Not sure where to start? Ask Mulligan
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best
Young Teachers in
America AND its list of Best Golf Fitness Professionals in America.
Fix Your Swing: Addressing Across the Line and Right Elbow Issues
After this video, you'll be able to:
- Identify how across the line positions affect your swing path.
- Understand the role of a flying right elbow in generating power.
- Learn how to transition your arms for a more effective downswing.
In this video, learn about the concepts of being across the line and having a flying right elbow in your swing. Understanding these aspects can significantly improve your transition and overall swing mechanics.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:04.620
This video is discussing across the line and the flying right elbow so I'm
2
00:00:04.620 --> 00:00:10.440
gonna group these two together because frequently they show up with pretty much
3
00:00:10.440 --> 00:00:15.440
the same swings it you can get the flying elbow and be laid off or even on
4
00:00:15.440 --> 00:00:21.360
plane but frequently they kind of go together. So it's quick definition if we
5
00:00:21.360 --> 00:00:24.480
go to the top of the swing across the line it's typically going to be pointed
6
00:00:24.480 --> 00:00:30.960
right of the target or target line I should say on plane is typically
7
00:00:30.960 --> 00:00:35.100
referred to as parallel and across the line would be left of it. Now the
8
00:00:35.100 --> 00:00:35.460
problem
9
00:00:35.460 --> 00:00:43.200
is that's given some arbitrary back wing position so what I what I would
10
00:00:43.200 --> 00:00:47.160
challenge you to do is don't get so obsessed with how it looks at the top of
11
00:00:47.160 --> 00:00:51.360
the swing as far as where it's pointing compared to the target but recognize
12
00:00:51.360 --> 00:00:51.760
what
13
00:00:51.760 --> 00:00:57.150
that means and what it's gonna do for you in transition. So if you're gonna
14
00:00:57.150 --> 00:00:57.400
have
15
00:00:57.400 --> 00:01:01.680
more of this body driven swing then you need to get your arms to work into more
16
00:01:01.680 --> 00:01:05.680
of a shallow position or more of a horizontal position during the down
17
00:01:05.680 --> 00:01:09.880
swing kind of working more around your body as opposed to vertical straight up
18
00:01:09.880 --> 00:01:16.240
and down. So the problem is with the across the line or flying elbow is if I
19
00:01:16.240 --> 00:01:20.960
get to the top of the swing kind of like so if I was to stand up and bring my
20
00:01:20.960 --> 00:01:21.320
arms
21
00:01:21.320 --> 00:01:26.400
where they are kind of down in front of me you can see that it's gonna take a
22
00:01:26.400 --> 00:01:32.200
pretty major shallow movement and a major right arm movement in order to get
23
00:01:32.200 --> 00:01:38.110
from this position to that position. So what will typically happen is instead
24
00:01:38.110 --> 00:01:38.200
of
25
00:01:38.200 --> 00:01:42.320
getting to here I'll pull down and I'll be more in this vertical position. So
26
00:01:42.320 --> 00:01:42.480
when
27
00:01:42.480 --> 00:01:46.760
I get across the line I will tend to pull down this way which means I have to
28
00:01:46.760 --> 00:01:55.320
stall my body pivot and release those arms. Now if I power the swing by pulling
29
00:01:55.320 --> 00:01:59.280
down with your arms getting across the line and having that flying right elbow
30
00:01:59.280 --> 00:02:02.600
actually makes me more powerful. It's one of the reasons why you'll see a lot
31
00:02:02.600 --> 00:02:02.760
of
32
00:02:02.760 --> 00:02:07.840
long drive golfers and some senior tour players gravitating towards that more
33
00:02:07.840 --> 00:02:13.760
across the line position because it allows them to pull down harder and not
34
00:02:13.760 --> 00:02:20.720
really mess up that arm pull kind of downswing sequencing. Now what I normally
35
00:02:20.720 --> 00:02:24.350
like to do is I like to build what you're gonna do on the downswing and then
36
00:02:24.350 --> 00:02:24.600
make
37
00:02:24.600 --> 00:02:29.560
the backswing corrections. So I would work on if I'm trying to get out of
38
00:02:29.560 --> 00:02:30.320
across
39
00:02:30.320 --> 00:02:35.680
the line I'm trying to get more of that body pull I would work on the impact
40
00:02:35.680 --> 00:02:40.280
position and the follow-through and the release and the body sequencing and
41
00:02:40.280 --> 00:02:40.480
some
42
00:02:40.480 --> 00:02:44.800
downswing stuff and see what kind of natural changes happen to my backswing
43
00:02:44.800 --> 00:02:50.710
or once I've put in you know six weeks a couple months working on some down
44
00:02:50.710 --> 00:02:51.040
swing
45
00:02:51.040 --> 00:02:57.600
stuff then I would go after working on the backswing position because if I get
46
00:02:57.600 --> 00:03:03.440
into kind of a tour classic kind of backswing position this is going to be very
47
00:03:03.440 --> 00:03:09.200
weak for pulling down. So as long as you stay in more of that arm pull model if
48
00:03:09.200 --> 00:03:13.120
you get into a better backswing it's gonna tend to make you hit the ball just a
49
00:03:13.120 --> 00:03:17.160
little bit shorter. Some golfers are okay with that most golfers are not so
50
00:03:17.160 --> 00:03:21.840
that's why the brain keeps gravitating towards more that flying elbow across
51
00:03:21.840 --> 00:03:27.840
the line position. So if you decide that you don't want to use more of the body
52
00:03:27.840 --> 00:03:31.320
driven swing and you want to basically pull with your arms and just kind of
53
00:03:31.320 --> 00:03:35.960
work with that pattern then I would highly recommend that you get a little
54
00:03:35.960 --> 00:03:39.880
bit more upright and a little bit more across the line because that'll make it
55
00:03:39.880 --> 00:03:43.140
so that when you pull you're actually gonna have a little bit more power. If
56
00:03:43.140 --> 00:03:47.160
you're worried about the way it looks at the top of the swing make sure you
57
00:03:47.160 --> 00:03:50.360
understand how it's connected to what you're trying to do in transition.
58
00:03:50.360 --> 00:03:54.720
Ultimately by working on the downswing first I've seen have bigger effects in
59
00:03:54.720 --> 00:03:58.840
then being able to change the top of the backswing rather than just trying to
60
00:03:58.840 --> 00:04:04.000
change the top of the backswing to some arbitrary position so that you can have
61
00:04:04.000 --> 00:04:08.360
a swing that quote-unquote looks pretty. So if I'm doing more that arm pull
62
00:04:08.360 --> 00:04:09.080
model
63
00:04:09.080 --> 00:04:15.060
I can go across the line kind of like so and then I'll basically pull down
64
00:04:15.060 --> 00:04:20.400
vertically and then fully release the arms and just let my upper body kind of
65
00:04:20.400 --> 00:04:29.200
drift. This involves a lot less body speed but a lot more kind of arm speed.
66
00:04:29.200 --> 00:04:35.440
Kind of like that. The opposite would be instead of using more of that arm pull
67
00:04:35.440 --> 00:04:40.840
I'm going to use more of the body turn more of the motorcycle kind of the the
68
00:04:40.840 --> 00:04:48.600
pattern that we teach more in this program. So you'll see that both of them
69
00:04:48.600 --> 00:04:54.240
can work but they require very different downswing mechanics.
70
00:04:59.200 --> 00:05:19.040
So if you're going to try to work on the overall downswing pattern to be a
71
00:05:19.040 --> 00:05:23.120
little bit more body driven then ultimately you will want to get out of
72
00:05:23.120 --> 00:05:27.520
across the line. I just like to build the downswing before I go after the
73
00:05:27.520 --> 00:05:27.800
flying
74
00:05:27.800 --> 00:05:32.240
elbow or across the line at the top of the swing. Tends the work better in my
75
00:05:32.240 --> 00:05:34.680
experience.
1
00:00:00.000 --> 00:00:04.620
This video is discussing across the line and the flying right elbow so I'm
2
00:00:04.620 --> 00:00:10.440
gonna group these two together because frequently they show up with pretty much
3
00:00:10.440 --> 00:00:15.440
the same swings it you can get the flying elbow and be laid off or even on
4
00:00:15.440 --> 00:00:21.360
plane but frequently they kind of go together. So it's quick definition if we
5
00:00:21.360 --> 00:00:24.480
go to the top of the swing across the line it's typically going to be pointed
6
00:00:24.480 --> 00:00:30.960
right of the target or target line I should say on plane is typically
7
00:00:30.960 --> 00:00:35.100
referred to as parallel and across the line would be left of it. Now the
8
00:00:35.100 --> 00:00:35.460
problem
9
00:00:35.460 --> 00:00:43.200
is that's given some arbitrary back wing position so what I what I would
10
00:00:43.200 --> 00:00:47.160
challenge you to do is don't get so obsessed with how it looks at the top of
11
00:00:47.160 --> 00:00:51.360
the swing as far as where it's pointing compared to the target but recognize
12
00:00:51.360 --> 00:00:51.760
what
13
00:00:51.760 --> 00:00:57.150
that means and what it's gonna do for you in transition. So if you're gonna
14
00:00:57.150 --> 00:00:57.400
have
15
00:00:57.400 --> 00:01:01.680
more of this body driven swing then you need to get your arms to work into more
16
00:01:01.680 --> 00:01:05.680
of a shallow position or more of a horizontal position during the down
17
00:01:05.680 --> 00:01:09.880
swing kind of working more around your body as opposed to vertical straight up
18
00:01:09.880 --> 00:01:16.240
and down. So the problem is with the across the line or flying elbow is if I
19
00:01:16.240 --> 00:01:20.960
get to the top of the swing kind of like so if I was to stand up and bring my
20
00:01:20.960 --> 00:01:21.320
arms
21
00:01:21.320 --> 00:01:26.400
where they are kind of down in front of me you can see that it's gonna take a
22
00:01:26.400 --> 00:01:32.200
pretty major shallow movement and a major right arm movement in order to get
23
00:01:32.200 --> 00:01:38.110
from this position to that position. So what will typically happen is instead
24
00:01:38.110 --> 00:01:38.200
of
25
00:01:38.200 --> 00:01:42.320
getting to here I'll pull down and I'll be more in this vertical position. So
26
00:01:42.320 --> 00:01:42.480
when
27
00:01:42.480 --> 00:01:46.760
I get across the line I will tend to pull down this way which means I have to
28
00:01:46.760 --> 00:01:55.320
stall my body pivot and release those arms. Now if I power the swing by pulling
29
00:01:55.320 --> 00:01:59.280
down with your arms getting across the line and having that flying right elbow
30
00:01:59.280 --> 00:02:02.600
actually makes me more powerful. It's one of the reasons why you'll see a lot
31
00:02:02.600 --> 00:02:02.760
of
32
00:02:02.760 --> 00:02:07.840
long drive golfers and some senior tour players gravitating towards that more
33
00:02:07.840 --> 00:02:13.760
across the line position because it allows them to pull down harder and not
34
00:02:13.760 --> 00:02:20.720
really mess up that arm pull kind of downswing sequencing. Now what I normally
35
00:02:20.720 --> 00:02:24.350
like to do is I like to build what you're gonna do on the downswing and then
36
00:02:24.350 --> 00:02:24.600
make
37
00:02:24.600 --> 00:02:29.560
the backswing corrections. So I would work on if I'm trying to get out of
38
00:02:29.560 --> 00:02:30.320
across
39
00:02:30.320 --> 00:02:35.680
the line I'm trying to get more of that body pull I would work on the impact
40
00:02:35.680 --> 00:02:40.280
position and the follow-through and the release and the body sequencing and
41
00:02:40.280 --> 00:02:40.480
some
42
00:02:40.480 --> 00:02:44.800
downswing stuff and see what kind of natural changes happen to my backswing
43
00:02:44.800 --> 00:02:50.710
or once I've put in you know six weeks a couple months working on some down
44
00:02:50.710 --> 00:02:51.040
swing
45
00:02:51.040 --> 00:02:57.600
stuff then I would go after working on the backswing position because if I get
46
00:02:57.600 --> 00:03:03.440
into kind of a tour classic kind of backswing position this is going to be very
47
00:03:03.440 --> 00:03:09.200
weak for pulling down. So as long as you stay in more of that arm pull model if
48
00:03:09.200 --> 00:03:13.120
you get into a better backswing it's gonna tend to make you hit the ball just a
49
00:03:13.120 --> 00:03:17.160
little bit shorter. Some golfers are okay with that most golfers are not so
50
00:03:17.160 --> 00:03:21.840
that's why the brain keeps gravitating towards more that flying elbow across
51
00:03:21.840 --> 00:03:27.840
the line position. So if you decide that you don't want to use more of the body
52
00:03:27.840 --> 00:03:31.320
driven swing and you want to basically pull with your arms and just kind of
53
00:03:31.320 --> 00:03:35.960
work with that pattern then I would highly recommend that you get a little
54
00:03:35.960 --> 00:03:39.880
bit more upright and a little bit more across the line because that'll make it
55
00:03:39.880 --> 00:03:43.140
so that when you pull you're actually gonna have a little bit more power. If
56
00:03:43.140 --> 00:03:47.160
you're worried about the way it looks at the top of the swing make sure you
57
00:03:47.160 --> 00:03:50.360
understand how it's connected to what you're trying to do in transition.
58
00:03:50.360 --> 00:03:54.720
Ultimately by working on the downswing first I've seen have bigger effects in
59
00:03:54.720 --> 00:03:58.840
then being able to change the top of the backswing rather than just trying to
60
00:03:58.840 --> 00:04:04.000
change the top of the backswing to some arbitrary position so that you can have
61
00:04:04.000 --> 00:04:08.360
a swing that quote-unquote looks pretty. So if I'm doing more that arm pull
62
00:04:08.360 --> 00:04:09.080
model
63
00:04:09.080 --> 00:04:15.060
I can go across the line kind of like so and then I'll basically pull down
64
00:04:15.060 --> 00:04:20.400
vertically and then fully release the arms and just let my upper body kind of
65
00:04:20.400 --> 00:04:29.200
drift. This involves a lot less body speed but a lot more kind of arm speed.
66
00:04:29.200 --> 00:04:35.440
Kind of like that. The opposite would be instead of using more of that arm pull
67
00:04:35.440 --> 00:04:40.840
I'm going to use more of the body turn more of the motorcycle kind of the the
68
00:04:40.840 --> 00:04:48.600
pattern that we teach more in this program. So you'll see that both of them
69
00:04:48.600 --> 00:04:54.240
can work but they require very different downswing mechanics.
70
00:04:59.200 --> 00:05:19.040
So if you're going to try to work on the overall downswing pattern to be a
71
00:05:19.040 --> 00:05:23.120
little bit more body driven then ultimately you will want to get out of
72
00:05:23.120 --> 00:05:27.520
across the line. I just like to build the downswing before I go after the
73
00:05:27.520 --> 00:05:27.800
flying
74
00:05:27.800 --> 00:05:32.240
elbow or across the line at the top of the swing. Tends the work better in my
75
00:05:32.240 --> 00:05:34.680
experience.
Have questions?
Ask Mulligan for help
Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
Fix Your Swing: Addressing Across the Line and Right Elbow Issues
After this video, you'll be able to:
- Identify how across the line positions affect your swing path.
- Understand the role of a flying right elbow in generating power.
- Learn how to transition your arms for a more effective downswing.
In this video, learn about the concepts of being across the line and having a flying right elbow in your swing. Understanding these aspects can significantly improve your transition and overall swing mechanics.
Video Transcript
WEBVTT
1
00:00:00.000 --> 00:00:04.620
This video is discussing across the line and the flying right elbow so I'm
2
00:00:04.620 --> 00:00:10.440
gonna group these two together because frequently they show up with pretty much
3
00:00:10.440 --> 00:00:15.440
the same swings it you can get the flying elbow and be laid off or even on
4
00:00:15.440 --> 00:00:21.360
plane but frequently they kind of go together. So it's quick definition if we
5
00:00:21.360 --> 00:00:24.480
go to the top of the swing across the line it's typically going to be pointed
6
00:00:24.480 --> 00:00:30.960
right of the target or target line I should say on plane is typically
7
00:00:30.960 --> 00:00:35.100
referred to as parallel and across the line would be left of it. Now the
8
00:00:35.100 --> 00:00:35.460
problem
9
00:00:35.460 --> 00:00:43.200
is that's given some arbitrary back wing position so what I what I would
10
00:00:43.200 --> 00:00:47.160
challenge you to do is don't get so obsessed with how it looks at the top of
11
00:00:47.160 --> 00:00:51.360
the swing as far as where it's pointing compared to the target but recognize
12
00:00:51.360 --> 00:00:51.760
what
13
00:00:51.760 --> 00:00:57.150
that means and what it's gonna do for you in transition. So if you're gonna
14
00:00:57.150 --> 00:00:57.400
have
15
00:00:57.400 --> 00:01:01.680
more of this body driven swing then you need to get your arms to work into more
16
00:01:01.680 --> 00:01:05.680
of a shallow position or more of a horizontal position during the down
17
00:01:05.680 --> 00:01:09.880
swing kind of working more around your body as opposed to vertical straight up
18
00:01:09.880 --> 00:01:16.240
and down. So the problem is with the across the line or flying elbow is if I
19
00:01:16.240 --> 00:01:20.960
get to the top of the swing kind of like so if I was to stand up and bring my
20
00:01:20.960 --> 00:01:21.320
arms
21
00:01:21.320 --> 00:01:26.400
where they are kind of down in front of me you can see that it's gonna take a
22
00:01:26.400 --> 00:01:32.200
pretty major shallow movement and a major right arm movement in order to get
23
00:01:32.200 --> 00:01:38.110
from this position to that position. So what will typically happen is instead
24
00:01:38.110 --> 00:01:38.200
of
25
00:01:38.200 --> 00:01:42.320
getting to here I'll pull down and I'll be more in this vertical position. So
26
00:01:42.320 --> 00:01:42.480
when
27
00:01:42.480 --> 00:01:46.760
I get across the line I will tend to pull down this way which means I have to
28
00:01:46.760 --> 00:01:55.320
stall my body pivot and release those arms. Now if I power the swing by pulling
29
00:01:55.320 --> 00:01:59.280
down with your arms getting across the line and having that flying right elbow
30
00:01:59.280 --> 00:02:02.600
actually makes me more powerful. It's one of the reasons why you'll see a lot
31
00:02:02.600 --> 00:02:02.760
of
32
00:02:02.760 --> 00:02:07.840
long drive golfers and some senior tour players gravitating towards that more
33
00:02:07.840 --> 00:02:13.760
across the line position because it allows them to pull down harder and not
34
00:02:13.760 --> 00:02:20.720
really mess up that arm pull kind of downswing sequencing. Now what I normally
35
00:02:20.720 --> 00:02:24.350
like to do is I like to build what you're gonna do on the downswing and then
36
00:02:24.350 --> 00:02:24.600
make
37
00:02:24.600 --> 00:02:29.560
the backswing corrections. So I would work on if I'm trying to get out of
38
00:02:29.560 --> 00:02:30.320
across
39
00:02:30.320 --> 00:02:35.680
the line I'm trying to get more of that body pull I would work on the impact
40
00:02:35.680 --> 00:02:40.280
position and the follow-through and the release and the body sequencing and
41
00:02:40.280 --> 00:02:40.480
some
42
00:02:40.480 --> 00:02:44.800
downswing stuff and see what kind of natural changes happen to my backswing
43
00:02:44.800 --> 00:02:50.710
or once I've put in you know six weeks a couple months working on some down
44
00:02:50.710 --> 00:02:51.040
swing
45
00:02:51.040 --> 00:02:57.600
stuff then I would go after working on the backswing position because if I get
46
00:02:57.600 --> 00:03:03.440
into kind of a tour classic kind of backswing position this is going to be very
47
00:03:03.440 --> 00:03:09.200
weak for pulling down. So as long as you stay in more of that arm pull model if
48
00:03:09.200 --> 00:03:13.120
you get into a better backswing it's gonna tend to make you hit the ball just a
49
00:03:13.120 --> 00:03:17.160
little bit shorter. Some golfers are okay with that most golfers are not so
50
00:03:17.160 --> 00:03:21.840
that's why the brain keeps gravitating towards more that flying elbow across
51
00:03:21.840 --> 00:03:27.840
the line position. So if you decide that you don't want to use more of the body
52
00:03:27.840 --> 00:03:31.320
driven swing and you want to basically pull with your arms and just kind of
53
00:03:31.320 --> 00:03:35.960
work with that pattern then I would highly recommend that you get a little
54
00:03:35.960 --> 00:03:39.880
bit more upright and a little bit more across the line because that'll make it
55
00:03:39.880 --> 00:03:43.140
so that when you pull you're actually gonna have a little bit more power. If
56
00:03:43.140 --> 00:03:47.160
you're worried about the way it looks at the top of the swing make sure you
57
00:03:47.160 --> 00:03:50.360
understand how it's connected to what you're trying to do in transition.
58
00:03:50.360 --> 00:03:54.720
Ultimately by working on the downswing first I've seen have bigger effects in
59
00:03:54.720 --> 00:03:58.840
then being able to change the top of the backswing rather than just trying to
60
00:03:58.840 --> 00:04:04.000
change the top of the backswing to some arbitrary position so that you can have
61
00:04:04.000 --> 00:04:08.360
a swing that quote-unquote looks pretty. So if I'm doing more that arm pull
62
00:04:08.360 --> 00:04:09.080
model
63
00:04:09.080 --> 00:04:15.060
I can go across the line kind of like so and then I'll basically pull down
64
00:04:15.060 --> 00:04:20.400
vertically and then fully release the arms and just let my upper body kind of
65
00:04:20.400 --> 00:04:29.200
drift. This involves a lot less body speed but a lot more kind of arm speed.
66
00:04:29.200 --> 00:04:35.440
Kind of like that. The opposite would be instead of using more of that arm pull
67
00:04:35.440 --> 00:04:40.840
I'm going to use more of the body turn more of the motorcycle kind of the the
68
00:04:40.840 --> 00:04:48.600
pattern that we teach more in this program. So you'll see that both of them
69
00:04:48.600 --> 00:04:54.240
can work but they require very different downswing mechanics.
70
00:04:59.200 --> 00:05:19.040
So if you're going to try to work on the overall downswing pattern to be a
71
00:05:19.040 --> 00:05:23.120
little bit more body driven then ultimately you will want to get out of
72
00:05:23.120 --> 00:05:27.520
across the line. I just like to build the downswing before I go after the
73
00:05:27.520 --> 00:05:27.800
flying
74
00:05:27.800 --> 00:05:32.240
elbow or across the line at the top of the swing. Tends the work better in my
75
00:05:32.240 --> 00:05:34.680
experience.
1
00:00:00.000 --> 00:00:04.620
This video is discussing across the line and the flying right elbow so I'm
2
00:00:04.620 --> 00:00:10.440
gonna group these two together because frequently they show up with pretty much
3
00:00:10.440 --> 00:00:15.440
the same swings it you can get the flying elbow and be laid off or even on
4
00:00:15.440 --> 00:00:21.360
plane but frequently they kind of go together. So it's quick definition if we
5
00:00:21.360 --> 00:00:24.480
go to the top of the swing across the line it's typically going to be pointed
6
00:00:24.480 --> 00:00:30.960
right of the target or target line I should say on plane is typically
7
00:00:30.960 --> 00:00:35.100
referred to as parallel and across the line would be left of it. Now the
8
00:00:35.100 --> 00:00:35.460
problem
9
00:00:35.460 --> 00:00:43.200
is that's given some arbitrary back wing position so what I what I would
10
00:00:43.200 --> 00:00:47.160
challenge you to do is don't get so obsessed with how it looks at the top of
11
00:00:47.160 --> 00:00:51.360
the swing as far as where it's pointing compared to the target but recognize
12
00:00:51.360 --> 00:00:51.760
what
13
00:00:51.760 --> 00:00:57.150
that means and what it's gonna do for you in transition. So if you're gonna
14
00:00:57.150 --> 00:00:57.400
have
15
00:00:57.400 --> 00:01:01.680
more of this body driven swing then you need to get your arms to work into more
16
00:01:01.680 --> 00:01:05.680
of a shallow position or more of a horizontal position during the down
17
00:01:05.680 --> 00:01:09.880
swing kind of working more around your body as opposed to vertical straight up
18
00:01:09.880 --> 00:01:16.240
and down. So the problem is with the across the line or flying elbow is if I
19
00:01:16.240 --> 00:01:20.960
get to the top of the swing kind of like so if I was to stand up and bring my
20
00:01:20.960 --> 00:01:21.320
arms
21
00:01:21.320 --> 00:01:26.400
where they are kind of down in front of me you can see that it's gonna take a
22
00:01:26.400 --> 00:01:32.200
pretty major shallow movement and a major right arm movement in order to get
23
00:01:32.200 --> 00:01:38.110
from this position to that position. So what will typically happen is instead
24
00:01:38.110 --> 00:01:38.200
of
25
00:01:38.200 --> 00:01:42.320
getting to here I'll pull down and I'll be more in this vertical position. So
26
00:01:42.320 --> 00:01:42.480
when
27
00:01:42.480 --> 00:01:46.760
I get across the line I will tend to pull down this way which means I have to
28
00:01:46.760 --> 00:01:55.320
stall my body pivot and release those arms. Now if I power the swing by pulling
29
00:01:55.320 --> 00:01:59.280
down with your arms getting across the line and having that flying right elbow
30
00:01:59.280 --> 00:02:02.600
actually makes me more powerful. It's one of the reasons why you'll see a lot
31
00:02:02.600 --> 00:02:02.760
of
32
00:02:02.760 --> 00:02:07.840
long drive golfers and some senior tour players gravitating towards that more
33
00:02:07.840 --> 00:02:13.760
across the line position because it allows them to pull down harder and not
34
00:02:13.760 --> 00:02:20.720
really mess up that arm pull kind of downswing sequencing. Now what I normally
35
00:02:20.720 --> 00:02:24.350
like to do is I like to build what you're gonna do on the downswing and then
36
00:02:24.350 --> 00:02:24.600
make
37
00:02:24.600 --> 00:02:29.560
the backswing corrections. So I would work on if I'm trying to get out of
38
00:02:29.560 --> 00:02:30.320
across
39
00:02:30.320 --> 00:02:35.680
the line I'm trying to get more of that body pull I would work on the impact
40
00:02:35.680 --> 00:02:40.280
position and the follow-through and the release and the body sequencing and
41
00:02:40.280 --> 00:02:40.480
some
42
00:02:40.480 --> 00:02:44.800
downswing stuff and see what kind of natural changes happen to my backswing
43
00:02:44.800 --> 00:02:50.710
or once I've put in you know six weeks a couple months working on some down
44
00:02:50.710 --> 00:02:51.040
swing
45
00:02:51.040 --> 00:02:57.600
stuff then I would go after working on the backswing position because if I get
46
00:02:57.600 --> 00:03:03.440
into kind of a tour classic kind of backswing position this is going to be very
47
00:03:03.440 --> 00:03:09.200
weak for pulling down. So as long as you stay in more of that arm pull model if
48
00:03:09.200 --> 00:03:13.120
you get into a better backswing it's gonna tend to make you hit the ball just a
49
00:03:13.120 --> 00:03:17.160
little bit shorter. Some golfers are okay with that most golfers are not so
50
00:03:17.160 --> 00:03:21.840
that's why the brain keeps gravitating towards more that flying elbow across
51
00:03:21.840 --> 00:03:27.840
the line position. So if you decide that you don't want to use more of the body
52
00:03:27.840 --> 00:03:31.320
driven swing and you want to basically pull with your arms and just kind of
53
00:03:31.320 --> 00:03:35.960
work with that pattern then I would highly recommend that you get a little
54
00:03:35.960 --> 00:03:39.880
bit more upright and a little bit more across the line because that'll make it
55
00:03:39.880 --> 00:03:43.140
so that when you pull you're actually gonna have a little bit more power. If
56
00:03:43.140 --> 00:03:47.160
you're worried about the way it looks at the top of the swing make sure you
57
00:03:47.160 --> 00:03:50.360
understand how it's connected to what you're trying to do in transition.
58
00:03:50.360 --> 00:03:54.720
Ultimately by working on the downswing first I've seen have bigger effects in
59
00:03:54.720 --> 00:03:58.840
then being able to change the top of the backswing rather than just trying to
60
00:03:58.840 --> 00:04:04.000
change the top of the backswing to some arbitrary position so that you can have
61
00:04:04.000 --> 00:04:08.360
a swing that quote-unquote looks pretty. So if I'm doing more that arm pull
62
00:04:08.360 --> 00:04:09.080
model
63
00:04:09.080 --> 00:04:15.060
I can go across the line kind of like so and then I'll basically pull down
64
00:04:15.060 --> 00:04:20.400
vertically and then fully release the arms and just let my upper body kind of
65
00:04:20.400 --> 00:04:29.200
drift. This involves a lot less body speed but a lot more kind of arm speed.
66
00:04:29.200 --> 00:04:35.440
Kind of like that. The opposite would be instead of using more of that arm pull
67
00:04:35.440 --> 00:04:40.840
I'm going to use more of the body turn more of the motorcycle kind of the the
68
00:04:40.840 --> 00:04:48.600
pattern that we teach more in this program. So you'll see that both of them
69
00:04:48.600 --> 00:04:54.240
can work but they require very different downswing mechanics.
70
00:04:59.200 --> 00:05:19.040
So if you're going to try to work on the overall downswing pattern to be a
71
00:05:19.040 --> 00:05:23.120
little bit more body driven then ultimately you will want to get out of
72
00:05:23.120 --> 00:05:27.520
across the line. I just like to build the downswing before I go after the
73
00:05:27.520 --> 00:05:27.800
flying
74
00:05:27.800 --> 00:05:32.240
elbow or across the line at the top of the swing. Tends the work better in my
75
00:05:32.240 --> 00:05:34.680
experience.
Have questions about this video?
Ask Mulligan for personalized guidance on technique, drills, or how to apply what you've learned.
Ask Mulligan
Related topics
This video hasn't been assigned to any topics yet. Browse all topics in the sidebar.