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Connecting the arm movements to body movements

When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:

  • Takeaway
  • Transition
    • Arm Shallowing
    • Motorcycle
  • Release
    • Arm extension
    • Unhinge
    • Supination

A great way to work on connecting the movements is with tempo drills and pump drills. 

Show more

When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:

  • Takeaway
  • Transition
    • Arm Shallowing
    • Motorcycle
  • Release
    • Arm extension
    • Unhinge
    • Supination

A great way to work on connecting the movements is with tempo drills and pump drills. 

Hide
Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:05.400
This drill is connecting your arm movements to body movements. So in the

2
00:00:05.400 --> 00:00:10.720
transition section, in the downswing section or the release section, even in

3
00:00:10.720 --> 00:00:14.960
the backswing section, I have drills that help you understand how the arms move

4
00:00:14.960 --> 00:00:14.960
.

5
00:00:14.960 --> 00:00:19.320
Now one of the steps that you'll want to make before you'll really own the

6
00:00:19.320 --> 00:00:23.600
movement and be able to function kind of automatically is taking that step of

7
00:00:23.600 --> 00:00:28.320
connecting the arm movements to the body movements. What I mean by that is you

8
00:00:28.320 --> 00:00:34.320
want the arm movements to happen somewhat passively or reflexively. If

9
00:00:34.320 --> 00:00:40.040
you're overly thinking about, let's say, shallowing the club or ulnar deviating

10
00:00:40.040 --> 00:00:43.520
and you're doing it with a lot of effort or you're thinking a lot about

11
00:00:43.520 --> 00:00:50.960
supination, when you have that overly active arm movement, it will tend to

12
00:00:50.960 --> 00:00:55.540
slow down or disconnect your rib cage from the movement. It'll tend to

13
00:00:55.540 --> 00:00:56.440
stabilize the

14
00:00:56.440 --> 00:00:59.390
shoulder growth, stabilize the rib cage. So it'll disrupt some of your

15
00:00:59.390 --> 00:00:59.920
sequencing.

16
00:00:59.920 --> 00:01:05.520
That disrupted sequencing will tend to make it a little less repeatable on the

17
00:01:05.520 --> 00:01:09.880
golf course. So when you're working on these movements, you want to connect

18
00:01:09.880 --> 00:01:10.000
them

19
00:01:10.000 --> 00:01:17.520
to the body motions. Few examples, right? Let's say we're working on the

20
00:01:17.520 --> 00:01:22.600
downswing. We're working on getting the club to shallow. Well I've got a number

21
00:01:22.600 --> 00:01:22.840
of

22
00:01:22.840 --> 00:01:26.200
videos on how to kind of feel the arm shallow, but then to take it that next

23
00:01:26.200 --> 00:01:32.160
step further, you should try to feel the arm shallow because the body is

24
00:01:32.160 --> 00:01:37.760
initiating the downswing, not because the arms are just shallowing. Or if you

25
00:01:37.760 --> 00:01:37.760
're

26
00:01:37.760 --> 00:01:42.240
working on the motorcycle movement, you're trying to get more face rotation. It

27
00:01:42.240 --> 00:01:46.840
should rotate because the arms are lagging behind and somewhat relaxed as

28
00:01:46.840 --> 00:01:52.160
your body is rotating. If you're working on getting a little bit more of that

29
00:01:52.160 --> 00:01:56.720
unhingely, you have a little bit too much of that roll in your release. You're

30
00:01:56.720 --> 00:02:01.960
getting some unhinge to help get width. That should happen because of the body

31
00:02:01.960 --> 00:02:09.200
bracing, not just because the arms are actively unhinging. So the first step is

32
00:02:09.200 --> 00:02:14.360
you have to disrupt the pattern, so you have to learn how to do the arm

33
00:02:14.360 --> 00:02:19.160
movements almost actively. But then to really take it to that comfort level,

34
00:02:19.160 --> 00:02:25.030
you're going to try to connect it to the body. I'll do a couple examples here.

35
00:02:25.030 --> 00:02:25.640
So

36
00:02:25.640 --> 00:02:31.280
let's say I'm working on the arm shallowing. So I might do some active arm

37
00:02:31.280 --> 00:02:35.860
shallowing movement, and I might do an active, I'm going to over really exagger

38
00:02:35.860 --> 00:02:35.960
ate

39
00:02:35.960 --> 00:02:40.320
for the purpose of the video, arm shallowing movement, and then I might do a

40
00:02:40.320 --> 00:02:45.280
swing where I really focus on that arm shallowing movement, and I knew that I

41
00:02:45.280 --> 00:02:49.560
was going to hit it poorly because it was, but it was different, right? I knew

42
00:02:49.560 --> 00:02:49.720
that

43
00:02:49.720 --> 00:02:53.460
I was going to hit it poorly because I wasn't really using my body, but it was

44
00:02:53.460 --> 00:02:58.840
different. So now I'm going to try and shallow, and I'm going to try and

45
00:02:58.840 --> 00:02:59.400
connect

46
00:02:59.400 --> 00:03:06.300
that to the body movement. Then I'm still going to stick on kind of an easy

47
00:03:06.300 --> 00:03:11.320
tempo. I'm going to not really try to swing too hard, but I could feel that the

48
00:03:11.320 --> 00:03:15.760
arm shallowed because they were lagging behind the body, not just because I was

49
00:03:15.760 --> 00:03:20.560
trying to shallow. Then I can gradually increase speed, or I can jump to faster

50
00:03:20.560 --> 00:03:25.140
speed and work back and forth, but it's a good little way to progress the

51
00:03:25.140 --> 00:03:25.560
movements

52
00:03:25.560 --> 00:03:30.360
that you're training into mechanics that will hopefully hold up better on the

53
00:03:30.360 --> 00:03:35.640
course. To do that, you really got to connect it to the body movement.

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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

Connecting the arm movements to body movements

When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:

  • Takeaway
  • Transition
    • Arm Shallowing
    • Motorcycle
  • Release
    • Arm extension
    • Unhinge
    • Supination

A great way to work on connecting the movements is with tempo drills and pump drills. 

Show more

When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:

  • Takeaway
  • Transition
    • Arm Shallowing
    • Motorcycle
  • Release
    • Arm extension
    • Unhinge
    • Supination

A great way to work on connecting the movements is with tempo drills and pump drills. 

Hide
Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:05.400
This drill is connecting your arm movements to body movements. So in the

2
00:00:05.400 --> 00:00:10.720
transition section, in the downswing section or the release section, even in

3
00:00:10.720 --> 00:00:14.960
the backswing section, I have drills that help you understand how the arms move

4
00:00:14.960 --> 00:00:14.960
.

5
00:00:14.960 --> 00:00:19.320
Now one of the steps that you'll want to make before you'll really own the

6
00:00:19.320 --> 00:00:23.600
movement and be able to function kind of automatically is taking that step of

7
00:00:23.600 --> 00:00:28.320
connecting the arm movements to the body movements. What I mean by that is you

8
00:00:28.320 --> 00:00:34.320
want the arm movements to happen somewhat passively or reflexively. If

9
00:00:34.320 --> 00:00:40.040
you're overly thinking about, let's say, shallowing the club or ulnar deviating

10
00:00:40.040 --> 00:00:43.520
and you're doing it with a lot of effort or you're thinking a lot about

11
00:00:43.520 --> 00:00:50.960
supination, when you have that overly active arm movement, it will tend to

12
00:00:50.960 --> 00:00:55.540
slow down or disconnect your rib cage from the movement. It'll tend to

13
00:00:55.540 --> 00:00:56.440
stabilize the

14
00:00:56.440 --> 00:00:59.390
shoulder growth, stabilize the rib cage. So it'll disrupt some of your

15
00:00:59.390 --> 00:00:59.920
sequencing.

16
00:00:59.920 --> 00:01:05.520
That disrupted sequencing will tend to make it a little less repeatable on the

17
00:01:05.520 --> 00:01:09.880
golf course. So when you're working on these movements, you want to connect

18
00:01:09.880 --> 00:01:10.000
them

19
00:01:10.000 --> 00:01:17.520
to the body motions. Few examples, right? Let's say we're working on the

20
00:01:17.520 --> 00:01:22.600
downswing. We're working on getting the club to shallow. Well I've got a number

21
00:01:22.600 --> 00:01:22.840
of

22
00:01:22.840 --> 00:01:26.200
videos on how to kind of feel the arm shallow, but then to take it that next

23
00:01:26.200 --> 00:01:32.160
step further, you should try to feel the arm shallow because the body is

24
00:01:32.160 --> 00:01:37.760
initiating the downswing, not because the arms are just shallowing. Or if you

25
00:01:37.760 --> 00:01:37.760
're

26
00:01:37.760 --> 00:01:42.240
working on the motorcycle movement, you're trying to get more face rotation. It

27
00:01:42.240 --> 00:01:46.840
should rotate because the arms are lagging behind and somewhat relaxed as

28
00:01:46.840 --> 00:01:52.160
your body is rotating. If you're working on getting a little bit more of that

29
00:01:52.160 --> 00:01:56.720
unhingely, you have a little bit too much of that roll in your release. You're

30
00:01:56.720 --> 00:02:01.960
getting some unhinge to help get width. That should happen because of the body

31
00:02:01.960 --> 00:02:09.200
bracing, not just because the arms are actively unhinging. So the first step is

32
00:02:09.200 --> 00:02:14.360
you have to disrupt the pattern, so you have to learn how to do the arm

33
00:02:14.360 --> 00:02:19.160
movements almost actively. But then to really take it to that comfort level,

34
00:02:19.160 --> 00:02:25.030
you're going to try to connect it to the body. I'll do a couple examples here.

35
00:02:25.030 --> 00:02:25.640
So

36
00:02:25.640 --> 00:02:31.280
let's say I'm working on the arm shallowing. So I might do some active arm

37
00:02:31.280 --> 00:02:35.860
shallowing movement, and I might do an active, I'm going to over really exagger

38
00:02:35.860 --> 00:02:35.960
ate

39
00:02:35.960 --> 00:02:40.320
for the purpose of the video, arm shallowing movement, and then I might do a

40
00:02:40.320 --> 00:02:45.280
swing where I really focus on that arm shallowing movement, and I knew that I

41
00:02:45.280 --> 00:02:49.560
was going to hit it poorly because it was, but it was different, right? I knew

42
00:02:49.560 --> 00:02:49.720
that

43
00:02:49.720 --> 00:02:53.460
I was going to hit it poorly because I wasn't really using my body, but it was

44
00:02:53.460 --> 00:02:58.840
different. So now I'm going to try and shallow, and I'm going to try and

45
00:02:58.840 --> 00:02:59.400
connect

46
00:02:59.400 --> 00:03:06.300
that to the body movement. Then I'm still going to stick on kind of an easy

47
00:03:06.300 --> 00:03:11.320
tempo. I'm going to not really try to swing too hard, but I could feel that the

48
00:03:11.320 --> 00:03:15.760
arm shallowed because they were lagging behind the body, not just because I was

49
00:03:15.760 --> 00:03:20.560
trying to shallow. Then I can gradually increase speed, or I can jump to faster

50
00:03:20.560 --> 00:03:25.140
speed and work back and forth, but it's a good little way to progress the

51
00:03:25.140 --> 00:03:25.560
movements

52
00:03:25.560 --> 00:03:30.360
that you're training into mechanics that will hopefully hold up better on the

53
00:03:30.360 --> 00:03:35.640
course. To do that, you really got to connect it to the body movement.

Have questions about this video?

Ask Mulligan for personalized guidance on technique, drills, or how to apply what you've learned.

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