Face And Path Examples - Overhead Path Visual
The movement of you club path, and the orientation to that face are the two big components to understanding your ball flight. In this video, I use an overhead camera to show you what different orientations look like. Many amateurs swing with a clubface that is open to the path too long, and as a result they have a hard time creating consistent contact.
The movement of you club path, and the orientation to that face are the two big components to understanding your ball flight. In this video, I use an overhead camera to show you what different orientations look like. Many amateurs swing with a clubface that is open to the path too long, and as a result they have a hard time creating consistent contact.
Video Transcript
1
00:00:00.000 --> 00:00:03.960
In this analysis video we're gonna take a look at the face-to-path
2
00:00:03.960 --> 00:00:04.760
relationships
3
00:00:04.760 --> 00:00:10.920
using the overhead view. So in this swing I'm taking a little bit a little bit
4
00:00:10.920 --> 00:00:15.680
longer than 9 to 3 but I wanted to have a really clear club face so we're
5
00:00:15.680 --> 00:00:22.120
hitting just kind of a 9 to 3 style shot. Now here you can see that at about
6
00:00:22.120 --> 00:00:26.560
waist height the the hands are in front of that right shoulder or even with
7
00:00:26.560 --> 00:00:26.680
that
8
00:00:26.680 --> 00:00:30.760
right thigh so that's probably closer to where the club would be parallel to
9
00:00:30.760 --> 00:00:30.760
the
10
00:00:30.760 --> 00:00:35.120
target line. You can see that the club face is close to vertical or slightly
11
00:00:35.120 --> 00:00:40.720
passed. Now as it comes down you'll see that it's rotating towards the target
12
00:00:40.720 --> 00:00:47.560
at a relatively consistent rate. You will understand that a little bit better
13
00:00:47.560 --> 00:00:47.880
as
14
00:00:47.880 --> 00:00:54.240
we look at some other examples and then unfortunately the club kind of
15
00:00:54.240 --> 00:00:58.280
disappears out of view but what you can see at this position is that that right
16
00:00:58.280 --> 00:01:06.000
hand is more or less on top of that left hand. So looking at that from the down
17
00:01:06.000 --> 00:01:11.000
the line view we can see that that club face is rotating so that it's more or
18
00:01:11.000 --> 00:01:17.080
less pointing at the golf ball a few frames before impact. That was the
19
00:01:17.080 --> 00:01:20.440
important thing that I wanted you to see from that kind of overhead view and
20
00:01:20.440 --> 00:01:26.440
then here you'll see the club working more towards toe-up or possibly even a
21
00:01:26.440 --> 00:01:30.960
little patch depending on your grip strength and how much form rotation you're
22
00:01:30.960 --> 00:01:40.490
gonna have. As we look from this face-on let's move that just a little bit. So
23
00:01:40.490 --> 00:01:40.560
if
24
00:01:40.560 --> 00:01:45.120
we look from that face-on you can see that there's a full release where that
25
00:01:45.120 --> 00:01:49.680
right hand is kind of passed over on top of that left hand from that face from
26
00:01:49.680 --> 00:01:53.840
that overhead view that's where we were seeing that right hand more on top.
27
00:01:53.840 --> 00:01:54.600
Keep
28
00:01:54.600 --> 00:01:59.840
that in mind as we look at some amateur golfers and some of varying levels so
29
00:01:59.840 --> 00:02:04.200
some very low handicap very good ball strikers and then some higher handicap
30
00:02:04.200 --> 00:02:10.720
so that you can kind of visualize how this face and path relationship works. So
31
00:02:10.720 --> 00:02:15.560
in this particular golfer so in this particular golfer you can see that that
32
00:02:15.560 --> 00:02:20.320
club is pointed well out to the right of the golf ball and you can see that it
33
00:02:20.320 --> 00:02:25.040
more or less stays there and then this golfer is going to use the path by
34
00:02:25.040 --> 00:02:29.760
pulling up on the handle in order to get that face pointed more at the target
35
00:02:29.760 --> 00:02:36.400
but you see that he did so basically using that open face and pulling the
36
00:02:36.400 --> 00:02:42.640
path left as opposed to the gradual and continuous closing that we're trying to
37
00:02:42.640 --> 00:02:46.040
get during that release and so when he gets to that finish position you can see
38
00:02:46.040 --> 00:02:51.840
that the right hand is well underneath the left hand not on top because it
39
00:02:51.840 --> 00:02:57.080
wasn't rotating closed during that face. Now with this path if he had rotated
40
00:02:57.080 --> 00:02:57.400
it
41
00:02:57.400 --> 00:03:02.400
closed the ball would have gone way left so it's not a simple one-to-one fix if
42
00:03:02.400 --> 00:03:07.840
we just fix the face usually the face and the path both have to be adjusted and
43
00:03:07.840 --> 00:03:11.440
then here's another gentleman who has the the club face in a fairly good
44
00:03:11.440 --> 00:03:17.670
position here where the club face is just past vertical but you'll see that
45
00:03:17.670 --> 00:03:18.640
through
46
00:03:18.640 --> 00:03:29.680
that phase to basically here the club instead of rotating this way is more or
47
00:03:29.680 --> 00:03:36.320
less just sliding across like so. Can you see how that face is still pointed
48
00:03:36.320 --> 00:03:36.560
way
49
00:03:36.560 --> 00:03:41.720
out to the right and then he's going to use that early release or kind of a
50
00:03:41.720 --> 00:03:46.240
scoop pattern to get that face that's well open here pointing in the general
51
00:03:46.240 --> 00:03:51.160
direction of the target but unfortunately that scoop method tends to cause that
52
00:03:51.160 --> 00:03:56.400
lead arm to break down and you'll see that his trail hand is very much
53
00:03:56.400 --> 00:04:00.640
underneath the grip instead of on top of the grip so he hasn't had a ton of
54
00:04:00.640 --> 00:04:06.560
that forearm rotation during his release either. Now we've got an example of a
55
00:04:06.560 --> 00:04:09.640
golfer who has actually had been working on the motorcycle and arm
56
00:04:09.640 --> 00:04:14.320
shallowing so you'll see the club faces in a fairly closed position and works
57
00:04:14.320 --> 00:04:19.080
its way into a good closed position already pointing at the target through
58
00:04:19.080 --> 00:04:24.280
here so he's able to get pretty good arm extension on the way through there's a
59
00:04:24.280 --> 00:04:27.960
tiny little breakdown of the wrist but for the most part he has pretty good
60
00:04:27.960 --> 00:04:33.320
arm extension part of that is because you can see that his hands are well ahead
61
00:04:33.320 --> 00:04:37.920
of the golf ball or from his perspective they look well ahead of the golf ball
62
00:04:37.920 --> 00:04:41.920
from the face on camera they would look like they're just slightly ahead where
63
00:04:41.920 --> 00:04:46.520
the last few examples the hands would be closer to in line with the golf ball
64
00:04:46.520 --> 00:04:47.520
so
65
00:04:47.520 --> 00:04:51.840
by getting the club face closed early he's able to continue rotating which
66
00:04:51.840 --> 00:04:56.080
allows his hands to get ahead of the golf ball and allows his arms to extend
67
00:04:56.080 --> 00:05:00.600
through the ball leading to consistent ball striking. Now here we have Jack
68
00:05:00.600 --> 00:05:05.000
Nicholas hitting a five iron obviously the camera frame rate is not going to be
69
00:05:05.000 --> 00:05:09.560
as good that we'll be able to see clearly where that club faces but you can get
70
00:05:09.560 --> 00:05:09.560
a
71
00:05:09.560 --> 00:05:14.960
good sense of the path as it relates to the to the club face so when he gets to
72
00:05:14.960 --> 00:05:20.200
the the shaft parallel to the ground which would be roughly when the hands are
73
00:05:20.200 --> 00:05:24.040
even with that right shoulder you can see that the club head is still coming
74
00:05:24.040 --> 00:05:29.840
from the inside of that target line and then as he goes through you'll see the
75
00:05:29.840 --> 00:05:36.270
that lead arm is going to rotate or that trail arm is going to rotate as they
76
00:05:36.270 --> 00:05:36.320
're
77
00:05:36.320 --> 00:05:41.520
both extending so here you can see he's got a fair amount of arm bend still got
78
00:05:41.520 --> 00:05:46.800
that arm bend and then those arms are extending so I like to kind of reference
79
00:05:46.800 --> 00:05:51.360
it a spot somewhere down on the target line where those arms are more extending
80
00:05:51.360 --> 00:05:56.080
there as opposed to what we saw with a lot of the amateurs where they were
81
00:05:56.080 --> 00:06:03.950
extending more at the golf ball. Here's another example this one JB homes and I
82
00:06:03.950 --> 00:06:04.320
'm
83
00:06:04.320 --> 00:06:08.560
not sure why they didn't have better frame rate or shutter speed but we can
84
00:06:08.560 --> 00:06:14.000
see some of the shaft relationships as well so compared to a stance you can see
85
00:06:14.000 --> 00:06:17.920
that that club is coming more from the inside from and down the line camera
86
00:06:17.920 --> 00:06:22.480
angle you would see that that would only look like the club was about a club
87
00:06:22.480 --> 00:06:22.760
head
88
00:06:22.760 --> 00:06:26.840
width inside of the golf ball but from the overhead you can see that it looks
89
00:06:26.840 --> 00:06:31.280
like it's way behind especially when you combine the fact that his chest and
90
00:06:31.280 --> 00:06:35.920
shoulders are already starting to point more out in front of the golf ball that
91
00:06:35.920 --> 00:06:41.880
allows him to have his hands continue to lead and when he gets to impact you
92
00:06:41.880 --> 00:06:42.040
can
93
00:06:42.040 --> 00:06:47.880
see that his body is already turned facing the target so we're closer to the
94
00:06:47.880 --> 00:06:52.440
target you can kind of see the blur of the club at this point already starting
95
00:06:52.440 --> 00:06:52.560
to
96
00:06:52.560 --> 00:06:57.120
point at the golf ball and that combination of having the golf club
97
00:06:57.120 --> 00:07:02.480
pointed at the golf ball earlier allows him to both come from a shallower angle
98
00:07:02.480 --> 00:07:09.720
as well as get that good arm extension on the way through. So I'm limited with
99
00:07:09.720 --> 00:07:14.520
the number of overhead views that I have at least until I get a drone. So
100
00:07:14.520 --> 00:07:18.840
here's a target line view of Roy McElroy now we can see that great body
101
00:07:18.840 --> 00:07:23.520
action and arm shallowing piece and then as we get to waist height you can see
102
00:07:23.520 --> 00:07:28.840
that compared to his left forearm there's a little bit of that flexion in that
103
00:07:28.840 --> 00:07:33.720
lead wrist so he's done a good job with the motorcycle because we know that up
104
00:07:33.720 --> 00:07:38.560
here at the top of the swing that lead wrist is actually in extension or pretty
105
00:07:38.560 --> 00:07:42.800
close to flat so it's done it a good amount and you can start to see the club
106
00:07:42.800 --> 00:07:47.160
face there is already turning towards the golf ball so you can see it kind of
107
00:07:47.160 --> 00:07:53.200
having a consistent rotation towards the golf ball during this face here. Now
108
00:07:53.200 --> 00:07:58.400
unfortunately we can't see the last couple of phases before impact or frames
109
00:07:58.400 --> 00:08:03.120
before impact because of the camera location and grass height but you can
110
00:08:03.120 --> 00:08:07.960
see that those arms continue to rotate through and the way that you can kind of
111
00:08:07.960 --> 00:08:13.080
visualize that is if you look at the lead hand or the the glove of his lead
112
00:08:13.080 --> 00:08:16.920
hand you can see that it continues to rotate towards the target and then
113
00:08:16.920 --> 00:08:21.880
beyond as those arms extend what a lot of amateur golfers would do is as they
114
00:08:21.880 --> 00:08:25.800
get to this point the the glove hand would stay pointed at the target and that
115
00:08:25.800 --> 00:08:29.800
lead wrist would just bend and break down and then eventually that lead arm
116
00:08:29.800 --> 00:08:34.960
would start to chicken wing because he has a consistent rotation and he had
117
00:08:34.960 --> 00:08:35.120
that
118
00:08:35.120 --> 00:08:39.000
arm shallowing piece his face and path are in a very good relationship so he
119
00:08:39.000 --> 00:08:42.840
gets into this great follow-through position with the arm extension piece
120
00:08:42.840 --> 00:08:49.600
body in a really good position where he hasn't early extend or stood up arm
121
00:08:49.600 --> 00:08:54.080
extension right hand on top of left everything is looking great there if
122
00:08:54.080 --> 00:08:58.960
you're having any issues with your release or figuring out your face and
123
00:08:58.960 --> 00:09:03.840
path relationships and why you might be having contact issues please check out
124
00:09:03.840 --> 00:09:08.960
the associated videos here or feel free to send us an email or submit your
125
00:09:08.960 --> 00:09:12.640
swing and we can help you get on track
Have questions?
Ask Mulligan for helpFace And Path Examples - Overhead Path Visual
The movement of you club path, and the orientation to that face are the two big components to understanding your ball flight. In this video, I use an overhead camera to show you what different orientations look like. Many amateurs swing with a clubface that is open to the path too long, and as a result they have a hard time creating consistent contact.
The movement of you club path, and the orientation to that face are the two big components to understanding your ball flight. In this video, I use an overhead camera to show you what different orientations look like. Many amateurs swing with a clubface that is open to the path too long, and as a result they have a hard time creating consistent contact.
Video Transcript
1
00:00:00.000 --> 00:00:03.960
In this analysis video we're gonna take a look at the face-to-path
2
00:00:03.960 --> 00:00:04.760
relationships
3
00:00:04.760 --> 00:00:10.920
using the overhead view. So in this swing I'm taking a little bit a little bit
4
00:00:10.920 --> 00:00:15.680
longer than 9 to 3 but I wanted to have a really clear club face so we're
5
00:00:15.680 --> 00:00:22.120
hitting just kind of a 9 to 3 style shot. Now here you can see that at about
6
00:00:22.120 --> 00:00:26.560
waist height the the hands are in front of that right shoulder or even with
7
00:00:26.560 --> 00:00:26.680
that
8
00:00:26.680 --> 00:00:30.760
right thigh so that's probably closer to where the club would be parallel to
9
00:00:30.760 --> 00:00:30.760
the
10
00:00:30.760 --> 00:00:35.120
target line. You can see that the club face is close to vertical or slightly
11
00:00:35.120 --> 00:00:40.720
passed. Now as it comes down you'll see that it's rotating towards the target
12
00:00:40.720 --> 00:00:47.560
at a relatively consistent rate. You will understand that a little bit better
13
00:00:47.560 --> 00:00:47.880
as
14
00:00:47.880 --> 00:00:54.240
we look at some other examples and then unfortunately the club kind of
15
00:00:54.240 --> 00:00:58.280
disappears out of view but what you can see at this position is that that right
16
00:00:58.280 --> 00:01:06.000
hand is more or less on top of that left hand. So looking at that from the down
17
00:01:06.000 --> 00:01:11.000
the line view we can see that that club face is rotating so that it's more or
18
00:01:11.000 --> 00:01:17.080
less pointing at the golf ball a few frames before impact. That was the
19
00:01:17.080 --> 00:01:20.440
important thing that I wanted you to see from that kind of overhead view and
20
00:01:20.440 --> 00:01:26.440
then here you'll see the club working more towards toe-up or possibly even a
21
00:01:26.440 --> 00:01:30.960
little patch depending on your grip strength and how much form rotation you're
22
00:01:30.960 --> 00:01:40.490
gonna have. As we look from this face-on let's move that just a little bit. So
23
00:01:40.490 --> 00:01:40.560
if
24
00:01:40.560 --> 00:01:45.120
we look from that face-on you can see that there's a full release where that
25
00:01:45.120 --> 00:01:49.680
right hand is kind of passed over on top of that left hand from that face from
26
00:01:49.680 --> 00:01:53.840
that overhead view that's where we were seeing that right hand more on top.
27
00:01:53.840 --> 00:01:54.600
Keep
28
00:01:54.600 --> 00:01:59.840
that in mind as we look at some amateur golfers and some of varying levels so
29
00:01:59.840 --> 00:02:04.200
some very low handicap very good ball strikers and then some higher handicap
30
00:02:04.200 --> 00:02:10.720
so that you can kind of visualize how this face and path relationship works. So
31
00:02:10.720 --> 00:02:15.560
in this particular golfer so in this particular golfer you can see that that
32
00:02:15.560 --> 00:02:20.320
club is pointed well out to the right of the golf ball and you can see that it
33
00:02:20.320 --> 00:02:25.040
more or less stays there and then this golfer is going to use the path by
34
00:02:25.040 --> 00:02:29.760
pulling up on the handle in order to get that face pointed more at the target
35
00:02:29.760 --> 00:02:36.400
but you see that he did so basically using that open face and pulling the
36
00:02:36.400 --> 00:02:42.640
path left as opposed to the gradual and continuous closing that we're trying to
37
00:02:42.640 --> 00:02:46.040
get during that release and so when he gets to that finish position you can see
38
00:02:46.040 --> 00:02:51.840
that the right hand is well underneath the left hand not on top because it
39
00:02:51.840 --> 00:02:57.080
wasn't rotating closed during that face. Now with this path if he had rotated
40
00:02:57.080 --> 00:02:57.400
it
41
00:02:57.400 --> 00:03:02.400
closed the ball would have gone way left so it's not a simple one-to-one fix if
42
00:03:02.400 --> 00:03:07.840
we just fix the face usually the face and the path both have to be adjusted and
43
00:03:07.840 --> 00:03:11.440
then here's another gentleman who has the the club face in a fairly good
44
00:03:11.440 --> 00:03:17.670
position here where the club face is just past vertical but you'll see that
45
00:03:17.670 --> 00:03:18.640
through
46
00:03:18.640 --> 00:03:29.680
that phase to basically here the club instead of rotating this way is more or
47
00:03:29.680 --> 00:03:36.320
less just sliding across like so. Can you see how that face is still pointed
48
00:03:36.320 --> 00:03:36.560
way
49
00:03:36.560 --> 00:03:41.720
out to the right and then he's going to use that early release or kind of a
50
00:03:41.720 --> 00:03:46.240
scoop pattern to get that face that's well open here pointing in the general
51
00:03:46.240 --> 00:03:51.160
direction of the target but unfortunately that scoop method tends to cause that
52
00:03:51.160 --> 00:03:56.400
lead arm to break down and you'll see that his trail hand is very much
53
00:03:56.400 --> 00:04:00.640
underneath the grip instead of on top of the grip so he hasn't had a ton of
54
00:04:00.640 --> 00:04:06.560
that forearm rotation during his release either. Now we've got an example of a
55
00:04:06.560 --> 00:04:09.640
golfer who has actually had been working on the motorcycle and arm
56
00:04:09.640 --> 00:04:14.320
shallowing so you'll see the club faces in a fairly closed position and works
57
00:04:14.320 --> 00:04:19.080
its way into a good closed position already pointing at the target through
58
00:04:19.080 --> 00:04:24.280
here so he's able to get pretty good arm extension on the way through there's a
59
00:04:24.280 --> 00:04:27.960
tiny little breakdown of the wrist but for the most part he has pretty good
60
00:04:27.960 --> 00:04:33.320
arm extension part of that is because you can see that his hands are well ahead
61
00:04:33.320 --> 00:04:37.920
of the golf ball or from his perspective they look well ahead of the golf ball
62
00:04:37.920 --> 00:04:41.920
from the face on camera they would look like they're just slightly ahead where
63
00:04:41.920 --> 00:04:46.520
the last few examples the hands would be closer to in line with the golf ball
64
00:04:46.520 --> 00:04:47.520
so
65
00:04:47.520 --> 00:04:51.840
by getting the club face closed early he's able to continue rotating which
66
00:04:51.840 --> 00:04:56.080
allows his hands to get ahead of the golf ball and allows his arms to extend
67
00:04:56.080 --> 00:05:00.600
through the ball leading to consistent ball striking. Now here we have Jack
68
00:05:00.600 --> 00:05:05.000
Nicholas hitting a five iron obviously the camera frame rate is not going to be
69
00:05:05.000 --> 00:05:09.560
as good that we'll be able to see clearly where that club faces but you can get
70
00:05:09.560 --> 00:05:09.560
a
71
00:05:09.560 --> 00:05:14.960
good sense of the path as it relates to the to the club face so when he gets to
72
00:05:14.960 --> 00:05:20.200
the the shaft parallel to the ground which would be roughly when the hands are
73
00:05:20.200 --> 00:05:24.040
even with that right shoulder you can see that the club head is still coming
74
00:05:24.040 --> 00:05:29.840
from the inside of that target line and then as he goes through you'll see the
75
00:05:29.840 --> 00:05:36.270
that lead arm is going to rotate or that trail arm is going to rotate as they
76
00:05:36.270 --> 00:05:36.320
're
77
00:05:36.320 --> 00:05:41.520
both extending so here you can see he's got a fair amount of arm bend still got
78
00:05:41.520 --> 00:05:46.800
that arm bend and then those arms are extending so I like to kind of reference
79
00:05:46.800 --> 00:05:51.360
it a spot somewhere down on the target line where those arms are more extending
80
00:05:51.360 --> 00:05:56.080
there as opposed to what we saw with a lot of the amateurs where they were
81
00:05:56.080 --> 00:06:03.950
extending more at the golf ball. Here's another example this one JB homes and I
82
00:06:03.950 --> 00:06:04.320
'm
83
00:06:04.320 --> 00:06:08.560
not sure why they didn't have better frame rate or shutter speed but we can
84
00:06:08.560 --> 00:06:14.000
see some of the shaft relationships as well so compared to a stance you can see
85
00:06:14.000 --> 00:06:17.920
that that club is coming more from the inside from and down the line camera
86
00:06:17.920 --> 00:06:22.480
angle you would see that that would only look like the club was about a club
87
00:06:22.480 --> 00:06:22.760
head
88
00:06:22.760 --> 00:06:26.840
width inside of the golf ball but from the overhead you can see that it looks
89
00:06:26.840 --> 00:06:31.280
like it's way behind especially when you combine the fact that his chest and
90
00:06:31.280 --> 00:06:35.920
shoulders are already starting to point more out in front of the golf ball that
91
00:06:35.920 --> 00:06:41.880
allows him to have his hands continue to lead and when he gets to impact you
92
00:06:41.880 --> 00:06:42.040
can
93
00:06:42.040 --> 00:06:47.880
see that his body is already turned facing the target so we're closer to the
94
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target you can kind of see the blur of the club at this point already starting
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to
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point at the golf ball and that combination of having the golf club
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pointed at the golf ball earlier allows him to both come from a shallower angle
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as well as get that good arm extension on the way through. So I'm limited with
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the number of overhead views that I have at least until I get a drone. So
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here's a target line view of Roy McElroy now we can see that great body
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action and arm shallowing piece and then as we get to waist height you can see
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that compared to his left forearm there's a little bit of that flexion in that
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lead wrist so he's done a good job with the motorcycle because we know that up
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here at the top of the swing that lead wrist is actually in extension or pretty
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close to flat so it's done it a good amount and you can start to see the club
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face there is already turning towards the golf ball so you can see it kind of
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having a consistent rotation towards the golf ball during this face here. Now
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unfortunately we can't see the last couple of phases before impact or frames
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before impact because of the camera location and grass height but you can
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see that those arms continue to rotate through and the way that you can kind of
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visualize that is if you look at the lead hand or the the glove of his lead
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hand you can see that it continues to rotate towards the target and then
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beyond as those arms extend what a lot of amateur golfers would do is as they
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get to this point the the glove hand would stay pointed at the target and that
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lead wrist would just bend and break down and then eventually that lead arm
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would start to chicken wing because he has a consistent rotation and he had
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that
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arm shallowing piece his face and path are in a very good relationship so he
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gets into this great follow-through position with the arm extension piece
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body in a really good position where he hasn't early extend or stood up arm
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extension right hand on top of left everything is looking great there if
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you're having any issues with your release or figuring out your face and
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path relationships and why you might be having contact issues please check out
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the associated videos here or feel free to send us an email or submit your
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swing and we can help you get on track
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