Not sure where to start? Ask Mulligan
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

How to Analyze Adam Scott's Arm Shallowing for Better Swings

After this video, you'll be able to:

  • Identify key movements in Adam Scott's transition and downswing.
  • Understand how arm shallowing contributes to swing efficiency.
  • Learn to apply body sequencing to improve your swing power.

In this analysis of Adam Scott's swing, you'll learn about the crucial movements that define his technique, particularly focusing on arm shallowing and body sequencing. Understanding these mechanics can improve your own swing dynamics.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:05.120
In this swing analysis video we're gonna take a look at Adam Scott. Now Adam

2
00:00:05.120 --> 00:00:05.340
Scott

3
00:00:05.340 --> 00:00:10.900
has one of the best swings of our era as far as a lot of the geometry so I'm

4
00:00:10.900 --> 00:00:15.000
not just gonna sit here and play through a swing and tell you how perfect the

5
00:00:15.000 --> 00:00:18.800
club looks there or at the top of the swing or etc. We're gonna get into some

6
00:00:18.800 --> 00:00:22.600
of the details of some of the key movements that makes his swing look the

7
00:00:22.600 --> 00:00:26.160
way that it does, function the way that it does, and potentially gives him a

8
00:00:26.160 --> 00:00:31.400
little bit of trouble when it gets to putting. So hopefully you'll enjoy this

9
00:00:31.400 --> 00:00:34.700
analysis video as we take a look at some of the key movements of the

10
00:00:34.700 --> 00:00:39.200
transition and downswing for Adam Scott. So the two key movements that we will

11
00:00:39.200 --> 00:00:43.480
look at in transition are going to be the arm shallowing and the sequencing or

12
00:00:43.480 --> 00:00:47.620
how he's powering the swing with his total body. So first let's look at this

13
00:00:47.620 --> 00:00:53.140
arm shallowing move. He's one of the examples that

14
00:00:53.140 --> 00:00:57.620
people use of look he just brings his arms straight back down on kind of the

15
00:00:57.620 --> 00:01:03.480
same position or same plane that he was swinging back on. Now what I'll say is

16
00:01:03.480 --> 00:01:08.540
okay that's fine I'm not saying that the club is making a huge major shallowing

17
00:01:08.540 --> 00:01:13.920
move I'm saying that the arms are because if we take this position here in

18
00:01:13.920 --> 00:01:18.520
the backswing you can see where his chest and where his pelvis are facing and

19
00:01:18.520 --> 00:01:18.580
you

20
00:01:18.580 --> 00:01:22.380
can see that the elbow actually let's go a little bit further back so we can

21
00:01:22.380 --> 00:01:22.560
see

22
00:01:22.560 --> 00:01:27.120
you can see the elbow there is pointing pretty close to straight down towards

23
00:01:27.120 --> 00:01:32.160
the ground. It's got a little bit of internal rotation but it's pointing

24
00:01:32.160 --> 00:01:36.680
pretty much down towards the ground. So what will happen is from the top of the

25
00:01:36.680 --> 00:01:44.780
swing as he starts down now his arm is pointing a little bit more out but the

26
00:01:44.780 --> 00:01:49.280
big thing is compared to his body if his arms and club are in a relatively

27
00:01:49.280 --> 00:01:56.400
similar position to where they were in the backswing so right around here then

28
00:01:56.400 --> 00:02:01.360
if his body has completely changed by definition his arms have also changed in

29
00:02:01.360 --> 00:02:06.910
order to maintain that same space. It's kind of like if I had you standing up

30
00:02:06.910 --> 00:02:07.120
on

31
00:02:07.120 --> 00:02:12.120
a you know a wobbly board and your head was staying in the same place but your

32
00:02:12.120 --> 00:02:16.080
body was moving all over the place technically your neck is moving a lot

33
00:02:16.080 --> 00:02:18.560
in order to keep your head still even though it looks like your head is

34
00:02:18.560 --> 00:02:22.560
staying still. So if his arms don't look like they've changed a whole lot but

35
00:02:22.560 --> 00:02:22.680
his

36
00:02:22.680 --> 00:02:26.280
body looks like it's changed a ton he's made some major arm and shoulder

37
00:02:26.280 --> 00:02:32.880
movements in order to attain that look. So what we'll see is the elbow is now

38
00:02:32.880 --> 00:02:36.920
pointing a little bit more down even though the body has rotated a significant

39
00:02:36.920 --> 00:02:41.640
amount. In order to make that happen the arms will have had to have rotated to

40
00:02:41.640 --> 00:02:46.390
the right of his body or shallow to a very good bit. You can see it a little

41
00:02:46.390 --> 00:02:46.560
bit

42
00:02:46.560 --> 00:02:50.100
from the face on view as well where the elbows pointing kind of straight down

43
00:02:50.100 --> 00:02:55.360
there and then as we go up towards the top of the swing and return back to that

44
00:02:55.360 --> 00:03:00.640
same position now the elbow is pointing kind of more out or well out in front

45
00:03:00.640 --> 00:03:00.720
of

46
00:03:00.720 --> 00:03:05.720
the golf ball as opposed to pointing straight down at about that same position

47
00:03:05.720 --> 00:03:12.280
or you know orientation compared to the camera. So even though it doesn't look

48
00:03:12.280 --> 00:03:17.320
like he's having this shallow move all the all the indicators are there and

49
00:03:17.320 --> 00:03:20.680
everything's pointing to the fact that his arms have shallowed a good bit

50
00:03:20.680 --> 00:03:20.960
during

51
00:03:20.960 --> 00:03:24.640
transition otherwise he wouldn't be able to have the body rotation that he's

52
00:03:24.640 --> 00:03:30.960
gonna have during the remainder of the downswing without getting too steep. So

53
00:03:30.960 --> 00:03:34.120
now let's take a look at one of my favorite topics which is how golfers

54
00:03:34.120 --> 00:03:40.000
power their swings. So we're gonna take a look at how Adam uses his entire body

55
00:03:40.000 --> 00:03:45.040
to power the swing. So I basically want you to look and kind of pay attention

56
00:03:45.040 --> 00:03:45.320
to

57
00:03:45.320 --> 00:03:48.920
these major joints. So what's happening at the foot ankle what's happening at

58
00:03:48.920 --> 00:03:49.000
the

59
00:03:49.000 --> 00:03:53.920
knee what's happening at the hip and then what's happening in the mid spine or

60
00:03:53.920 --> 00:03:58.540
just below the shirt buttons kind of in here. So what we'll see is as he goes

61
00:03:58.540 --> 00:03:58.720
up

62
00:03:58.720 --> 00:04:02.440
towards the top of the swing you'll see there's actually some movement in his

63
00:04:02.440 --> 00:04:06.600
foot. I'll show it in a little better camera angle or a little better camera

64
00:04:06.600 --> 00:04:12.400
quality view. But you'll see that there's an overall pattern of it looks like

65
00:04:12.400 --> 00:04:17.120
everything is moving together and yet if you were to go frame by frame it looks

66
00:04:17.120 --> 00:04:20.840
like the foot is moving slightly before the knee the knee slightly before the

67
00:04:20.840 --> 00:04:26.400
hip and the hips slightly before the chest. So there's this almost duality of

68
00:04:26.400 --> 00:04:32.040
trying to have clear sequencing of the lower body before the arms in club and

69
00:04:32.040 --> 00:04:36.520
before the upper body but then there's also this facial connection and you want

70
00:04:36.520 --> 00:04:41.240
to make sure that all the links between the bodies are not getting too

71
00:04:41.240 --> 00:04:46.920
disconnected. It's a key source for transferring power all the way to the

72
00:04:46.920 --> 00:04:53.120
arms in club and a lot of golfers even very good golfers don't have nearly the

73
00:04:53.120 --> 00:04:57.120
look of the connection between the different segments that Adam is

74
00:04:57.120 --> 00:05:02.960
demonstrating here. Now from the face-on view you'll again see that total body

75
00:05:02.960 --> 00:05:09.160
movement and you'll see a pretty quick weight shift where he gets his his hip

76
00:05:09.160 --> 00:05:14.200
over onto on top of that lead foot by about the time the lead arm is parallel

77
00:05:14.200 --> 00:05:18.120
and then he can really go into that bracing strategy as he goes into the

78
00:05:18.120 --> 00:05:24.400
release. For the arm and hand purposes he's got just classic release stuff so

79
00:05:24.400 --> 00:05:30.160
if you were to copy one position this position that he gets into I refer to

80
00:05:30.160 --> 00:05:35.160
as follow-through position indicates a lot of really good mechanics so he's got

81
00:05:35.160 --> 00:05:39.680
his pelvic tilt going on where his glutes are squeezing his hip is in

82
00:05:39.680 --> 00:05:45.520
extension you can see how he's got this really smooth curve going from his

83
00:05:45.520 --> 00:05:45.800
spine

84
00:05:45.800 --> 00:05:50.120
all the way down to his foot he's got great arm extension he's got full

85
00:05:50.120 --> 00:05:55.440
unhinging of the wrist so that the club is not past his hands he's it's just

86
00:05:55.440 --> 00:06:00.440
very good mechanically for what we want to do with the driver and if you're

87
00:06:00.440 --> 00:06:03.360
able to accomplish even attend to this you're probably gonna be a pretty good

88
00:06:03.360 --> 00:06:07.480
driver of the golf ball from the down the line view you can see that he hasn't

89
00:06:07.480 --> 00:06:13.320
really come out of his spine angle he's continued to to side bend as his arms

90
00:06:13.320 --> 00:06:17.000
are extending away there's just lots of really good pieces here that you would

91
00:06:17.000 --> 00:06:24.680
want to try to emulate so now I want to talk about two things one one that goes

92
00:06:24.680 --> 00:06:28.880
on with his feet so we can see that timing of how quickly he gets into his

93
00:06:28.880 --> 00:06:32.920
lead foot and then we're going to talk a little bit about a shoulder girdle so

94
00:06:32.920 --> 00:06:38.240
this is a really good quality clip here and I think that it helps you really

95
00:06:38.240 --> 00:06:44.560
visualize and see what's going on the timing of when a lot of these pressures

96
00:06:44.560 --> 00:06:49.560
and things tend to happen so you'll see from the face on view that it looks

97
00:06:49.560 --> 00:06:49.720
like

98
00:06:49.720 --> 00:06:54.880
he gets on to his left side pretty quickly so by the time that left arms

99
00:06:54.880 --> 00:07:00.240
parallel to the ground so I want you to see a neat little timing thing which is

100
00:07:00.240 --> 00:07:07.720
once he gets to right about there you'll see that foot shift back away from the

101
00:07:07.720 --> 00:07:13.760
line just slightly that foot would not be able to shift away from the line if

102
00:07:13.760 --> 00:07:13.840
he

103
00:07:13.840 --> 00:07:19.400
was still actively pushing through the ground so he's he's kind of pushed

104
00:07:19.400 --> 00:07:19.600
through

105
00:07:19.600 --> 00:07:25.680
the ground and it does his Jackson 5 or weight shift move but it's done by the

106
00:07:25.680 --> 00:07:31.600
time he gets to about here and then as he goes to rotate or transfer and start

107
00:07:31.600 --> 00:07:36.200
the bracing with that lead leg you'll tend to see that that trail foot is

108
00:07:36.200 --> 00:07:42.320
almost free-floating and shifts back just slightly so I know a lot of golfers

109
00:07:42.320 --> 00:07:46.400
try to really push through the the inside part of that foot all the way down

110
00:07:46.400 --> 00:07:46.960
into

111
00:07:46.960 --> 00:07:52.520
the into impact just want you see how quickly that weight shift move should

112
00:07:52.520 --> 00:07:57.420
happen if you're then kind of using more of your total body to swing the

113
00:07:57.420 --> 00:08:01.480
club as opposed to just using your arms if you tend to use your arms as the

114
00:08:01.480 --> 00:08:05.920
power source what you'll tend to see is you're going to shift to the that lead

115
00:08:05.920 --> 00:08:10.080
foot a little bit slower and use your lower body more as positioning instead

116
00:08:10.080 --> 00:08:16.520
of speed one of the ways you can tell that he's using his total body to create

117
00:08:16.520 --> 00:08:20.560
power is if we get it to this position you can see that the club shaft is

118
00:08:20.560 --> 00:08:24.880
roughly parallel to the target line is so is his chest so essentially the same

119
00:08:24.880 --> 00:08:29.240
thing is if he was standing up and he had the club parallel to his chest not

120
00:08:29.240 --> 00:08:33.880
perpendicular like if you take your normal address position right there the

121
00:08:33.880 --> 00:08:38.240
club is perpendicular to his chest but then at this point the club is still

122
00:08:38.240 --> 00:08:42.680
parallel or even behind his chest and he'll maintain that relationship pretty

123
00:08:42.680 --> 00:08:47.360
much as long as he can and you'll see that right around here as he approaches

124
00:08:47.360 --> 00:08:51.760
impact it's still pretty close to that parallel to his chest so the club is

125
00:08:51.760 --> 00:08:55.640
well behind him the only way the club would stay well behind him for that long

126
00:08:55.640 --> 00:09:00.480
is it if he's powering it more with the body rotation and side bend and not

127
00:09:00.480 --> 00:09:00.720
with

128
00:09:00.720 --> 00:09:07.610
extension of the arms or chopping of the arms so then the last little piece

129
00:09:07.610 --> 00:09:07.960
would

130
00:09:07.960 --> 00:09:13.420
be to notice an area where we could potentially get some improvement because

131
00:09:13.420 --> 00:09:17.480
I believe there there's always something you can do to improve your swing if

132
00:09:17.480 --> 00:09:20.960
you're happy with it that's great go for it but some of these guys who are best

133
00:09:20.960 --> 00:09:24.360
in the world are constantly tinkering on their swings

134
00:09:24.360 --> 00:09:29.110
Adam Scott's not one of them so I think that and from a swing standpoint there

135
00:09:29.110 --> 00:09:29.120
's

136
00:09:29.120 --> 00:09:34.840
not a whole lot that I would change I'm going to show you an area where if we

137
00:09:34.840 --> 00:09:40.800
focus on what's going on up in this region we get an idea that there may be

138
00:09:40.800 --> 00:09:46.000
some some dysfunctional pattern there that could be impacting his short game

139
00:09:46.000 --> 00:09:51.120
especially his putting so what you'll normally see is down through this hitting

140
00:09:51.120 --> 00:09:54.760
area you would normally see a pretty pronounced movement of the shoulder

141
00:09:54.760 --> 00:09:59.280
girdle or the shoulder blade Adam doesn't really do that it's almost like

142
00:09:59.280 --> 00:10:06.120
his shoulder blades are fixed in in position on his rib cage so as a result

143
00:10:06.120 --> 00:10:10.040
what you'll tend to see is you'll see a little bit more of a comp compensation

144
00:10:10.040 --> 00:10:17.160
through his neck which allows that shoulder to by by compensating with his

145
00:10:17.160 --> 00:10:20.560
neck kind of tucking his chin and turning his head more to the right that's

146
00:10:20.560 --> 00:10:20.680
gonna

147
00:10:20.680 --> 00:10:25.080
oh that's going to mimic the movement of having the shoulder working a little

148
00:10:25.080 --> 00:10:30.280
bit more around you'll see the to the right part a little bit more from the

149
00:10:30.280 --> 00:10:35.920
face-on so right about now as the arms want to extend he's he's bringing his

150
00:10:35.920 --> 00:10:40.640
head towards his shoulders as he's bringing his neck forward so he's using

151
00:10:40.640 --> 00:10:45.200
this muscle called the sternocal item mastoid to really create some tension

152
00:10:45.200 --> 00:10:48.400
on the top of the shoulder girdle which will make the arm stronger when it then

153
00:10:48.400 --> 00:10:54.600
goes to extend but the big thing you'll see is as he goes through there's not a

154
00:10:54.600 --> 00:10:58.640
ton of shoulder blade movement and I like this camera angle because it's so

155
00:10:58.640 --> 00:11:04.840
clear and you can see because Adam has pretty pronounced back you can see a lot

156
00:11:04.840 --> 00:11:09.240
of the lines that make up some of the muscles around the shoulder blades you

157
00:11:09.240 --> 00:11:15.640
can see that there's some movement but not a whole lot the white shirts are

158
00:11:15.640 --> 00:11:22.800
usually the easiest to see this so here's an example of Brent Snedeker and you

159
00:11:22.800 --> 00:11:30.160
can see through the ball just kind of the edge of his scapula and then through

160
00:11:30.160 --> 00:11:30.400
the

161
00:11:30.400 --> 00:11:38.160
ball you'll kind of see the shoulder blade working a little bit more around

162
00:11:38.160 --> 00:11:42.080
kind of like so again this isn't going to be a problem for the full swing in

163
00:11:42.080 --> 00:11:46.160
fact what he's doing there is going to provide a lot of safety and civility but

164
00:11:46.160 --> 00:11:49.720
it looks like it's a little bit locked up the place where that would show up

165
00:11:49.720 --> 00:11:56.360
would be more of putting because as guys like Stan Utley have demonstrated when

166
00:11:56.360 --> 00:12:01.040
your shoulder blades have free mobility it makes it a little bit easier to

167
00:12:01.040 --> 00:12:04.480
control the path and the movement with more of the elbows and shoulders and a

168
00:12:04.480 --> 00:12:10.640
lot less with the hands and wrists so I had a little trouble finding a good

169
00:12:10.640 --> 00:12:10.920
face

170
00:12:10.920 --> 00:12:17.800
on camera of his short putter putting stroke but you'll see that there's a

171
00:12:17.800 --> 00:12:24.120
little bit more of an arm in hand release as the movement appears to be

172
00:12:24.120 --> 00:12:29.120
happening a little bit more below the elbows and in the spine not a ton here

173
00:12:29.120 --> 00:12:34.320
in the shoulder griddle this actually fits a little bit better with his long

174
00:12:34.320 --> 00:12:39.400
putter style because this can pretty much lock the scapula in place and then

175
00:12:39.400 --> 00:12:44.600
it's really easy to control the face but just by having more of the movement at

176
00:12:44.600 --> 00:12:49.040
the ribcage and the grip position pretty much takes the wrist out so he's

177
00:12:49.040 --> 00:12:52.680
effectively locked this all into one lever and then controls it a lot with

178
00:12:52.680 --> 00:12:55.560
his body he's already shown with his full swing that he's really good at

179
00:12:55.560 --> 00:13:00.440
controlling precision and the location of of where this club is swinging by

180
00:13:00.440 --> 00:13:04.320
using his body so this makes a lot of sense for him it'll be interesting to

181
00:13:04.320 --> 00:13:09.520
see how he holds up to transition transitioning to the short stroke for

182
00:13:09.520 --> 00:13:13.320
this upcoming year where the long putter is gonna be banned so if you like the

183
00:13:13.320 --> 00:13:16.520
way we break this down head on over to GolfSmart Academy and check out our

184
00:13:16.520 --> 00:13:20.160
membership program we're in all the drills that help you build a solid

185
00:13:20.160 --> 00:13:24.000
transition and release and some of the key concepts that we discussed here in

186
00:13:24.000 --> 00:13:26.440
this video

Have questions?

Ask Mulligan for help

Unlock everything. Start improving today.

Subscribe to get full access to all videos, courses, and progress tracking.

Related topics
This video hasn't been assigned to any topics yet. Browse all topics in the sidebar.
Tyler Ferrell is the only person in the world named to Golf Digest's list of Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.

How to Analyze Adam Scott's Arm Shallowing for Better Swings

After this video, you'll be able to:

  • Identify key movements in Adam Scott's transition and downswing.
  • Understand how arm shallowing contributes to swing efficiency.
  • Learn to apply body sequencing to improve your swing power.

In this analysis of Adam Scott's swing, you'll learn about the crucial movements that define his technique, particularly focusing on arm shallowing and body sequencing. Understanding these mechanics can improve your own swing dynamics.

Video Transcript
WEBVTT

1
00:00:00.000 --> 00:00:05.120
In this swing analysis video we're gonna take a look at Adam Scott. Now Adam

2
00:00:05.120 --> 00:00:05.340
Scott

3
00:00:05.340 --> 00:00:10.900
has one of the best swings of our era as far as a lot of the geometry so I'm

4
00:00:10.900 --> 00:00:15.000
not just gonna sit here and play through a swing and tell you how perfect the

5
00:00:15.000 --> 00:00:18.800
club looks there or at the top of the swing or etc. We're gonna get into some

6
00:00:18.800 --> 00:00:22.600
of the details of some of the key movements that makes his swing look the

7
00:00:22.600 --> 00:00:26.160
way that it does, function the way that it does, and potentially gives him a

8
00:00:26.160 --> 00:00:31.400
little bit of trouble when it gets to putting. So hopefully you'll enjoy this

9
00:00:31.400 --> 00:00:34.700
analysis video as we take a look at some of the key movements of the

10
00:00:34.700 --> 00:00:39.200
transition and downswing for Adam Scott. So the two key movements that we will

11
00:00:39.200 --> 00:00:43.480
look at in transition are going to be the arm shallowing and the sequencing or

12
00:00:43.480 --> 00:00:47.620
how he's powering the swing with his total body. So first let's look at this

13
00:00:47.620 --> 00:00:53.140
arm shallowing move. He's one of the examples that

14
00:00:53.140 --> 00:00:57.620
people use of look he just brings his arms straight back down on kind of the

15
00:00:57.620 --> 00:01:03.480
same position or same plane that he was swinging back on. Now what I'll say is

16
00:01:03.480 --> 00:01:08.540
okay that's fine I'm not saying that the club is making a huge major shallowing

17
00:01:08.540 --> 00:01:13.920
move I'm saying that the arms are because if we take this position here in

18
00:01:13.920 --> 00:01:18.520
the backswing you can see where his chest and where his pelvis are facing and

19
00:01:18.520 --> 00:01:18.580
you

20
00:01:18.580 --> 00:01:22.380
can see that the elbow actually let's go a little bit further back so we can

21
00:01:22.380 --> 00:01:22.560
see

22
00:01:22.560 --> 00:01:27.120
you can see the elbow there is pointing pretty close to straight down towards

23
00:01:27.120 --> 00:01:32.160
the ground. It's got a little bit of internal rotation but it's pointing

24
00:01:32.160 --> 00:01:36.680
pretty much down towards the ground. So what will happen is from the top of the

25
00:01:36.680 --> 00:01:44.780
swing as he starts down now his arm is pointing a little bit more out but the

26
00:01:44.780 --> 00:01:49.280
big thing is compared to his body if his arms and club are in a relatively

27
00:01:49.280 --> 00:01:56.400
similar position to where they were in the backswing so right around here then

28
00:01:56.400 --> 00:02:01.360
if his body has completely changed by definition his arms have also changed in

29
00:02:01.360 --> 00:02:06.910
order to maintain that same space. It's kind of like if I had you standing up

30
00:02:06.910 --> 00:02:07.120
on

31
00:02:07.120 --> 00:02:12.120
a you know a wobbly board and your head was staying in the same place but your

32
00:02:12.120 --> 00:02:16.080
body was moving all over the place technically your neck is moving a lot

33
00:02:16.080 --> 00:02:18.560
in order to keep your head still even though it looks like your head is

34
00:02:18.560 --> 00:02:22.560
staying still. So if his arms don't look like they've changed a whole lot but

35
00:02:22.560 --> 00:02:22.680
his

36
00:02:22.680 --> 00:02:26.280
body looks like it's changed a ton he's made some major arm and shoulder

37
00:02:26.280 --> 00:02:32.880
movements in order to attain that look. So what we'll see is the elbow is now

38
00:02:32.880 --> 00:02:36.920
pointing a little bit more down even though the body has rotated a significant

39
00:02:36.920 --> 00:02:41.640
amount. In order to make that happen the arms will have had to have rotated to

40
00:02:41.640 --> 00:02:46.390
the right of his body or shallow to a very good bit. You can see it a little

41
00:02:46.390 --> 00:02:46.560
bit

42
00:02:46.560 --> 00:02:50.100
from the face on view as well where the elbows pointing kind of straight down

43
00:02:50.100 --> 00:02:55.360
there and then as we go up towards the top of the swing and return back to that

44
00:02:55.360 --> 00:03:00.640
same position now the elbow is pointing kind of more out or well out in front

45
00:03:00.640 --> 00:03:00.720
of

46
00:03:00.720 --> 00:03:05.720
the golf ball as opposed to pointing straight down at about that same position

47
00:03:05.720 --> 00:03:12.280
or you know orientation compared to the camera. So even though it doesn't look

48
00:03:12.280 --> 00:03:17.320
like he's having this shallow move all the all the indicators are there and

49
00:03:17.320 --> 00:03:20.680
everything's pointing to the fact that his arms have shallowed a good bit

50
00:03:20.680 --> 00:03:20.960
during

51
00:03:20.960 --> 00:03:24.640
transition otherwise he wouldn't be able to have the body rotation that he's

52
00:03:24.640 --> 00:03:30.960
gonna have during the remainder of the downswing without getting too steep. So

53
00:03:30.960 --> 00:03:34.120
now let's take a look at one of my favorite topics which is how golfers

54
00:03:34.120 --> 00:03:40.000
power their swings. So we're gonna take a look at how Adam uses his entire body

55
00:03:40.000 --> 00:03:45.040
to power the swing. So I basically want you to look and kind of pay attention

56
00:03:45.040 --> 00:03:45.320
to

57
00:03:45.320 --> 00:03:48.920
these major joints. So what's happening at the foot ankle what's happening at

58
00:03:48.920 --> 00:03:49.000
the

59
00:03:49.000 --> 00:03:53.920
knee what's happening at the hip and then what's happening in the mid spine or

60
00:03:53.920 --> 00:03:58.540
just below the shirt buttons kind of in here. So what we'll see is as he goes

61
00:03:58.540 --> 00:03:58.720
up

62
00:03:58.720 --> 00:04:02.440
towards the top of the swing you'll see there's actually some movement in his

63
00:04:02.440 --> 00:04:06.600
foot. I'll show it in a little better camera angle or a little better camera

64
00:04:06.600 --> 00:04:12.400
quality view. But you'll see that there's an overall pattern of it looks like

65
00:04:12.400 --> 00:04:17.120
everything is moving together and yet if you were to go frame by frame it looks

66
00:04:17.120 --> 00:04:20.840
like the foot is moving slightly before the knee the knee slightly before the

67
00:04:20.840 --> 00:04:26.400
hip and the hips slightly before the chest. So there's this almost duality of

68
00:04:26.400 --> 00:04:32.040
trying to have clear sequencing of the lower body before the arms in club and

69
00:04:32.040 --> 00:04:36.520
before the upper body but then there's also this facial connection and you want

70
00:04:36.520 --> 00:04:41.240
to make sure that all the links between the bodies are not getting too

71
00:04:41.240 --> 00:04:46.920
disconnected. It's a key source for transferring power all the way to the

72
00:04:46.920 --> 00:04:53.120
arms in club and a lot of golfers even very good golfers don't have nearly the

73
00:04:53.120 --> 00:04:57.120
look of the connection between the different segments that Adam is

74
00:04:57.120 --> 00:05:02.960
demonstrating here. Now from the face-on view you'll again see that total body

75
00:05:02.960 --> 00:05:09.160
movement and you'll see a pretty quick weight shift where he gets his his hip

76
00:05:09.160 --> 00:05:14.200
over onto on top of that lead foot by about the time the lead arm is parallel

77
00:05:14.200 --> 00:05:18.120
and then he can really go into that bracing strategy as he goes into the

78
00:05:18.120 --> 00:05:24.400
release. For the arm and hand purposes he's got just classic release stuff so

79
00:05:24.400 --> 00:05:30.160
if you were to copy one position this position that he gets into I refer to

80
00:05:30.160 --> 00:05:35.160
as follow-through position indicates a lot of really good mechanics so he's got

81
00:05:35.160 --> 00:05:39.680
his pelvic tilt going on where his glutes are squeezing his hip is in

82
00:05:39.680 --> 00:05:45.520
extension you can see how he's got this really smooth curve going from his

83
00:05:45.520 --> 00:05:45.800
spine

84
00:05:45.800 --> 00:05:50.120
all the way down to his foot he's got great arm extension he's got full

85
00:05:50.120 --> 00:05:55.440
unhinging of the wrist so that the club is not past his hands he's it's just

86
00:05:55.440 --> 00:06:00.440
very good mechanically for what we want to do with the driver and if you're

87
00:06:00.440 --> 00:06:03.360
able to accomplish even attend to this you're probably gonna be a pretty good

88
00:06:03.360 --> 00:06:07.480
driver of the golf ball from the down the line view you can see that he hasn't

89
00:06:07.480 --> 00:06:13.320
really come out of his spine angle he's continued to to side bend as his arms

90
00:06:13.320 --> 00:06:17.000
are extending away there's just lots of really good pieces here that you would

91
00:06:17.000 --> 00:06:24.680
want to try to emulate so now I want to talk about two things one one that goes

92
00:06:24.680 --> 00:06:28.880
on with his feet so we can see that timing of how quickly he gets into his

93
00:06:28.880 --> 00:06:32.920
lead foot and then we're going to talk a little bit about a shoulder girdle so

94
00:06:32.920 --> 00:06:38.240
this is a really good quality clip here and I think that it helps you really

95
00:06:38.240 --> 00:06:44.560
visualize and see what's going on the timing of when a lot of these pressures

96
00:06:44.560 --> 00:06:49.560
and things tend to happen so you'll see from the face on view that it looks

97
00:06:49.560 --> 00:06:49.720
like

98
00:06:49.720 --> 00:06:54.880
he gets on to his left side pretty quickly so by the time that left arms

99
00:06:54.880 --> 00:07:00.240
parallel to the ground so I want you to see a neat little timing thing which is

100
00:07:00.240 --> 00:07:07.720
once he gets to right about there you'll see that foot shift back away from the

101
00:07:07.720 --> 00:07:13.760
line just slightly that foot would not be able to shift away from the line if

102
00:07:13.760 --> 00:07:13.840
he

103
00:07:13.840 --> 00:07:19.400
was still actively pushing through the ground so he's he's kind of pushed

104
00:07:19.400 --> 00:07:19.600
through

105
00:07:19.600 --> 00:07:25.680
the ground and it does his Jackson 5 or weight shift move but it's done by the

106
00:07:25.680 --> 00:07:31.600
time he gets to about here and then as he goes to rotate or transfer and start

107
00:07:31.600 --> 00:07:36.200
the bracing with that lead leg you'll tend to see that that trail foot is

108
00:07:36.200 --> 00:07:42.320
almost free-floating and shifts back just slightly so I know a lot of golfers

109
00:07:42.320 --> 00:07:46.400
try to really push through the the inside part of that foot all the way down

110
00:07:46.400 --> 00:07:46.960
into

111
00:07:46.960 --> 00:07:52.520
the into impact just want you see how quickly that weight shift move should

112
00:07:52.520 --> 00:07:57.420
happen if you're then kind of using more of your total body to swing the

113
00:07:57.420 --> 00:08:01.480
club as opposed to just using your arms if you tend to use your arms as the

114
00:08:01.480 --> 00:08:05.920
power source what you'll tend to see is you're going to shift to the that lead

115
00:08:05.920 --> 00:08:10.080
foot a little bit slower and use your lower body more as positioning instead

116
00:08:10.080 --> 00:08:16.520
of speed one of the ways you can tell that he's using his total body to create

117
00:08:16.520 --> 00:08:20.560
power is if we get it to this position you can see that the club shaft is

118
00:08:20.560 --> 00:08:24.880
roughly parallel to the target line is so is his chest so essentially the same

119
00:08:24.880 --> 00:08:29.240
thing is if he was standing up and he had the club parallel to his chest not

120
00:08:29.240 --> 00:08:33.880
perpendicular like if you take your normal address position right there the

121
00:08:33.880 --> 00:08:38.240
club is perpendicular to his chest but then at this point the club is still

122
00:08:38.240 --> 00:08:42.680
parallel or even behind his chest and he'll maintain that relationship pretty

123
00:08:42.680 --> 00:08:47.360
much as long as he can and you'll see that right around here as he approaches

124
00:08:47.360 --> 00:08:51.760
impact it's still pretty close to that parallel to his chest so the club is

125
00:08:51.760 --> 00:08:55.640
well behind him the only way the club would stay well behind him for that long

126
00:08:55.640 --> 00:09:00.480
is it if he's powering it more with the body rotation and side bend and not

127
00:09:00.480 --> 00:09:00.720
with

128
00:09:00.720 --> 00:09:07.610
extension of the arms or chopping of the arms so then the last little piece

129
00:09:07.610 --> 00:09:07.960
would

130
00:09:07.960 --> 00:09:13.420
be to notice an area where we could potentially get some improvement because

131
00:09:13.420 --> 00:09:17.480
I believe there there's always something you can do to improve your swing if

132
00:09:17.480 --> 00:09:20.960
you're happy with it that's great go for it but some of these guys who are best

133
00:09:20.960 --> 00:09:24.360
in the world are constantly tinkering on their swings

134
00:09:24.360 --> 00:09:29.110
Adam Scott's not one of them so I think that and from a swing standpoint there

135
00:09:29.110 --> 00:09:29.120
's

136
00:09:29.120 --> 00:09:34.840
not a whole lot that I would change I'm going to show you an area where if we

137
00:09:34.840 --> 00:09:40.800
focus on what's going on up in this region we get an idea that there may be

138
00:09:40.800 --> 00:09:46.000
some some dysfunctional pattern there that could be impacting his short game

139
00:09:46.000 --> 00:09:51.120
especially his putting so what you'll normally see is down through this hitting

140
00:09:51.120 --> 00:09:54.760
area you would normally see a pretty pronounced movement of the shoulder

141
00:09:54.760 --> 00:09:59.280
girdle or the shoulder blade Adam doesn't really do that it's almost like

142
00:09:59.280 --> 00:10:06.120
his shoulder blades are fixed in in position on his rib cage so as a result

143
00:10:06.120 --> 00:10:10.040
what you'll tend to see is you'll see a little bit more of a comp compensation

144
00:10:10.040 --> 00:10:17.160
through his neck which allows that shoulder to by by compensating with his

145
00:10:17.160 --> 00:10:20.560
neck kind of tucking his chin and turning his head more to the right that's

146
00:10:20.560 --> 00:10:20.680
gonna

147
00:10:20.680 --> 00:10:25.080
oh that's going to mimic the movement of having the shoulder working a little

148
00:10:25.080 --> 00:10:30.280
bit more around you'll see the to the right part a little bit more from the

149
00:10:30.280 --> 00:10:35.920
face-on so right about now as the arms want to extend he's he's bringing his

150
00:10:35.920 --> 00:10:40.640
head towards his shoulders as he's bringing his neck forward so he's using

151
00:10:40.640 --> 00:10:45.200
this muscle called the sternocal item mastoid to really create some tension

152
00:10:45.200 --> 00:10:48.400
on the top of the shoulder girdle which will make the arm stronger when it then

153
00:10:48.400 --> 00:10:54.600
goes to extend but the big thing you'll see is as he goes through there's not a

154
00:10:54.600 --> 00:10:58.640
ton of shoulder blade movement and I like this camera angle because it's so

155
00:10:58.640 --> 00:11:04.840
clear and you can see because Adam has pretty pronounced back you can see a lot

156
00:11:04.840 --> 00:11:09.240
of the lines that make up some of the muscles around the shoulder blades you

157
00:11:09.240 --> 00:11:15.640
can see that there's some movement but not a whole lot the white shirts are

158
00:11:15.640 --> 00:11:22.800
usually the easiest to see this so here's an example of Brent Snedeker and you

159
00:11:22.800 --> 00:11:30.160
can see through the ball just kind of the edge of his scapula and then through

160
00:11:30.160 --> 00:11:30.400
the

161
00:11:30.400 --> 00:11:38.160
ball you'll kind of see the shoulder blade working a little bit more around

162
00:11:38.160 --> 00:11:42.080
kind of like so again this isn't going to be a problem for the full swing in

163
00:11:42.080 --> 00:11:46.160
fact what he's doing there is going to provide a lot of safety and civility but

164
00:11:46.160 --> 00:11:49.720
it looks like it's a little bit locked up the place where that would show up

165
00:11:49.720 --> 00:11:56.360
would be more of putting because as guys like Stan Utley have demonstrated when

166
00:11:56.360 --> 00:12:01.040
your shoulder blades have free mobility it makes it a little bit easier to

167
00:12:01.040 --> 00:12:04.480
control the path and the movement with more of the elbows and shoulders and a

168
00:12:04.480 --> 00:12:10.640
lot less with the hands and wrists so I had a little trouble finding a good

169
00:12:10.640 --> 00:12:10.920
face

170
00:12:10.920 --> 00:12:17.800
on camera of his short putter putting stroke but you'll see that there's a

171
00:12:17.800 --> 00:12:24.120
little bit more of an arm in hand release as the movement appears to be

172
00:12:24.120 --> 00:12:29.120
happening a little bit more below the elbows and in the spine not a ton here

173
00:12:29.120 --> 00:12:34.320
in the shoulder griddle this actually fits a little bit better with his long

174
00:12:34.320 --> 00:12:39.400
putter style because this can pretty much lock the scapula in place and then

175
00:12:39.400 --> 00:12:44.600
it's really easy to control the face but just by having more of the movement at

176
00:12:44.600 --> 00:12:49.040
the ribcage and the grip position pretty much takes the wrist out so he's

177
00:12:49.040 --> 00:12:52.680
effectively locked this all into one lever and then controls it a lot with

178
00:12:52.680 --> 00:12:55.560
his body he's already shown with his full swing that he's really good at

179
00:12:55.560 --> 00:13:00.440
controlling precision and the location of of where this club is swinging by

180
00:13:00.440 --> 00:13:04.320
using his body so this makes a lot of sense for him it'll be interesting to

181
00:13:04.320 --> 00:13:09.520
see how he holds up to transition transitioning to the short stroke for

182
00:13:09.520 --> 00:13:13.320
this upcoming year where the long putter is gonna be banned so if you like the

183
00:13:13.320 --> 00:13:16.520
way we break this down head on over to GolfSmart Academy and check out our

184
00:13:16.520 --> 00:13:20.160
membership program we're in all the drills that help you build a solid

185
00:13:20.160 --> 00:13:24.000
transition and release and some of the key concepts that we discussed here in

186
00:13:24.000 --> 00:13:26.440
this video

Have questions about this video?

Ask Mulligan for personalized guidance on technique, drills, or how to apply what you've learned.

Ask Mulligan
Related topics
This video hasn't been assigned to any topics yet. Browse all topics in the sidebar.
Subscribe now for full access to our video library. Subscribe now