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Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
How Champions Tour Players Drive the Ball Effectively
After this video, you'll be able to:
- Identify the importance of side bending and shallowing your swing for improved driving distance.
- Understand how upper body posture influences your ability to hit up on the driver for optimal launch conditions.
- Learn from top ball strikers like Tom Lehman to recognize the balance between maintaining lag and upper body alignment during the swing.
In this analysis, we explore how top Champions Tour players achieve powerful drives and consistent ball striking despite the challenges of age. You'll learn the key techniques and body movements that contribute to their success.
Video Transcript
WEBVTT
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this analysis video is driving the ball on the champions tour so we're going to
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00:00:05.040 --> 00:00:09.840
take a look at some of the top ball strikers and how they kind of use the
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movements that I talk about here in the Gulfsmart Academy system with some an
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aging body so we're just going to go through some of the guys who are in the
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top 10 in driving or total ball striking and here we've got the top two now I
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00:00:25.620 --> 00:00:26.280
've
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got some good videos on using the Jackson 5 and the importance of side
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00:00:32.240 --> 00:00:36.160
bend and shallowing out in order to be a good driver golf ball you're going to
9
00:00:36.160 --> 00:00:41.280
have to shallow your out your swing out some way because the driver has very
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little loft in order to launch it high you have to hit slightly up on it
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especially if you're trying to maximize distance and in order to do so you'd
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either have to add a lot of loft with your wrist down at the bottom or do what
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most of these guys do and create a fair amount of access tilt and now you won't
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see it as quite a dynamic movement as say some of the younger guys like Dustin
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Johnson or Justin Thomas but you'll see that the geometry you know and the the
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physics still holds up so here we have the number one ball striker he's number
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three in driving number one in greens and regulation you got Tom Lehman and
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with a
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driver you'll see right about here his upper body is fairly vertical and you'll
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see that he's still got a fair amount of lag you know that's we know that this
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is
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a 3D image so it's kind of angled a little bit away from us but his posture
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here is fairly vertical if he was to keep his body shifting towards the
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target and this and and just extend his arms we would finish with the upper
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body
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even more on top of it here but what we're gonna see is as he comes down
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through
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the ball you'll see that that upper body tends to back up now as you get older
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most of these guys aren't quite there yet but as you get older you'll lose a
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fair amount of your spine lateral bend usually around the age 65 you'll there's
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a kind of a tipping point where what happens to your discs affects the way
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that you side bend but you'll see that he still creates that good kind of
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Jackson
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5 alignment where he gets a fair amount of tilt away from the ball and you can
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see that he's doing it more from his pelvis and less from his spine so some of
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the younger guys may have a little bit more of kind of a side bend through the
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spine he has some you can see if we clear all these lines you can see the kind
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of
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point key points of his rib cage are on an angle about like this but the key
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points of his pelvis are on a pretty good angle as well something like that
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that allows him to get into this classic position here that we see for really
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good drivers the golf ball where the body is angled away from the target most
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golfers think that they need to finish forward in order to kind of swing in
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balance but balance is really a sign of what's going on with the whole system
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so
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if the club is going to be pulling more horizontally because you swung on a
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more
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shallow path then your body has to angle away from it in order to actually stay
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in balance so now let's take a quick look at Bernhard Longer the number two
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ball striker on the senior tour now I know from a pretty good source that
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Bernhard Longer is one of the hardest workers out there he practices you know
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ten eleven hours a day and that's part of why he's able to just dominate on the
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champion's tour because many of those guys they work hard at it but not ten
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eleven hours a day so again if we get him into that halfway point of the
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downswing you can see that while he's had some shift of his body you know he's
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had a little bit of that pressure shift into that front foot he's not tilted a
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ton if he kept his body moving he would be very steep but he's not going to he
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's
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going to get into a good bracing position that upper body is going to fall away
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from the target as those arms extend more towards the target and while we can
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see that there are some subtle differences the or not so subtle differences
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some
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big differences in the legs and the feet and even the arms you can see that the
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overall shape of angling the body away whether it's through the hips or through
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the spine or using the knees or the ankles angling the body away while those
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arms extend is a classic position that you will need to be a very good elite
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level driver of the golf ball or in your case probably to reach your maximum so
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we'll look at a handful more but we're here we've got Kenny Perry and Colin
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Montgomery unfortunately you know finding good swings of guys on the
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Champions Tour while they're on the Champions Tour is harder than it might
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sound and I wasn't able to find good video on Jodorant who is actually one of
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my favorite ball strikers so if anybody out there has some good Jodorant video
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please send me the link okay so over on the left we've Kenny Perry it's not a
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perfect camera angle you can see he does set up with his stance a little closed
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but you can tell that that's well back that's not a truly good face-on but we
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will see that really good tilt away from the ball
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harder to see from this point of view I'd have to use a swing from when he was
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much younger to highlight that tilt but again as you get older it's more
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important to do it through the pelvis or the knees and to get that lower body
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ahead while that upper body stays back if you want to be an elite driver of the
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golf ball or at least the best that you can so this is Colin Montgomery is one
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of my favorites just because he's got he was such a consistent driver of the
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golf ball for so long and has some I don't say swing quirks but he he's found a
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good way to manage having steeper arms and we'll we'll take a quick look at him
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from down the line because I think he's a good lesson for a lot of you but here
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he is right at this position and we know he's gonna try to get into about this
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position from here seems like it would be hard to do but you'll see a fair
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amount of that upper body just kind of falling away as those arms extend on
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more of a horizontal path and so he gets into that good side bend tilt through
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his hips uses a bit of his knees to do it again maybe not quite as much through
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the spine but that does get a little bit harder to do as you get older great
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arm
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extension fully un-unhinged but basically keeping all the same geometry
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constraints that I talk about when I look at the guys who are dominating the
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regular tour you know the younger more athletic guys what you'll see on the
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champions tour is that they'll do it in a more kind of blended or smooth or
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rhythmic way but they'll still get into those patterns so here's Colin from the
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down the line and one of the reasons that I like his move so much is you'll
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see that he balances his steeps and shallows he has some fairly vertical and
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fairly steep arm movements but you'll see that he has this combination of
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really falling really doing a great Jackson 5 almost looks like he does it
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more from the upper body falling but if you look at it in transition you can
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see those muscles in the right hip and the right thigh kind of initiating the
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movement and then he just kind of carries it on more with his upper body
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but from the down the line you'll see that he also shallows it out by having a
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fair amount of early extension now most people who do that combination would
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tend to have some face control issues down to the bottom but he still has a
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very good stable release where he's he's executing you know he's not really
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breaking down with his wrist he's got still a fair amount of that kind of
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shot put or move or that white movement he he does some really good things with
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his release and gets into a really classic follow-through position okay I
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wanted to do one kind of non-classic example so I've got Rocco mediate he's
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not one of the elite ball strikers but you know he's in the top 20 in terms of
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total driving and he's you know in the middle the pack is for far as ball
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striking goes and you'll see that that upper body does not really you know stay
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behind his lower body you'll see that he gets into a position that would look
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a lot more like a wedge shot where everything is much more stacked up on
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top of the front foot this is actually what I find a lot of my amateur students
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trying to do when they say don't I have to get my weight forward you'll see the
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in order to get your weight forward he's gonna have to shallow it out
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somewhere because you can see from this position at upper body is well on top
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of
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the lower body he should have a pretty steep angle of attack and he very well
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hey but you'll see that he gets the club down low to the ground it'll just
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tend to have a little bit more of a U shape less of a flat bottom but if his
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rhythm is on he'll be able to figure it out or do it relatively consistently so
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then how is he able to have his upper body in the steep position and still get
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the club down there it'll be revealed more from the down the line because the
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the rules of physics and needing a shallower path for the driver are pretty
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absolute they're I've never seen anyone who is a very you know who has a steep
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angle of attack and steep path who really excels with the driver it just
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doesn't happen so over here we can see Rocco at about this position here so he
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's
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actually steep with his arms as he's steep with his body so he's got a shallow
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it out some here or some way what we'll see is through here he has what I would
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consider one of the more impressive owner deviation moves you can see a fair
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amount of that unhinged because you know that he's not getting any of that
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shallowness from the body his body stays on top but the club is lower and
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closer
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to the ground without really getting out over the swing plane in fact if
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anything he gets it under the swing plane and you can see in this position how
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much bow how much of the motorcycle move and how much of the unhinging he's
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done
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to complement that upper body lunge and you'll see so you'll see why I tend to
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teach both of those key shallowing movements both giving you the options of
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either having more of the Jackson 5 and shallowing it in transition or if you
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're
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going to be steep you can do it all with the arm shallowing and owner
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deviation or ideally you would do a little bit of each a little bit of the
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Jackson 5 little bit of the arm shallowing in transition and then you keep it
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shallowing with the major arm shallowing movement down in the release which
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would
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be either the Jackson 5 in the bracing or the unhinging of the wrist or the
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owner deviation so you'll see through there even with an iron he does a great
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job of unhinging gets into you know still has a fair amount of bow and
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unhinged there at impact and that's one of the ways that you can make a more of
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a upper body lunge work but it's not quite as good as what we were seeing with
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the classic drivers the golf ball the Bernhard Longer the Kenny Perry Tom
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Layman column Montgomery the list goes on if you look at good drivers the golf
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ball they're gonna tend to get into that classic follow-through position if you
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see golfers who have a little bit of an unusual move and not quite the classic
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follow-through position then you know that they are getting their shallowness
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somewhere other days otherwise they would continue to struggle with the
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driver so the good news is just because you get older and lose a little bit of
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club at speed your driving game doesn't have to completely suffer I'd still
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work
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on getting some of that shallowness you'll do a lot of it more with the hips
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and
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maybe even the knees in order to help get the lower body ahead and get into
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that really strong bracing position and classic follow-through if you do that
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even if you have a number of swing quirks like some of the knee buckle or
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some of the you know let's say a little bit of kind of some poor wrist
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mechanics you can usually get away with it if you've created an overall shallow
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shape for the driver
1
00:00:00.000 --> 00:00:05.040
this analysis video is driving the ball on the champions tour so we're going to
2
00:00:05.040 --> 00:00:09.840
take a look at some of the top ball strikers and how they kind of use the
3
00:00:09.840 --> 00:00:14.640
movements that I talk about here in the Gulfsmart Academy system with some an
4
00:00:14.640 --> 00:00:18.840
aging body so we're just going to go through some of the guys who are in the
5
00:00:18.840 --> 00:00:25.620
top 10 in driving or total ball striking and here we've got the top two now I
6
00:00:25.620 --> 00:00:26.280
've
7
00:00:26.280 --> 00:00:32.240
got some good videos on using the Jackson 5 and the importance of side
8
00:00:32.240 --> 00:00:36.160
bend and shallowing out in order to be a good driver golf ball you're going to
9
00:00:36.160 --> 00:00:41.280
have to shallow your out your swing out some way because the driver has very
10
00:00:41.280 --> 00:00:46.840
little loft in order to launch it high you have to hit slightly up on it
11
00:00:46.840 --> 00:00:52.080
especially if you're trying to maximize distance and in order to do so you'd
12
00:00:52.080 --> 00:00:56.700
either have to add a lot of loft with your wrist down at the bottom or do what
13
00:00:56.700 --> 00:01:03.040
most of these guys do and create a fair amount of access tilt and now you won't
14
00:01:03.040 --> 00:01:08.600
see it as quite a dynamic movement as say some of the younger guys like Dustin
15
00:01:08.600 --> 00:01:15.760
Johnson or Justin Thomas but you'll see that the geometry you know and the the
16
00:01:15.760 --> 00:01:21.120
physics still holds up so here we have the number one ball striker he's number
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three in driving number one in greens and regulation you got Tom Lehman and
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with a
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driver you'll see right about here his upper body is fairly vertical and you'll
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see that he's still got a fair amount of lag you know that's we know that this
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is
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a 3D image so it's kind of angled a little bit away from us but his posture
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here is fairly vertical if he was to keep his body shifting towards the
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target and this and and just extend his arms we would finish with the upper
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body
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even more on top of it here but what we're gonna see is as he comes down
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through
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the ball you'll see that that upper body tends to back up now as you get older
29
00:02:05.720 --> 00:02:12.720
most of these guys aren't quite there yet but as you get older you'll lose a
30
00:02:12.720 --> 00:02:20.240
fair amount of your spine lateral bend usually around the age 65 you'll there's
31
00:02:20.240 --> 00:02:24.800
a kind of a tipping point where what happens to your discs affects the way
32
00:02:24.800 --> 00:02:30.440
that you side bend but you'll see that he still creates that good kind of
33
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Jackson
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5 alignment where he gets a fair amount of tilt away from the ball and you can
35
00:02:36.440 --> 00:02:42.480
see that he's doing it more from his pelvis and less from his spine so some of
36
00:02:42.480 --> 00:02:46.720
the younger guys may have a little bit more of kind of a side bend through the
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spine he has some you can see if we clear all these lines you can see the kind
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of
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point key points of his rib cage are on an angle about like this but the key
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points of his pelvis are on a pretty good angle as well something like that
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that allows him to get into this classic position here that we see for really
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good drivers the golf ball where the body is angled away from the target most
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golfers think that they need to finish forward in order to kind of swing in
44
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balance but balance is really a sign of what's going on with the whole system
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so
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if the club is going to be pulling more horizontally because you swung on a
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more
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shallow path then your body has to angle away from it in order to actually stay
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in balance so now let's take a quick look at Bernhard Longer the number two
50
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ball striker on the senior tour now I know from a pretty good source that
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Bernhard Longer is one of the hardest workers out there he practices you know
52
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ten eleven hours a day and that's part of why he's able to just dominate on the
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champion's tour because many of those guys they work hard at it but not ten
54
00:03:58.880 --> 00:04:03.760
eleven hours a day so again if we get him into that halfway point of the
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downswing you can see that while he's had some shift of his body you know he's
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had a little bit of that pressure shift into that front foot he's not tilted a
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ton if he kept his body moving he would be very steep but he's not going to he
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's
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going to get into a good bracing position that upper body is going to fall away
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from the target as those arms extend more towards the target and while we can
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see that there are some subtle differences the or not so subtle differences
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some
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big differences in the legs and the feet and even the arms you can see that the
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overall shape of angling the body away whether it's through the hips or through
65
00:04:46.440 --> 00:04:53.280
the spine or using the knees or the ankles angling the body away while those
66
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arms extend is a classic position that you will need to be a very good elite
67
00:04:59.480 --> 00:05:05.160
level driver of the golf ball or in your case probably to reach your maximum so
68
00:05:05.160 --> 00:05:08.440
we'll look at a handful more but we're here we've got Kenny Perry and Colin
69
00:05:08.440 --> 00:05:13.680
Montgomery unfortunately you know finding good swings of guys on the
70
00:05:13.680 --> 00:05:18.080
Champions Tour while they're on the Champions Tour is harder than it might
71
00:05:18.080 --> 00:05:23.800
sound and I wasn't able to find good video on Jodorant who is actually one of
72
00:05:23.800 --> 00:05:27.440
my favorite ball strikers so if anybody out there has some good Jodorant video
73
00:05:27.440 --> 00:05:32.120
please send me the link okay so over on the left we've Kenny Perry it's not a
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perfect camera angle you can see he does set up with his stance a little closed
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but you can tell that that's well back that's not a truly good face-on but we
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will see that really good tilt away from the ball
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harder to see from this point of view I'd have to use a swing from when he was
78
00:05:54.360 --> 00:06:00.480
much younger to highlight that tilt but again as you get older it's more
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00:06:00.480 --> 00:06:05.960
important to do it through the pelvis or the knees and to get that lower body
80
00:06:05.960 --> 00:06:11.520
ahead while that upper body stays back if you want to be an elite driver of the
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golf ball or at least the best that you can so this is Colin Montgomery is one
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of my favorites just because he's got he was such a consistent driver of the
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golf ball for so long and has some I don't say swing quirks but he he's found a
84
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good way to manage having steeper arms and we'll we'll take a quick look at him
85
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from down the line because I think he's a good lesson for a lot of you but here
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he is right at this position and we know he's gonna try to get into about this
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position from here seems like it would be hard to do but you'll see a fair
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amount of that upper body just kind of falling away as those arms extend on
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more of a horizontal path and so he gets into that good side bend tilt through
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his hips uses a bit of his knees to do it again maybe not quite as much through
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the spine but that does get a little bit harder to do as you get older great
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arm
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extension fully un-unhinged but basically keeping all the same geometry
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constraints that I talk about when I look at the guys who are dominating the
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regular tour you know the younger more athletic guys what you'll see on the
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champions tour is that they'll do it in a more kind of blended or smooth or
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rhythmic way but they'll still get into those patterns so here's Colin from the
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down the line and one of the reasons that I like his move so much is you'll
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see that he balances his steeps and shallows he has some fairly vertical and
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fairly steep arm movements but you'll see that he has this combination of
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really falling really doing a great Jackson 5 almost looks like he does it
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more from the upper body falling but if you look at it in transition you can
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see those muscles in the right hip and the right thigh kind of initiating the
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movement and then he just kind of carries it on more with his upper body
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but from the down the line you'll see that he also shallows it out by having a
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fair amount of early extension now most people who do that combination would
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tend to have some face control issues down to the bottom but he still has a
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very good stable release where he's he's executing you know he's not really
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breaking down with his wrist he's got still a fair amount of that kind of
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shot put or move or that white movement he he does some really good things with
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his release and gets into a really classic follow-through position okay I
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wanted to do one kind of non-classic example so I've got Rocco mediate he's
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not one of the elite ball strikers but you know he's in the top 20 in terms of
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total driving and he's you know in the middle the pack is for far as ball
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striking goes and you'll see that that upper body does not really you know stay
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behind his lower body you'll see that he gets into a position that would look
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a lot more like a wedge shot where everything is much more stacked up on
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top of the front foot this is actually what I find a lot of my amateur students
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trying to do when they say don't I have to get my weight forward you'll see the
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in order to get your weight forward he's gonna have to shallow it out
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somewhere because you can see from this position at upper body is well on top
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of
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the lower body he should have a pretty steep angle of attack and he very well
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hey but you'll see that he gets the club down low to the ground it'll just
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tend to have a little bit more of a U shape less of a flat bottom but if his
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rhythm is on he'll be able to figure it out or do it relatively consistently so
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then how is he able to have his upper body in the steep position and still get
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the club down there it'll be revealed more from the down the line because the
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the rules of physics and needing a shallower path for the driver are pretty
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absolute they're I've never seen anyone who is a very you know who has a steep
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angle of attack and steep path who really excels with the driver it just
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doesn't happen so over here we can see Rocco at about this position here so he
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's
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actually steep with his arms as he's steep with his body so he's got a shallow
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it out some here or some way what we'll see is through here he has what I would
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consider one of the more impressive owner deviation moves you can see a fair
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amount of that unhinged because you know that he's not getting any of that
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shallowness from the body his body stays on top but the club is lower and
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closer
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to the ground without really getting out over the swing plane in fact if
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anything he gets it under the swing plane and you can see in this position how
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much bow how much of the motorcycle move and how much of the unhinging he's
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done
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to complement that upper body lunge and you'll see so you'll see why I tend to
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teach both of those key shallowing movements both giving you the options of
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either having more of the Jackson 5 and shallowing it in transition or if you
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're
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going to be steep you can do it all with the arm shallowing and owner
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deviation or ideally you would do a little bit of each a little bit of the
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Jackson 5 little bit of the arm shallowing in transition and then you keep it
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shallowing with the major arm shallowing movement down in the release which
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would
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be either the Jackson 5 in the bracing or the unhinging of the wrist or the
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owner deviation so you'll see through there even with an iron he does a great
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job of unhinging gets into you know still has a fair amount of bow and
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unhinged there at impact and that's one of the ways that you can make a more of
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a upper body lunge work but it's not quite as good as what we were seeing with
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the classic drivers the golf ball the Bernhard Longer the Kenny Perry Tom
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Layman column Montgomery the list goes on if you look at good drivers the golf
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ball they're gonna tend to get into that classic follow-through position if you
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see golfers who have a little bit of an unusual move and not quite the classic
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follow-through position then you know that they are getting their shallowness
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somewhere other days otherwise they would continue to struggle with the
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driver so the good news is just because you get older and lose a little bit of
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club at speed your driving game doesn't have to completely suffer I'd still
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work
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on getting some of that shallowness you'll do a lot of it more with the hips
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and
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maybe even the knees in order to help get the lower body ahead and get into
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that really strong bracing position and classic follow-through if you do that
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even if you have a number of swing quirks like some of the knee buckle or
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some of the you know let's say a little bit of kind of some poor wrist
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mechanics you can usually get away with it if you've created an overall shallow
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shape for the driver
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
How Champions Tour Players Drive the Ball Effectively
After this video, you'll be able to:
- Identify the importance of side bending and shallowing your swing for improved driving distance.
- Understand how upper body posture influences your ability to hit up on the driver for optimal launch conditions.
- Learn from top ball strikers like Tom Lehman to recognize the balance between maintaining lag and upper body alignment during the swing.
In this analysis, we explore how top Champions Tour players achieve powerful drives and consistent ball striking despite the challenges of age. You'll learn the key techniques and body movements that contribute to their success.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:05.040
this analysis video is driving the ball on the champions tour so we're going to
2
00:00:05.040 --> 00:00:09.840
take a look at some of the top ball strikers and how they kind of use the
3
00:00:09.840 --> 00:00:14.640
movements that I talk about here in the Gulfsmart Academy system with some an
4
00:00:14.640 --> 00:00:18.840
aging body so we're just going to go through some of the guys who are in the
5
00:00:18.840 --> 00:00:25.620
top 10 in driving or total ball striking and here we've got the top two now I
6
00:00:25.620 --> 00:00:26.280
've
7
00:00:26.280 --> 00:00:32.240
got some good videos on using the Jackson 5 and the importance of side
8
00:00:32.240 --> 00:00:36.160
bend and shallowing out in order to be a good driver golf ball you're going to
9
00:00:36.160 --> 00:00:41.280
have to shallow your out your swing out some way because the driver has very
10
00:00:41.280 --> 00:00:46.840
little loft in order to launch it high you have to hit slightly up on it
11
00:00:46.840 --> 00:00:52.080
especially if you're trying to maximize distance and in order to do so you'd
12
00:00:52.080 --> 00:00:56.700
either have to add a lot of loft with your wrist down at the bottom or do what
13
00:00:56.700 --> 00:01:03.040
most of these guys do and create a fair amount of access tilt and now you won't
14
00:01:03.040 --> 00:01:08.600
see it as quite a dynamic movement as say some of the younger guys like Dustin
15
00:01:08.600 --> 00:01:15.760
Johnson or Justin Thomas but you'll see that the geometry you know and the the
16
00:01:15.760 --> 00:01:21.120
physics still holds up so here we have the number one ball striker he's number
17
00:01:21.120 --> 00:01:24.600
three in driving number one in greens and regulation you got Tom Lehman and
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00:01:24.600 --> 00:01:25.560
with a
19
00:01:25.560 --> 00:01:33.040
driver you'll see right about here his upper body is fairly vertical and you'll
20
00:01:33.040 --> 00:01:37.640
see that he's still got a fair amount of lag you know that's we know that this
21
00:01:37.640 --> 00:01:37.800
is
22
00:01:37.800 --> 00:01:42.360
a 3D image so it's kind of angled a little bit away from us but his posture
23
00:01:42.360 --> 00:01:46.880
here is fairly vertical if he was to keep his body shifting towards the
24
00:01:46.880 --> 00:01:52.680
target and this and and just extend his arms we would finish with the upper
25
00:01:52.680 --> 00:01:52.920
body
26
00:01:52.920 --> 00:01:58.840
even more on top of it here but what we're gonna see is as he comes down
27
00:01:58.840 --> 00:01:59.480
through
28
00:01:59.480 --> 00:02:05.720
the ball you'll see that that upper body tends to back up now as you get older
29
00:02:05.720 --> 00:02:12.720
most of these guys aren't quite there yet but as you get older you'll lose a
30
00:02:12.720 --> 00:02:20.240
fair amount of your spine lateral bend usually around the age 65 you'll there's
31
00:02:20.240 --> 00:02:24.800
a kind of a tipping point where what happens to your discs affects the way
32
00:02:24.800 --> 00:02:30.440
that you side bend but you'll see that he still creates that good kind of
33
00:02:30.440 --> 00:02:30.920
Jackson
34
00:02:30.920 --> 00:02:36.440
5 alignment where he gets a fair amount of tilt away from the ball and you can
35
00:02:36.440 --> 00:02:42.480
see that he's doing it more from his pelvis and less from his spine so some of
36
00:02:42.480 --> 00:02:46.720
the younger guys may have a little bit more of kind of a side bend through the
37
00:02:46.720 --> 00:02:54.400
spine he has some you can see if we clear all these lines you can see the kind
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00:02:54.400 --> 00:02:54.480
of
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00:02:54.480 --> 00:02:58.720
point key points of his rib cage are on an angle about like this but the key
40
00:02:58.720 --> 00:03:03.160
points of his pelvis are on a pretty good angle as well something like that
41
00:03:03.160 --> 00:03:08.800
that allows him to get into this classic position here that we see for really
42
00:03:08.800 --> 00:03:15.760
good drivers the golf ball where the body is angled away from the target most
43
00:03:15.760 --> 00:03:20.480
golfers think that they need to finish forward in order to kind of swing in
44
00:03:20.480 --> 00:03:24.720
balance but balance is really a sign of what's going on with the whole system
45
00:03:24.720 --> 00:03:25.280
so
46
00:03:25.280 --> 00:03:29.200
if the club is going to be pulling more horizontally because you swung on a
47
00:03:29.200 --> 00:03:29.440
more
48
00:03:29.440 --> 00:03:34.600
shallow path then your body has to angle away from it in order to actually stay
49
00:03:34.600 --> 00:03:39.920
in balance so now let's take a quick look at Bernhard Longer the number two
50
00:03:39.920 --> 00:03:44.480
ball striker on the senior tour now I know from a pretty good source that
51
00:03:44.480 --> 00:03:48.640
Bernhard Longer is one of the hardest workers out there he practices you know
52
00:03:48.640 --> 00:03:53.580
ten eleven hours a day and that's part of why he's able to just dominate on the
53
00:03:53.580 --> 00:03:58.880
champion's tour because many of those guys they work hard at it but not ten
54
00:03:58.880 --> 00:04:03.760
eleven hours a day so again if we get him into that halfway point of the
55
00:04:03.760 --> 00:04:08.080
downswing you can see that while he's had some shift of his body you know he's
56
00:04:08.080 --> 00:04:13.680
had a little bit of that pressure shift into that front foot he's not tilted a
57
00:04:13.680 --> 00:04:20.640
ton if he kept his body moving he would be very steep but he's not going to he
58
00:04:20.640 --> 00:04:20.880
's
59
00:04:20.880 --> 00:04:26.200
going to get into a good bracing position that upper body is going to fall away
60
00:04:26.200 --> 00:04:31.440
from the target as those arms extend more towards the target and while we can
61
00:04:31.440 --> 00:04:36.640
see that there are some subtle differences the or not so subtle differences
62
00:04:36.640 --> 00:04:36.840
some
63
00:04:36.840 --> 00:04:40.920
big differences in the legs and the feet and even the arms you can see that the
64
00:04:40.920 --> 00:04:46.440
overall shape of angling the body away whether it's through the hips or through
65
00:04:46.440 --> 00:04:53.280
the spine or using the knees or the ankles angling the body away while those
66
00:04:53.280 --> 00:04:59.480
arms extend is a classic position that you will need to be a very good elite
67
00:04:59.480 --> 00:05:05.160
level driver of the golf ball or in your case probably to reach your maximum so
68
00:05:05.160 --> 00:05:08.440
we'll look at a handful more but we're here we've got Kenny Perry and Colin
69
00:05:08.440 --> 00:05:13.680
Montgomery unfortunately you know finding good swings of guys on the
70
00:05:13.680 --> 00:05:18.080
Champions Tour while they're on the Champions Tour is harder than it might
71
00:05:18.080 --> 00:05:23.800
sound and I wasn't able to find good video on Jodorant who is actually one of
72
00:05:23.800 --> 00:05:27.440
my favorite ball strikers so if anybody out there has some good Jodorant video
73
00:05:27.440 --> 00:05:32.120
please send me the link okay so over on the left we've Kenny Perry it's not a
74
00:05:32.120 --> 00:05:37.120
perfect camera angle you can see he does set up with his stance a little closed
75
00:05:37.120 --> 00:05:43.400
but you can tell that that's well back that's not a truly good face-on but we
76
00:05:43.400 --> 00:05:49.560
will see that really good tilt away from the ball
77
00:05:49.560 --> 00:05:54.360
harder to see from this point of view I'd have to use a swing from when he was
78
00:05:54.360 --> 00:06:00.480
much younger to highlight that tilt but again as you get older it's more
79
00:06:00.480 --> 00:06:05.960
important to do it through the pelvis or the knees and to get that lower body
80
00:06:05.960 --> 00:06:11.520
ahead while that upper body stays back if you want to be an elite driver of the
81
00:06:11.520 --> 00:06:15.800
golf ball or at least the best that you can so this is Colin Montgomery is one
82
00:06:15.800 --> 00:06:20.760
of my favorites just because he's got he was such a consistent driver of the
83
00:06:20.760 --> 00:06:27.480
golf ball for so long and has some I don't say swing quirks but he he's found a
84
00:06:27.480 --> 00:06:32.240
good way to manage having steeper arms and we'll we'll take a quick look at him
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from down the line because I think he's a good lesson for a lot of you but here
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he is right at this position and we know he's gonna try to get into about this
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position from here seems like it would be hard to do but you'll see a fair
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amount of that upper body just kind of falling away as those arms extend on
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more of a horizontal path and so he gets into that good side bend tilt through
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his hips uses a bit of his knees to do it again maybe not quite as much through
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the spine but that does get a little bit harder to do as you get older great
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arm
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extension fully un-unhinged but basically keeping all the same geometry
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constraints that I talk about when I look at the guys who are dominating the
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regular tour you know the younger more athletic guys what you'll see on the
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champions tour is that they'll do it in a more kind of blended or smooth or
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rhythmic way but they'll still get into those patterns so here's Colin from the
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down the line and one of the reasons that I like his move so much is you'll
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see that he balances his steeps and shallows he has some fairly vertical and
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fairly steep arm movements but you'll see that he has this combination of
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really falling really doing a great Jackson 5 almost looks like he does it
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more from the upper body falling but if you look at it in transition you can
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see those muscles in the right hip and the right thigh kind of initiating the
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movement and then he just kind of carries it on more with his upper body
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but from the down the line you'll see that he also shallows it out by having a
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fair amount of early extension now most people who do that combination would
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tend to have some face control issues down to the bottom but he still has a
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very good stable release where he's he's executing you know he's not really
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breaking down with his wrist he's got still a fair amount of that kind of
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shot put or move or that white movement he he does some really good things with
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his release and gets into a really classic follow-through position okay I
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wanted to do one kind of non-classic example so I've got Rocco mediate he's
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not one of the elite ball strikers but you know he's in the top 20 in terms of
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total driving and he's you know in the middle the pack is for far as ball
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striking goes and you'll see that that upper body does not really you know stay
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behind his lower body you'll see that he gets into a position that would look
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a lot more like a wedge shot where everything is much more stacked up on
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top of the front foot this is actually what I find a lot of my amateur students
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trying to do when they say don't I have to get my weight forward you'll see the
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in order to get your weight forward he's gonna have to shallow it out
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somewhere because you can see from this position at upper body is well on top
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of
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the lower body he should have a pretty steep angle of attack and he very well
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hey but you'll see that he gets the club down low to the ground it'll just
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tend to have a little bit more of a U shape less of a flat bottom but if his
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rhythm is on he'll be able to figure it out or do it relatively consistently so
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then how is he able to have his upper body in the steep position and still get
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the club down there it'll be revealed more from the down the line because the
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the rules of physics and needing a shallower path for the driver are pretty
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absolute they're I've never seen anyone who is a very you know who has a steep
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angle of attack and steep path who really excels with the driver it just
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doesn't happen so over here we can see Rocco at about this position here so he
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's
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actually steep with his arms as he's steep with his body so he's got a shallow
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it out some here or some way what we'll see is through here he has what I would
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consider one of the more impressive owner deviation moves you can see a fair
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amount of that unhinged because you know that he's not getting any of that
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shallowness from the body his body stays on top but the club is lower and
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closer
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to the ground without really getting out over the swing plane in fact if
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anything he gets it under the swing plane and you can see in this position how
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much bow how much of the motorcycle move and how much of the unhinging he's
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done
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to complement that upper body lunge and you'll see so you'll see why I tend to
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teach both of those key shallowing movements both giving you the options of
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either having more of the Jackson 5 and shallowing it in transition or if you
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're
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going to be steep you can do it all with the arm shallowing and owner
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deviation or ideally you would do a little bit of each a little bit of the
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Jackson 5 little bit of the arm shallowing in transition and then you keep it
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shallowing with the major arm shallowing movement down in the release which
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would
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be either the Jackson 5 in the bracing or the unhinging of the wrist or the
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owner deviation so you'll see through there even with an iron he does a great
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job of unhinging gets into you know still has a fair amount of bow and
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unhinged there at impact and that's one of the ways that you can make a more of
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a upper body lunge work but it's not quite as good as what we were seeing with
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the classic drivers the golf ball the Bernhard Longer the Kenny Perry Tom
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Layman column Montgomery the list goes on if you look at good drivers the golf
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ball they're gonna tend to get into that classic follow-through position if you
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see golfers who have a little bit of an unusual move and not quite the classic
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follow-through position then you know that they are getting their shallowness
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somewhere other days otherwise they would continue to struggle with the
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driver so the good news is just because you get older and lose a little bit of
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club at speed your driving game doesn't have to completely suffer I'd still
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work
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on getting some of that shallowness you'll do a lot of it more with the hips
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and
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maybe even the knees in order to help get the lower body ahead and get into
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that really strong bracing position and classic follow-through if you do that
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even if you have a number of swing quirks like some of the knee buckle or
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some of the you know let's say a little bit of kind of some poor wrist
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mechanics you can usually get away with it if you've created an overall shallow
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shape for the driver
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this analysis video is driving the ball on the champions tour so we're going to
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take a look at some of the top ball strikers and how they kind of use the
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movements that I talk about here in the Gulfsmart Academy system with some an
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aging body so we're just going to go through some of the guys who are in the
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top 10 in driving or total ball striking and here we've got the top two now I
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've
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got some good videos on using the Jackson 5 and the importance of side
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bend and shallowing out in order to be a good driver golf ball you're going to
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have to shallow your out your swing out some way because the driver has very
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little loft in order to launch it high you have to hit slightly up on it
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especially if you're trying to maximize distance and in order to do so you'd
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either have to add a lot of loft with your wrist down at the bottom or do what
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most of these guys do and create a fair amount of access tilt and now you won't
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see it as quite a dynamic movement as say some of the younger guys like Dustin
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Johnson or Justin Thomas but you'll see that the geometry you know and the the
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physics still holds up so here we have the number one ball striker he's number
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three in driving number one in greens and regulation you got Tom Lehman and
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with a
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driver you'll see right about here his upper body is fairly vertical and you'll
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see that he's still got a fair amount of lag you know that's we know that this
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is
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a 3D image so it's kind of angled a little bit away from us but his posture
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here is fairly vertical if he was to keep his body shifting towards the
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target and this and and just extend his arms we would finish with the upper
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body
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even more on top of it here but what we're gonna see is as he comes down
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through
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the ball you'll see that that upper body tends to back up now as you get older
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most of these guys aren't quite there yet but as you get older you'll lose a
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fair amount of your spine lateral bend usually around the age 65 you'll there's
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a kind of a tipping point where what happens to your discs affects the way
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that you side bend but you'll see that he still creates that good kind of
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Jackson
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5 alignment where he gets a fair amount of tilt away from the ball and you can
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see that he's doing it more from his pelvis and less from his spine so some of
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the younger guys may have a little bit more of kind of a side bend through the
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spine he has some you can see if we clear all these lines you can see the kind
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of
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point key points of his rib cage are on an angle about like this but the key
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points of his pelvis are on a pretty good angle as well something like that
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that allows him to get into this classic position here that we see for really
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good drivers the golf ball where the body is angled away from the target most
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golfers think that they need to finish forward in order to kind of swing in
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balance but balance is really a sign of what's going on with the whole system
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so
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if the club is going to be pulling more horizontally because you swung on a
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more
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shallow path then your body has to angle away from it in order to actually stay
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in balance so now let's take a quick look at Bernhard Longer the number two
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ball striker on the senior tour now I know from a pretty good source that
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Bernhard Longer is one of the hardest workers out there he practices you know
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ten eleven hours a day and that's part of why he's able to just dominate on the
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champion's tour because many of those guys they work hard at it but not ten
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eleven hours a day so again if we get him into that halfway point of the
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downswing you can see that while he's had some shift of his body you know he's
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had a little bit of that pressure shift into that front foot he's not tilted a
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ton if he kept his body moving he would be very steep but he's not going to he
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's
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going to get into a good bracing position that upper body is going to fall away
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from the target as those arms extend more towards the target and while we can
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see that there are some subtle differences the or not so subtle differences
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some
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big differences in the legs and the feet and even the arms you can see that the
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overall shape of angling the body away whether it's through the hips or through
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the spine or using the knees or the ankles angling the body away while those
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arms extend is a classic position that you will need to be a very good elite
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level driver of the golf ball or in your case probably to reach your maximum so
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we'll look at a handful more but we're here we've got Kenny Perry and Colin
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Montgomery unfortunately you know finding good swings of guys on the
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Champions Tour while they're on the Champions Tour is harder than it might
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sound and I wasn't able to find good video on Jodorant who is actually one of
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my favorite ball strikers so if anybody out there has some good Jodorant video
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please send me the link okay so over on the left we've Kenny Perry it's not a
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perfect camera angle you can see he does set up with his stance a little closed
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but you can tell that that's well back that's not a truly good face-on but we
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will see that really good tilt away from the ball
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harder to see from this point of view I'd have to use a swing from when he was
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much younger to highlight that tilt but again as you get older it's more
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important to do it through the pelvis or the knees and to get that lower body
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ahead while that upper body stays back if you want to be an elite driver of the
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golf ball or at least the best that you can so this is Colin Montgomery is one
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of my favorites just because he's got he was such a consistent driver of the
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golf ball for so long and has some I don't say swing quirks but he he's found a
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good way to manage having steeper arms and we'll we'll take a quick look at him
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from down the line because I think he's a good lesson for a lot of you but here
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he is right at this position and we know he's gonna try to get into about this
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position from here seems like it would be hard to do but you'll see a fair
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amount of that upper body just kind of falling away as those arms extend on
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more of a horizontal path and so he gets into that good side bend tilt through
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his hips uses a bit of his knees to do it again maybe not quite as much through
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the spine but that does get a little bit harder to do as you get older great
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arm
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extension fully un-unhinged but basically keeping all the same geometry
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constraints that I talk about when I look at the guys who are dominating the
95
00:07:24.520 --> 00:07:29.080
regular tour you know the younger more athletic guys what you'll see on the
96
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champions tour is that they'll do it in a more kind of blended or smooth or
97
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rhythmic way but they'll still get into those patterns so here's Colin from the
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down the line and one of the reasons that I like his move so much is you'll
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see that he balances his steeps and shallows he has some fairly vertical and
100
00:07:49.600 --> 00:07:54.760
fairly steep arm movements but you'll see that he has this combination of
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really falling really doing a great Jackson 5 almost looks like he does it
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more from the upper body falling but if you look at it in transition you can
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see those muscles in the right hip and the right thigh kind of initiating the
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movement and then he just kind of carries it on more with his upper body
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but from the down the line you'll see that he also shallows it out by having a
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fair amount of early extension now most people who do that combination would
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tend to have some face control issues down to the bottom but he still has a
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very good stable release where he's he's executing you know he's not really
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breaking down with his wrist he's got still a fair amount of that kind of
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shot put or move or that white movement he he does some really good things with
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his release and gets into a really classic follow-through position okay I
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wanted to do one kind of non-classic example so I've got Rocco mediate he's
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not one of the elite ball strikers but you know he's in the top 20 in terms of
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total driving and he's you know in the middle the pack is for far as ball
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striking goes and you'll see that that upper body does not really you know stay
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behind his lower body you'll see that he gets into a position that would look
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a lot more like a wedge shot where everything is much more stacked up on
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top of the front foot this is actually what I find a lot of my amateur students
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trying to do when they say don't I have to get my weight forward you'll see the
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00:09:34.360 --> 00:09:37.800
in order to get your weight forward he's gonna have to shallow it out
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somewhere because you can see from this position at upper body is well on top
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of
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the lower body he should have a pretty steep angle of attack and he very well
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hey but you'll see that he gets the club down low to the ground it'll just
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tend to have a little bit more of a U shape less of a flat bottom but if his
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00:10:01.160 --> 00:10:06.640
rhythm is on he'll be able to figure it out or do it relatively consistently so
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00:10:06.640 --> 00:10:11.320
then how is he able to have his upper body in the steep position and still get
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00:10:11.320 --> 00:10:16.240
the club down there it'll be revealed more from the down the line because the
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00:10:16.240 --> 00:10:20.640
the rules of physics and needing a shallower path for the driver are pretty
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00:10:20.640 --> 00:10:25.960
absolute they're I've never seen anyone who is a very you know who has a steep
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angle of attack and steep path who really excels with the driver it just
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doesn't happen so over here we can see Rocco at about this position here so he
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's
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actually steep with his arms as he's steep with his body so he's got a shallow
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it out some here or some way what we'll see is through here he has what I would
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consider one of the more impressive owner deviation moves you can see a fair
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amount of that unhinged because you know that he's not getting any of that
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shallowness from the body his body stays on top but the club is lower and
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closer
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to the ground without really getting out over the swing plane in fact if
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anything he gets it under the swing plane and you can see in this position how
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much bow how much of the motorcycle move and how much of the unhinging he's
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done
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to complement that upper body lunge and you'll see so you'll see why I tend to
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teach both of those key shallowing movements both giving you the options of
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either having more of the Jackson 5 and shallowing it in transition or if you
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're
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going to be steep you can do it all with the arm shallowing and owner
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deviation or ideally you would do a little bit of each a little bit of the
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Jackson 5 little bit of the arm shallowing in transition and then you keep it
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shallowing with the major arm shallowing movement down in the release which
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would
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be either the Jackson 5 in the bracing or the unhinging of the wrist or the
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owner deviation so you'll see through there even with an iron he does a great
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job of unhinging gets into you know still has a fair amount of bow and
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unhinged there at impact and that's one of the ways that you can make a more of
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a upper body lunge work but it's not quite as good as what we were seeing with
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the classic drivers the golf ball the Bernhard Longer the Kenny Perry Tom
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00:12:32.720 --> 00:12:38.000
Layman column Montgomery the list goes on if you look at good drivers the golf
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ball they're gonna tend to get into that classic follow-through position if you
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see golfers who have a little bit of an unusual move and not quite the classic
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follow-through position then you know that they are getting their shallowness
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somewhere other days otherwise they would continue to struggle with the
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driver so the good news is just because you get older and lose a little bit of
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club at speed your driving game doesn't have to completely suffer I'd still
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work
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on getting some of that shallowness you'll do a lot of it more with the hips
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and
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maybe even the knees in order to help get the lower body ahead and get into
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that really strong bracing position and classic follow-through if you do that
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even if you have a number of swing quirks like some of the knee buckle or
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some of the you know let's say a little bit of kind of some poor wrist
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mechanics you can usually get away with it if you've created an overall shallow
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shape for the driver
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