to the left is going to cause the way that he is pushing against the ground to
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be more
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away from the target and less straight down.
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Imagine a running back or a soccer player that's going to change directions
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very quickly.
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They're going to get their upper body close to the ground and away from their
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foot so
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that they'll have basically a bigger moment arm or a better leverage to push
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against the
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ground from.
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It's part of the reason why the golfers are doing this is to change the
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direction that
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they're able to push against the ground with.
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So over on the left we have a teaching pro in Maryland who's a very good ball
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striker
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that I used to work with and he was brave enough to take one of these down or
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from the
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target line camera views and you can see that left tilt kind of right in there
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of the upper
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body turning into flexion and then it's not until right about here that you
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start to see
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it going into that right side bend.
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So again we'll just kind of toggle back and forth a few and you can kind of
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visualize
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what's happening with that upper body getting slightly steeper and that's part
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of the reason
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why the arms have to shallow a bit because if we go back over here to Rory McR
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oy if those
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arms were to rotate to the left you would tend to see the shaft get very very
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vertical
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because of what's going on with the upper body.
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So building off of the left tilt and transition then what will happen is during
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the release
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it will go into right side bend as that leg is pushing through and that
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rotation and upper
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00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the
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shot.
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This is also a great camera view for being able to see the impact alignments.
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So this camera is well down on the target line and when he's making contact you
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can
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see that his belt buckle and even his chest are kind of pointed out at this
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camera.
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That allows for his arms to extend.
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So while this video is hopefully to show you about this left tilt and
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transition we might
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as well take advantage of the camera angles and look at where these golfers are
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typically
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pointed at impact and how that enables their arms to extend.
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Most amateur golfers which unfortunately we don't have I was unable to find a
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very good
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camera view like this because you'd be putting your camera at risk.
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Most amateur golfers would be facing much more at the golf ball and so as a
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result you
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would tend to see their arms bend on the way through in a little bit more of a
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chicken
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wing pattern.
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00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.
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We've got Ricky Fowler on the right Dustin Johnson on the left.
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The both camera views were intended to highlight the lower body but they
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00:06:09.930 --> 00:06:11.220
actually do a pretty
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good job of showing what we're trying to look at at the rib cage.
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00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his
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shoulder is
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all the way up at the top of the screen and then as he starts working down it's
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that
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early first part of transition as he's shifting his pressure onto the left foot
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he's increasing
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00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able
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00:06:38.990 --> 00:06:39.580
to see
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00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's
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00:06:44.790 --> 00:06:45.540
changing
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direction during that early part of transition you can think of it a lot of
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golfers feel
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it as more of a flexion pattern but you can clearly see that it's actually
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going 90 degrees
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00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.
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But it's that movement that allows that as his upper body or his lower body
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00:07:07.310 --> 00:07:08.140
shifts over
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00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that
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00:07:12.040 --> 00:07:12.820
he's pushing
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00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not
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so much that
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00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall
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00:07:22.790 --> 00:07:23.740
marks of
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00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.
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00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting
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00:07:30.520 --> 00:07:30.980
your arms
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00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition
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.
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00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the
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00:07:39.250 --> 00:07:40.380
increased flexion
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00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind
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00:07:45.200 --> 00:07:45.900
of clunky
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00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out
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the club.
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This down the target line view is also great for seeing how they're able to
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rotate their
163
00:07:56.380 --> 00:08:01.340
arms and get into that shallow arm position and ultimately that combination
164
00:08:01.340 --> 00:08:02.180
allows them
165
00:08:02.180 --> 00:08:06.840
to get great extension on the way through which is one of those big keys to
166
00:08:06.840 --> 00:08:07.420
consistency.
167
00:08:07.420 --> 00:08:10.670
If you're having trouble implementing this in your own game feel free to submit
168
00:08:10.670 --> 00:08:11.020
a video
169
00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.
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