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How to Analyze Adam Scott's Arm Shallowing for Better Swings
After this video, you'll be able to:
- Identify key movements in Adam Scott's transition and downswing.
- Understand how arm shallowing contributes to swing efficiency.
- Learn to apply body sequencing to improve your swing power.
In this analysis of Adam Scott's swing, you'll learn about the crucial movements that define his technique, particularly focusing on arm shallowing and body sequencing. Understanding these mechanics can improve your own swing dynamics.
Video Transcript
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In this swing analysis video we're gonna take a look at Adam Scott. Now Adam
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Scott
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has one of the best swings of our era as far as a lot of the geometry so I'm
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not just gonna sit here and play through a swing and tell you how perfect the
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club looks there or at the top of the swing or etc. We're gonna get into some
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of the details of some of the key movements that makes his swing look the
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way that it does, function the way that it does, and potentially gives him a
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little bit of trouble when it gets to putting. So hopefully you'll enjoy this
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analysis video as we take a look at some of the key movements of the
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transition and downswing for Adam Scott. So the two key movements that we will
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look at in transition are going to be the arm shallowing and the sequencing or
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how he's powering the swing with his total body. So first let's look at this
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arm shallowing move. He's one of the examples that
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people use of look he just brings his arms straight back down on kind of the
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same position or same plane that he was swinging back on. Now what I'll say is
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okay that's fine I'm not saying that the club is making a huge major shallowing
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move I'm saying that the arms are because if we take this position here in
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the backswing you can see where his chest and where his pelvis are facing and
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you
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can see that the elbow actually let's go a little bit further back so we can
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see
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you can see the elbow there is pointing pretty close to straight down towards
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the ground. It's got a little bit of internal rotation but it's pointing
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pretty much down towards the ground. So what will happen is from the top of the
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swing as he starts down now his arm is pointing a little bit more out but the
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big thing is compared to his body if his arms and club are in a relatively
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similar position to where they were in the backswing so right around here then
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if his body has completely changed by definition his arms have also changed in
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order to maintain that same space. It's kind of like if I had you standing up
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on
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a you know a wobbly board and your head was staying in the same place but your
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body was moving all over the place technically your neck is moving a lot
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in order to keep your head still even though it looks like your head is
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staying still. So if his arms don't look like they've changed a whole lot but
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his
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body looks like it's changed a ton he's made some major arm and shoulder
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movements in order to attain that look. So what we'll see is the elbow is now
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pointing a little bit more down even though the body has rotated a significant
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amount. In order to make that happen the arms will have had to have rotated to
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the right of his body or shallow to a very good bit. You can see it a little
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bit
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from the face on view as well where the elbows pointing kind of straight down
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there and then as we go up towards the top of the swing and return back to that
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same position now the elbow is pointing kind of more out or well out in front
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of
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the golf ball as opposed to pointing straight down at about that same position
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or you know orientation compared to the camera. So even though it doesn't look
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like he's having this shallow move all the all the indicators are there and
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everything's pointing to the fact that his arms have shallowed a good bit
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during
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transition otherwise he wouldn't be able to have the body rotation that he's
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gonna have during the remainder of the downswing without getting too steep. So
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now let's take a look at one of my favorite topics which is how golfers
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power their swings. So we're gonna take a look at how Adam uses his entire body
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to power the swing. So I basically want you to look and kind of pay attention
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to
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these major joints. So what's happening at the foot ankle what's happening at
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the
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knee what's happening at the hip and then what's happening in the mid spine or
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just below the shirt buttons kind of in here. So what we'll see is as he goes
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up
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towards the top of the swing you'll see there's actually some movement in his
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foot. I'll show it in a little better camera angle or a little better camera
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quality view. But you'll see that there's an overall pattern of it looks like
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everything is moving together and yet if you were to go frame by frame it looks
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like the foot is moving slightly before the knee the knee slightly before the
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hip and the hips slightly before the chest. So there's this almost duality of
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trying to have clear sequencing of the lower body before the arms in club and
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before the upper body but then there's also this facial connection and you want
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to make sure that all the links between the bodies are not getting too
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disconnected. It's a key source for transferring power all the way to the
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arms in club and a lot of golfers even very good golfers don't have nearly the
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look of the connection between the different segments that Adam is
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demonstrating here. Now from the face-on view you'll again see that total body
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movement and you'll see a pretty quick weight shift where he gets his his hip
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over onto on top of that lead foot by about the time the lead arm is parallel
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and then he can really go into that bracing strategy as he goes into the
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release. For the arm and hand purposes he's got just classic release stuff so
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if you were to copy one position this position that he gets into I refer to
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as follow-through position indicates a lot of really good mechanics so he's got
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his pelvic tilt going on where his glutes are squeezing his hip is in
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extension you can see how he's got this really smooth curve going from his
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spine
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all the way down to his foot he's got great arm extension he's got full
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unhinging of the wrist so that the club is not past his hands he's it's just
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very good mechanically for what we want to do with the driver and if you're
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able to accomplish even attend to this you're probably gonna be a pretty good
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driver of the golf ball from the down the line view you can see that he hasn't
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really come out of his spine angle he's continued to to side bend as his arms
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are extending away there's just lots of really good pieces here that you would
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want to try to emulate so now I want to talk about two things one one that goes
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on with his feet so we can see that timing of how quickly he gets into his
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lead foot and then we're going to talk a little bit about a shoulder girdle so
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this is a really good quality clip here and I think that it helps you really
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visualize and see what's going on the timing of when a lot of these pressures
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and things tend to happen so you'll see from the face on view that it looks
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like
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he gets on to his left side pretty quickly so by the time that left arms
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parallel to the ground so I want you to see a neat little timing thing which is
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once he gets to right about there you'll see that foot shift back away from the
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line just slightly that foot would not be able to shift away from the line if
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he
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was still actively pushing through the ground so he's he's kind of pushed
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through
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the ground and it does his Jackson 5 or weight shift move but it's done by the
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time he gets to about here and then as he goes to rotate or transfer and start
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the bracing with that lead leg you'll tend to see that that trail foot is
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almost free-floating and shifts back just slightly so I know a lot of golfers
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try to really push through the the inside part of that foot all the way down
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into
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the into impact just want you see how quickly that weight shift move should
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happen if you're then kind of using more of your total body to swing the
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club as opposed to just using your arms if you tend to use your arms as the
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power source what you'll tend to see is you're going to shift to the that lead
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foot a little bit slower and use your lower body more as positioning instead
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of speed one of the ways you can tell that he's using his total body to create
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power is if we get it to this position you can see that the club shaft is
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roughly parallel to the target line is so is his chest so essentially the same
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thing is if he was standing up and he had the club parallel to his chest not
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perpendicular like if you take your normal address position right there the
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club is perpendicular to his chest but then at this point the club is still
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parallel or even behind his chest and he'll maintain that relationship pretty
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much as long as he can and you'll see that right around here as he approaches
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impact it's still pretty close to that parallel to his chest so the club is
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well behind him the only way the club would stay well behind him for that long
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is it if he's powering it more with the body rotation and side bend and not
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with
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extension of the arms or chopping of the arms so then the last little piece
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would
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be to notice an area where we could potentially get some improvement because
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I believe there there's always something you can do to improve your swing if
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you're happy with it that's great go for it but some of these guys who are best
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in the world are constantly tinkering on their swings
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Adam Scott's not one of them so I think that and from a swing standpoint there
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's
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not a whole lot that I would change I'm going to show you an area where if we
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focus on what's going on up in this region we get an idea that there may be
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some some dysfunctional pattern there that could be impacting his short game
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especially his putting so what you'll normally see is down through this hitting
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area you would normally see a pretty pronounced movement of the shoulder
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girdle or the shoulder blade Adam doesn't really do that it's almost like
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his shoulder blades are fixed in in position on his rib cage so as a result
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what you'll tend to see is you'll see a little bit more of a comp compensation
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through his neck which allows that shoulder to by by compensating with his
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neck kind of tucking his chin and turning his head more to the right that's
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gonna
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oh that's going to mimic the movement of having the shoulder working a little
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bit more around you'll see the to the right part a little bit more from the
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face-on so right about now as the arms want to extend he's he's bringing his
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head towards his shoulders as he's bringing his neck forward so he's using
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this muscle called the sternocal item mastoid to really create some tension
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on the top of the shoulder girdle which will make the arm stronger when it then
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goes to extend but the big thing you'll see is as he goes through there's not a
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ton of shoulder blade movement and I like this camera angle because it's so
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clear and you can see because Adam has pretty pronounced back you can see a lot
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of the lines that make up some of the muscles around the shoulder blades you
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can see that there's some movement but not a whole lot the white shirts are
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usually the easiest to see this so here's an example of Brent Snedeker and you
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can see through the ball just kind of the edge of his scapula and then through
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the
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ball you'll kind of see the shoulder blade working a little bit more around
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kind of like so again this isn't going to be a problem for the full swing in
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fact what he's doing there is going to provide a lot of safety and civility but
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it looks like it's a little bit locked up the place where that would show up
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would be more of putting because as guys like Stan Utley have demonstrated when
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your shoulder blades have free mobility it makes it a little bit easier to
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control the path and the movement with more of the elbows and shoulders and a
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lot less with the hands and wrists so I had a little trouble finding a good
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face
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on camera of his short putter putting stroke but you'll see that there's a
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little bit more of an arm in hand release as the movement appears to be
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happening a little bit more below the elbows and in the spine not a ton here
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in the shoulder griddle this actually fits a little bit better with his long
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putter style because this can pretty much lock the scapula in place and then
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it's really easy to control the face but just by having more of the movement at
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the ribcage and the grip position pretty much takes the wrist out so he's
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effectively locked this all into one lever and then controls it a lot with
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his body he's already shown with his full swing that he's really good at
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controlling precision and the location of of where this club is swinging by
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using his body so this makes a lot of sense for him it'll be interesting to
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see how he holds up to transition transitioning to the short stroke for
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this upcoming year where the long putter is gonna be banned so if you like the
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way we break this down head on over to GolfSmart Academy and check out our
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membership program we're in all the drills that help you build a solid
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transition and release and some of the key concepts that we discussed here in
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this video
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In this swing analysis video we're gonna take a look at Adam Scott. Now Adam
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Scott
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has one of the best swings of our era as far as a lot of the geometry so I'm
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not just gonna sit here and play through a swing and tell you how perfect the
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club looks there or at the top of the swing or etc. We're gonna get into some
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of the details of some of the key movements that makes his swing look the
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way that it does, function the way that it does, and potentially gives him a
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00:00:26.160 --> 00:00:31.400
little bit of trouble when it gets to putting. So hopefully you'll enjoy this
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00:00:31.400 --> 00:00:34.700
analysis video as we take a look at some of the key movements of the
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transition and downswing for Adam Scott. So the two key movements that we will
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look at in transition are going to be the arm shallowing and the sequencing or
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how he's powering the swing with his total body. So first let's look at this
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arm shallowing move. He's one of the examples that
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people use of look he just brings his arms straight back down on kind of the
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same position or same plane that he was swinging back on. Now what I'll say is
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okay that's fine I'm not saying that the club is making a huge major shallowing
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move I'm saying that the arms are because if we take this position here in
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the backswing you can see where his chest and where his pelvis are facing and
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you
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can see that the elbow actually let's go a little bit further back so we can
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see
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you can see the elbow there is pointing pretty close to straight down towards
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the ground. It's got a little bit of internal rotation but it's pointing
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pretty much down towards the ground. So what will happen is from the top of the
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swing as he starts down now his arm is pointing a little bit more out but the
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big thing is compared to his body if his arms and club are in a relatively
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similar position to where they were in the backswing so right around here then
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if his body has completely changed by definition his arms have also changed in
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order to maintain that same space. It's kind of like if I had you standing up
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on
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a you know a wobbly board and your head was staying in the same place but your
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body was moving all over the place technically your neck is moving a lot
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in order to keep your head still even though it looks like your head is
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staying still. So if his arms don't look like they've changed a whole lot but
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his
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body looks like it's changed a ton he's made some major arm and shoulder
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movements in order to attain that look. So what we'll see is the elbow is now
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pointing a little bit more down even though the body has rotated a significant
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amount. In order to make that happen the arms will have had to have rotated to
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the right of his body or shallow to a very good bit. You can see it a little
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bit
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from the face on view as well where the elbows pointing kind of straight down
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there and then as we go up towards the top of the swing and return back to that
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same position now the elbow is pointing kind of more out or well out in front
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of
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the golf ball as opposed to pointing straight down at about that same position
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or you know orientation compared to the camera. So even though it doesn't look
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like he's having this shallow move all the all the indicators are there and
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everything's pointing to the fact that his arms have shallowed a good bit
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during
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transition otherwise he wouldn't be able to have the body rotation that he's
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gonna have during the remainder of the downswing without getting too steep. So
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now let's take a look at one of my favorite topics which is how golfers
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power their swings. So we're gonna take a look at how Adam uses his entire body
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to power the swing. So I basically want you to look and kind of pay attention
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to
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these major joints. So what's happening at the foot ankle what's happening at
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the
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knee what's happening at the hip and then what's happening in the mid spine or
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just below the shirt buttons kind of in here. So what we'll see is as he goes
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up
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towards the top of the swing you'll see there's actually some movement in his
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foot. I'll show it in a little better camera angle or a little better camera
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quality view. But you'll see that there's an overall pattern of it looks like
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everything is moving together and yet if you were to go frame by frame it looks
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like the foot is moving slightly before the knee the knee slightly before the
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hip and the hips slightly before the chest. So there's this almost duality of
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trying to have clear sequencing of the lower body before the arms in club and
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before the upper body but then there's also this facial connection and you want
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to make sure that all the links between the bodies are not getting too
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disconnected. It's a key source for transferring power all the way to the
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arms in club and a lot of golfers even very good golfers don't have nearly the
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look of the connection between the different segments that Adam is
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demonstrating here. Now from the face-on view you'll again see that total body
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movement and you'll see a pretty quick weight shift where he gets his his hip
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over onto on top of that lead foot by about the time the lead arm is parallel
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and then he can really go into that bracing strategy as he goes into the
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release. For the arm and hand purposes he's got just classic release stuff so
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if you were to copy one position this position that he gets into I refer to
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as follow-through position indicates a lot of really good mechanics so he's got
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his pelvic tilt going on where his glutes are squeezing his hip is in
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extension you can see how he's got this really smooth curve going from his
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spine
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all the way down to his foot he's got great arm extension he's got full
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unhinging of the wrist so that the club is not past his hands he's it's just
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very good mechanically for what we want to do with the driver and if you're
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able to accomplish even attend to this you're probably gonna be a pretty good
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driver of the golf ball from the down the line view you can see that he hasn't
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really come out of his spine angle he's continued to to side bend as his arms
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are extending away there's just lots of really good pieces here that you would
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want to try to emulate so now I want to talk about two things one one that goes
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on with his feet so we can see that timing of how quickly he gets into his
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lead foot and then we're going to talk a little bit about a shoulder girdle so
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this is a really good quality clip here and I think that it helps you really
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visualize and see what's going on the timing of when a lot of these pressures
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and things tend to happen so you'll see from the face on view that it looks
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like
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he gets on to his left side pretty quickly so by the time that left arms
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parallel to the ground so I want you to see a neat little timing thing which is
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once he gets to right about there you'll see that foot shift back away from the
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line just slightly that foot would not be able to shift away from the line if
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he
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was still actively pushing through the ground so he's he's kind of pushed
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through
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the ground and it does his Jackson 5 or weight shift move but it's done by the
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time he gets to about here and then as he goes to rotate or transfer and start
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the bracing with that lead leg you'll tend to see that that trail foot is
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almost free-floating and shifts back just slightly so I know a lot of golfers
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try to really push through the the inside part of that foot all the way down
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into
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the into impact just want you see how quickly that weight shift move should
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happen if you're then kind of using more of your total body to swing the
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club as opposed to just using your arms if you tend to use your arms as the
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power source what you'll tend to see is you're going to shift to the that lead
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foot a little bit slower and use your lower body more as positioning instead
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of speed one of the ways you can tell that he's using his total body to create
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power is if we get it to this position you can see that the club shaft is
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roughly parallel to the target line is so is his chest so essentially the same
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thing is if he was standing up and he had the club parallel to his chest not
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perpendicular like if you take your normal address position right there the
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club is perpendicular to his chest but then at this point the club is still
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parallel or even behind his chest and he'll maintain that relationship pretty
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much as long as he can and you'll see that right around here as he approaches
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impact it's still pretty close to that parallel to his chest so the club is
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well behind him the only way the club would stay well behind him for that long
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is it if he's powering it more with the body rotation and side bend and not
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with
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extension of the arms or chopping of the arms so then the last little piece
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would
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be to notice an area where we could potentially get some improvement because
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I believe there there's always something you can do to improve your swing if
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you're happy with it that's great go for it but some of these guys who are best
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in the world are constantly tinkering on their swings
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Adam Scott's not one of them so I think that and from a swing standpoint there
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's
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not a whole lot that I would change I'm going to show you an area where if we
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focus on what's going on up in this region we get an idea that there may be
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some some dysfunctional pattern there that could be impacting his short game
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especially his putting so what you'll normally see is down through this hitting
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area you would normally see a pretty pronounced movement of the shoulder
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girdle or the shoulder blade Adam doesn't really do that it's almost like
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his shoulder blades are fixed in in position on his rib cage so as a result
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what you'll tend to see is you'll see a little bit more of a comp compensation
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through his neck which allows that shoulder to by by compensating with his
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neck kind of tucking his chin and turning his head more to the right that's
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gonna
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oh that's going to mimic the movement of having the shoulder working a little
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bit more around you'll see the to the right part a little bit more from the
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face-on so right about now as the arms want to extend he's he's bringing his
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head towards his shoulders as he's bringing his neck forward so he's using
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this muscle called the sternocal item mastoid to really create some tension
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on the top of the shoulder girdle which will make the arm stronger when it then
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goes to extend but the big thing you'll see is as he goes through there's not a
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ton of shoulder blade movement and I like this camera angle because it's so
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clear and you can see because Adam has pretty pronounced back you can see a lot
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of the lines that make up some of the muscles around the shoulder blades you
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can see that there's some movement but not a whole lot the white shirts are
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usually the easiest to see this so here's an example of Brent Snedeker and you
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can see through the ball just kind of the edge of his scapula and then through
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the
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ball you'll kind of see the shoulder blade working a little bit more around
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kind of like so again this isn't going to be a problem for the full swing in
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fact what he's doing there is going to provide a lot of safety and civility but
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it looks like it's a little bit locked up the place where that would show up
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would be more of putting because as guys like Stan Utley have demonstrated when
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your shoulder blades have free mobility it makes it a little bit easier to
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control the path and the movement with more of the elbows and shoulders and a
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lot less with the hands and wrists so I had a little trouble finding a good
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face
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on camera of his short putter putting stroke but you'll see that there's a
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little bit more of an arm in hand release as the movement appears to be
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happening a little bit more below the elbows and in the spine not a ton here
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in the shoulder griddle this actually fits a little bit better with his long
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putter style because this can pretty much lock the scapula in place and then
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it's really easy to control the face but just by having more of the movement at
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the ribcage and the grip position pretty much takes the wrist out so he's
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effectively locked this all into one lever and then controls it a lot with
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his body he's already shown with his full swing that he's really good at
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controlling precision and the location of of where this club is swinging by
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using his body so this makes a lot of sense for him it'll be interesting to
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see how he holds up to transition transitioning to the short stroke for
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this upcoming year where the long putter is gonna be banned so if you like the
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way we break this down head on over to GolfSmart Academy and check out our
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membership program we're in all the drills that help you build a solid
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transition and release and some of the key concepts that we discussed here in
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this video
Have questions?
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Tyler Ferrell is the only person in the world named to Golf Digest's list of
Best Young Teachers in America AND its list of Best Golf Fitness Professionals in America.
How to Analyze Adam Scott's Arm Shallowing for Better Swings
After this video, you'll be able to:
- Identify key movements in Adam Scott's transition and downswing.
- Understand how arm shallowing contributes to swing efficiency.
- Learn to apply body sequencing to improve your swing power.
In this analysis of Adam Scott's swing, you'll learn about the crucial movements that define his technique, particularly focusing on arm shallowing and body sequencing. Understanding these mechanics can improve your own swing dynamics.
Video Transcript
WEBVTT
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In this swing analysis video we're gonna take a look at Adam Scott. Now Adam
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Scott
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has one of the best swings of our era as far as a lot of the geometry so I'm
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not just gonna sit here and play through a swing and tell you how perfect the
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club looks there or at the top of the swing or etc. We're gonna get into some
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of the details of some of the key movements that makes his swing look the
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way that it does, function the way that it does, and potentially gives him a
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little bit of trouble when it gets to putting. So hopefully you'll enjoy this
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analysis video as we take a look at some of the key movements of the
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transition and downswing for Adam Scott. So the two key movements that we will
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look at in transition are going to be the arm shallowing and the sequencing or
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how he's powering the swing with his total body. So first let's look at this
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arm shallowing move. He's one of the examples that
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people use of look he just brings his arms straight back down on kind of the
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same position or same plane that he was swinging back on. Now what I'll say is
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okay that's fine I'm not saying that the club is making a huge major shallowing
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move I'm saying that the arms are because if we take this position here in
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the backswing you can see where his chest and where his pelvis are facing and
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you
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can see that the elbow actually let's go a little bit further back so we can
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see
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you can see the elbow there is pointing pretty close to straight down towards
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the ground. It's got a little bit of internal rotation but it's pointing
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pretty much down towards the ground. So what will happen is from the top of the
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swing as he starts down now his arm is pointing a little bit more out but the
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big thing is compared to his body if his arms and club are in a relatively
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similar position to where they were in the backswing so right around here then
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if his body has completely changed by definition his arms have also changed in
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order to maintain that same space. It's kind of like if I had you standing up
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on
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a you know a wobbly board and your head was staying in the same place but your
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body was moving all over the place technically your neck is moving a lot
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in order to keep your head still even though it looks like your head is
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staying still. So if his arms don't look like they've changed a whole lot but
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his
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body looks like it's changed a ton he's made some major arm and shoulder
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movements in order to attain that look. So what we'll see is the elbow is now
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pointing a little bit more down even though the body has rotated a significant
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amount. In order to make that happen the arms will have had to have rotated to
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the right of his body or shallow to a very good bit. You can see it a little
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bit
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from the face on view as well where the elbows pointing kind of straight down
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there and then as we go up towards the top of the swing and return back to that
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same position now the elbow is pointing kind of more out or well out in front
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of
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the golf ball as opposed to pointing straight down at about that same position
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or you know orientation compared to the camera. So even though it doesn't look
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like he's having this shallow move all the all the indicators are there and
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everything's pointing to the fact that his arms have shallowed a good bit
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during
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transition otherwise he wouldn't be able to have the body rotation that he's
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gonna have during the remainder of the downswing without getting too steep. So
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now let's take a look at one of my favorite topics which is how golfers
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power their swings. So we're gonna take a look at how Adam uses his entire body
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to power the swing. So I basically want you to look and kind of pay attention
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to
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these major joints. So what's happening at the foot ankle what's happening at
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the
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knee what's happening at the hip and then what's happening in the mid spine or
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just below the shirt buttons kind of in here. So what we'll see is as he goes
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up
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towards the top of the swing you'll see there's actually some movement in his
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foot. I'll show it in a little better camera angle or a little better camera
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quality view. But you'll see that there's an overall pattern of it looks like
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everything is moving together and yet if you were to go frame by frame it looks
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like the foot is moving slightly before the knee the knee slightly before the
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hip and the hips slightly before the chest. So there's this almost duality of
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trying to have clear sequencing of the lower body before the arms in club and
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before the upper body but then there's also this facial connection and you want
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to make sure that all the links between the bodies are not getting too
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disconnected. It's a key source for transferring power all the way to the
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arms in club and a lot of golfers even very good golfers don't have nearly the
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look of the connection between the different segments that Adam is
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demonstrating here. Now from the face-on view you'll again see that total body
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movement and you'll see a pretty quick weight shift where he gets his his hip
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over onto on top of that lead foot by about the time the lead arm is parallel
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and then he can really go into that bracing strategy as he goes into the
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release. For the arm and hand purposes he's got just classic release stuff so
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if you were to copy one position this position that he gets into I refer to
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as follow-through position indicates a lot of really good mechanics so he's got
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his pelvic tilt going on where his glutes are squeezing his hip is in
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extension you can see how he's got this really smooth curve going from his
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spine
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all the way down to his foot he's got great arm extension he's got full
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unhinging of the wrist so that the club is not past his hands he's it's just
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very good mechanically for what we want to do with the driver and if you're
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able to accomplish even attend to this you're probably gonna be a pretty good
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driver of the golf ball from the down the line view you can see that he hasn't
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really come out of his spine angle he's continued to to side bend as his arms
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are extending away there's just lots of really good pieces here that you would
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want to try to emulate so now I want to talk about two things one one that goes
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on with his feet so we can see that timing of how quickly he gets into his
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lead foot and then we're going to talk a little bit about a shoulder girdle so
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this is a really good quality clip here and I think that it helps you really
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visualize and see what's going on the timing of when a lot of these pressures
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and things tend to happen so you'll see from the face on view that it looks
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like
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he gets on to his left side pretty quickly so by the time that left arms
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parallel to the ground so I want you to see a neat little timing thing which is
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once he gets to right about there you'll see that foot shift back away from the
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line just slightly that foot would not be able to shift away from the line if
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he
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was still actively pushing through the ground so he's he's kind of pushed
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through
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the ground and it does his Jackson 5 or weight shift move but it's done by the
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time he gets to about here and then as he goes to rotate or transfer and start
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the bracing with that lead leg you'll tend to see that that trail foot is
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almost free-floating and shifts back just slightly so I know a lot of golfers
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try to really push through the the inside part of that foot all the way down
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into
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the into impact just want you see how quickly that weight shift move should
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happen if you're then kind of using more of your total body to swing the
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club as opposed to just using your arms if you tend to use your arms as the
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power source what you'll tend to see is you're going to shift to the that lead
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foot a little bit slower and use your lower body more as positioning instead
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of speed one of the ways you can tell that he's using his total body to create
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power is if we get it to this position you can see that the club shaft is
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roughly parallel to the target line is so is his chest so essentially the same
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thing is if he was standing up and he had the club parallel to his chest not
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perpendicular like if you take your normal address position right there the
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club is perpendicular to his chest but then at this point the club is still
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parallel or even behind his chest and he'll maintain that relationship pretty
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much as long as he can and you'll see that right around here as he approaches
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impact it's still pretty close to that parallel to his chest so the club is
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well behind him the only way the club would stay well behind him for that long
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is it if he's powering it more with the body rotation and side bend and not
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with
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extension of the arms or chopping of the arms so then the last little piece
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would
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be to notice an area where we could potentially get some improvement because
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I believe there there's always something you can do to improve your swing if
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you're happy with it that's great go for it but some of these guys who are best
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in the world are constantly tinkering on their swings
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Adam Scott's not one of them so I think that and from a swing standpoint there
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's
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not a whole lot that I would change I'm going to show you an area where if we
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focus on what's going on up in this region we get an idea that there may be
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some some dysfunctional pattern there that could be impacting his short game
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especially his putting so what you'll normally see is down through this hitting
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area you would normally see a pretty pronounced movement of the shoulder
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girdle or the shoulder blade Adam doesn't really do that it's almost like
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his shoulder blades are fixed in in position on his rib cage so as a result
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what you'll tend to see is you'll see a little bit more of a comp compensation
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through his neck which allows that shoulder to by by compensating with his
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neck kind of tucking his chin and turning his head more to the right that's
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gonna
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oh that's going to mimic the movement of having the shoulder working a little
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bit more around you'll see the to the right part a little bit more from the
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face-on so right about now as the arms want to extend he's he's bringing his
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head towards his shoulders as he's bringing his neck forward so he's using
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this muscle called the sternocal item mastoid to really create some tension
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on the top of the shoulder girdle which will make the arm stronger when it then
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goes to extend but the big thing you'll see is as he goes through there's not a
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ton of shoulder blade movement and I like this camera angle because it's so
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clear and you can see because Adam has pretty pronounced back you can see a lot
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of the lines that make up some of the muscles around the shoulder blades you
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can see that there's some movement but not a whole lot the white shirts are
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usually the easiest to see this so here's an example of Brent Snedeker and you
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can see through the ball just kind of the edge of his scapula and then through
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the
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ball you'll kind of see the shoulder blade working a little bit more around
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kind of like so again this isn't going to be a problem for the full swing in
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fact what he's doing there is going to provide a lot of safety and civility but
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it looks like it's a little bit locked up the place where that would show up
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would be more of putting because as guys like Stan Utley have demonstrated when
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your shoulder blades have free mobility it makes it a little bit easier to
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control the path and the movement with more of the elbows and shoulders and a
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lot less with the hands and wrists so I had a little trouble finding a good
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face
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on camera of his short putter putting stroke but you'll see that there's a
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little bit more of an arm in hand release as the movement appears to be
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happening a little bit more below the elbows and in the spine not a ton here
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in the shoulder griddle this actually fits a little bit better with his long
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putter style because this can pretty much lock the scapula in place and then
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it's really easy to control the face but just by having more of the movement at
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the ribcage and the grip position pretty much takes the wrist out so he's
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effectively locked this all into one lever and then controls it a lot with
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his body he's already shown with his full swing that he's really good at
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controlling precision and the location of of where this club is swinging by
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using his body so this makes a lot of sense for him it'll be interesting to
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see how he holds up to transition transitioning to the short stroke for
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this upcoming year where the long putter is gonna be banned so if you like the
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way we break this down head on over to GolfSmart Academy and check out our
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membership program we're in all the drills that help you build a solid
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transition and release and some of the key concepts that we discussed here in
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this video
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In this swing analysis video we're gonna take a look at Adam Scott. Now Adam
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Scott
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has one of the best swings of our era as far as a lot of the geometry so I'm
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not just gonna sit here and play through a swing and tell you how perfect the
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club looks there or at the top of the swing or etc. We're gonna get into some
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of the details of some of the key movements that makes his swing look the
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way that it does, function the way that it does, and potentially gives him a
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little bit of trouble when it gets to putting. So hopefully you'll enjoy this
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analysis video as we take a look at some of the key movements of the
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transition and downswing for Adam Scott. So the two key movements that we will
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look at in transition are going to be the arm shallowing and the sequencing or
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how he's powering the swing with his total body. So first let's look at this
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arm shallowing move. He's one of the examples that
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people use of look he just brings his arms straight back down on kind of the
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same position or same plane that he was swinging back on. Now what I'll say is
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okay that's fine I'm not saying that the club is making a huge major shallowing
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move I'm saying that the arms are because if we take this position here in
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the backswing you can see where his chest and where his pelvis are facing and
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you
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can see that the elbow actually let's go a little bit further back so we can
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see
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you can see the elbow there is pointing pretty close to straight down towards
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the ground. It's got a little bit of internal rotation but it's pointing
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pretty much down towards the ground. So what will happen is from the top of the
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swing as he starts down now his arm is pointing a little bit more out but the
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big thing is compared to his body if his arms and club are in a relatively
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similar position to where they were in the backswing so right around here then
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if his body has completely changed by definition his arms have also changed in
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order to maintain that same space. It's kind of like if I had you standing up
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on
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a you know a wobbly board and your head was staying in the same place but your
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body was moving all over the place technically your neck is moving a lot
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in order to keep your head still even though it looks like your head is
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staying still. So if his arms don't look like they've changed a whole lot but
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his
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body looks like it's changed a ton he's made some major arm and shoulder
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movements in order to attain that look. So what we'll see is the elbow is now
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pointing a little bit more down even though the body has rotated a significant
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amount. In order to make that happen the arms will have had to have rotated to
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the right of his body or shallow to a very good bit. You can see it a little
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bit
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from the face on view as well where the elbows pointing kind of straight down
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there and then as we go up towards the top of the swing and return back to that
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same position now the elbow is pointing kind of more out or well out in front
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of
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the golf ball as opposed to pointing straight down at about that same position
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or you know orientation compared to the camera. So even though it doesn't look
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like he's having this shallow move all the all the indicators are there and
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everything's pointing to the fact that his arms have shallowed a good bit
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during
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transition otherwise he wouldn't be able to have the body rotation that he's
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gonna have during the remainder of the downswing without getting too steep. So
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now let's take a look at one of my favorite topics which is how golfers
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power their swings. So we're gonna take a look at how Adam uses his entire body
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to power the swing. So I basically want you to look and kind of pay attention
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to
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these major joints. So what's happening at the foot ankle what's happening at
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the
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knee what's happening at the hip and then what's happening in the mid spine or
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just below the shirt buttons kind of in here. So what we'll see is as he goes
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up
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towards the top of the swing you'll see there's actually some movement in his
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foot. I'll show it in a little better camera angle or a little better camera
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quality view. But you'll see that there's an overall pattern of it looks like
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everything is moving together and yet if you were to go frame by frame it looks
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like the foot is moving slightly before the knee the knee slightly before the
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hip and the hips slightly before the chest. So there's this almost duality of
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trying to have clear sequencing of the lower body before the arms in club and
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before the upper body but then there's also this facial connection and you want
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to make sure that all the links between the bodies are not getting too
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disconnected. It's a key source for transferring power all the way to the
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arms in club and a lot of golfers even very good golfers don't have nearly the
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look of the connection between the different segments that Adam is
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demonstrating here. Now from the face-on view you'll again see that total body
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movement and you'll see a pretty quick weight shift where he gets his his hip
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over onto on top of that lead foot by about the time the lead arm is parallel
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and then he can really go into that bracing strategy as he goes into the
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release. For the arm and hand purposes he's got just classic release stuff so
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if you were to copy one position this position that he gets into I refer to
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as follow-through position indicates a lot of really good mechanics so he's got
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his pelvic tilt going on where his glutes are squeezing his hip is in
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extension you can see how he's got this really smooth curve going from his
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spine
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all the way down to his foot he's got great arm extension he's got full
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unhinging of the wrist so that the club is not past his hands he's it's just
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very good mechanically for what we want to do with the driver and if you're
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able to accomplish even attend to this you're probably gonna be a pretty good
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driver of the golf ball from the down the line view you can see that he hasn't
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really come out of his spine angle he's continued to to side bend as his arms
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are extending away there's just lots of really good pieces here that you would
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want to try to emulate so now I want to talk about two things one one that goes
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on with his feet so we can see that timing of how quickly he gets into his
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lead foot and then we're going to talk a little bit about a shoulder girdle so
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this is a really good quality clip here and I think that it helps you really
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visualize and see what's going on the timing of when a lot of these pressures
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00:06:44.560 --> 00:06:49.560
and things tend to happen so you'll see from the face on view that it looks
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like
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he gets on to his left side pretty quickly so by the time that left arms
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parallel to the ground so I want you to see a neat little timing thing which is
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once he gets to right about there you'll see that foot shift back away from the
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line just slightly that foot would not be able to shift away from the line if
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he
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was still actively pushing through the ground so he's he's kind of pushed
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through
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the ground and it does his Jackson 5 or weight shift move but it's done by the
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time he gets to about here and then as he goes to rotate or transfer and start
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the bracing with that lead leg you'll tend to see that that trail foot is
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almost free-floating and shifts back just slightly so I know a lot of golfers
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try to really push through the the inside part of that foot all the way down
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into
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the into impact just want you see how quickly that weight shift move should
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happen if you're then kind of using more of your total body to swing the
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club as opposed to just using your arms if you tend to use your arms as the
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power source what you'll tend to see is you're going to shift to the that lead
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foot a little bit slower and use your lower body more as positioning instead
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of speed one of the ways you can tell that he's using his total body to create
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power is if we get it to this position you can see that the club shaft is
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roughly parallel to the target line is so is his chest so essentially the same
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thing is if he was standing up and he had the club parallel to his chest not
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perpendicular like if you take your normal address position right there the
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club is perpendicular to his chest but then at this point the club is still
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parallel or even behind his chest and he'll maintain that relationship pretty
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much as long as he can and you'll see that right around here as he approaches
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impact it's still pretty close to that parallel to his chest so the club is
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well behind him the only way the club would stay well behind him for that long
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is it if he's powering it more with the body rotation and side bend and not
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with
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extension of the arms or chopping of the arms so then the last little piece
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would
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be to notice an area where we could potentially get some improvement because
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I believe there there's always something you can do to improve your swing if
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you're happy with it that's great go for it but some of these guys who are best
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in the world are constantly tinkering on their swings
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Adam Scott's not one of them so I think that and from a swing standpoint there
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's
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not a whole lot that I would change I'm going to show you an area where if we
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focus on what's going on up in this region we get an idea that there may be
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some some dysfunctional pattern there that could be impacting his short game
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especially his putting so what you'll normally see is down through this hitting
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area you would normally see a pretty pronounced movement of the shoulder
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girdle or the shoulder blade Adam doesn't really do that it's almost like
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his shoulder blades are fixed in in position on his rib cage so as a result
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what you'll tend to see is you'll see a little bit more of a comp compensation
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through his neck which allows that shoulder to by by compensating with his
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neck kind of tucking his chin and turning his head more to the right that's
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gonna
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oh that's going to mimic the movement of having the shoulder working a little
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bit more around you'll see the to the right part a little bit more from the
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face-on so right about now as the arms want to extend he's he's bringing his
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head towards his shoulders as he's bringing his neck forward so he's using
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this muscle called the sternocal item mastoid to really create some tension
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on the top of the shoulder girdle which will make the arm stronger when it then
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goes to extend but the big thing you'll see is as he goes through there's not a
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ton of shoulder blade movement and I like this camera angle because it's so
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clear and you can see because Adam has pretty pronounced back you can see a lot
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of the lines that make up some of the muscles around the shoulder blades you
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can see that there's some movement but not a whole lot the white shirts are
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usually the easiest to see this so here's an example of Brent Snedeker and you
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can see through the ball just kind of the edge of his scapula and then through
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the
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ball you'll kind of see the shoulder blade working a little bit more around
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kind of like so again this isn't going to be a problem for the full swing in
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fact what he's doing there is going to provide a lot of safety and civility but
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it looks like it's a little bit locked up the place where that would show up
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would be more of putting because as guys like Stan Utley have demonstrated when
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your shoulder blades have free mobility it makes it a little bit easier to
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control the path and the movement with more of the elbows and shoulders and a
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lot less with the hands and wrists so I had a little trouble finding a good
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face
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on camera of his short putter putting stroke but you'll see that there's a
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little bit more of an arm in hand release as the movement appears to be
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happening a little bit more below the elbows and in the spine not a ton here
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in the shoulder griddle this actually fits a little bit better with his long
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putter style because this can pretty much lock the scapula in place and then
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it's really easy to control the face but just by having more of the movement at
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the ribcage and the grip position pretty much takes the wrist out so he's
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effectively locked this all into one lever and then controls it a lot with
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his body he's already shown with his full swing that he's really good at
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controlling precision and the location of of where this club is swinging by
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using his body so this makes a lot of sense for him it'll be interesting to
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see how he holds up to transition transitioning to the short stroke for
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this upcoming year where the long putter is gonna be banned so if you like the
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way we break this down head on over to GolfSmart Academy and check out our
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membership program we're in all the drills that help you build a solid
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transition and release and some of the key concepts that we discussed here in
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this video
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