Monday’s Coaches Meeting Topics

Hi Tyler and gang! A topic I’m interested in is the elite level pull-cut and what makes it possible. It seems to me that rib sway in transition is a big key, and it also seems that the release isn’t held off - if anything, some of the faders seem to have more vigorous forearm rotation in release than some of the draw players(see Koepka and Clark stills vs Strick). I feel like for me P6 is the key, and presenting the club in a shallow manner to a slightly outside delivery- does that track? If time permits for an analysis I find this year’s NCAA men’s champ Michael Lassaso’s swing intriguing, especially his transition and lower body action. It appears that his upper body is moving back to the target even as his feet continue to rotate away, and that’s not something I’m sure I’ve ever seen before. Looking forward to Monday! Warm regards, Zach Fellman