Connecting the arm movements to body movements
When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:
- Takeaway
- Transition
- Arm Shallowing
- Motorcycle
- Release
- Arm extension
- Unhinge
- Supination
A great way to work on connecting the movements is with tempo drills and pump drills.
When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:
- Takeaway
- Transition
- Arm Shallowing
- Motorcycle
- Release
- Arm extension
- Unhinge
- Supination
A great way to work on connecting the movements is with tempo drills and pump drills.
Video Transcript
1
00:00:00.000 --> 00:00:05.400
This drill is connecting your arm movements to body movements. So in the
2
00:00:05.400 --> 00:00:10.720
transition section, in the downswing section or the release section, even in
3
00:00:10.720 --> 00:00:14.960
the backswing section, I have drills that help you understand how the arms move
4
00:00:14.960 --> 00:00:14.960
.
5
00:00:14.960 --> 00:00:19.320
Now one of the steps that you'll want to make before you'll really own the
6
00:00:19.320 --> 00:00:23.600
movement and be able to function kind of automatically is taking that step of
7
00:00:23.600 --> 00:00:28.320
connecting the arm movements to the body movements. What I mean by that is you
8
00:00:28.320 --> 00:00:34.320
want the arm movements to happen somewhat passively or reflexively. If
9
00:00:34.320 --> 00:00:40.040
you're overly thinking about, let's say, shallowing the club or ulnar deviating
10
00:00:40.040 --> 00:00:43.520
and you're doing it with a lot of effort or you're thinking a lot about
11
00:00:43.520 --> 00:00:50.960
supination, when you have that overly active arm movement, it will tend to
12
00:00:50.960 --> 00:00:55.540
slow down or disconnect your rib cage from the movement. It'll tend to
13
00:00:55.540 --> 00:00:56.440
stabilize the
14
00:00:56.440 --> 00:00:59.390
shoulder growth, stabilize the rib cage. So it'll disrupt some of your
15
00:00:59.390 --> 00:00:59.920
sequencing.
16
00:00:59.920 --> 00:01:05.520
That disrupted sequencing will tend to make it a little less repeatable on the
17
00:01:05.520 --> 00:01:09.880
golf course. So when you're working on these movements, you want to connect
18
00:01:09.880 --> 00:01:10.000
them
19
00:01:10.000 --> 00:01:17.520
to the body motions. Few examples, right? Let's say we're working on the
20
00:01:17.520 --> 00:01:22.600
downswing. We're working on getting the club to shallow. Well I've got a number
21
00:01:22.600 --> 00:01:22.840
of
22
00:01:22.840 --> 00:01:26.200
videos on how to kind of feel the arm shallow, but then to take it that next
23
00:01:26.200 --> 00:01:32.160
step further, you should try to feel the arm shallow because the body is
24
00:01:32.160 --> 00:01:37.760
initiating the downswing, not because the arms are just shallowing. Or if you
25
00:01:37.760 --> 00:01:37.760
're
26
00:01:37.760 --> 00:01:42.240
working on the motorcycle movement, you're trying to get more face rotation. It
27
00:01:42.240 --> 00:01:46.840
should rotate because the arms are lagging behind and somewhat relaxed as
28
00:01:46.840 --> 00:01:52.160
your body is rotating. If you're working on getting a little bit more of that
29
00:01:52.160 --> 00:01:56.720
unhingely, you have a little bit too much of that roll in your release. You're
30
00:01:56.720 --> 00:02:01.960
getting some unhinge to help get width. That should happen because of the body
31
00:02:01.960 --> 00:02:09.200
bracing, not just because the arms are actively unhinging. So the first step is
32
00:02:09.200 --> 00:02:14.360
you have to disrupt the pattern, so you have to learn how to do the arm
33
00:02:14.360 --> 00:02:19.160
movements almost actively. But then to really take it to that comfort level,
34
00:02:19.160 --> 00:02:25.030
you're going to try to connect it to the body. I'll do a couple examples here.
35
00:02:25.030 --> 00:02:25.640
So
36
00:02:25.640 --> 00:02:31.280
let's say I'm working on the arm shallowing. So I might do some active arm
37
00:02:31.280 --> 00:02:35.860
shallowing movement, and I might do an active, I'm going to over really exagger
38
00:02:35.860 --> 00:02:35.960
ate
39
00:02:35.960 --> 00:02:40.320
for the purpose of the video, arm shallowing movement, and then I might do a
40
00:02:40.320 --> 00:02:45.280
swing where I really focus on that arm shallowing movement, and I knew that I
41
00:02:45.280 --> 00:02:49.560
was going to hit it poorly because it was, but it was different, right? I knew
42
00:02:49.560 --> 00:02:49.720
that
43
00:02:49.720 --> 00:02:53.460
I was going to hit it poorly because I wasn't really using my body, but it was
44
00:02:53.460 --> 00:02:58.840
different. So now I'm going to try and shallow, and I'm going to try and
45
00:02:58.840 --> 00:02:59.400
connect
46
00:02:59.400 --> 00:03:06.300
that to the body movement. Then I'm still going to stick on kind of an easy
47
00:03:06.300 --> 00:03:11.320
tempo. I'm going to not really try to swing too hard, but I could feel that the
48
00:03:11.320 --> 00:03:15.760
arm shallowed because they were lagging behind the body, not just because I was
49
00:03:15.760 --> 00:03:20.560
trying to shallow. Then I can gradually increase speed, or I can jump to faster
50
00:03:20.560 --> 00:03:25.140
speed and work back and forth, but it's a good little way to progress the
51
00:03:25.140 --> 00:03:25.560
movements
52
00:03:25.560 --> 00:03:30.360
that you're training into mechanics that will hopefully hold up better on the
53
00:03:30.360 --> 00:03:35.640
course. To do that, you really got to connect it to the body movement.
Have questions?
Ask Mulligan for helpConnecting the arm movements to body movements
When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:
- Takeaway
- Transition
- Arm Shallowing
- Motorcycle
- Release
- Arm extension
- Unhinge
- Supination
A great way to work on connecting the movements is with tempo drills and pump drills.
When working on the arms, it's natural to feel weak or out of sync. A key step in training is to connect your arms and your body. This will make the arm movements feel more 'natural' or 'athletic'. This video highlights a few examples, but some key phases for working on connecting the arms and body include:
- Takeaway
- Transition
- Arm Shallowing
- Motorcycle
- Release
- Arm extension
- Unhinge
- Supination
A great way to work on connecting the movements is with tempo drills and pump drills.
Video Transcript
1
00:00:00.000 --> 00:00:05.400
This drill is connecting your arm movements to body movements. So in the
2
00:00:05.400 --> 00:00:10.720
transition section, in the downswing section or the release section, even in
3
00:00:10.720 --> 00:00:14.960
the backswing section, I have drills that help you understand how the arms move
4
00:00:14.960 --> 00:00:14.960
.
5
00:00:14.960 --> 00:00:19.320
Now one of the steps that you'll want to make before you'll really own the
6
00:00:19.320 --> 00:00:23.600
movement and be able to function kind of automatically is taking that step of
7
00:00:23.600 --> 00:00:28.320
connecting the arm movements to the body movements. What I mean by that is you
8
00:00:28.320 --> 00:00:34.320
want the arm movements to happen somewhat passively or reflexively. If
9
00:00:34.320 --> 00:00:40.040
you're overly thinking about, let's say, shallowing the club or ulnar deviating
10
00:00:40.040 --> 00:00:43.520
and you're doing it with a lot of effort or you're thinking a lot about
11
00:00:43.520 --> 00:00:50.960
supination, when you have that overly active arm movement, it will tend to
12
00:00:50.960 --> 00:00:55.540
slow down or disconnect your rib cage from the movement. It'll tend to
13
00:00:55.540 --> 00:00:56.440
stabilize the
14
00:00:56.440 --> 00:00:59.390
shoulder growth, stabilize the rib cage. So it'll disrupt some of your
15
00:00:59.390 --> 00:00:59.920
sequencing.
16
00:00:59.920 --> 00:01:05.520
That disrupted sequencing will tend to make it a little less repeatable on the
17
00:01:05.520 --> 00:01:09.880
golf course. So when you're working on these movements, you want to connect
18
00:01:09.880 --> 00:01:10.000
them
19
00:01:10.000 --> 00:01:17.520
to the body motions. Few examples, right? Let's say we're working on the
20
00:01:17.520 --> 00:01:22.600
downswing. We're working on getting the club to shallow. Well I've got a number
21
00:01:22.600 --> 00:01:22.840
of
22
00:01:22.840 --> 00:01:26.200
videos on how to kind of feel the arm shallow, but then to take it that next
23
00:01:26.200 --> 00:01:32.160
step further, you should try to feel the arm shallow because the body is
24
00:01:32.160 --> 00:01:37.760
initiating the downswing, not because the arms are just shallowing. Or if you
25
00:01:37.760 --> 00:01:37.760
're
26
00:01:37.760 --> 00:01:42.240
working on the motorcycle movement, you're trying to get more face rotation. It
27
00:01:42.240 --> 00:01:46.840
should rotate because the arms are lagging behind and somewhat relaxed as
28
00:01:46.840 --> 00:01:52.160
your body is rotating. If you're working on getting a little bit more of that
29
00:01:52.160 --> 00:01:56.720
unhingely, you have a little bit too much of that roll in your release. You're
30
00:01:56.720 --> 00:02:01.960
getting some unhinge to help get width. That should happen because of the body
31
00:02:01.960 --> 00:02:09.200
bracing, not just because the arms are actively unhinging. So the first step is
32
00:02:09.200 --> 00:02:14.360
you have to disrupt the pattern, so you have to learn how to do the arm
33
00:02:14.360 --> 00:02:19.160
movements almost actively. But then to really take it to that comfort level,
34
00:02:19.160 --> 00:02:25.030
you're going to try to connect it to the body. I'll do a couple examples here.
35
00:02:25.030 --> 00:02:25.640
So
36
00:02:25.640 --> 00:02:31.280
let's say I'm working on the arm shallowing. So I might do some active arm
37
00:02:31.280 --> 00:02:35.860
shallowing movement, and I might do an active, I'm going to over really exagger
38
00:02:35.860 --> 00:02:35.960
ate
39
00:02:35.960 --> 00:02:40.320
for the purpose of the video, arm shallowing movement, and then I might do a
40
00:02:40.320 --> 00:02:45.280
swing where I really focus on that arm shallowing movement, and I knew that I
41
00:02:45.280 --> 00:02:49.560
was going to hit it poorly because it was, but it was different, right? I knew
42
00:02:49.560 --> 00:02:49.720
that
43
00:02:49.720 --> 00:02:53.460
I was going to hit it poorly because I wasn't really using my body, but it was
44
00:02:53.460 --> 00:02:58.840
different. So now I'm going to try and shallow, and I'm going to try and
45
00:02:58.840 --> 00:02:59.400
connect
46
00:02:59.400 --> 00:03:06.300
that to the body movement. Then I'm still going to stick on kind of an easy
47
00:03:06.300 --> 00:03:11.320
tempo. I'm going to not really try to swing too hard, but I could feel that the
48
00:03:11.320 --> 00:03:15.760
arm shallowed because they were lagging behind the body, not just because I was
49
00:03:15.760 --> 00:03:20.560
trying to shallow. Then I can gradually increase speed, or I can jump to faster
50
00:03:20.560 --> 00:03:25.140
speed and work back and forth, but it's a good little way to progress the
51
00:03:25.140 --> 00:03:25.560
movements
52
00:03:25.560 --> 00:03:30.360
that you're training into mechanics that will hopefully hold up better on the
53
00:03:30.360 --> 00:03:35.640
course. To do that, you really got to connect it to the body movement.
Have questions about this video?
Ask Mulligan for personalized guidance on technique, drills, or how to apply what you've learned.
Ask Mulligan