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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Improve Your Transition with Left Tilt for Better Shots

After this video, you'll be able to:

  • Identify the importance of left tilt in your swing transition
  • Visualize how proper left tilt enhances your posture during the downswing
  • Differentiate between effective and ineffective transitions through analysis

In this video, we'll explore the crucial left tilt movement in your swing transition and how it influences your shot quality. Understanding this concept will help you maintain posture and load effectively during your swing.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:03.300
In this analysis video, we're going to take a look at the left tilt in

2
00:00:03.300 --> 00:00:04.160
transition.

3
00:00:04.160 --> 00:00:08.520
Now, there are two major body movements to transition, one being the Jackson 5

4
00:00:08.520 --> 00:00:08.840
or kind

5
00:00:08.840 --> 00:00:14.760
of the lateral shift, and two being this left tilt or staying in your posture.

6
00:00:14.760 --> 00:00:17.660
So we're going to take a look at a couple different angles so that we can

7
00:00:17.660 --> 00:00:18.420
really visualize

8
00:00:18.420 --> 00:00:23.990
this transition movement of the body, and specifically the left tilt and how it

9
00:00:23.990 --> 00:00:24.520
helps

10
00:00:24.520 --> 00:00:28.280
kind of load what we want to do during the release.

11
00:00:28.280 --> 00:00:32.940
So over here on the right, we have Rory McRoy, and I'm going to show you a

12
00:00:32.940 --> 00:00:34.000
couple different

13
00:00:34.000 --> 00:00:39.120
camera angles where it's possible to view this, but it's a subtle movement.

14
00:00:39.120 --> 00:00:44.640
So typically 3D is going to be the easiest place where you can observe it.

15
00:00:44.640 --> 00:00:49.330
What you'll see in 3D is that the left tilt will continue to increase until

16
00:00:49.330 --> 00:00:50.080
just after

17
00:00:50.080 --> 00:00:56.150
the top of the swing, and then the flexion or going into the flexion pattern is

18
00:00:56.150 --> 00:00:56.720
going

19
00:00:56.720 --> 00:01:00.040
to increase even a little bit longer.

20
00:01:00.040 --> 00:01:03.670
So there's a combination of this left tilt and flexion that's kind of happening

21
00:01:03.670 --> 00:01:04.080
during

22
00:01:04.080 --> 00:01:05.440
transition.

23
00:01:05.440 --> 00:01:09.280
So you can kind of see it from the down the line view.

24
00:01:09.280 --> 00:01:12.640
If we take a look at Rory there, I've got two different lines.

25
00:01:12.640 --> 00:01:19.310
You can see that he's not only lowering, you can see that the angle or the left

26
00:01:19.310 --> 00:01:20.000
side of

27
00:01:20.000 --> 00:01:25.400
his shoulder is kind of breaking through this line more so than his middle or

28
00:01:25.400 --> 00:01:26.260
kind of his

29
00:01:26.260 --> 00:01:28.520
belly button area.

30
00:01:28.520 --> 00:01:33.870
So that's the indication that he's kind of creating a little bit more of this

31
00:01:33.870 --> 00:01:34.600
left tilt

32
00:01:34.600 --> 00:01:39.920
with the left side of his ribcage during that first phase of transition.

33
00:01:39.920 --> 00:01:46.130
Now if we take a look at an amateur who I have his 3D graph and is not left til

34
00:01:46.130 --> 00:01:47.920
ting in transition,

35
00:01:47.920 --> 00:01:53.090
what you'll see is as he starts down, everything kind of starts working away

36
00:01:53.090 --> 00:01:54.160
from that line

37
00:01:54.160 --> 00:01:59.680
almost instantly and the posture is actually increasing in angle.

38
00:01:59.680 --> 00:02:03.810
So if we were to take a look, you can see that he's moving away from those

39
00:02:03.810 --> 00:02:04.560
lines where

40
00:02:04.560 --> 00:02:08.160
Rory's upper body is basically breaking through them.

41
00:02:08.160 --> 00:02:15.650
Now if I was to just look at head height, that would obviously depend on camera

42
00:02:15.650 --> 00:02:16.480
angle, but

43
00:02:16.480 --> 00:02:19.720
you can see that this golfer is dropping his head.

44
00:02:19.720 --> 00:02:23.310
Now part of that is because of the lateral movement of the pelvis, part of it

45
00:02:23.310 --> 00:02:23.720
is the

46
00:02:23.720 --> 00:02:25.760
movement that's happening at the lower body.

47
00:02:25.760 --> 00:02:32.000
So using the head is not a very good way to visualize or to monitor whether or

48
00:02:32.000 --> 00:02:32.600
not you're

49
00:02:32.600 --> 00:02:37.120
having this left tilt or keeping your spine angle in transition.

50
00:02:37.120 --> 00:02:42.520
But I'm going to show you a view where I think it's almost as easy to view it

51
00:02:42.520 --> 00:02:43.680
in 3D, but

52
00:02:43.680 --> 00:02:46.860
unfortunately it's kind of a risky view.

53
00:02:46.860 --> 00:02:50.300
Over on the right we have Rory McElroy, who, this is part of the reason why I

54
00:02:50.300 --> 00:02:50.820
used him

55
00:02:50.820 --> 00:02:54.730
for the down the line is because A, I've seen his 3D file, I know he does this

56
00:02:54.730 --> 00:02:56.200
very well,

57
00:02:56.200 --> 00:03:00.860
B, he was one of the golfers that I was able to find a very good target line

58
00:03:00.860 --> 00:03:01.440
view on.

59
00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase

60
00:03:07.750 --> 00:03:08.800
in the

61
00:03:08.800 --> 00:03:15.350
left tilt of the upper part of the spine. So you can see that upper body is

62
00:03:15.350 --> 00:03:15.640
kind of getting

63
00:03:15.640 --> 00:03:18.640
closer and he's also tilting a little bit left.

64
00:03:18.640 --> 00:03:22.730
Now the reason that you want to do that is because getting that upper body to

65
00:03:22.730 --> 00:03:23.560
tilt slightly

66
00:03:23.560 --> 00:03:27.900
to the left is going to cause the way that he is pushing against the ground to

67
00:03:27.900 --> 00:03:28.360
be more

68
00:03:28.360 --> 00:03:32.880
away from the target and less straight down.

69
00:03:32.880 --> 00:03:37.580
Imagine a running back or a soccer player that's going to change directions

70
00:03:37.580 --> 00:03:38.680
very quickly.

71
00:03:38.680 --> 00:03:41.830
They're going to get their upper body close to the ground and away from their

72
00:03:41.830 --> 00:03:42.240
foot so

73
00:03:42.240 --> 00:03:46.900
that they'll have basically a bigger moment arm or a better leverage to push

74
00:03:46.900 --> 00:03:47.440
against the

75
00:03:47.440 --> 00:03:48.440
ground from.

76
00:03:48.440 --> 00:03:51.120
It's part of the reason why the golfers are doing this is to change the

77
00:03:51.120 --> 00:03:51.880
direction that

78
00:03:51.880 --> 00:03:54.480
they're able to push against the ground with.

79
00:03:54.480 --> 00:03:58.470
So over on the left we have a teaching pro in Maryland who's a very good ball

80
00:03:58.470 --> 00:03:59.040
striker

81
00:03:59.040 --> 00:04:03.700
that I used to work with and he was brave enough to take one of these down or

82
00:04:03.700 --> 00:04:04.000
from the

83
00:04:04.000 --> 00:04:10.490
target line camera views and you can see that left tilt kind of right in there

84
00:04:10.490 --> 00:04:11.360
of the upper

85
00:04:11.360 --> 00:04:16.020
body turning into flexion and then it's not until right about here that you

86
00:04:16.020 --> 00:04:16.960
start to see

87
00:04:16.960 --> 00:04:20.960
it going into that right side bend.

88
00:04:20.960 --> 00:04:25.840
So again we'll just kind of toggle back and forth a few and you can kind of

89
00:04:25.840 --> 00:04:26.720
visualize

90
00:04:26.720 --> 00:04:31.580
what's happening with that upper body getting slightly steeper and that's part

91
00:04:31.580 --> 00:04:32.280
of the reason

92
00:04:32.280 --> 00:04:37.900
why the arms have to shallow a bit because if we go back over here to Rory McR

93
00:04:37.900 --> 00:04:38.600
oy if those

94
00:04:38.600 --> 00:04:43.480
arms were to rotate to the left you would tend to see the shaft get very very

95
00:04:43.480 --> 00:04:44.200
vertical

96
00:04:44.200 --> 00:04:47.520
because of what's going on with the upper body.

97
00:04:47.520 --> 00:04:51.600
So building off of the left tilt and transition then what will happen is during

98
00:04:51.600 --> 00:04:52.360
the release

99
00:04:52.360 --> 00:04:57.080
it will go into right side bend as that leg is pushing through and that

100
00:04:57.080 --> 00:04:58.320
rotation and upper

101
00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the

102
00:05:03.730 --> 00:05:04.400
shot.

103
00:05:04.400 --> 00:05:09.000
This is also a great camera view for being able to see the impact alignments.

104
00:05:09.000 --> 00:05:13.310
So this camera is well down on the target line and when he's making contact you

105
00:05:13.310 --> 00:05:13.640
can

106
00:05:13.640 --> 00:05:18.300
see that his belt buckle and even his chest are kind of pointed out at this

107
00:05:18.300 --> 00:05:18.920
camera.

108
00:05:18.920 --> 00:05:21.640
That allows for his arms to extend.

109
00:05:21.640 --> 00:05:25.370
So while this video is hopefully to show you about this left tilt and

110
00:05:25.370 --> 00:05:26.440
transition we might

111
00:05:26.440 --> 00:05:31.640
as well take advantage of the camera angles and look at where these golfers are

112
00:05:31.640 --> 00:05:32.380
typically

113
00:05:32.380 --> 00:05:37.800
pointed at impact and how that enables their arms to extend.

114
00:05:37.800 --> 00:05:42.110
Most amateur golfers which unfortunately we don't have I was unable to find a

115
00:05:42.110 --> 00:05:43.080
very good

116
00:05:43.080 --> 00:05:47.840
camera view like this because you'd be putting your camera at risk.

117
00:05:47.840 --> 00:05:52.040
Most amateur golfers would be facing much more at the golf ball and so as a

118
00:05:52.040 --> 00:05:52.660
result you

119
00:05:52.660 --> 00:05:55.630
would tend to see their arms bend on the way through in a little bit more of a

120
00:05:55.630 --> 00:05:56.060
chicken

121
00:05:56.060 --> 00:05:57.980
wing pattern.

122
00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.

123
00:05:59.860 --> 00:06:05.700
We've got Ricky Fowler on the right Dustin Johnson on the left.

124
00:06:05.700 --> 00:06:09.930
The both camera views were intended to highlight the lower body but they

125
00:06:09.930 --> 00:06:11.220
actually do a pretty

126
00:06:11.220 --> 00:06:15.020
good job of showing what we're trying to look at at the rib cage.

127
00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his

128
00:06:18.430 --> 00:06:19.180
shoulder is

129
00:06:19.180 --> 00:06:24.570
all the way up at the top of the screen and then as he starts working down it's

130
00:06:24.570 --> 00:06:25.100
that

131
00:06:25.100 --> 00:06:31.220
early first part of transition as he's shifting his pressure onto the left foot

132
00:06:31.220 --> 00:06:32.260
he's increasing

133
00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able

134
00:06:38.990 --> 00:06:39.580
to see

135
00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's

136
00:06:44.790 --> 00:06:45.540
changing

137
00:06:45.540 --> 00:06:50.720
direction during that early part of transition you can think of it a lot of

138
00:06:50.720 --> 00:06:51.740
golfers feel

139
00:06:51.740 --> 00:06:55.770
it as more of a flexion pattern but you can clearly see that it's actually

140
00:06:55.770 --> 00:06:56.980
going 90 degrees

141
00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.

142
00:07:01.740 --> 00:07:07.310
But it's that movement that allows that as his upper body or his lower body

143
00:07:07.310 --> 00:07:08.140
shifts over

144
00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that

145
00:07:12.040 --> 00:07:12.820
he's pushing

146
00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not

147
00:07:17.480 --> 00:07:18.100
so much that

148
00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall

149
00:07:22.790 --> 00:07:23.740
marks of

150
00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.

151
00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting

152
00:07:30.520 --> 00:07:30.980
your arms

153
00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition

154
00:07:35.150 --> 00:07:35.420
.

155
00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the

156
00:07:39.250 --> 00:07:40.380
increased flexion

157
00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind

158
00:07:45.200 --> 00:07:45.900
of clunky

159
00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out

160
00:07:50.310 --> 00:07:51.140
the club.

161
00:07:51.140 --> 00:07:55.510
This down the target line view is also great for seeing how they're able to

162
00:07:55.510 --> 00:07:56.380
rotate their

163
00:07:56.380 --> 00:08:01.340
arms and get into that shallow arm position and ultimately that combination

164
00:08:01.340 --> 00:08:02.180
allows them

165
00:08:02.180 --> 00:08:06.840
to get great extension on the way through which is one of those big keys to

166
00:08:06.840 --> 00:08:07.420
consistency.

167
00:08:07.420 --> 00:08:10.670
If you're having trouble implementing this in your own game feel free to submit

168
00:08:10.670 --> 00:08:11.020
a video

169
00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.

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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Improve Your Transition with Left Tilt for Better Shots

After this video, you'll be able to:

  • Identify the importance of left tilt in your swing transition
  • Visualize how proper left tilt enhances your posture during the downswing
  • Differentiate between effective and ineffective transitions through analysis

In this video, we'll explore the crucial left tilt movement in your swing transition and how it influences your shot quality. Understanding this concept will help you maintain posture and load effectively during your swing.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:03.300
In this analysis video, we're going to take a look at the left tilt in

2
00:00:03.300 --> 00:00:04.160
transition.

3
00:00:04.160 --> 00:00:08.520
Now, there are two major body movements to transition, one being the Jackson 5

4
00:00:08.520 --> 00:00:08.840
or kind

5
00:00:08.840 --> 00:00:14.760
of the lateral shift, and two being this left tilt or staying in your posture.

6
00:00:14.760 --> 00:00:17.660
So we're going to take a look at a couple different angles so that we can

7
00:00:17.660 --> 00:00:18.420
really visualize

8
00:00:18.420 --> 00:00:23.990
this transition movement of the body, and specifically the left tilt and how it

9
00:00:23.990 --> 00:00:24.520
helps

10
00:00:24.520 --> 00:00:28.280
kind of load what we want to do during the release.

11
00:00:28.280 --> 00:00:32.940
So over here on the right, we have Rory McRoy, and I'm going to show you a

12
00:00:32.940 --> 00:00:34.000
couple different

13
00:00:34.000 --> 00:00:39.120
camera angles where it's possible to view this, but it's a subtle movement.

14
00:00:39.120 --> 00:00:44.640
So typically 3D is going to be the easiest place where you can observe it.

15
00:00:44.640 --> 00:00:49.330
What you'll see in 3D is that the left tilt will continue to increase until

16
00:00:49.330 --> 00:00:50.080
just after

17
00:00:50.080 --> 00:00:56.150
the top of the swing, and then the flexion or going into the flexion pattern is

18
00:00:56.150 --> 00:00:56.720
going

19
00:00:56.720 --> 00:01:00.040
to increase even a little bit longer.

20
00:01:00.040 --> 00:01:03.670
So there's a combination of this left tilt and flexion that's kind of happening

21
00:01:03.670 --> 00:01:04.080
during

22
00:01:04.080 --> 00:01:05.440
transition.

23
00:01:05.440 --> 00:01:09.280
So you can kind of see it from the down the line view.

24
00:01:09.280 --> 00:01:12.640
If we take a look at Rory there, I've got two different lines.

25
00:01:12.640 --> 00:01:19.310
You can see that he's not only lowering, you can see that the angle or the left

26
00:01:19.310 --> 00:01:20.000
side of

27
00:01:20.000 --> 00:01:25.400
his shoulder is kind of breaking through this line more so than his middle or

28
00:01:25.400 --> 00:01:26.260
kind of his

29
00:01:26.260 --> 00:01:28.520
belly button area.

30
00:01:28.520 --> 00:01:33.870
So that's the indication that he's kind of creating a little bit more of this

31
00:01:33.870 --> 00:01:34.600
left tilt

32
00:01:34.600 --> 00:01:39.920
with the left side of his ribcage during that first phase of transition.

33
00:01:39.920 --> 00:01:46.130
Now if we take a look at an amateur who I have his 3D graph and is not left til

34
00:01:46.130 --> 00:01:47.920
ting in transition,

35
00:01:47.920 --> 00:01:53.090
what you'll see is as he starts down, everything kind of starts working away

36
00:01:53.090 --> 00:01:54.160
from that line

37
00:01:54.160 --> 00:01:59.680
almost instantly and the posture is actually increasing in angle.

38
00:01:59.680 --> 00:02:03.810
So if we were to take a look, you can see that he's moving away from those

39
00:02:03.810 --> 00:02:04.560
lines where

40
00:02:04.560 --> 00:02:08.160
Rory's upper body is basically breaking through them.

41
00:02:08.160 --> 00:02:15.650
Now if I was to just look at head height, that would obviously depend on camera

42
00:02:15.650 --> 00:02:16.480
angle, but

43
00:02:16.480 --> 00:02:19.720
you can see that this golfer is dropping his head.

44
00:02:19.720 --> 00:02:23.310
Now part of that is because of the lateral movement of the pelvis, part of it

45
00:02:23.310 --> 00:02:23.720
is the

46
00:02:23.720 --> 00:02:25.760
movement that's happening at the lower body.

47
00:02:25.760 --> 00:02:32.000
So using the head is not a very good way to visualize or to monitor whether or

48
00:02:32.000 --> 00:02:32.600
not you're

49
00:02:32.600 --> 00:02:37.120
having this left tilt or keeping your spine angle in transition.

50
00:02:37.120 --> 00:02:42.520
But I'm going to show you a view where I think it's almost as easy to view it

51
00:02:42.520 --> 00:02:43.680
in 3D, but

52
00:02:43.680 --> 00:02:46.860
unfortunately it's kind of a risky view.

53
00:02:46.860 --> 00:02:50.300
Over on the right we have Rory McElroy, who, this is part of the reason why I

54
00:02:50.300 --> 00:02:50.820
used him

55
00:02:50.820 --> 00:02:54.730
for the down the line is because A, I've seen his 3D file, I know he does this

56
00:02:54.730 --> 00:02:56.200
very well,

57
00:02:56.200 --> 00:03:00.860
B, he was one of the golfers that I was able to find a very good target line

58
00:03:00.860 --> 00:03:01.440
view on.

59
00:03:01.440 --> 00:03:07.750
So here what we'll see is as he starts his downswing, you can see that increase

60
00:03:07.750 --> 00:03:08.800
in the

61
00:03:08.800 --> 00:03:15.350
left tilt of the upper part of the spine. So you can see that upper body is

62
00:03:15.350 --> 00:03:15.640
kind of getting

63
00:03:15.640 --> 00:03:18.640
closer and he's also tilting a little bit left.

64
00:03:18.640 --> 00:03:22.730
Now the reason that you want to do that is because getting that upper body to

65
00:03:22.730 --> 00:03:23.560
tilt slightly

66
00:03:23.560 --> 00:03:27.900
to the left is going to cause the way that he is pushing against the ground to

67
00:03:27.900 --> 00:03:28.360
be more

68
00:03:28.360 --> 00:03:32.880
away from the target and less straight down.

69
00:03:32.880 --> 00:03:37.580
Imagine a running back or a soccer player that's going to change directions

70
00:03:37.580 --> 00:03:38.680
very quickly.

71
00:03:38.680 --> 00:03:41.830
They're going to get their upper body close to the ground and away from their

72
00:03:41.830 --> 00:03:42.240
foot so

73
00:03:42.240 --> 00:03:46.900
that they'll have basically a bigger moment arm or a better leverage to push

74
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against the

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ground from.

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It's part of the reason why the golfers are doing this is to change the

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direction that

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they're able to push against the ground with.

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So over on the left we have a teaching pro in Maryland who's a very good ball

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striker

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that I used to work with and he was brave enough to take one of these down or

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from the

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target line camera views and you can see that left tilt kind of right in there

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of the upper

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body turning into flexion and then it's not until right about here that you

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start to see

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it going into that right side bend.

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So again we'll just kind of toggle back and forth a few and you can kind of

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visualize

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what's happening with that upper body getting slightly steeper and that's part

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of the reason

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why the arms have to shallow a bit because if we go back over here to Rory McR

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oy if those

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arms were to rotate to the left you would tend to see the shaft get very very

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00:04:43.480 --> 00:04:44.200
vertical

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because of what's going on with the upper body.

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So building off of the left tilt and transition then what will happen is during

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the release

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00:04:52.360 --> 00:04:57.080
it will go into right side bend as that leg is pushing through and that

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00:04:57.080 --> 00:04:58.320
rotation and upper

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00:04:58.320 --> 00:05:03.730
body bend will help create the platform for those arms to extend through the

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shot.

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This is also a great camera view for being able to see the impact alignments.

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So this camera is well down on the target line and when he's making contact you

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can

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see that his belt buckle and even his chest are kind of pointed out at this

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camera.

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That allows for his arms to extend.

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00:05:21.640 --> 00:05:25.370
So while this video is hopefully to show you about this left tilt and

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transition we might

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00:05:26.440 --> 00:05:31.640
as well take advantage of the camera angles and look at where these golfers are

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typically

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pointed at impact and how that enables their arms to extend.

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Most amateur golfers which unfortunately we don't have I was unable to find a

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00:05:42.110 --> 00:05:43.080
very good

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00:05:43.080 --> 00:05:47.840
camera view like this because you'd be putting your camera at risk.

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Most amateur golfers would be facing much more at the golf ball and so as a

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result you

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00:05:52.660 --> 00:05:55.630
would tend to see their arms bend on the way through in a little bit more of a

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00:05:55.630 --> 00:05:56.060
chicken

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00:05:56.060 --> 00:05:57.980
wing pattern.

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00:05:57.980 --> 00:05:59.860
And now we have two more golfers we can take a look at.

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We've got Ricky Fowler on the right Dustin Johnson on the left.

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The both camera views were intended to highlight the lower body but they

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00:06:09.930 --> 00:06:11.220
actually do a pretty

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00:06:11.220 --> 00:06:15.020
good job of showing what we're trying to look at at the rib cage.

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00:06:15.020 --> 00:06:18.430
So when he's up at the top of the swing right about here you can see that his

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shoulder is

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00:06:19.180 --> 00:06:24.570
all the way up at the top of the screen and then as he starts working down it's

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that

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00:06:25.100 --> 00:06:31.220
early first part of transition as he's shifting his pressure onto the left foot

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00:06:31.220 --> 00:06:32.260
he's increasing

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00:06:32.260 --> 00:06:38.990
just slightly the amount of left side bend over here on the left we'll be able

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to see

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00:06:39.580 --> 00:06:44.790
even more exaggerated version from Dustin Johnson so you can see that as he's

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00:06:44.790 --> 00:06:45.540
changing

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direction during that early part of transition you can think of it a lot of

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00:06:50.720 --> 00:06:51.740
golfers feel

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00:06:51.740 --> 00:06:55.770
it as more of a flexion pattern but you can clearly see that it's actually

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00:06:55.770 --> 00:06:56.980
going 90 degrees

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00:06:56.980 --> 00:07:01.740
to where his chest is facing so it's technically more of a left side bend.

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00:07:01.740 --> 00:07:07.310
But it's that movement that allows that as his upper body or his lower body

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00:07:07.310 --> 00:07:08.140
shifts over

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00:07:08.140 --> 00:07:12.040
here and his upper body is going down that's going to cause the direction that

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00:07:12.040 --> 00:07:12.820
he's pushing

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00:07:12.820 --> 00:07:17.480
with his foot to go from pushing kind of like this to more like that it's not

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00:07:17.480 --> 00:07:18.100
so much that

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00:07:18.100 --> 00:07:22.790
he's able to push harder but it changes the direction which is one of the hall

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00:07:22.790 --> 00:07:23.740
marks of

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00:07:23.740 --> 00:07:27.300
very good drivers of the golf ball especially.

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00:07:27.300 --> 00:07:30.520
So if you're struggling with early extension if you're struggling with getting

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00:07:30.520 --> 00:07:30.980
your arms

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00:07:30.980 --> 00:07:35.150
to shallow perhaps you're not doing enough of this left side bend in transition

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.

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00:07:35.420 --> 00:07:39.250
Now if you start to implement this left side bend in transition or the

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00:07:39.250 --> 00:07:40.380
increased flexion

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00:07:40.380 --> 00:07:45.200
in transition and you start to hit toe contact or you start to hit really kind

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00:07:45.200 --> 00:07:45.900
of clunky

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00:07:45.900 --> 00:07:50.310
steep contact then it's a very good indication that you're not shallowing out

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00:07:50.310 --> 00:07:51.140
the club.

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This down the target line view is also great for seeing how they're able to

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rotate their

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00:07:56.380 --> 00:08:01.340
arms and get into that shallow arm position and ultimately that combination

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allows them

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to get great extension on the way through which is one of those big keys to

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consistency.

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If you're having trouble implementing this in your own game feel free to submit

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a video

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00:08:11.020 --> 00:08:14.340
or send us an email and we can help you figure out what's holding you back.

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